the Acacia. By day he hunted the beasts of the field, but at evening he
came and laid him down under the Acacia, on the top of whose flower was
his heart. And many days after that he built himself a house in the Valley
of the Acacia. But the gods were grieved for him; and the Sun said to
Khnum, “Make a wife for Bitiu, that he may not dwell alone.” So Khnum made
him a woman to dwell with him, who was perfect in her limbs more than any
woman on earth, for all the gods were in her. So she dwelt with him. But
one day a lock of her hair fell into the river and floated down to the
land of Egypt, to the house of Pharaoh’s washerwomen. The fragrance of the
lock perfumed Pharaoh’s raiment, and the washerwomen were blamed, for it
was said, “An odour of perfume in the garments of Pharaoh!” So the heart
of Pharaoh’s chief washerman was weary of the complaints that were made
every day, and he went to the quay, and there in the water he saw the lock
of hair. He sent one down into the river to fetch it, and, because it
smelt sweetly, he took it to Pharaoh. Then Pharaoh’s magicians were sent
for and they said, “This lock of hair belongs to a daughter of the Sun,
who has in her the essence of all the gods. Let messengers go forth to all
foreign lands to seek her.” So the woman was brought from the Valley of
the Acacia with chariots and archers and much company, and all the land of
Egypt rejoiced at her coming, and Pharaoh loved her. But when they asked
her of her husband, she said to Pharaoh, “Let them cut down the Acacia and
let them destroy him.” So men were sent with tools to cut down the Acacia.
They came to it and cut the flower upon which was the heart of Bitiu; and
he fell down dead in that evil hour. But the next day, when the elder
brother of Bitiu was entered into his house and had sat down, they brought
him a pot of beer and it bubbled, and they gave him a jug of wine and it
grew turbid. Then he took his staff and his sandals and hied him to the
Valley of the Acacia, and there he found his younger brother lying dead in
his house. So he sought for the heart of his brother under the Acacia. For
three years he sought in vain, but in the fourth year he found it in the
berry of the Acacia. So he threw the heart into a cup of fresh water. And
when it was night and the heart had sucked in much water, Bitiu shook in
all his limbs and revived. Then he drank the cup of water in which his
heart was, and his heart went into its place, and he lived as before.(842)
In the story of Seyf-el-Mulook in the Arabian Nights, the Jinnee declares,
“When I was born, the astrologers declared that the destruction of my soul
would be effected by the hand of one of the sons of the human kings. I
therefore took my soul, and put it into the crop of a sparrow, and I
imprisoned the sparrow in a little box, and put this into another small
box, and this I put within seven other small boxes, and I put these within
seven chests, and the chests I put into a coffer of marble within the
verge of this circumambient ocean; for this part is remote from the
countries of mankind, and none of mankind can gain access to it.” But
Seyf-el-Mulook got possession of the sparrow and strangled it, and the
Jinnee fell upon the ground a heap of black ashes.(843) In a modern
Arabian tale a king marries an ogress, who puts out the eyes of the king’s
forty wives. One of the blinded queens gives birth to a son whom she names
Mohammed the Prudent. But the ogress queen hated him and compassed his
death. So she sent him on an errand to the house of her kinsfolk the
ogres. In the house of the ogres he saw some things hanging from the roof,
and on asking a female slave what they were, she said, “That is the bottle
which contains the life of my lady the queen, and the other bottle beside
it contains the eyes of the queens whom my mistress blinded.” A little
afterwards he spied a beetle and rose to kill it. “Don’t kill it,” cried
the slave, “for that is my life.” But Mohammed the Prudent watched the
beetle till it entered a chink in the wall; and when the female slave had
fallen asleep, he killed the beetle in its hole, and so the slave died.
Then Mohammed took down the two bottles and carried them home to his
father’s palace. There he presented himself before the ogress queen and
said, “See, I have your life in my hand, but I will not kill you till you
have replaced the eyes which you took from the forty queens.” The ogress
did as she was bid, and then Mohammed the Prudent said, “There, take your
life.” But the bottle slipped from his hand and fell, the life of the
ogress escaped from it, and she died.(844)
In a Kabyl story an ogre declares that his fate is far away in an egg,
which is in a pigeon, which is in a camel, which is in the sea. The hero
procures the egg and crushes it between his hands, and the ogre dies.(845)
In a Magyar folk-tale, an old witch detains a young prince called Ambrose
in the bowels of the earth. At last she confided to him that she kept a
wild boar in a silken meadow, and if it were killed, they would find a
hare inside, and inside the hare a pigeon, and inside the pigeon a small
box, and inside the box one black and one shining beetle: the shining
beetle held her life, and the black one held her power; if these two
beetles died, then her life would come to an end also. When the old hag
went out, Ambrose killed the wild boar, took out the hare, from the hare
he took the pigeon, from the pigeon the box, and from the box the two
beetles; he killed the black beetle, but kept the shining one alive. So
the witch’s power left her immediately, and when she came home, she had to
take to her bed. Having learned from her how to escape from his prison to
the upper air, Ambrose killed the shining beetle, and the old hag’s spirit
left her at once.(846) In another Hungarian story the safety of the
Dwarf-king resides in a golden cockchafer, inside a golden cock, inside a
golden sheep, inside a golden stag, in the ninety-ninth island. The hero
overcomes all these golden animals and so recovers his bride, whom the
Dwarf-king had carried off.(847) A Samoyed story tells how seven warlocks
killed a certain man’s mother and carried off his sister, whom they kept
to serve them. Every night when they came home the seven warlocks used to
take out their hearts and place them in a dish, which the woman hung on
the tent-poles. But the wife of the man whom they had wronged stole the
hearts of the warlocks while they slept, and took them to her husband. By
break of day he went with the hearts to the warlocks, and found them at
the point of death. They all begged for their hearts; but he threw six of
their hearts to the ground, and six of the warlocks died. The seventh and
eldest warlock begged hard for his heart, and the man said, “You killed my
mother. Make her alive again, and I will give you back your heart.” The
warlock said to his wife, “Go to the place where the dead woman lies. You
will find a bag there. Bring it to me. The woman’s spirit is in the bag.”
So his wife brought the bag; and the warlock said to the man, “Go to your
dead mother, shake the bag and let the spirit breathe over her bones; so
she will come to life again.” The man did as he was bid, and his mother
was restored to life. Then he hurled the seventh heart to the ground, and
the seventh warlock died.(848)
In a Tartar poem two heroes named Ak Molot and Bulat engage in mortal
combat. Ak Molot pierces his foe through and through with an arrow,
grapples with him, and dashes him to the ground, but all in vain, Bulat
could not die. At last when the combat has lasted three years, a friend of
Ak Molot sees a golden casket hanging by a white thread from the sky, and
bethinks him that perhaps this casket contains Bulat’s soul. So he shot
through the white thread with an arrow, and down fell the casket. He
opened it, and in the casket sat ten white birds, and one of the birds was
Bulat’s soul. Bulat wept when he saw that his soul was found in the
casket. But one after the other the birds were killed, and then Ak Molot
easily slew his foe.(849) In another Tartar poem, two brothers going to
fight two other brothers take out their souls and hide them in the form of
a white herb with six stalks in a deep pit. But one of their foes sees
them doing so and digs up their souls, which he puts into a golden ram’s
horn, and then puts the ram’s horn in his quiver. The two warriors whose
souls have thus been stolen know that they have no chance of victory, and
accordingly make peace with their enemies.(850) In another Tartar poem a
terrible demon sets all the gods and heroes at defiance. At last a valiant
youth fights the demon, binds him hand and foot, and slices him with his
sword. But still the demon is not slain. So the youth asked him, “Tell me,
where is your soul hidden? For if your soul had been hidden in your body,
you must have been dead long ago.” The demon replied, “On the saddle of my
horse is a bag. In the bag is a serpent with twelve heads. In the serpent
is my soul. When you have killed the serpent, you have killed me also.” So
the youth took the saddle-bag from the horse and killed the twelve-headed
serpent, whereupon the demon expired.(851) In another Tartar poem a hero
called Kök Chan deposits with a maiden a golden ring, in which is half his
strength. Afterwards when Kök Chan is wrestling long with a hero and
cannot kill him, a woman drops into his mouth the ring which contains half
his strength. Thus inspired with fresh force he slays his enemy.(852)
In a Mongolian story the hero Joro gets the better of his enemy the lama
Tschoridong in the following way. The lama, who is an enchanter, sends out
his soul in the form of a wasp to sting Joro’s eyes. But Joro catches the
wasp in his hand, and by alternately shutting and opening his hand he
causes the lama alternately to lose and recover consciousness.(853) In a
Tartar poem two youths cut open the body of an old witch and tear out her
bowels, but all to no purpose, she still lives. On being asked where her
soul is, she answers that it is in the middle of her shoe-sole in the form
of a seven-headed speckled snake. So one of the youths slices her
shoe-sole with his sword, takes out the speckled snake, and cuts off its
seven heads. Then the witch dies.(854) Another Tartar poem describes how
the hero Kartaga grappled with the Swan-woman. Long they wrestled. Moons
waxed and waned and still they wrestled; years came and went, and still
the struggle went on. But the piebald horse and the black horse knew that
the Swan-woman’s soul was not in her. Under the black earth flow nine
seas; where the seas meet and form one, the sea comes to the surface of
the earth. At the mouth of the nine seas rises a rock of copper; it rises
to the surface of the ground, it rises up between heaven and earth, this
rock of copper. At the foot of the copper rock is a black chest, in the
black chest is a golden casket, and in the golden casket is the soul of
the Swan-woman. Seven little birds are the soul of the Swan-woman; if the
birds are killed the Swan-woman will die straightway. So the horses ran to
the foot of the copper rock, opened the black chest, and brought back the
golden casket. Then the piebald horse turned himself into a bald-headed
man, opened the golden casket, and cut off the heads of the seven birds.
