1699 or 1708. Dutch school; landscape painter, pupil of Jan Wynants.
In 1660–75 studied from nature on a journey through Germany and
Switzerland; to judge from his pictures must have visited Italy.
Lingelbach, Adriaan van de Velde, Wouwerman, and Berchem frequently
supplied the figures in his pictures. Works: Stag-Hunt, National
Gallery, London; Landscape, Stafford House, ib.; Avenue of Ash Trees,
Landscape, Amsterdam Museum; Mountainous Landscape, Rotterdam Museum;
do., and Landscape with Cattle, Copenhagen Gallery; Hunting Scene,
Old Pinakothek, Munich; Italian Landscape with Herds, Berlin Museum;
High-Road with Figures, Dresden Gallery; Grove with Stag-Hunt,
Hermitage, St. Petersburg; Italian Landscape, Historical Society, New
York; others in Städel Gallery, Frankfort, and Liechtenstein Gallery,
Vienna.--Immerzeel, ii. 5; Kugler (Crowe), ii. 483; Kramm, ii. 622.
HACKER, HORST, born in Leipsic in 1842. Landscape painter, pupil in
Munich of Richard Zimmermann, visited Italy, Switzerland, and the
Austrian Alps. Works: The Wetterhorn; Obersee near Berchtesgaden;.
New Axen Road near Flüelen; Smithy in Winter; Moonlight Night; Lake
of Vierwaldstädt; View in Rosenlaui Valley.--Müller, 230.
HACKERT, JACOB PHILIPP, born at Prenzlau, Brandenburg, Sept. 15,
1737, died at Careggi, near Florence, April 28, 1807. German school;
landscape painter, pupil of his father, Philipp, and in Berlin
Academy of Le Sueur. After visiting Stralsund (1762), the Isle of
Rügen, and Stockholm, he went to Paris in 1765, painted in Normandy,
and rapidly acquired a name and wealth; with his brother, Johann
Gottlieb, he went to Rome in 1768, and there established his fame
by six pictures representing the Naval Battle at Tschesme and the
Burning of the Turkish Fleet, painted by order of Catharine II.
In 1772 he visited London, returned to Italy, and in 1786 became
court-painter to the King of Naples, and enjoyed much distinction,
until the revolution caused him to leave for Florence in 1799.
He bought a villa at Careggi in 1803. Although one of the most
noteworthy landscape painters of the 18th century, he was a clever
mannerist, who by his many pictures attained to greater reputation
than he deserved. Works: Italian Landscape, Cassel Gallery; He-Goat
at a Brook (1776), Weimar Museum; Ideal Landscapes (2, 1782), Gotha
Museum; Coast View with Kunsthalle, Hamburg; Italian Landscape
(1794), Oldenburg Gallery. He had four brothers, all painters: Karl
Ludwig (1740–1800), Johann Gottlieb (1744–73), Wilhelm (1748–80),
and Georg Abraham (1755–1805). They followed their brother to
Italy, where they often worked conjointly, and for many Englishmen,
the Pope, the Emperor Joseph II., Catherine II., and the court of
Naples.--Allgem. d. Biogr., x. 295; Brockhaus, viii. 688; Goethe,
Phil. Hackert.
HADAMARD, AUGUSTE, born at Metz, Dec. 1, 1823, died in 1886.
Genre painter, pupil of Delaroche. Works: Jewish Passover Feast
(1847); Interior of Studio; Baking-Room; Forbidden Fruit (1869);
Temptation; Reprimand (1870); Between Cat and Dog, The Absent
(1872); Franc-Tireur Watching; The Women and the Secret (1874);
Fée-aux-Mouettes, Fantasia (1883); Good Little Corner, A Bad
Character (1884); Road to Switzerland, Evening Song (1885). He
illustrated Ch. Blanc’s “Histoire des peintres de toutes les écoles.”
HADES, DESCENT INTO, _Tintoretto_, S. Cassiano, Venice. “A somewhat
haggard Adam, a graceful Eve, two or three Venetians in court dress,
and a Satan represented as a handsome youth, recognizable only by the
claws on his feet. Much injured and little to be regretted.” Painted
in 1568. Probably mostly scholars’ work.--Ruskin, Stones of Venice,
iii. 290; Zanotto, 383.
HADRIAN, Roman Emperor (117–138 A.D.), amateur painter and sculptor.
The fulsome panegyrics of his admirers are no evidence of his
artistic ability.--Aurel. Vict., Epit. de Cæs., 14, 2; Dion Cas.,
lxix. 4.
