He studies every shade of expression when he wishes to influence the

envoys of foreign powers. We see this especially when he is adapting his

demeanour towards the Austrians with an eye to the Habsburg traditions.

He waits for the formal reception on his birthday, and then, faced by

the semicircle of the diplomats, he stops in front of Metternich to say:

“Well, Monsieur l’Ambassadeur, what does your emperor want? Would he like

me to come to Vienna?” This is calculated to intimidate the Austrian

envoy, and at the same time to advertise Napoleon’s threatening attitude

throughout Europe. But two days later, when Metternich comes to a private

interview, the Emperor says: “To-day, we won’t play at being Emperor of

the French and Austrian envoy. There is no audience now, so we need not

make any fine speeches.”

Shortly before the conclusion of the first peace with Austria, he wishes

to avoid meeting the defeated archduke in Schönbrunn, lest he should

commit himself prematurely to peace terms. He therefore arranges that

the meeting shall take place in a hunting lodge. “I shall spend only two

hours there: one of them will be occupied in having dinner, and the other

will be devoted to talk about the war and to mutual protestations of

respect.” When the First Consul receives Count Cobenzl, he has personally

arranged the stage in the Tuileries; writing-table in the corner; no

chairs, so that they will have to sit on the sofa; only one lamp, no

lights in the chandelier, although it is late in the evening. When

Talleyrand ushers in the Austrian, the room seems almost dark, and the

Consul, on the farther side of it, is scarcely visible; the stranger is

perplexed, and has to sit exactly where his host chooses.

He is even more subtle in his dealings with the princes. During the years

of his supreme power, he ceases to pay them visits. In Tilsit, he becomes

the host within two days; in Dresden, though he is the king of Saxony’s

guest, he plays the master. He avoids having anything to do with queens.

When Queen Louise pathetically implores justice, he begs her to sit down.

“Nothing interrupts a tragical scene more effectually than this. When

people sit down, tragedy becomes comedy.”

In his dealings with the peoples he was less happy, and his only

tolerable successes were secured with the French and the Italians. During

the Consulate, he said in the Council of State: “My policy is to rule

in accordance with the will of the majority. This, I think, implies the

recognition of the sovereignty of the people. I became a good Catholic

when I wanted to finish the war in Vendée; in Egypt, I was a Turk; when I

wished to win over the Italians, I was an ultramontane. If I reigned over

the Jews, I should rebuild Solomon’s temple. That is why I propose to

talk about freedom in that part of San Domingo where the slaves have been

liberated, while maintaining slavery in the other part of the island.”

His policy was not very successful in the negro republic; he did better

in Poland, which he tried to win over by festivities and phrases; and

better still with the Jews. These had been granted equal rights by

the revolution, and on the Rhine many of them were doing harm by the

practice of usury. Napoleon, who knew their value as traders, did not

have recourse to crude prohibitions. He bethought himself of Jewish laws

and customs; summoned to Paris their highest council, the Sanhedrin,

which had not met for centuries; left the decision to this body, and was

able to arrange that the supreme Jewish authority should forbid usury as

sinful. But in Spain he made a complete mess of things, overlooking the

risks he was running, and advising Joseph to make himself agreeable to

the whole nation “by instilling fear into the rabble.”

The Germans puzzled Napoleon most of all. They had everything he lacked,

and none of the things he had. He therefore, even in the midst of his

successes, regarded them with a mixture of fear and admiration; they

seemed to him uncanny. When he went to Erfurt and wished to influence

the German princes by the drama, he told the managing director not to

stage any comedies. “No one understands comedies on this bank of the

Rhine. Corneille’s _Cinna_ might be played, for therein great interests

are portrayed; then a scene depicting royal clemency, which would

certainly have a good effect.” He went on to misquote _Cinna_. Rémusat,

having put him right, said: “In this sacred office, to which God’s grace

has appointed the king, the past is justified, and the future is free.

He who is advanced to this office, cannot be held culpable; whatever he

does, he remains invulnerable.”