So the Swan-woman died.(855) In a Tartar story a chief called Tash Kan is
asked where his soul is. He answers that there are seven great poplars,
and under the poplars a golden well; seven _Maralen_ (?) come to drink the
water of the well, and the belly of one of them trails on the ground; in
this _Maral_ is a golden box, in the golden box is a silver box, in the
silver box are seven quails, the head of one of the quails is golden and
its tail silver; that quail is Tash Kan’s soul. The hero of the story gets
possession of the seven quails and wrings the necks of six of them. Then
Tash Kan comes running and begs the hero to let his soul go free. But the
hero wrings the quail’s neck, and Tash Kan drops dead.(856) In another
Tartar poem the hero, pursuing his sister who has driven away his cattle,
is warned to desist from the pursuit because his sister has carried away
his soul in a golden sword and a golden arrow, and if he pursues her she
will kill him by throwing the golden sword or shooting the golden arrow at
him.(857)
A Malay poem relates how once upon a time in the city of Indrapoera there
was a certain merchant who was rich and prosperous, but he had no
children. One day as he walked with his wife by the river they found a
baby girl, fair as an angel. So they adopted the child and called her
Bidasari. The merchant caused a golden fish to be made, and into this fish
he transferred the soul of his adopted daughter. Then he put the golden
fish in a golden box full of water, and hid it in a pond in the midst of
his garden. In time the girl grew to be a lovely woman. Now the King of
Indrapoera had a fair young queen, who lived in fear that the king might
take to himself a second wife. So, hearing of the charms of Bidasari, the
queen resolved to put her out of the way. So she lured the girl to the
palace and tortured her cruelly; but Bidasari could not die, because her
soul was not in her. At last she could stand the torture no longer and
said to the queen, “If you wish me to die, you must bring the box which is
in the pond in my father’s garden.” So the box was brought and opened, and
there was the golden fish in the water. The girl said, “My soul is in that
fish. In the morning you must take the fish out of the water, and in the
evening you must put it back into the water. Do not let the fish lie
about, but bind it round your neck. If you do this, I shall soon die.” So
the queen took the fish out of the box and fastened it round her neck; and
no sooner had she done so, than Bidasari fell into a swoon. But in the
evening, when the fish was put back into the water, Bidasari came to
herself again. Seeing that she thus had the girl in her power, the queen
sent her home to her adopted parents. To save her from further persecution
her parents resolved to remove their daughter from the city. So in a
lonely and desolate spot they built a house and brought Bidasari thither.
Here she dwelt alone, undergoing vicissitudes that corresponded with the
vicissitudes of the golden fish in which was her soul. All day long, while
the fish was out of the water, she remained unconscious; but in the
evening, when the fish was put into the water, she revived. One day the
king was out hunting, and coming to the house where Bidasari lay
unconscious, was smitten with her beauty. He tried to waken her, but in
vain. Next day, towards evening, he repeated his visit, but still found
her unconscious. However, when darkness fell, she came to herself and told
the king the secret of her life. So the king returned to the palace, took
the fish from the queen, and put it in water. Immediately Bidasari
revived, and the king took her to wife.(858)
The last story of an external soul which I shall notice comes from Nias,
an island to the west of Sumatra, which we have visited more than once in
the course of this book. Once on a time a chief was captured by his
enemies, who tried to put him to death but failed. Water would not drown
him nor fire burn him nor steel pierce him. At last his wife revealed the
secret. On his head he had a hair as hard as a copper wire; and with this
wire his life was bound up. So the hair was plucked out, and with it his
spirit fled.(859)
§ 4.—The external soul in folk-custom.
Thus the idea that the soul may be deposited for a longer or shorter time
in some place of security outside the body, or at all events in the hair,
is found in the popular tales of many races. It remains to show that the
idea is not a mere figment devised to adorn a tale, but is a real article
of primitive faith, which has given rise to a corresponding set of
customs.
We have seen that in the tales the hero, as a preparation for battle,
sometimes removes his soul from his body, in order that his body may be
invulnerable and immortal in the combat. With a like intention the savage
removes his soul from his body on various occasions of real or imaginary
danger. Thus we have seen that among the Minahassa of Celebes, when a
family moves into a new house, a priest collects the souls of the whole
family in a bag, and afterwards restores them to their owners, because the
moment of entering a new house is supposed to be fraught with supernatural
danger.(860) In Southern Celebes when a woman is brought to bed the
messenger who fetches the doctor or the midwife always carries with him a
piece of iron, which he delivers to the doctor. The doctor must keep it in
his house till the confinement is over, when he gives it back, receiving a
fixed sum of money for doing so. The piece of iron represents the woman’s
soul, which at this critical time is believed to be safer out of her body
than in it. Hence the doctor must take great care of the piece of iron;
for if it were lost, the woman’s soul would assuredly, it is supposed, be
lost with it.(861)
Again, we have seen that in folk-tales a man’s soul or strength is
sometimes represented as bound up with his hair, and that when his hair is
cut off he dies or grows weak. So the natives of Amboina used to think
that their strength was in their hair and would desert them if it were
shorn. A criminal under torture in a Dutch Court of that island persisted
in denying his guilt till his hair was cut off, when he immediately
confessed. One man who was tried for murder endured without flinching the
utmost ingenuity of his torturers till he saw the surgeon standing with a
pair of shears. On asking what this was for, and being told that it was to
cut his hair, he begged they would not do it, and made a clean breast. In
subsequent cases, when torture failed to wring a confession from a
prisoner, the Dutch authorities made a practice of cutting off his
hair.(862) In Ceram it is still believed that if young people have their
hair cut they will be weakened and enervated thereby.(863) In Zacynthus
people think that the whole strength of the ancient Greeks resided in
three hairs on their breasts, and vanished whenever these hairs were cut;
but if the hairs were allowed to grow again, their strength returned.(864)
Again, we have seen that in folk-tales the life of a person is sometimes
so bound up with the life of a plant that the withering of the plant will
immediately follow or be followed by the death of the person.(865)
Similarly among the M’Bengas in Western Africa, about the Gaboon, when two
children are born on the same day, the people plant two trees of the same
kind and dance round them. The life of each of the children is believed to
be bound up with the life of one of the trees; and if the tree dies or is
thrown down, they are sure that the child will soon die.(866) In the
Cameroons, also, the life of a person is believed to be sympathetically
bound up with that of a tree.(867) Some of the Papuans unite the life of a
new-born child sympathetically with that of a tree by driving a pebble
into the bark of the tree. This is supposed to give them complete mastery
over the child’s life; if the tree is cut down, the child will die.(868)
After a birth the Maoris used to bury the navel-string in a sacred place
and plant a young sapling over it. As the tree grew, it was a _tohu
oranga_ or sign of life for the child; if it flourished, the child would
prosper; if it withered and died, the parents augured the worst for their
child.(869) In Southern Celebes, when a child is born, a cocoa-nut is
planted, and is watered with the water in which the after-birth and
navel-string have been washed. As it grows up, the tree is called the
“contemporary” of the child.(870) So in Bali a cocoa-palm is planted at
the birth of a child. It is believed to grow up equally with the child,
and is called its “life-plant.”(871) On certain occasions the Dyaks of
Borneo plant a palm-tree, which is believed to be a complete index of
their fate. If it flourishes, they reckon on good fortune; but if it
withers or dies, they expect misfortune.(872) It is said that there are
still families in Russia, Germany, England, France, and Italy who are
accustomed to plant a tree at the birth of a child. The tree, it is hoped,
will grow with the child, and it is tended with special care.(873) The
custom is still pretty general in the canton of Aargau in Switzerland; an
apple-tree is planted for a boy and a pear-tree for a girl, and the people
think that the child will flourish or dwindle with the tree.(874) In
Mecklenburg the after-birth is thrown out at the foot of a young tree, and
the child is then believed to grow with the tree.(875) In England persons
are sometimes passed through a cleft tree as a cure for rupture, and
thenceforward a sympathetic connection is believed to exist between them
and the tree. “Thomas Chillingworth, son of the owner of an adjoining
farm, now about thirty-four years of age, was, when an infant of a year
old, passed through a similar tree, now perfectly sound, which he
preserves with so much care that he will not suffer a single branch to be
touched, for it is believed that the life of the patient depends on the
life of the tree; and the moment that it is cut down, be the patient ever
so distant, the rupture returns, and a mortification ensues.”(876) When
Lord Byron first visited his ancestral estate of Newstead “he planted, it
seems, a young oak in some part of the grounds, and had an idea that as
_it_ flourished so should _he_.”(877)
But in practice, as in folk-tales, it is not merely with trees and plants
that the life of an individual is occasionally believed to be united by a
bond of physical sympathy. The same bond, it is supposed, may exist
between a man and an animal or a thing, so that the death or destruction
of the animal or thing is immediately followed by the death of the man.
The Emperor Romanus Lecapenus was once informed by an astronomer that the
life of Simeon prince of Bulgaria was bound up with a certain column in
Constantinople, so that if the capital of the column were removed Simeon
would immediately die. The Emperor took the hint and removed the capital,
and at the same hour, as the emperor learned by inquiry, Simeon died of
heart disease in Bulgaria.(878) Amongst the Karens of Burma “the knife
with which the navel-string is cut is carefully preserved for the child.
The life of the child is supposed to be in some way connected with it, for
if lost or destroyed it is said the child will not be long-lived.”(879)
The Malays believe that “the soul of a person may pass into another person
or into an animal, or rather that such a mysterious relation can arise
between the two that the fate of the one is wholly dependent on that of
the other.”(880) In the Banks Islands “some people connect themselves with
an object, generally an animal, as a lizard or a snake, or with a stone,
which they imagine to have a certain very close natural relation to
themselves. This, at Mota, is called tamaniu—likeness. This word at Aurora
is used for the ‘atai’ [_i.e._ soul] of Mota. Some fancy dictates the
choice of a tamaniu; or it may be found by drinking the infusion of
certain herbs and heaping together the dregs. Whatever living thing is
first seen in or upon the heap is the tamaniu. It is watched, but not fed
or worshipped. The natives believe that it comes at call. The life of the
man is bound up with the life of his tamaniu. If it dies, gets broken or
lost, the man will die. In sickness they send to see how the tamaniu is,
and judge the issue accordingly. This is only the fancy of some.”(881)
But what among the Banks Islanders and the Malays is irregular and
occasional, among other peoples is systematic and universal. The Zulus
believe that every man has his _ihlozi_, a kind of mysterious serpent,
“which specially guards and helps him, lives with him, wakes with him,
sleeps and travels with him, but always under ground. If it ever makes its
appearance, great is the joy, and the man must seek to discover the
meaning of its appearance. He who has no _ihlozi_ must die. Therefore if
any one unintentionally kills an _ihlozi_ serpent, the man whose _ihlozi_
it was dies, but the serpent comes to life again.”(882) Amongst the
Zapotecs of Central America, when a woman was about to be confined, her
relations assembled in the hut, and began to draw on the floor figures of
different animals, rubbing each one out as soon as it was completed. This
went on till the moment of birth, and the figure that then remained
sketched upon the ground was called the child’s _tona_ or second self.