HAECHT, TOBIAS VAN. See _Verhaegt_.
HAEFTEN, NICOLAAS VAN, sometimes called Walraven, born at Gorcum (?),
flourished in 1677–1709. Dutch school; genre and portrait painter,
chiefly of scenes in low life. Works: Scissors-Grinders at Cards,
Company in Tavern amused by Smoking Monkey, Basle Museum; Fishseller
(1704), Suermondt Museum, Aix-la-Chapelle.
HAENSBERGEN (Haansberge), JOHANNES VAN, born in Utrecht in 1642, died
at The Hague in 1705. Dutch school; landscape and portrait painter,
pupil of Poelenburg, whom he imitated successfully. Works: Diana
and Callisto, Stuttgart Gallery; The Man with the Skull, Augsburg
Gallery; Portrait, Berlin Museum; Annunciation to the Shepherds,
Adoration of the Shepherds, Adoration of Magi, Assumption, Landscape,
Dresden Museum; Italian Landscapes (6), St. John Preaching, Portrait
of a Lady (1686), Schwerin Gallery.--Immerzeel, ii. 4; Kramm, ii. 620.
HAERT, HENRICUS VAN DER, born at Louvain about 1796, died in Ghent,
Oct. 5, 1846. History and genre painter, pupil of Ghent Academy,
then of Jacquin and David; in 1841 became professor and director
of Ghent Academy, which he thoroughly reorganized. Works: Three
Children mourning their Mother’s Death; Expulsion of Hagar, Ghent
Museum.--Immerzeel, ii. 7; Kramm, ii. 628.
HAFFTEN, KARL VON, born at Wismar, Mecklenburg, Jan. 29, 1834.
Landscape painter, pupil of Munich Academy after having visited,
from 1849 to 1856, England and Scotland, North America, Brazil, and
Australia. After three years in Munich he spent one year in Italy,
attracted especially by the ruins at Pola, Istria; took part in the
campaigns of 1866 and 1870, exhibited his works in Dresden for the
benefit of the Albert Union in 1873, and settled in Berlin in 1874.
Works: Moonlight on the Coast (1858), Schwerin Gallery; several in
Collection of Emperor of Germany.--Schlie, 28.
[Illustration: Dismissal of Hagar, Guercino, Brera, Milan.]
HAGAR, DISMISSAL OF, _Guercino_, Brera, Milan; canvas, H. 3 ft. 8 in.
× 5 ft. Abraham sending away Hagar. This picture was much admired by
Lord Byron. Hagar, her face red with weeping, holds her son by the
hand and turns her eyes to the patriarch. Sarah, in purple, is seen
further back. Half-figures. Acquired in 1811 from Galleria Sampieri,
Bologna. Engraved by R. Strange.
HAGBORG, AUGUST, born at Gothenburg, Sweden; contemporary. Genre
and landscape painter, pupil of Stockholm Academy and in Paris of
Palmaroli. Medal, Paris, 3d class, 1879. Works: Spring Tide in La
Manche (1879), Luxembourg Museum; In the Cemetery of Tourville
(1883); An Alarm (1884); Preparation for Fishing, Fisherman’s
Daughter (1885); Fisherwoman, Charles Crocker, San Francisco; First
Quarrel, J. A. Scudder, St. Louis.
HAGEMANS, MAURICE; contemporary. Landscape painter in Brussels.
Works: March Sun near Chimay; Pond of Forge-Gérard; Meadow with Birch
Trees.
HAGEN, BLANCA VON, born in Breslau, Nov. 4, 1842. Portrait and
genre painter, studied in Berlin and Dresden, then pupil in Munich
of Benczur, and in Berlin of Gussow; visited Italy and Paris, and
settled in Berlin. Works: Wallachian Girl; After Mass; On an Art
Tour; Hagar and Ishmael; At the Sick-bed.--Müller, 230.
[Illustration: Inititals]
HAGEN, JORIS VAN DER (Verhagen), died at The Hague, buried May
23, 1669. Dutch school; landscape painter, strongly influenced by
Ruysdael. Settled at The Hague in 1642, and was one of the founders
there, of the new painters’ guild, Pictura, in 1656. His pictures
are truthful in details, but the colouring is dark and heavy. Works:
Two Landscapes, Louvre; View near Arnheim (1649), View in Gueldres,
Hague Museum; View over Canals, Museum, Amsterdam; Hilly Landscape
with Felled Tree, Town Hall, ib.; Dutch Landscape with Cattle, Berlin
Museum; Evening Landscape, River Shore, Carlsruhe Gallery; Landscape
with Stag-hunt (figures by Lingelbach), Kunsthalle, Hamburg;
Landscapes (2) with Figures (by J. le Duc), two others, Copenhagen
Gallery.--Allgem. d. Biogr., x. 339; Burger, i. 151, 267; De Stuers,
40.