“Splendid!” exclaims the Emperor, “especially for the Germans, who

always cling to the same ideas, and are still talking about the death

of the duke of Enghien! We must broaden their moral outlook. That will

be good for people with melancholy ideas, the sort of persons with whom

Germany is filled.” It is as if he were talking about German music, of

which he knows practically nothing; but really he is thinking of German

philosophy. The one is as uncongenial to him as the other, for he is fond

of Italian arias and the wisdom of Voltaire, but says that “Kant is an

obscure writer.” This misconception of his prevents him from foreseeing

the possibility that so slow-moving a people may one day become inspired

with a passionate enthusiasm.

Perhaps the reason for the misinterpretation lies in the impracticability

of understanding the masses of a foreign nation. In northern Italy, he

did indeed make headway, for he was a young man, his ideas were naïve,

the yearning of the oppressed was still fresh in him; and he was the

herald of the revolution. But the dictator could no longer bring a torch

to foreign peoples. Nevertheless, he continued to watch the sentiments of

the masses. “A ruler should reign for the masses, without asking whether

he is pleasing Mr. So-and-So.... Men of mark look from above, and have

no party ties; one who belongs to a party, is a slave.” Such were his

principles, but his actions told another story.

The masses, even in France, saw a man who made himself dreaded. They

feared him for a decade, but became sceptical at his first failure. “A

ruler should be dignified in his demeanour towards the people,” says

Napoleon. “But he must not flatter the crowd, which will then think

itself cheated if he does not give it everything. You ask me why I make

threatening speeches? I make them in order to avoid having to do the

things I threaten!”

But this severity is, in the long run, out of keeping both with his own

simplicity of nature and with the instincts of the crowd. He could not

seduce the masses by the offer of fame and money, so he showed them

symbols: crowns and coronation ceremonies; courts and splendour and

princes: but the people felt the growing distance between them and their

ruler, and were not deceived.

When the people of Paris learned that the Emperor, in his theatre, would

no longer allow King Henry to say, “I tremble,” but only, “I shudder,”

because, though a king (being only a man) may tremble, he may not admit

it—the crowd must either feel angry or become derisive. But the crowd

did not hear the words in which the Emperor instructed Talma how to play

Cæsar:

“When Cæsar utters his long tirade against kingship, saying, ‘for me, in

whom the throne inspires nothing but contempt,’ he does not mean a word

of what he says. He only talks like that because he knows that his Romans

are standing behind him, and wishes to persuade them that the throne is

an abomination to him. In reality, it is already the goal of his desire.

Consequently those words ought not to be spoken with conviction.”

He wants to use religion, just as he uses the drama, that he may lull the

masses to sleep. Here is what the newmade Consul says to the Council of

State: “What I see in religion is, not the mystery of the incarnation,

but social order. It associates with heaven an idea of equality, which

prevents the poor from massacring the rich. Religion has the same sort

of value as vaccination. It gratifies our taste for the miraculous,

and protects us from quacks; for the priests are worth more than the

Cagliostros, the Kants, and all the German dreamers.... Society cannot

exist without inequality of property; but this latter cannot exist

without religion. One who is dying of hunger when the man next him is

feasting on dainties, can only be sustained by a belief in a higher

power, and by the conviction that in another world there will be a

different distribution of goods.”

Though he knows all this, and though he takes kindly measures for the

relief of the poor, he can never free his mind from thoughts of the

rabble and the mob. When he turns from contemplating the princes to

contemplating the masses, his contempt for his fellows diminishes, but

not enough. The masses, like the princes, are to be used for his own

ends. He says: “The men of intelligence who have changed the world,

have never done so by influencing the leaders, but have always set the

masses in motion. He who influences princes is only an intriguer, and his

results are second rate; but he who moves the masses, changes the face of

the earth.” Democracy came between him and the people; and what he has to

say about parliamentarism is not creative but critical:

“The republic is the political form which elevates the soul and contains

the germ of great things: but, precisely because of its greatness, it

will sooner or later perish; for it needs a unified authority to maintain

its power, and this must lead either to despotism or to a patriciate.