“When the child grew old enough he procured the animal that represented
him and took care of it, as it was believed that health and existence were
bound up with that of the animal’s, in fact that the death of both would
occur simultaneously,” or rather that when the animal died the man would
die.(883) Among the Indians of Guatemala the _nagual_ or _naual_ is an
“animate or inanimate object, generally an animal, which stands in a
parallel relation to a particular man, so that the weal and woe of the man
depend on the fate of the animal.” Among the Chontal Indians who inhabit
the part of Honduras bordering on Guatemala and in point of social culture
stand very close to the Pipil Indians of Guatemala, the _nagual_ used to
be obtained as follows. The young Indian went into the forest to a lonely
place by a river or to the top of a mountain, and prayed with tears to the
gods that they would vouchsafe to him what his forefathers had possessed
before him. After sacrificing a dog or a bird he laid himself down to
sleep. Then in a dream or after awakening from sleep there appeared to him
a jaguar, puma, coyote (prairie-wolf), crocodile, serpent, or bird. To
this visionary animal the Indian offered blood drawn from his tongue, his
ears, and other parts of his body, and prayed for an abundant yield of
salt and cacao. Then the animal said to him, “On such and such a day you
shall go out hunting, and the first animal that meets you will be myself,
who will always be your companion and _nagual_.” A man who had no _nagual_
could never grow rich. The Indians were persuaded that the death of their
_nagual_ would entail their own. Legend affirms that in the first battles
with the Spaniards on the plateau of Quetzaltenango the _naguals_ of the
Indian chiefs fought in the form of serpents. The _nagual_ of the highest
chief was especially conspicuous, because it had the form of a great bird,
resplendent in green plumage. The Spanish general Pedro de Alvarado killed
the bird with his lance, and at the same moment the Indian chief fell dead
to the ground.(884)
In many of the Australian tribes each sex regards a particular species of
animals in the same way that a Central American Indian regards his
_nagual_, but with this difference, that whereas the Indian apparently
knows the individual animal with which his life is bound up, the
Australians only know that each of their lives is bound up with some one
animal of the species, but they cannot say with which. The result
naturally is that every man spares and protects all the animals of the
species with which the lives of the men are bound up; and every woman
spares and protects all the animals of the species with which the lives of
the women are bound up; because no one knows but that the death of any
animal of the respective species might entail his or her own; just as the
killing of the green bird was immediately followed by the death of the
Indian chief, and the killing of the parrot by the death of Punchkin in
the fairy tale. Thus, for example, the Wotjobaluk tribe of South Eastern
Australia “held that ‘the life of Ngŭnŭngŭnŭt (the Bat) is the life of a
man and the life of Yártatgŭrk (the Nightjar) is the life of a woman,’ and
that when either of these creatures is killed the life of some man or of
some woman is shortened. In such a case every man or every woman in the
camp feared that he or she might be the victim, and from this cause great
fights arose in this tribe. I learn that in these fights, men on one side
and women on the other, it was not at all certain which would be
victorious, for at times the women gave the men a severe drubbing with
their yamsticks while often women were injured or killed by spears.”(885)
The particular species of animals with which the lives of the sexes were
believed to be respectively bound up varied somewhat from tribe to tribe.
Thus whereas among the Wotjobaluk the bat was the animal of the men, at
Gunbower Creek on the lower Murray the bat seems to have been the animal
of the women, for the natives would not kill it for the reason that “if it
was killed, one of their lubras [women] would be sure to die in
consequence.”(886) But the belief itself and the fights to which it gave
rise are known to have extended over a large part of South Eastern
Australia, and probably they extended much farther.(887) The belief is a
very serious one, and so consequently are the fights which spring from it.
Thus where the bat is the men’s animal they “protect it against injury,
even to the half-killing of their wives for its sake;” and where the fern
owl or large goatsucker (a night bird) is the women’s animal, “it is
jealously protected by them. If a man kills one, they are as much enraged
as if it was one of their children, and will strike him with their long
poles.”(888)
The jealous protection thus afforded by Australian men and women to bats
and owls respectively (for bats and owls seem to be the creatures usually
allotted to men and women respectively) is not based upon purely selfish
considerations. For each man believes that not only his own life, but the
lives of his father, brothers, sons, etc., are bound up with the lives of
particular bats, and that therefore in protecting the bat species he is
protecting the lives of all his male relations as well as his own.
Similarly, each woman believes that the lives of her mother, sisters,
daughters, etc., equally with her own, are bound up with the lives of
particular owls, and that in guarding the owl species she is guarding the
lives of all her female relations in addition to her own. Now, when men’s
lives are thus supposed to be contained in certain animals, it is obvious
that the animals can hardly be distinguished from the men, or the men from
the animals. If my brother John’s life is in a bat, then, on the one hand,
the bat is my brother as well as John; and, on the other hand, John is in
a sense a bat, since his life is in a bat. Similarly, if my sister Mary’s
life is in an owl, then the owl is my sister and Mary is an owl. This is a
natural enough conclusion, and the Australians have not failed to draw it.
When the bat is the man’s animal, it is called his brother; and when the
owl is the woman’s animal, it is called her sister. And conversely a man
addresses a woman as an owl, and she addresses him as a bat.(889) So with
the other animals allotted to the sexes respectively in other tribes. For
example, among the Kurnai all Emu Wrens were “brothers” of the men, and
all the men were Emu Wrens; all Superb Warblers were “sisters” of the
women, and all the women were Superb Warblers.(890)
But when a savage names himself after an animal, calls it his brother, and
refuses to kill it, the animal is said to be his totem. Accordingly the
bat and the owl, the Emu Wren and the Superb Warbler, may properly be
described as totems of the sexes. But the assignation of a totem to a sex
is comparatively rare, and has hitherto been discovered nowhere but in
Australia. Far more commonly the totem is appropriated not to a sex, but
to a tribe or clan, and is hereditary either in the male or female line.
The relation of an individual to the tribal totem does not differ in kind
from his relation to the sex totem; he will not kill it, he speaks of it
as his brother, and he calls himself by its name.(891) Now if the
relations are similar, the explanation which holds good of the one ought
equally to hold good of the other. Therefore the reason why a tribe revere
a particular species of animals or plants (for the tribal totem may be a
plant) and call themselves after it, must be a belief that the life of
each individual of the tribe is bound up with some one animal or plant of
the species, and that his or her death would be the consequence of killing
that particular animal, or destroying that particular plant. This
explanation of totemism squares very well with Sir George Grey’s
definition of a totem or _kobong_ in Western Australia. He says, “A
certain mysterious connection exists between a family and its _kobong_, so
that a member of the family will never kill an animal of the species to
which his _kobong_ belongs, should he find it asleep; indeed he always
kills it reluctantly, and never without affording it a chance to escape.
This arises from the family belief that some one individual of the species
is their nearest friend, to kill whom would be a great crime, and to be
carefully avoided. Similarly, a native who has a vegetable for his
_kobong_ may not gather it under certain circumstances, and at a
particular period of the year.”(892) Here it will be observed that though
each man spares all the animals or plants of the species, they are not all
equally precious to him; far from it, out of the whole species there is
only one which is specially dear to him; but as he does not know which the
dear one is, he is obliged to spare them all from fear of injuring the
one. Again, this explanation of the tribal totem harmonises with the
supposed effect of killing one of the totem species. “One day one of the
blacks killed a crow. Three or four days afterwards a Boortwa (crow)
[_i.e._ a man of the Crow clan or tribe] named Larry died. He had been
ailing for some days, but the killing of his wingong [totem] hastened his
death.”(893) Here the killing of the crow caused the death of a man of the
Crow clan, exactly as, in the case of the sex totems, the killing of a bat
causes the death of a Bat man, or the killing of an owl causes the death
of an Owl woman. Similarly, the killing of his _nagual_ causes the death
of a Central American Indian, the killing of his _ihlozi_ causes the death
of a Zulu, the killing of his _tamaniu_ causes the death of a Banks
Islander, and the killing of the animal in which his life is stowed away
causes the death of the giant or warlock in the fairy tale.
Thus it appears that the story of “The giant who had no heart in his body”
furnishes the key to the religious aspect of totemism, that is, to the
relation which is supposed to subsist between a man and his totem. The
totem, if I am right, is simply the receptacle in which a man keeps his
life, as Punchkin kept his life in a parrot, and Bidasari kept her soul in
a golden fish. It is no valid objection to this view that when a savage
has both a sex totem and a tribal totem his life must be bound up with two
different animals, the death of either of which would entail his own. If a
man has more vital places than one in his body, why, the savage may think,
should he not have more vital places than one outside it? Why, since he
can externalise his life, should he not transfer one portion of it to one
animal and another to another? The divisibility of life, or, to put it
otherwise, the plurality of souls, is an idea suggested by many familiar
facts, and has commended itself to philosophers like Plato as well as to
savages. It is only when the notion of a soul, from being a
quasi-scientific hypothesis, becomes a theological dogma that its unity
and indivisibility are insisted upon as essential. The savage, unshackled
by dogma, is free to explain the facts of life by the assumption of as
many souls as he thinks necessary. Hence, for example, the Caribs supposed
that there was one soul in the head, another in the heart, and other souls
at all the places where an artery is felt pulsating.(894) Some of the
Hidatsa Indians explain the phenomena of gradual death, when the
extremities appear dead first, by supposing that man has four souls, and
that they quit the body, not simultaneously, but one after the other,
dissolution being only complete when all four have departed.(895) The Laos
suppose that the body is the seat of thirty spirits, which reside in the
hands, the feet, the mouth, the eyes, etc.(896) Hence, from the primitive
point of view, it is perfectly possible that a savage should have one soul
in his sex totem, and another in his tribal totem. However, as I have
observed, sex totems occur nowhere but in Australia; so that as a rule the
savage who practises totemism need not have more than one soul out of his
body at a time.