[Illustration: Bust]
HAGEN, THEODOR, born at Düsseldorf, May 24, 1842. Landscape painter,
pupil of Düsseldorf Academy under Andreas and Karl Müller, then of
Oswald Achenbach; travelled in Switzerland and the Tyrol, became, in
1871, professor at, and in 1877 director of, the Weimar Art School;
resigned his professorship in 1881. Works: Westphalian Landscape;
Approaching Storm; Guffern Alp; St. Gothard Road; Kanderthal in
Switzerland; View at Scheveningen; Rhenish City in Evening Light
(1879), Dresden Gallery; Storm Landscape, Breslau Museum.--Müller,
230.
[Illustration: Bust]
HAGHE, LOUIS, born at Tournay, March 17, 1806, died at Stockwell,
England, March 9, 1885. History and genre painter, pupil of Chevalier
de la Barrière, a French emigrant, whom he afterwards assisted in
the publication of views in Belgium; went to London in 1823, where
he participated in the publication of several lithographic works,
and afterwards took up painting in water-colours; in 1835 became
member of the Institute of Painters in Water Colours, and afterwards
its president. Member of Antwerp Academy; Order of Leopold; Medals:
1834, 1855. Painted with his left hand. Works: War Council at
Courtray (1839), National Gallery, London; Scene at Convent Gate
of S. Geronimo (1840); Oath of Vargas (1841); Cromwell with the
Letter of Charles I., The Town Hall of Courtray (1843); Last Moments
of Zurbaran (1844); Ferdinand with Rubens (1845); Rubens painting
the _Chapeau_ de Paille, Interior of Brewers’ Corporation Room at
Antwerp, Staircase in the House of that Corporation (1846); Meeting
Room (1847); Capuchin Monks at Matins, Chaffoir in Town Hall of
Mons, Michelangelo attending his Sick Servant Urbino (1848); Vespers
in Church of St. Anne, Bruges (1849); Miseries of War, Guard-Room
(1850); Interior of St. Gomer, Sierre (1851); Audience Chamber of
Magistrates of Bruges--Visit of Marguerite of Parma (1852); Happy
Trio, Salle d’Armes in Castle of Salzburg (1853); Corps de Garde
(1854); Holy Water Vase in St. Peter’s, Rome, Post-Office at Albano,
Convivial Meeting of Brewers’ Corporation at Antwerp, Fair Reckoner,
Comfortable Quarters, The Report, Work first and Play afterwards
(1855); Choir of Santa Maria Novella, Florence (1856, first picture
in oil); Antechamber in Tribunal of Inquisition, Venice, View of
Ducal Palace, ib., Town Hall of Oudenarde (1856); Sunny Hours (1857,
in oil); Incident in Life of Cornelis Vroom, Public Letter-Writer in
Rome, Remains of Portico of Octavia, Rome (1857); The Spy, Peter Boel
arranging his Model, Drinking Song, Transept of St. Mark’s, Venice
(1858).--Art Journal (1854), 256; (1859), 13; Athen. (1885), i. 352;
Kramm, ii. 630; Müller, 231.
[Illustration: Bust]
HAGN, LUDWIG (KARL HEINRICH) VON, born in Munich, Nov. 23, 1820.
Genre painter, pupil in Berlin of Krause, then of Munich and Antwerp
Academies, at the latter under Wappers, and in 1847–50 at Brussels
of Eugène de Block; lived then successively in Brussels, Berlin
(1850–53), where by the pictures of Menzel and those in the palaces
at Potsdam and Sans Souci he was led to the cultivation of rococo
subjects, and Paris (1853–55), and settled in Munich, whence he
visited Rome and Florence (1863–65). Member of Munich Academy since
1867. Works: Unwelcome Wooing (1851), Schwerin Gallery; The Sweet
Tooth, Musical Entertainment (1861); Alchemist (1862); Promissory
Note; Walk in Versailles; Conversation in the Park (1860), New
Pinakothek, Munich; Italian Garden Scenes (2), Schack Gallery, ib.;
Sunday Walk (1863); Fish Market in Rome (1865); Goldoni (1866);
Bowling Alley (1867); Roman Library (1868); Munich Beer Cellar
(1869); Duel in 17th Century; Hall in Versailles; Faring Minstrels;
Garden Scene in 18th Century; Walk in the Woods; Contrasts; Audience
with Pope Leo XIII. (1880); Tintoretto in the Scuola di San Rocco
(1881); Procession of Corpus Christi in Munich in last Century
(1884), City Hall, Munich.--Brockhaus, viii. 706; Müller, 231; Graph.