The latter is the worst of despotisms; Rome, Venice, England, and even

France are instances. If the republic wishes to attain greatness, the

central authority must be established upon a permanent parliamentary

majority; ... but this can be secured only by corruption, which is the

cancer of the peoples, and a terrible weapon in the hands of the central

authority. The liberals have discovered the expedient of constitutional

monarchy. That is a mezzo termine, which has its advantages, but only

when the popular assembly, whose business it is to bridle the monarchical

authority, is elected by universal suffrage.”

Napoleon recognised the existence of all the problems that confronted

the nineteenth century; but he never understood the social problem, with

which his own story began.

VII

Imagination, the third element of his personality, is the real driving

force of his self-confidence and his energy. Continually at war with

the calculating part of his nature, fantasy, in the end, brings this

harbourer of opposites to destruction. The imaginative power, which

links the poet to the statesman (enabling both unceasingly to dwell

in the affective world of strangers as well as in their own), is also

the source of his knowledge of men and his guide to the management of

men. But always his energy interacts with other qualities. One who, for

analytical purposes, would force the living whole of his character into

the framework of a system, cannot avoid, from time to time, breaking

threads that he may bind other threads together.

“I know not what I do, for everything depends on events. I have not a

will of my own, but expect everything from their outcome.... The greater

one is, the less can one have a will. One is always dependent upon events

and circumstances.” Such words, casually introduced into a letter from

husband to wife, express the distantly visible forms of his fantasy; for

only the imaginative man, not tied to systems and principles, trusts

himself to the movements of the moments, allows his spirit to roam

freely, and discovers his course as he goes. In this sense, his whole

career is improvisation, though in the converse way from that in which

most people improvise. He calculated little things in advance with great

precision; whereas his worldwide designs were originated, transformed,

improvised, in accordance with circumstances and developments. “One who

has become familiar with affairs, despises all theories, and makes use

of them only like the geometricians, not in order to move forward in a

straight line, but merely to keep heading in the same direction.”

This direction, this fundamental idea of the statesman, was, moreover,

only possible in a man whose mind was simultaneously imaginative and

mathematical. It is his most ardent vision and his coolest calculation;

it is his political aim, his hope, his ambition: Europe. If this vision

could be realised only by force of arms, that was because of the

fierceness with which the first republic of Europe was again and again

attacked by the European princes. We have seen how earnestly he strove

for peace. No doubt he chose his means badly, his error being due to

the time, the circumstances, and his own domineering character. But his

mistakes as to method still leave undiminished the genius of the seer

who looked forward towards an aim which was again to become an object of

statesmanship a hundred years after his fall.

“There are in Europe more than thirty million Frenchmen, fifteen million

Italians, thirty million Germans.... Out of each of these peoples, I

wanted to make a united national whole.... That would have supplied

the best chance of establishing a general unity of laws; a unity of

principles and thoughts and feelings, of outlooks and interests.... Then

it would have been possible to think of founding the United States of

Europe after the model of the United States of America or of the Greek

Amphictyonic League.... What perspectives of strength, greatness, and

prosperity this opens up!... For France, unity has been wrought; in

Spain, it has proved unattainable; to establish the Italian nation, I

should have needed twenty years; to make the Germans a nation, would

have required still more patience, and all I could do was to simplify

their monstrous constitution. At the same time, I wanted to pave the

way for the unification of the great interests of Europe, just as I

had unified the parties in France.... The transient mutterings of the

peoples troubled me little; they would have been reconciled to me by

the result.... _Europe would soon have become one nation, and any who

travelled in it would always have been in a common fatherland.... Sooner

or later, this union will be brought about by the force of events. The

first impetus has been given; and, after the fall and the disappearance

of my system, it seems to me that the only way in which an equilibrium

can be achieved in Europe is through a league of nations._”

Here there is no talk of a dictatorial welding together of different

stocks, or of an enthusiastic fraternisation. He speaks only of

interests, and of a preliminary unification of these on a national and

racial basis. The work of the nineteenth century was to inaugurate the

preliminaries by the establishment of the nations. The twentieth century

opens with the realisation of the Napoleonic idea.