If this explanation of the totem as a receptacle in which a man keeps his
soul or one of his souls is correct, we should expect to find some
totemistic tribes of whom it is expressly stated that every man amongst
them is believed to keep at least one soul permanently out of his body,
and that the destruction of this external soul is supposed to entail the
death of its owner. Such a tribe are the Battas of Sumatra. The Battas are
divided into exogamous clans (_margas_) with descent in the male line; and
each clan is forbidden to eat the flesh of a particular animal. One clan
may not eat the tiger, another the ape, another the crocodile, another the
dog, another the cat, another the dove, another the white buffalo. The
reason given by members of a clan for abstaining from the flesh of the
particular animal is either that they are descended from animals of that
species, and that their souls after death may transmigrate into the
animals, or that they or their forefathers have been under certain
obligations to the animals. Sometimes, but not always, the clan bears the
name of the animal.(897) Thus the Battas have totemism in full. But,
further, each Batta believes that he has seven or, on a more moderate
computation, three souls. One of these souls is always outside the body,
but nevertheless whenever it dies, however far away it may be at the time,
that same moment the man dies also.(898) The writer who mentions this
belief says nothing about the Batta totems; but on the analogy of the
Australian and Central American evidence we can scarcely avoid concluding
that the external soul, whose death entails the death of the man, must be
housed in the totem animal or plant.
Against this view it can hardly be thought to militate that the Batta does
not in set terms affirm his external soul to be in his totem, but alleges
other, though hardly contradictory, grounds for respecting the sacred
animal or plant of his clan. For if a savage seriously believes that his
life is bound up with an external object, it is in the last degree
unlikely that he will let any stranger into the secret. In all that
touches his inmost life and beliefs the savage is exceedingly suspicious
and reserved; Europeans have resided among savages for years without
discovering some of their capital articles of faith, and in the end the
discovery has often been the result of accident. Above all, the savage
lives in an intense and perpetual dread of assassination by sorcery; the
most trifling relics of his person—the clippings of his hair and nails,
his spittle, the remnants of his food, his very name—all these may, he
fancies, be turned by the sorcerer to his destruction, and he is therefore
anxiously careful to conceal or destroy them. But if in matters such as
these, which are but the outposts and outworks of his life, he is shy and
secretive to a degree, how close must be the concealment, how impenetrable
the reserve in which he enshrouds the inner keep and citadel of his being!
When the princess in the fairy tale asks the giant where he keeps his
soul, he generally gives false or evasive answers, and it is only after
much coaxing and wheedling that the secret is at last wrung from him. In
his jealous reticence the giant resembles the timid and furtive savage;
but whereas the exigencies of the story demand that the giant should at
last reveal his secret, no such obligation is laid on the savage; and no
inducement that can be offered is likely to tempt him to imperil his soul
by revealing its hiding-place to a stranger. It is therefore no matter for
surprise that the central mystery of the savage’s life should so long have
remained a secret, and that we should be left to piece it together from
scattered hints and fragments and from the recollections of it which
linger in fairy tales.
This view of totemism throws light on a class of religious rites of which
no adequate explanation, so far as I am aware, has yet been offered.
Amongst many savage tribes, especially such as are known to practise
totemism, it is customary for lads at puberty to undergo certain
initiatory rites, of which one of the commonest is a pretence of killing
the lad and bringing him to life again. Such rites become intelligible if
we suppose that their substance consists in extracting the youth’s soul in
order to transfer it to his totem. For the extraction of his soul would
naturally be supposed to kill the youth or, at least, to throw him into a
death-like trance, which the savage hardly distinguishes from death. His
recovery would then be attributed either to the gradual recovery of his
system from the violent shock which it had received, or, more probably, to
the infusion into him of fresh life drawn from the totem. Thus the essence
of these initiatory rites, so far as they consist in a simulation of death
and resurrection, would be an exchange of life or souls between the man
and his totem. The primitive belief in the possibility of such an exchange
of souls comes clearly out in the story of the Basque hunter who affirmed
that he had been killed by a bear, but that the bear had, after killing
him, breathed its own soul into him, so that the bear’s body was now dead,
but he himself was a bear, being animated by the bear’s soul.(899) This
revival of the dead hunter as a bear is exactly analogous to what, if I am
right, is supposed to take place in the totemistic ceremony of killing a
lad at puberty and bringing him to life again. The lad dies as a man and
comes to life again as an animal; the animal’s soul is now in him, and his
human soul is in the animal. With good right, therefore, does he call
himself a Bear or a Wolf, etc., according to his totem; and with good
right does he treat the bears or the wolves, etc., as his brethren, since
in these animals are lodged the souls of himself and his kindred.
Examples of this supposed death and resurrection at initiation are the
following. Among some of the Australian tribes of New South Wales, when
lads are initiated, it is thought that a being called Thuremlin takes each
lad to a distance, kills him, and sometimes cuts him up, after which he
restores him to life and knocks out a tooth.(900) In one part of
Queensland the humming sound of the Bullroarer, which is swung at the
initiatory rites, is said to be the noise made by the wizards in
swallowing the boys and bringing them up again as young men. “The Ualaroi
of the Upper Darling River say that the boy meets a ghost which kills him
and brings him to life again as a man.”(901) This resurrection appears to
be represented at the initiatory rites by the following ceremony. An old
man, disguised with stringy bark fibre, lies down in a grave, and is
lightly covered up with sticks and earth, and as far as possible the
natural appearance of the ground is restored, the excavated earth being
carried away. The buried man holds a small bush in his hand; it appears to
be growing in the soil, and other bushes are stuck in the soil to heighten
the effect. The novices are then brought to the edge of the grave, and a
song is sung, in which the only words used are the “class-name” of the
buried man and the word for stringy bark fibre. Gradually, as the song
continues, the bush held by the buried man begins to quiver and then to
move more and more, and finally the man himself starts up from the
grave.(902) Similarly, Fijian lads at initiation were shown a row of
apparently dead men, covered with blood, their bodies seemingly cut open,
and their entrails protruding. But at a yell from the priest the pretended
dead men sprang to their feet and ran to the river to cleanse themselves
from the blood and entrails of pigs with which they had been
besmeared.(903)
In the valley of the Congo initiatory rites of this sort are common. In
some places they are called Ndembo. “In the practice of Ndembo the
initiating doctors get some one to fall down in a pretended fit, and in
that state he is carried away to an enclosed place outside the town. This
is called ‘dying Ndembo.’ Others follow suit, generally boys and girls,
but often young men and women.... They are supposed to have died. But the
parents and friends supply food, and after a period varying, according to
custom, from three months to three years, it is arranged that the doctor
shall bring them to life again.... When the doctor’s fee has been paid,
and money (goods) saved for a feast, the _Ndembo_ people are brought to
life. At first they pretend to know no one and nothing; they do not even
know how to masticate food, and friends have to perform that office for
them. They want everything nice that any one uninitiated may have, and
beat them if it is not granted, or even strangle and kill people. They do
not get into trouble for this, because it is thought that they do not know
better. Sometimes they carry on the pretence of talking gibberish, and
behaving as if they had returned from the spirit-world. After this they
are known by another name, peculiar to those who have ‘died Ndembo.’ ...
We hear of the custom far along on the upper river, as well as in the
cataract region.”(904) The following account of the rites, as practised in
this part of Africa, was given to Bastian by an interpreter. “In the land
of Ambamba every one must die once, and when the fetish priest shakes his
calabash against a village, all the men and lads whose hour is come fall
into a state of lifeless torpidity, from which they generally awake after
three days. But if the fetish loves a man he carries him away into the
bush and buries him in the fetish house, often for many years. When he
comes to life again, he begins to eat and drink as before, but his
understanding is gone and the fetish man must teach him and direct him in
every motion, like the smallest child. At first this can only be done with
a stick, but gradually his senses return, so that it is possible to talk
with him, and when his education is complete, the priest brings him back
to his parents. They would seldom recognise their son but for the express
assurances of the fetish priest, who moreover recalls previous events to
their memory. He who has not gone through the ceremony of the new birth in
Ambamba is universally looked down upon and is not admitted to the
dances.” During the period of initiation the novice is sympathetically
united to the fetish by which his life is henceforward determined.(905)
The novice, plunged in the magic sleep or death-like trance within the
sacred hut, “beholds a bird or other object with which his existence is
thenceforward sympathetically bound up, just as the life of the young
Indian is bound up with the animal which he sees in his dreams at
puberty.”(906)
Rites of this sort were formerly observed in Quoja, on the west coast of
Africa, to the north of the Congo. They are thus described by an old
writer:—“They have another ceremony which they call Belli-Paaro, but it is
not for everybody. For it is an incorporation in the assembly of the
spirits, and confers the right of entering their groves, that is to say,
of going and eating the offerings which the simple folk bring thither. The
initiation or admission to the Belli-Paaro is celebrated every twenty or
twenty-five years. The initiated recount marvels of the ceremony, saying
that they are roasted, that they entirely change their habits and life,
and that they receive a spirit quite different from that of other people
and quite new lights. The badge of membership consists in some lines
traced on the neck between the shoulders; the lines seem to be pricked
with a needle. Those who have this mark pass for persons of spirit, and
when they have attained a certain age they are allowed a voice in all
public assemblies; whereas the uninitiated are regarded as profane,
impure, and ignorant persons, who dare not express an opinion on any
subject of importance. When the time for the ceremony has come, it is
celebrated as follows: By order of the king a place is appointed in the
forest, whither they bring the youths who have not been marked, not
without much crying and weeping; for it is impressed upon the youths that
in order to undergo this change it is necessary to suffer death. So they
dispose of their property, as if it were all over with them. There are
always some of the initiated beside the novices to instruct them. They
teach them to dance a certain dance called _killing_, and to sing verses
in praise of Belli. Above all, they are very careful not to let them die
of hunger, because if they did so, it is much to be feared that the
spiritual resurrection would profit them nothing. This manner of life
lasts five or six years, and is comfortable enough, for there is a village
in the forest, and they amuse themselves with hunting and fishing. Other
lads are brought thither from time to time, so that the last comers have
not long to stay. No woman or uninitiated person is suffered to pass
within four or five leagues of the sacred wood. When their instruction is
completed, they are taken from the wood and shut up in small huts made for
the purpose. Here they begin once more to hold communion with mankind and
to talk with the women who bring them their food. It is amusing to see
their affected simplicity. They pretend to know no one, and to be ignorant
of all the customs of the country, such as the customs of washing
themselves, rubbing themselves with oil, etc. When they enter these huts,
their bodies are all covered with the feathers of birds, and they wear
caps of bark which hang down before their faces. But after a time they are
dressed in clothes and taken to a great open place, where all the people
of the neighbourhood are assembled. Here the novices give the first proof
of their capacity by dancing a dance which is called the dance of Belli.