K., v. 43; Kunst-Chronik, xix. 352; Leixner, D. mod. K., ii. 93.
HAILER, MAX, born in Munich in 1818. History painter, pupil of Munich
Academy under Schlotthauer, painted for four years under Cornelius
in the Ludwigskirche. Works: Baptism of Duke Theodore and his Son,
Ratisbon Cathedral; Emperor Charles VII., Kaisersaal, Frankfort.
HAL, JACOB VAN, born at Antwerp, Aug. 27, 1672, died there, April 20,
1750. Flemish school; history painter, pupil of one Marcus Lommelin;
dean of the guild in 1705. Works: Fall of Manna, Adoration of the
Holy Sacrament, St. James’s, Antwerp; Nativity, Jesuit College,
ib.--Van den Branden, 1168.
HALAUSKA, LUDWIG, born at Waidhofen, Nether Austria, in 1827, died
in Vienna, April 29, 1882. Landscape painter, pupil of Steinfeld,
but studied mostly from nature, travelling through the mountainous
districts of Tyrol, Styria, and Bavaria, and on the Rhine. Member of
Vienna Academy since 1870. Works: Calm Lake (1864); Morning in the
Mountains (1865); Church Ruin in Evening Light (1866); Old Earthwork
near Landeck (1867), Austrian Art Union; Mountain-Brook in Storm
(1868), Vienna Academy; Summer Landscape from Main Country; Burgau on
Atter Lake; Village on the Main, Vienna Museum; View near St. Andrä;
View near Salzburg; Ferry on the Main.--Müller, 232; Wurzbach, vii.
230; Zeitsch., x. (Mittheilungen, iii. 74).
HALBREITER, ULRICH, born at Freising, July 11, 1812, died in Munich,
Nov. 26, 1877. History painter, pupil of the Munich Academy under
Schlotthauer, whom he accompanied to Upper Italy (1834). After he had
assisted Heinrich Hess in the Basilica, and Cornelius in the fresco
of the St. Louis Church in Munich, he spent three years in Athens,
painting historical scenes in the Royal Palace, and at the end of
1843 went to Constantinople, Egypt, and through the desert via Jaffa
to Jerusalem, of which city he painted a panorama (18 ft. × 100 ft.,
Lateran, Rome). Works: Battle at Karbonissi, Devastation of the Morea
under Ibrahim Pasha; Defence of Missolonghi, Royal Palace, Athens;
Adoration of the Shepherds (1846); Assumption (1851).--Allgem. d.
Biogr., x. 403; Allgem. Zeitg., Dec. 19, 1877, Beilage, 353.
HALE, E. MATTHEW, born in England; contemporary. Genre painter.
Exhibits chiefly in Grosvenor Gallery. Works: Psyche’s Toil in Venus’
Garden (1879); Three Princesses (1881); Psyche before Venus, Irish
Flower Garden (1883); Going to the Play, Criticism (1884); In the
Days of Phidias (1885).
HALE, WILLIAM MATTHEW, born in England; contemporary. Landscape and
marine painter; associate of Society of Painters in Water Colours
since 1871. Works: Glen Logan, Loch Maree (1873); On the Coast of
Somerset, Great Rock of Coigach (1878); Twilight in a Coombe (1881).
HALEN, ARNOUD (Arend) VAN, died in Amsterdam in 1732. Dutch school;
portrait painter, signed his name often Aquila; started, under the
title Pan Poëticon Batavum, a collection of portraits of Dutch
poets, of which he painted two hundred. Other works: Portraits of
Jan van Huysum, Isaak Moucheron, Gerard de Lairesse; Woman with
Book.--Immerzeel, ii. 9; Kramm, i. 25; ii. 631.
HALEN, PEETER VAN, born at Antwerp, baptised Jan. 12, 1612, died
there, buried May 22, 1687. Flemish school; landscape painter; master
of the guild in 1641, dean in 1650. Supplied his landscapes with many
highly finished small figures. Work, The Deluge, Cassel Gallery. Van
den Branden, 915.