VIII

The effects underlying his energy and his imagination are dominated by

the clarity of his thought. Napoleon hated less, and loved more, than he

would have been willing to admit. In this domain, we find the converse of

what happens in the matter of his sympathies in war time, when a million

men are coldly sacrificed, while one man wounded and bleeding touches him

to the heart. Since his fantasy needs enormous masses, he is enraged when

Joseph says: “I am the only person who cares for you.” Napoleon rejoins:

“Nothing of the sort. I need five hundred million men to love me.” In

these icy words glows the volcano which one of his school masters heard

rumbling long ago.

Emotionally convinced of his mission to order the affairs of the

nations, he deliberately rejects anything that may distract him from this

aim, and nothing sustains him but his monomania. Even in the drama, he

objects to the interweaving of love stories, saying: “Love is a passion

which should only be the main theme of a tragedy, and never a subsidiary

motif.... In the days of Racine, it was the whole content of a human

life. That happens in a society where no great deeds are being done.”

If love becomes intrusive, he annuls it. “I have no time to be bothered

with feelings and to repent them like other men.... There are two

motives to action: self-interest and fear. Believe me, love is a foolish

blindness!... I love no one, not even my brothers—Joseph a little, from

force of habit, and because he is the elder. I am fond of Duroc, too;

he is serious and resolute; I believe the man has never shed tears in

his life!... Let us leave sensibilities to women. Men should be firm of

heart and strong of will, or else they should have nothing to do with

war or governance.” Another time: “The only friend I have is Daru; he is

unfeeling and cold; that suits me.” Last of all, in St. Helena: “A man of

fifty has done with love.... I have an iron heart. I never really loved;

perhaps Josephine, a little; but then I was only seven-and-twenty. I

incline to the view of Gassion, who once said to me that he did not love

life well enough to give it to another being.”

Always half ashamed of his feelings; ever ready to make excuses for them;

“perhaps,” “a little.” Yet this is the same man who said: “I am the slave

of my way of feeling and acting, for I value the heart much more than the

head.” This very feeling is his fantasy.

One in whom egotism is supreme, will be more inclined to jealousy than

to love. His first letters to Josephine show him devoured by jealousy.

Years later, as Consul, when he is inspecting his new bridge in course of

construction across the Seine, he has to step aside with his companions

for a moment to let a carriage pass. In the carriage sits Hippolyte,

his sometime rival. That was long ago; everything has been condoned;

the man’s name is never mentioned in his presence. But now, at a chance

encounter in the street, Bonaparte grows pale and confused, and takes a

little while to recover composure.

From time to time, he shows an involuntary kindliness. On one of the

Italian battle-fields, he sees a dog howling over the dead body of its

master. “The poor beast seemed to be asking for an avenger, or begging

help. I was profoundly moved by the dog’s suffering, and at that moment

I should have been very much in the mood to grant quarter to an enemy. I

understood why Achilles surrendered Hector’s body to the weeping Priam.

Such is man; so little can he count upon his moods. Impassively I had

sent my soldiers into the battle; dry-eyed I had watched them marching

past in an advance where thousands of them would meet their fate; then I

was shaken to the depths by the howling of a dog.”

Affectionate tones are to be heard in many of his letters. To Cambacérès:

“I am so sorry to hear that you are not well. I hope it is only a passing

trouble. If you did not take so much medicine, you would be better

already.... But anyhow, you must do your utmost to get well, if only

because of my friendship for you.” To Corvisart: “Dear Doctor, I wish

you would see to the arch-chancellor and to Lacépède: the former has

been ailing for a week, and I am afraid he is in the hands of a quack;

Lacépède’s wife has been ill for some time. Give them the benefit of your

advice, and cure them as soon as you can. You will save the life of a man

of note, and one who is very dear to me.”

Chénier, who has written against him for years, is assisted by him in

poverty and given a secure position. Carnot, for ten years an enemy of

the Emperor, is heavily in debt; Napoleon learns this, settles the debts,

and refuses to hear of being given a note of hand; reckons up the pay

which Carnot would have received as general in active service, makes this

calculation the basis of a large pension; and when Carnot says he would

like to do some work for his money, Napoleon commissions him to write

a military treatise, lest his pensioner should have to undertake duties

that might go against the grain.