After the dance is over, the novices are taken to the houses of their
parents by their instructors.”(907)
Among the Indians of Virginia, an initiatory ceremony, called _Huskanaw_,
took place every sixteen or twenty years, or oftener, as the young men
happened to grow up. The youths were kept in solitary confinement in the
woods for several months, receiving no food but an infusion of some
intoxicating roots, so that they went raving mad, and continued in this
state eighteen or twenty days. “Upon this occasion it is pretended that
these poor creatures drink so much of the water of Lethe that they
perfectly lose the remembrance of all former things, even of their
parents, their treasure, and their language. When the doctors find that
they have drank sufficiently of the Wysoccan (so they call this mad
potion), they gradually restore them to their senses again by lessening
the intoxication of their diet; but before they are perfectly well they
bring them back into their towns, while they are still wild and crazy
through the violence of the medicine. After this they are very fearful of
discovering anything of their former remembrance; for if such a thing
should happen to any of them, they must immediately be _Huskanaw’d_ again;
and the second time the usage is so severe that seldom any one escapes
with life. Thus they must pretend to have forgot the very use of their
tongues, so as not to be able to speak, nor understand anything that is
spoken, till they learn it again. Now, whether this be real or
counterfeit, I don’t know; but certain it is that they will not for some
time take notice of any body nor any thing with which they were before
acquainted, being still under the guard of their keepers, who constantly
wait upon them everywhere till they have learnt all things perfectly over
again. Thus they unlive their former lives, and commence men by forgetting
that they ever have been boys.”(908)
Among some of the Indian tribes of North America there are certain
religious associations which are only open to candidates who have gone
through a pretence of being killed and brought to life again. Captain
Carver witnessed the admission of a candidate to an association called
“the friendly society of the Spirit” among the Naudowessies. The candidate
knelt before the chief, who told him that “he himself was now agitated by
the same spirit which he should in a few moments communicate to him; that
it would strike him dead, but that he would instantly be restored again to
life.... As he spoke this, he appeared to be greatly agitated, till at
last his emotions became so violent that his countenance was distorted and
his whole frame convulsed. At this juncture he threw something that
appeared both in shape and colour like a small bean at the young man,
which seemed to enter his mouth, and he instantly fell as motionless as if
he had been shot.” For a time the man lay like dead, but under a shower of
blows he showed signs of consciousness, and finally, discharging from his
mouth the bean, or whatever it was the chief had thrown at him, he came to
life.(909) In other tribes the instrument by which the candidate is
apparently slain is the medicine-bag. The bag is made of the skin of an
animal (such as the otter, wild cat, serpent, bear, raccoon, wolf, owl,
weasel), of which it roughly preserves the shape. Each member of the
society has one of these bags, in which he keeps the odds and ends that
make up his “medicine” or charms. “They believe that from the
miscellaneous contents in the belly of the skin bag or animal there issues
a spirit or breath, which has the power, not only to knock down and kill a
man, but also to set him up and restore him to life.” The mode of killing
a man with one of these medicine-bags is to thrust it at him; he falls
like dead, but a second thrust of the bag restores him to life.(910)
A ceremony witnessed by Jewitt during his captivity among the Indians of
Nootka Sound doubtless belongs to this class of customs. The Indian king
or chief “discharged a pistol close to his son’s ear, who immediately fell
down as if killed, upon which all the women of the house set up a most
lamentable cry, tearing handfuls of hair from their heads, and exclaiming
that the prince was dead; at the same time a great number of the
inhabitants rushed into the house armed with their daggers, muskets, etc.,
inquiring the cause of their outcry. These were immediately followed by
two others dressed in wolf skins, with masks over their faces representing
the head of that animal. The latter came in on their hands and feet in the
manner of a beast, and taking up the prince, carried him off upon their
backs, retiring in the same manner as they entered.”(911) In another place
Jewitt mentions that the young prince—a lad of about eleven years of
age—wore a mask in imitation of a wolf’s head.(912) Now, as the Indians of
this part of America are divided into totem clans, of which the Wolf clan
is one of the principal, and as the members of each clan are in the habit
of wearing some portion of the totem animal about their person,(913) it is
probable that the prince belonged to the Wolf clan, and that the ceremony
described by Jewitt represented the killing of the lad in order that he
might be born anew as a wolf, much in the same way that the Basque hunter
supposed himself to have been killed and to have come to life again as a
bear. The Toukaway Indians of Texas, one of whose totems is the wolf, have
a ceremony in which men, dressed in wolf skins, run about on all fours,
howling and mimicking wolves. At last they scratch up a living tribesman,
who has been buried on purpose, and putting a bow and arrows in his hands,
bid him do as the wolves do—rob, kill, and murder.(914) The ceremony
probably forms part of an initiatory rite like the resurrection from the
grave of the old man in the Australian rites.
The people of Rook, an island east of New Guinea, hold festivals at which
one or two disguised men, their heads covered with wooden masks, go
dancing through the village, followed by all the other men. They demand
that the circumcised boys who have not yet been swallowed by Marsaba (the
devil) shall be given up to them. The boys, trembling and shrieking, are
delivered to them, and must creep between the legs of the disguised men.
Then the procession moves through the village again, and announces that
Marsaba has eaten up the boys, and will not disgorge them till he receives
a present of pigs, taro, etc. So all the villagers, according to their
means, contribute provisions, which are then consumed in the name of
Marsaba.(915) In New Britain all males are members of an association
called the Duk-duk. The boys are admitted to it very young, but are not
fully initiated till their fourteenth year, when they receive from the
Tubuvan a terrible blow with a cane, which is supposed to kill them. The
Tubuvan and the Duk-duk are two disguised men who represent cassowaries.
They dance with a short hopping step in imitation of the cassowary. Each
of them wears a huge hat like an extinguisher, woven of grass or
palm-fibres; it is six feet high, and descends to the wearer’s shoulders,
completely concealing his head and face. From the neck to the knees the
man’s body is hidden by a crinoline made of the leaves of a certain tree
fastened on hoops, one above the other. The Tubuvan is regarded as a
female, the Duk-duk as a male. No woman may see these disguised men. The
institution of the Duk-duk is common to the neighbouring islands of New
Ireland and the Duke of York.(916)
Amongst the Galela and Tobelorese of Halmahera, an island to the west of
New Guinea, boys go through a form of initiation, part of which seems to
consist in a pretence of begetting them anew. When a number of boys have
reached the proper age, their parents agree to celebrate the ceremony at
their common expense, and they invite others to be present at it. A shed
is erected, and two long tables are placed in it, with benches to match,
one for the men and one for the women. When all the preparations have been
made for a feast, a great many skins of the rayfish, and some pieces of a
wood which imparts a red colour to water, are taken to the shed. A priest
or elder causes a vessel to be placed in the sight of all the people, and
then begins, with significant gestures, to rub a piece of the wood with
the ray-skin. The powder so produced is put in the vessel, and at the same
time the name of one of the boys is called out. The same proceeding is
repeated for each boy. Then the vessels are filled with water, after which
the feast begins. At the third cock-crow the priest smears the faces and
bodies of the boys with the red water, which represents the blood shed at
the perforation of the _hymen_. Towards daybreak the boys are taken to the
wood, and must hide behind the largest trees. The men, armed with sword
and shield, accompany them, dancing and singing. The priest knocks thrice
on each of the trees behind which a boy is hiding. All day the boys stay
in the wood, exposing themselves to the heat of the sun as much as
possible. In the evening they bathe and return to the shed, where the
women supply them with food.(917)
In the west of Ceram boys at puberty are admitted to the Kakian
association.(918) Modern writers have commonly regarded this association
as primarily a political league instituted to resist foreign domination.
In reality its objects are purely religious and social, though it is
possible that the priests may have occasionally used their powerful
influence for political ends. The society is in fact merely one of those
widely-diffused primitive institutions, of which a chief object is the
initiation of young men. In recent years the true nature of the
association has been duly recognised by the distinguished Dutch
ethnologist, J. G. F. Riedel. The Kakian house is an oblong wooden shed,
situated under the darkest trees in the depth of the forest, and is built
to admit so little light that it is impossible to see what goes on in it.
Every village has such a house. Thither the boys who are to be initiated
are conducted blindfolded, followed by their parents and relations. Each
boy is led by the hand by two men, who act as his sponsors or guardians,
looking after him during the period of initiation. When all are assembled
before the shed, the high priest calls aloud upon the devils. Immediately
a hideous uproar is heard to proceed from the shed. It is made by men with
bamboo trumpets, who have been secretly introduced into the building by a
back door, but the women and children think it is made by the devils, and
are much terrified. Then the priests enter the shed, followed by the boys,
one at a time. As soon as each boy has disappeared within the precincts, a
dull chopping sound is heard, a fearful cry rings out, and a sword or
spear, dripping with blood, is thrust through the roof of the shed. This
is a token that the boy’s head has been cut off, and that the devil has
carried him away to the other world, there to regenerate and transform
him. So at sight of the bloody sword the mothers weep and wail, crying
that the devil has murdered their children. In some places, it would seem,
the boys are pushed through an opening made in the shape of a crocodile’s
jaws or a cassowary’s beak, and it is then said that the devil has
swallowed them. The boys remain in the shed for five or nine days. Sitting
in the dark, they hear the blast of the bamboo trumpets, and from time to
time the sound of musket shots and the clash of swords. Every day they
bathe, and their faces and bodies are smeared with a yellow dye, to give
them the appearance of having been swallowed by the devil. During his stay
in the Kakian house each boy has one or two crosses tattooed with thorns
on his breast or arm. When they are not sleeping, the lads must sit in a
crouching posture without moving a muscle. As they sit in a row
cross-legged, with their hands stretched out, the chief takes his trumpet,
and placing the mouth of it on the hands of each lad, speaks through it in
strange tones, imitating the voice of the spirits. He warns the lads,
under pain of death, to observe the rules of the Kakian society, and never
to reveal what has passed in the Kakian house. The novices are also told
by the priests to behave well to their blood relations, and are taught the
traditions and secrets of the tribe.