HALL, GEORGE HENRY, born in Boston in 1825. Subject and figure
painter; studied in Düsseldorf in 1849, and painted in Paris in
1850–52; sketched in Spain in 1860 and 1866; elected N.A. in 1868.
Visited Italy in 1872, Egypt and Cairo in 1875. Professional life
passed chiefly in New York. Studio in Rome (1884). Works: Group of
Spanish Children (1868); Young Lady of Seville and her Duenna (1870);
Seasons, 4 pictures (1871), Richard Butler, New York; Pomegranates
(1874); April Showers (1876), Graziella, Governor Fairbanks; Spice
Bazaar--Cairo (1879); Studies of Grapes, J. J. Astor, New York;
Turner’s Shop--Catskill (1880); Bric-à-Brac of Damascus, Rome, and
Seville (1881); Catskill Mountain Laurels, Peaches (1882); Window in
Venice, Strawberries (1883).--Tuckerman, 483.
HALL, SYDNEY P., born at Newmarket in 1842. Genre and portrait
painter, pupil of Royal Academy and of Arthur Hughes; special artist
of London Graphic. Accompanied Prince of Wales to India in 1876 as
staff artist. Works: Review in Windsor Park--July 10, 1877, Queen
visiting Camp at Ascot Heath--1877 (1878); Chapter of Order of
Star of India--Calcutta, January 1, 1876 (1880), painted for Lord
Northbrook; Their First Voyage (1882); Duke and Duchess of Teck
receiving Officers of Indian Contingent (1883); Descent on Italy,
portraits of Princesses Louise, Victoria, and Maud of Wales (1884); A
Lord Chamberlain, Portrait of Major-General Earle (1885).
HALLATZ, EMIL, born in Frankfort-on-the-Oder in 1837. Animal painter,
pupil of Berlin Academy and of Steffeck; went in 1862 to Paris to
study the works of Troyon and Rosa Bonheur, and visited Italy in
1863. Works: Percheron Horses; Crossing Jutland Frontier; Importation
of Grain into Normandy (1868); Herd in Approaching Storm; Stag Hunt
(1872); Village Scene; Coast Scene near Dieppe; Journey of the three
Magi; Life-boat; Festive Riding at Harvest (1875); Snow-storm in
the Puszta; The Old Hypochondriacs in the Stable (1876); Horses on
Towing-Path (1877).
HALLÉ, C. E.; contemporary. Figure and portrait painter. Son of the
eminent musician Charles Hallé. Exhibits chiefly in the Grosvenor
Gallery. Works: Little Blue-Stocking, Friends, the Gareloch,
Arrochar, Nuremberg (1877); Rain Cloud (1878); To God and My Love’s
Right Arm (1879); Cup of Tea, St. George and Dragon, Premi! (1880);
Dance of Shepherdesses, Wild Boar Hunt (1881); Nora Creena, Judith,
Preparations (1882); Youth and Age, Hebe, Phyllis (1883); Feeding the
Pigeons, An Unfrequented Path, portrait of Mary Anderson (1884); The
Mirror, Pets, Fortune-Teller, two portraits (1885).
[Illustration: Signature]
HALLÉ, CLAUDE GUY, born in Paris, Jan. 17, 1652, died there, Nov.
5, 1736. French school; history painter, son and pupil of Daniel H.
(history painter, 1631–75); won first prize of the Academy in 1675.
Painted many well-composed, but not always well-drawn, pictures for
French churches and palaces. Member of Academy, 1682; professor,
1702; rector, 1736. Works: St. Paul preventing his Jailer from
killing Himself, Louvre; Christ driving out Money-Changers (1686);
Annunciation, Notre Dame; Submission of the Doge of Genoa to Louis
XIV., Versailles Museum; St. Nicholas giving Alms, Grenoble Museum;
Io changed into a Cow; Jesus at Emmaus; Holy Family; Sacrifice to
Cupid.--Bellier de la Chavignerie, i. 737; Jal, 670; Lejeune, Guide,
iii. 121.
[Illustration: Signature]
HALLÉ, NOEL, born in Paris, Sept. 2, 1711, died there, June 5, 1781.