During the Hundred Days, learning that some of the Bourbon princes

are greatly distressed for lack of money, he sends them large sums

anonymously. On one occasion his secretary is asleep, and he himself has

nothing particular to do; he looks through a pile of begging letters, and

writes in the margin of each the amount of an allowance which is to be

given to the sender. Hundreds of officers whom, in fits of anger, he has

sworn to have shot, remain at their posts—to forsake him in the end. When

he orders Jerome to get a divorce, he is alarmed at his own harshness.

After he has written to enforce his command with threats he sends a

letter to his mother saying that she had better write to Jerome at once

and get his sisters to write as well, “for if I have passed judgment on

him, nothing can alter it, and his life will be spoiled.”

From his few friends, he demands blind devotion. Never is the

self-centred nature of Napoleon more plainly shown than in the words the

exile speaks to Montholon, from whom he has been temporarily estranged:

“I love you like a son, for I believe that you love me only; otherwise

you could not love me at all. According to my way of feeling, it is not

in our nature to love several persons at once. People deceive themselves

in these matters; they cannot even love all their children with the same

intensity. For my part, at any rate, I want to be the supreme object of

affection in the case of those whom I love and honour with my confidence.

I cannot bear partings. They stab me to the heart, for my disposition is

too sensitive; spiritual poison affects the body more powerfully than

arsenic.”

Logically enough, he dislikes western views concerning the enlightenment

of women. He always hankers after the East, and in this matter he is an

oriental. “Nature intended women to be our slaves; and it is only because

of our distorted outlooks that they venture to describe themselves as

our rulers.... For one who can influence us in a good direction, there

are a hundred who will only lead us into follies.... What a mad idea to

demand equality for women! They are our property, we are not theirs; for

they give us children, but we do not give them any. They belong to us,

just as a tree which bears fruit belongs to the gardener.... In this

difference, there is nothing degrading; every one has his privileges, and

every one his duties. You, ladies, have beauty, attractiveness; but also

dependence.”

IX

Throughout life, the imagination of this creator was troubled by the

thought of the Creator. This ruler of men was greatly disturbed that

there should be no one who ruled all men. It was not that he ever

regarded himself as divine; he laughed at all mystical interpretations

of his own power: but there was one great power which remained

uncoercible—no matter whether it were called God, destiny, or death. How

do self-confidence and fantasy escape from this snare?

First of all by the rejection of dogma. “My firm conviction is that Jesus

... was put to death like any other fanatic who professed to be a prophet

or a Messiah; there have been such persons at all times. For my part,

I turn from the New Testament to the Old, and there I find one man of

mark, Moses.... Besides, how could I accept a religion which would damn

Socrates and Plato?... I cannot believe that there is a god who punishes

and rewards, for I see honest folk unlucky, and rogues lucky. Look at

Talleyrand; he is sure to die in his bed!... How could I have remained

independent if I had been subject to the influence of a confessor to

threaten me with the pains of hell? Think what powers a confessor who is

a rascal can exercise!...”

In this matter he is consistent; from childhood, when he would not

go to Mass, until the end of his life, he rejected (for himself) all

the religions. The man who, in his own life, would not recognise the

existence of miracle, and ascribed everything that he was able to achieve

to the working of the healthy human understanding, boldness, power of

combination, knowledge of men, and imagination, could not possibly

believe in the miracles recorded in the Bible. He was perfectly logical

when he told one of his subordinates it was impossible that two million

men could have quenched their thirst at the Wells of Moses.

Even more uncongenial to him is any dread of a great assize. He does not

talk about morality; or at most, he does so with some political end in

view. Only towards the last, on the island, he says once in an evening

conversation with his intimates: “How happy should we be here if I could

confide my troubles to God, and could expect from him happiness and

salvation! Have I not a just claim to it? I, who have had so unusual a

career, have never committed a crime, and need not fear to step before

God’s judgment seat and await his sentence. Never has the thought of

committing a murder entered my mind.”

Napoleon(#79253) · 第 47 / 56 段