Meantime the mothers and sisters of the lads have gone home to weep and
mourn. But in a day or two the men who acted as guardians or sponsors to
the novices return to the village with the glad tidings that the devil, at
the intercession of the priests, has restored the lads to life. The men
who bring this news come in a fainting state and daubed with mud, like
messengers freshly arrived from the nether world. Before leaving the
Kakian house, each lad receives from the priest a stick adorned at both
ends with cock’s or cassowary’s feathers. The sticks are supposed to have
been given to the lads by the devil at the time when he restored them to
life, and they serve as a token that the lads have been in the
spirit-land. When they return to their homes they totter in their walk,
and enter the house backward, as if they had forgotten how to walk
properly; or they enter the house by the back door. If a plate of food is
given to them, they hold it upside down. They remain dumb, indicating
their wants by signs only. All this is to show that they are still under
the influence of the devil or the spirits. Their sponsors have to teach
them all the common acts of life, as if they were new-born children.
Further, upon leaving the Kakian house the boys are strictly forbidden to
eat of certain fruits until the next celebration of the rites has taken
place. And for twenty or thirty days their hair may not be combed by their
mothers or sisters. At the end of that time the high priest takes them to
a lonely place in the forest, and cuts off a lock of hair from the crown
of each of their heads. After these initiatory rites the lads are deemed
men, and may marry; it would be a scandal if they married before.
The simulation of death and resurrection or of a new birth at initiation
appears to have lingered on, or at least to have left traces of itself,
among peoples who have advanced far beyond the stage of savagery. Thus,
after his investiture with the sacred thread—the symbol of his order—a
Brahman is called “twice-born.” Manu says, “According to the injunction of
the revealed texts the first birth of an Aryan is from his natural mother,
the second happens on the tying of the girdle of Muñga grass, and the
third on the initiation to the performance of a Srauta sacrifice.”(919) A
pretence of killing the candidate appears to have formed part of the
initiation to the Mithraic mysteries.(920)
Thus, if I am right, wherever totemism is found, and wherever a pretence
is made of killing and bringing to life again at initiation, there must
exist or have existed not only a belief in the possibility of permanently
depositing the soul in some external object—animal, plant, or what not—but
an actual intention of so depositing it. If the question is put, why do
men desire to deposit their life outside their bodies? the answer can only
be that, like the giant in the fairy tale, they think it safer to do so
than to carry it about with them, just as people deposit their money with
a banker rather than carry it on their persons. We have seen that at
critical periods the life or soul is sometimes temporarily deposited in a
safe place till the danger is past. But institutions like totemism are not
resorted to merely on special occasions of danger; they are systems into
which every one, or at least every male, is obliged to be initiated at a
certain period of life. Now the period of life at which initiation takes
place is regularly puberty; and this fact suggests that the special danger
which totemism and systems like it are intended to obviate is supposed not
to arise till sexual maturity has been attained, in fact, that the danger
apprehended is believed to attend the relation of the sexes to each other.
It would be easy to prove by a long array of facts that the sexual
relation is associated in the primitive mind with many supernatural
perils; but the exact nature of the danger apprehended is still obscure.
We may hope that a more exact acquaintance with savage modes of thought
will in time disclose this central mystery of primitive society, and will
thereby furnish the clue, not only to the social aspect of totemism (the
prohibition of sexual union between persons of the same totem), but to the
origin of the marriage system.
§ 5.—Conclusion.
Thus the view that Balder’s life was in the mistletoe is entirely in
harmony with primitive modes of thought. It may indeed sound like a
contradiction that, if his life was in the mistletoe, he should
nevertheless have been killed by a blow from it. But when a person’s life
is conceived as embodied in a particular object, with the existence of
which his own existence is inseparably bound up, and the destruction of
which involves his own, the object in question may be regarded and spoken
of indifferently as the person’s life or as his death, as happens in the
fairy tales. Hence if a man’s death is in an object, it is perfectly
natural that he should be killed by a blow from it. In the fairy tales
Koshchei the Deathless is killed by a blow from the egg or the stone in
which his life or death is;(921) the ogres burst when a certain grain of
sand—doubtless containing their life or death—is carried over their
heads;(922) the magician dies when the stone in which his life or death is
contained is put under his pillow;(923) and the Tartar hero is warned that
he may be killed by the golden arrow or golden sword in which his soul has
been stowed away.(924)
The idea that the life of the oak was in the mistletoe was probably
suggested, as I have said, by the observation that in winter the mistletoe
growing on the oak remains green, while the oak itself is leafless. But
the position of the plant—growing, not from the ground, but from the trunk
or branches of the tree—might confirm this idea. Primitive man might think
that, like himself, the oak-spirit had sought to deposit his life in some
safe place, and for this purpose had pitched on the mistletoe, which,
being in a sense neither on earth nor in heaven, was as secure a place as
could be found. At the beginning of this chapter we saw that primitive man
seeks to preserve the life of his human divinities by keeping them in a
sort of intermediate position between earth and heaven, as the place where
they are least likely to be assailed by the dangers that encompass the
life of man on earth. We can therefore understand why in modern
folk-medicine the mistletoe is not allowed to touch the ground; if it
touches the ground, its healing virtue is supposed to be gone.(925) This
may be a survival of the old superstition that the plant in which the life
of the sacred tree was concentrated should not be exposed to the risk
incurred by contact with the ground. In an Indian legend, which offers a
parallel to the Balder myth, Indra promised the demon Namuci not to kill
him by day or by night, nor with what was wet or what was dry. But he
killed him in the morning twilight by sprinkling over him the foam of the
sea.(926) The foam of the sea is just such an object as a savage might
choose to put his life in, because it occupies that sort of intermediate
or nondescript position between earth and sky or sea and sky in which
primitive man sees safety. It is therefore not surprising that the foam of
the river should be the totem of a clan in India.(927) Again, the view
that the mistletoe owes its mystic character partly to the fact of its not
growing on the ground is confirmed by a parallel superstition about the
mountain-ash or rowan-tree. In Jutland a rowan that is found growing out
of the top of another tree is esteemed “exceedingly effective against
witchcraft: since it does not grow on the ground witches have no power
over it; if it is to have its full effect it must be cut on Ascension
Day.”(928) Hence it is placed over doors to prevent the ingress of
witches.(929) Similarly the mistletoe in Germany is still universally
considered a protection against witchcraft, and in Sweden, as we saw, the
mistletoe which is gathered on Midsummer Eve is attached to the ceiling of
the house, the horse stall, or the cow’s crib, in the belief that this
renders the Troll powerless to injure man or beast.(930)
The view that the mistletoe was not merely the instrument of Balder’s
death, but that it contained his life, is countenanced by the analogy of a
Scottish superstition. Tradition ran that the fate of the family of Hay
was bound up with the mistletoe of a certain oak.
“While the mistletoe bats on Errol’s oak,
And that oak stands fast,
The Hays shall flourish, and their good gray hawk
Shall not flinch before the blast.
“But when the root of the oak decays,
And the mistletoe dwines on its withered breast,
The grass shall grow on the Earl’s hearthstone,
And the corbies craw in the falcon’s nest.”
“A large oak with the mistletoe growing on it was long pointed out as the
tree referred to. A piece of the mistletoe cut by a Hay was believed to
have magical virtues. ‘The oak is gone and the estate is lost to the
family,’ as a local historian says.”(931) The idea that the fate of a
family, as distinct from the lives of its members, is bound up with a
particular plant or tree, is no doubt comparatively modern. The older view
probably was that the lives of all the Hays were in this particular
mistletoe, just as in the Indian story the lives of all the ogres are in a
lemon; to break a twig of the mistletoe would then have been to kill one
of the Hays. Similarly in the island of Rum, whose bold mountains the
voyager from Oban to Skye observes to seaward, it was thought that if one
of the family of Lachlin shot a deer on the mountain of Finchra, he would
die suddenly or contract a distemper which would soon prove fatal.(932)
Probably the life of the Lachlins was bound up with the deer on Finchra,
as the life of the Hays was bound up with the mistletoe on Errol’s oak.
It is not a new opinion that the Golden Bough was the mistletoe.(933)
True, Virgil does not identify but only compares it with the mistletoe.
But this may be only a poetical device to cast a mystic glamour over the
humble plant. Or, more probably, his description was based on a popular
superstition that at certain times the mistletoe blazed out into a
supernatural golden glory. The poet tells how two doves, guiding Aeneas to
the gloomy vale in whose depth grew the Golden Bough, alighted upon a
tree, “whence shone a flickering gleam of gold. As in the woods in winter
cold the mistletoe—a plant not native to its tree—is green with fresh
leaves and twines its yellow berries about the boles; such seemed upon the
shady oak the leafy gold, so rustled in the gentle breeze the golden
leaf.”(934) Here Virgil definitely describes the Golden Bough as growing
on an oak, and compares it with the mistletoe. The inference is almost
inevitable that the Golden Bough was nothing but the mistletoe seen
through the haze of poetry or of popular superstition.