French school; history painter, son and pupil of Claude Guy Hallé;
won 2d grand prix in 1734, and grand prix de Rome in 1736. Though a
good draughtsman, he was weak in composition and colour. He became
Member of Academy, 1748; professor in 1755, assistant rector and
treasurer in 1777, and rector in 1781; superintendent of Gobelins
in 1771; director of the School of Art in Rome in 1775–77; Member
of Order of St. Michael, 1777. Works: Delilah cutting Samson’s Hair
(1734); Passage of the Red Sea (1736); Dispute between Minerva and
Neptune (1748), Fontainebleau; Flight into Egypt (1759), Archbishop
Flavian interceding for Inhabitants of Antioch (1762), Orléans
Museum; St. Vincent de Paul Preaching (1761), Church of St. Louis,
Versailles; Ceiling of Baptistery, St. Sulpice, Paris; Autumn,
Geniuses of Poetry, History, Physics, and Astronomy (1761), Simon the
Athenian (1777); Cornelia, Mother of the Gracchi (1779).--Bellier de
la Chavignerie, i. 737; Jal, 670; Larousse; Lejeune, Guide, i. 238.
HALLEZ, G. J., born at Frameries, near Mons, July 18, 1769, died in
Brussels, May 18, 1840. Genre and portrait painter, pupil of Mons
Academy, where he won all the prizes; in 1787 travelled through
France, and after his return was called to Brussels to paint
portraits of the Emperor of Austria and other high personages; in
1796 was made professor at the central school of the Department
Jemappes, and afterwards director of Mons Academy; settled in
Brussels in 1839. Member of Antwerp Academy in 1817. Works: Marshal
Beaulieu and Count van Zoon (1811); Young Mother and Child in Grotto;
Jupiter’s Awakening; Return (1813); Inundation Scene (1833); many
portraits.--Immerzeel, ii. 10.
HALLMANN, ANTON, born at Hanover in 1812, died at Leghorn, Aug.
29, 1845. Architecture painter, and renowned architect, pupil in
Hanover of Hellner, then of Munich Academy; in 1833 walked to Rome,
and in 1834 to Naples; returned to Munich in 1839, then went to St.
Petersburg, and thence to London and Paris; in 1841 returned to Rome,
and in 1842 visited Dresden. Works: Convent Garden near Fossa Nova
(1841); Five pictures illustrating Song of Mignon (1842); Day in
Cyprus (1843); Decayed Villa in Evening Light (1845).--Brockhaus,
viii. 738; Cotta’s Kunstbl., 1846; Faber, vi. 356.
[Illustration: Initials]
HALS, DIRK, born in Haarlem before 1600, died there, buried May 17,
1656. Dutch school; genre painter, brother and pupil of Frans the
elder. His works, usually representing soldiers, cavaliers, and
women, eating, drinking, dancing, or listening to music, were painted
between 1620 and 1653. His style has some analogy with that of Peter
de Hooch; the predominant tone is a cool gray, lending great harmony
to the light colours; only in his later works a warmer brownish
tone is apparent. He painted figures in Dirk van Deelen’s pictures.
Works: Merry Party, National Gallery, London; Assembly in a Park
(about 1616), Louvre, Paris; Lady at the Piano, Museum, Amsterdam;
Five Senses (1624), D. Franken, ib.; Ball-Scene (1628, interior by
Van Deelen), N. J. W. Smallenburg, The Hague; The Topers (1627),
Berlin Museum; Conversation-pieces (two 1636, one 1653), Figure
of Rommelpotspeeler, Amalienstift, Dessau; Merry Party, Stuttgart
Museum; Two Cavaliers and a Lady, Kunsthalle, Hamburg; Assembly
(1622), Gallery, Copenhagen; Game at Draughts (1635), Count Moltke,
ib.; Assembly of Ladies and Gentlemen, Musical Party (attributed to
A. Palamedesz), Gotha Museum; Loving Couple, Flute Lesson (1646),
Hausmann Collection, Hanover; Conversation-piece (1626), Peter von
Semenoff, St. Petersburg; do. (1628), Violoncello Player (attributed
to J. le Ducq), Academy, Vienna; Loving Couple on a Walk (1624),
Game of Tric-trac, Assembly, Liechtenstein Gallery, ib.; Assembly in
a Park (about 1620), Josef von Lippmann, ib.; Lute Player (1626),
formerly Gsell Collection, ib.; Reading a Letter, Bergamo Gallery;
Festival, Metropolitan Museum, New York.--Bode, Studien, 121, 613;
Burger, Musées, ii. 121; Gaz. des. B. Arts (1868), xxv. 390; Zahn,
Jahrbücher, 1871.
[Illustration: Bust]
[Illustration: Initials]