Now grounds have been shown for believing that the priest of the Arician
grove—the King of the Wood—personified the tree on which grew the Golden
Bough.(935) Hence, if that tree was the oak, the King of the Wood must
have been a personification of the oak-spirit. It is, therefore, easy to
understand why, before he could be slain, it was necessary to break the
Golden Bough. As an oak-spirit, his life or death was in the mistletoe on
the oak, and so long as the mistletoe remained intact, he, like Balder,
could not die. To slay him, therefore, it was necessary to break the
mistletoe, and probably, as in the case of Balder, to throw it at him. And
to complete the parallel, it is only necessary to suppose that the King of
the Wood was formerly burned, dead or alive, at the midsummer fire
festival which, as we have seen, was annually celebrated in the Arician
grove.(936) The perpetual fire which burned in the grove, like the
perpetual fire under the oak at Romove, was probably fed with the sacred
oak-wood; and thus it would be in a great fire of oak that the King of the
Wood formerly met his end. At a later time, as I have suggested, his
annual tenure of office was lengthened or shortened, as the case might be,
by the rule which allowed him to live so long as he could prove his divine
right by the strong hand. But he only escaped the fire to fall by the
sword.
Thus it seems that at a remote age in the heart of Italy, beside the sweet
lake of Nemi, the same fiery tragedy was annually enacted which Italian
merchants and soldiers were afterwards to witness among their rude
kindred, the Celts of Gaul, and which, if the Roman eagles had ever
swooped on Norway, might have been found repeated with little difference
among the barbarous Aryans of the North. The rite was probably an
essential feature in the primitive Aryan worship of the oak.(937)
It only remains to ask, Why was the mistletoe called the Golden Bough? The
name was not simply a poet’s fancy, nor even peculiarly Italian; for in
Welsh also the mistletoe is known as “the tree of pure gold.”(938) The
whitish-yellow of the mistletoe berries is hardly enough to account for
the name. For Virgil says that the Bough was altogether golden, stem as
well as leaves,(939) and the same is implied in the Welsh name, “the tree
of pure gold.” A clue to the real meaning of the name is furnished by the
mythical fern-seed or fern-bloom.
We saw that fern-seed is popularly supposed to bloom like gold or fire on
Midsummer Eve. Thus in Bohemia it is said that “on St. John’s Day
fern-seed blooms with golden blossoms that gleam like fire.”(940) Now it
is a property of this mythical fern-seed that whoever has it, or will
ascend a mountain holding it in his hand on Midsummer Eve, will discover a
vein of gold or will see the treasures of the earth shining with a bluish
flame.(941) And if you place fern-seed among money, the money will never
decrease, however much of it you spend.(942) Sometimes the fern-seed is
supposed to bloom at Christmas, and whoever catches it will become very
rich.(943) Thus, on the principle of like by like, fern-seed is supposed
to discover gold because it is itself golden; and for a similar reason it
enriches its possessor with an unfailing supply of gold. But while the
fern-seed is described as golden, it is equally described as glowing and
fiery.(944) Hence, when we consider that two great days for gathering the
fabulous seed are Midsummer Eve and Christmas—that is, the two solstices
(for Christmas is nothing but an old heathen celebration of the winter
solstice)—we are led to regard the fiery aspect of the fern-seed as
primary, and its golden aspect as secondary and derivative. Fern-seed, in
fact, would seem to be an emanation of the sun’s fire at the two
turning-points of its course, the summer and winter solstices. This view
is confirmed by a German story in which a hunter is said to have procured
fern-seed by shooting at the sun on Midsummer Day at noon; three drops of
blood fell down, which he caught in a white cloth, and these blood-drops
were the fern-seed.(945) Here the blood is clearly the blood of the sun,
from which the fern-seed is thus directly derived. Thus it may be taken as
certain that fern-seed is golden, because it is believed to be an
emanation of the sun’s golden fire.
Now, like fern-seed, the mistletoe is gathered either at Midsummer or
Christmas(946)—that is, at the summer and winter solstices—and, like
fern-seed, it is supposed to possess the power of revealing treasures in
the earth. On Midsummer Eve people in Sweden make divining-rods of
mistletoe or of four different kinds of wood, one of which must be
mistletoe. The treasure-seeker places the rod on the ground after sundown,
and when it rests directly over treasure, the rod begins to move as if it
were alive.(947) Now, if the mistletoe discovers gold, it must be in its
character of the Golden Bough; and if it is gathered at the solstices,
must not the Golden Bough, like the golden fern-seed, be an emanation of
the sun’s fire? The question cannot be answered with a simple affirmative.
We have seen that the primitive Aryans probably kindled the midsummer
bonfires as sun-charms, that is, with the intention of supplying the sun
with fresh fire. But as this fire was always elicited by the friction of
oak wood,(948) it must have appeared to the primitive Aryan that the sun
was periodically recruited from the fire which resided in the sacred oak.
In other words, the oak must have seemed to him the original storehouse or
reservoir of the fire which was from time to time drawn out to feed the
sun. But the life of the oak was conceived to be in the mistletoe;
therefore the mistletoe must have contained the seed or germ of the fire
which was elicited by friction from the wood of the oak. Thus, instead of
saying that the mistletoe was an emanation of the sun’s fire, it would be
more correct to say that the sun’s fire was regarded as an emanation of
the mistletoe. No wonder, then, that the mistletoe shone with a golden
splendour, and was called the Golden Bough. Probably, however, like
fern-seed, it was thought to assume its golden aspect only at those stated
times, especially midsummer, when fire was drawn from the oak to light up
the sun.(949) At Pulverbatch, in Shropshire, it was believed within living
memory that the oak-tree blooms on Midsummer Eve and the blossom withers
before daylight.(950) This fleeting bloom of the oak, if I am right, could
originally have been nothing but the mistletoe in its character of the
Golden Bough. As Shropshire borders on Wales, the superstition may be
Welsh in its immediate origin, though probably the belief is a fragment of
the primitive Aryan creed. In some parts of Italy, as we saw,(951)
peasants still go out on Midsummer morning to search the oak-trees for the
“oil of St. John,” which, like the mistletoe, heals all wounds, and is
doubtless the mistletoe itself in its glorified aspect. Thus it is easy to
understand how a title like the Golden Bough or the “tree of pure gold,”
so little descriptive of the real appearance of the plant, should have
held its ground as a name for the mistletoe in Italy and Wales, and
probably in other parts of the Aryan world.(952)
Now, too, we can fully understand why Virbius came to be confounded with
the sun. If Virbius was, as I have tried to show, a tree-spirit, he must
have been the spirit of the oak on which grew the Golden Bough; for
tradition represented him as the first of the Kings of the Wood. As an
oak-spirit he must have been supposed periodically to rekindle the sun’s
fire, and might therefore easily be confounded with the sun itself.
Similarly we can explain why Balder, an oak-spirit, was described as “so
fair of face and so shining that a light went forth from him,”(953) and
why he should have been so often taken to be the sun. And in general we
may say that in primitive society, when the only known way of making fire
is by the friction of wood, the savage must necessarily conceive fire as a
property stored away, like sap or juice, in trees, from which he has
laboriously to extract it. Thus all trees, or at least the particular
sorts of trees whose wood he employs in fire-making, must be regarded by
him as reservoirs of hidden fire, and it is natural that he should
describe them by epithets like golden, shining, or bright. May not this
have been the origin of the name, “the Bright or Shining One” (Zeus, Jove)
by which the ancient Greeks and Italians designated their supreme
god?(954) It is at least highly significant that, amongst both Greeks and
Italians, the oak should have been the tree of the supreme god, that at
his most ancient shrines, both in Greece and Italy, this supreme god
should have been actually represented by an oak, and that so soon as the
barbarous Aryans of Northern Europe appear in the light of history, they
should be found, amid all diversities of language, of character, and of
country, nevertheless at one in worshipping the oak as the chief object of
their religious reverence, and extracting their sacred fire from its wood.
If we are to judge of the primitive religion of the European Aryans by
comparing the religions of the different branches of the stock, the
highest place in their pantheon must certainly be assigned to the oak. The
result, then, of our inquiry is to make it probable that, down to the time
of the Roman Empire and the beginning of our era, the primitive worship of
the Aryans was maintained nearly in its original form in the sacred grove
at Nemi, as in the oak woods of Gaul, of Prussia, and of Scandinavia; and
that the King of the Wood lived and died as an incarnation of the supreme
Aryan god, whose life was in the mistletoe or Golden Bough.
‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐‐
If, in bidding farewell to Nemi, we look around us for the last time, we
shall find the lake and its surroundings not much changed from what they
were in the days when Diana and Virbius still received the homage of their
worshippers in the sacred grove. The temple of Diana, indeed, has
disappeared, and the King of the Wood no longer stands sentinel over the
Golden Bough. But Nemi’s woods are still green, and at evening you may
hear the church bells of Albano, and perhaps, if the air be still, of Rome
itself, ringing the Angelus. Sweet and solemn they chime out from the
distant city, and die lingeringly away across the wide Campagnan marshes.
_Le roi est mort, vive le roi!_
NOTE. OFFERINGS OF FIRST-FRUITS.
We have seen (vol. ii. p. 68 _sqq._) that primitive peoples often partake
of the new corn sacramentally, because they suppose it to be instinct with
a divine spirit or life. At a later age, when the fruits of the earth are
conceived as produced rather than as animated by a divinity, the new
fruits are no longer partaken of sacramentally as the body and blood of a
god; but a portion of them is presented as a thank-offering to the divine
beings who are believed to have produced them. Sometimes the first-fruits
are presented to the king, probably in his character of a god. Till the
first-fruits have been offered to the deity or the king, people are not at
liberty to eat of the new crops. But, as it is not always possible to draw
a sharp line between the sacrament and the sacrifice of first-fruits, it
may be well to round off this part of the subject by appending some
miscellaneous examples of the latter.
Among the Basutos, when the corn has been threshed and winnowed, it is
left in a heap on the threshing-floor. Before it can be touched a
religious ceremony must be performed. The persons to whom the corn belongs
bring a new vessel to the spot, in which they boil some of the grain. When
it is boiled they throw a few handfuls of it on the heap of corn, saying,
“Thank you, gods; give us bread to-morrow also!” When this is done the
rest is eaten, and the provision for the year is considered pure and fit
to eat.(955) Here the sacrifice of the first-fruits to the gods is the
prominent idea, which comes out again in the custom of leaving in the
threshing-floor a little hollow filled with grain, as a thank-offering to
the gods.(956) Still the Basutos retain a lively sense of the sanctity of
the corn in itself; for, so long as it is exposed to view, all defiled
persons are carefully kept from it. If it is necessary to employ a defiled
person in carrying home the harvest, he remains at some distance while the
sacks are being filled, and only approaches to place them upon the draught
oxen. As soon as the load is deposited at the dwelling he retires, and
under no pretext may he help to pour the corn into the baskets in which it
is kept.(957)
In Ashantee a harvest festival is held in September when the yams are
ripe. During the festival the king eats the new yams, but none of the
people may eat them till the close of the festival, which lasts a
fortnight. During its continuance the grossest liberty prevails; theft,
intrigue, and assault go unpunished, and each sex abandons itself to its
passions.(958) The Hovas of Madagascar present the first sheaves of the
new grain to the sovereign. The sheaves are carried in procession to the
palace from time to time as the grain ripens.(959) So in Burma, when the
_pangati_ fruits ripen, some of them used to be taken to the king’s palace
that he might eat of them; no one might partake of them before the
king.(960)
Every year, when they gather their first crops, the Kochs of Assam offer
some of the first-fruits to their ancestors, calling to them by name and
clapping their hands.(961) In August, when the rice ripens, the Hos offer
the first-fruits of the harvest to Sing Bonga, who dwells in the sun.
Along with the new rice a white cock is sacrificed; and till the sacrifice
has been offered no one may eat the new rice.(962) Among the hill tribes
near Rajamahall, in India, when the _kosarane_ grain is being reaped in
November or early in December, a festival is held as a thanksgiving before
the new grain is eaten. On a day appointed by the chief a goat is
sacrificed by two men to a god called Chitariah Gossaih, after which the
chief himself sacrifices a fowl. Then the vassals repair to their fields,
offer thanksgiving, make an oblation to Kull Gossaih (who is described as
the Ceres of these mountaineers), and then return to their houses to eat
of the new _kosarane_. As soon as the inhabitants have assembled at the
chief’s house—the men sitting on one side and the women on the other—a
hog, a measure of _kosarane_, and a pot of spirits are presented to the
chief, who in return blesses his vassals, and exhorts them to industry and
good behaviour; “after which, making a libation in the names of all their
gods, and of their dead, he drinks, and also throws a little of the
_kosarane_ away, repeating the same pious exclamations.” Drinking and
festivity then begin, and are kept up for several days. The same tribes
have another festival at reaping the Indian corn in August or September.
Every man repairs to his fields with a hog, a goat, or a fowl, which he
sacrifices to Kull Gossaih. Then, having feasted, he returns home, where
another repast is prepared. On this day it is customary for every family
in the village to distribute to every house a little of what they have
prepared for their feast. Should any person eat of the new _kosarane_ or
the new Indian corn before the festival and public thanksgiving at the
reaping of these crops, the chief fines him a white cock, which is
sacrificed to Chitariah.(963) In the Central Provinces of India the first
grain of the season is always offered to the god Bhímsen or Bhím Deo.(964)
In the Punjaub, when sugar-cane is planted, a woman puts on a necklace and
walks round the field, winding thread on to a spindle;(965) and when the
sugar-cane is cut the first-fruits are offered on an altar, which is built
close to the press and is sacred to the sugar-cane god. Afterwards the
first-fruits are given to Brahmans. Also, when the women begin to pick the
cotton, they go round the field eating rice-milk, the first mouthful of
which they spit upon the field toward the west; and the first cotton
picked is exchanged at the village shop for its weight in salt, which is
prayed over and kept in the house till the picking is finished.(966)
In the island of Tjumba, East Indies, a festival is held after harvest.
Vessels filled with rice are presented as a thank-offering to the gods.
Then the sacred stone at the foot of a palm-tree is sprinkled with the
blood of a sacrificed animal; and rice, with some of the flesh, is laid on
the stone for the gods. The palm-tree is hung with lances and
shields.(967) The Dyaks of Borneo hold a feast of first-fruits when the
paddy (unhusked rice) is ripe. The priestesses, accompanied by a gong and
drum, go in procession to the farms and gather several bunches of the ripe
paddy. These are brought back to the village, washed in cocoa-nut water,
and laid round a bamboo altar, which at the harvest festivals is erected
in the common room of the largest house. The altar is gaily decorated with
white and red streamers, and is hung with the sweet-smelling blossom of
the areca palm. The feast lasts two days, during which the village is
tabooed; no one may leave it. Only fowls are killed, and dancing and
gong-beating go on day and night. When the festival is over the people are
free to get in their crops.(968)
The pounding of the new paddy is the occasion of a harvest festival which
is celebrated all over Celebes. The religious ceremonies which accompany
the feast were witnessed by Dr. B. F. Matthes in July 1857. Two mats were
spread on the ground, each with a pillow on it. On one of the pillows were
placed a man’s clothes and a sword, on the other a woman’s clothes. These
were seemingly intended to represent the deceased ancestors. Rice and
water were placed before the two dummy figures, and they were sprinkled
with the new paddy. Also dishes of rice were set down for the rest of the
family and the slaves of the deceased. This was the end of the
ceremony.(969) The Minahassa of Celebes have a festival of “eating the new
rice.” Fowls or pigs are killed; some of the flesh, with rice and
palm-wine, is set apart for the gods, and then the eating and drinking
begin.(970) The people of Kobi and Sariputi, two villages on the
north-east coast of Ceram, offer the first-fruits of the paddy, in the
form of cooked rice, with tobacco, etc., to their ancestors, as a token of
gratitude. The ceremony is called “feeding the dead.”(971) In the Tenimber
and Timorlaut Islands, East Indies, the first-fruits of the paddy, along
with live fowls and pigs, are offered to the _matmate_. The _matmate_ are
the spirits of their ancestors, which are worshipped as guardian-spirits
or household gods. They are supposed to enter the house through an opening
in the roof, and to take up their abode temporarily in their skulls, or in
images of wood or ivory, in order to partake of the offerings and to help
the family. They also take the form of birds, pigs, crocodiles, turtles,
sharks, etc.(972) In Amboina, after the rice or other harvest has been
gathered in, some of the new fruits are offered to the gods, and till this
is done, the priests may not eat of them. A portion of the new rice, or
whatever it may be, is boiled, and milk of the cocoa-nut is poured on it,
mixed with Indian saffron. It is then taken to the place of sacrifice and
offered to the god. Some people also pour out oil before the deity; and if
any of the oil is left over, they take it home as a holy and priceless
treasure, wherewith they smear the forehead and breast of sick people and
whole people, in the firm conviction that the oil confers all kinds of
blessings.(973) The Irayas and Catalangans of Luzon, tribes of the Malay
stock, but of mixed blood, worship chiefly the souls of their ancestors
under the name of _anitos_, to whom they offer the first-fruits of the
harvest. The _anitos_ are household deities; some of them reside in pots
in the corners of the houses; and miniature houses, standing near the
dwelling-house, are especially sacred to them.(974)
In certain tribes of Fiji “the first-fruits of the yam harvest are
presented to the ancestors in the Nanga [sacred stone enclosure] with
great ceremony, before the bulk of the crop is dug for the people’s use,
and no man may taste of the new yams until the presentation has been made.
The yams thus offered are piled in the Great Nanga, and are allowed to rot
there. If any one were impiously bold enough to appropriate them to his
own use, he would be smitten with madness. The mission teacher before
mentioned told me that when he visited the Nanga he saw among the weeds
with which it was overgrown numerous yam vines which had sprung up out of
the piles of decayed offerings. Great feasts are made at the presentations
of the first-fruits, which are times of public rejoicing, and the Nanga
itself is frequently spoken of as the _Mbaki_, or Harvest.”(975) In other
parts of Fiji the practice with regard to the first-fruits seems to have
been different, for we are told by another observer that “the first-fruits
of the yams, which are always presented at the principal temple of the
district, become the property of the priests, and form their revenue,
although the pretence of their being required for the use of the god is
generally kept up.”(976) In Tana, one of the New Hebrides, the general
name for gods appeared to be _aremha_, which meant “a dead man.” The
spirits of departed ancestors were among the gods of the people. Chiefs
who reached an advanced age were deified after their death, addressed by
name, and prayed to on various occasions. They were supposed to preside
especially over the growth of the yams and fruit-trees. The first-fruits
were presented to them. A little of the new fruit was laid on a stone, or
on a shelving branch of the tree, or on a rude temporary altar, made of a
few sticks lashed together with strips of bark, in the form of a table,
with its four feet stuck in the ground. All being quiet, the chief acted
as high priest, and prayed aloud as follows: “Compassionate father! here
is some food for you; eat it; be kind to us on account of it.” Then all
the people shouted. This took place about noon, and afterwards the
assembled people feasted and danced till midnight or morning.(977)
In some of the Kingsmill Islands the god most commonly worshipped was
called Tubuériki. He was represented by a flat coral stone, of irregular
shape, about three feet long by eighteen inches wide, set up on one end in
the open air. Leaves of the cocoa-nut palm were tied about it,
considerably increasing its size and height. The leaves were changed every
month, that they might be always fresh. The worship paid to the god
consisted in repeating prayers before the stone, and laying beside it a
portion of the food prepared by the people for their own use. This they
did at their daily meals, at festivals, and whenever they specially wished
to propitiate the favour of the god. The first-fruits of the season were
always offered to him. Every family of distinction had one of these stones
which was considered rather in the light of a family altar than as an
idol.(978)
The following is a description of the festival of first-fruits as it was
celebrated in Tonga in the days when a European flag rarely floated among
the islands of the Pacific. “_Inachi._ This word means literally a share
or portion of any thing that is to be, or has been, distributed out: but
in the sense here mentioned it means that portion of the fruits of the
earth, and other eatables, which is offered to the gods in the person of
the divine chief Tooitonga, which allotment is made once a year, just
before the yams in general are arrived at a state of maturity; those which
are used in this ceremony being planted sooner than others, and,
consequently, they are the first-fruits of the yam season. The object of
this offering is to insure the protection of the gods, that their favour
may be extended to the welfare of the nation generally, and in particular
to the productions of the earth, of which yams are the most important.
“The time for planting most kinds of yams is about the latter end of July,
but the species called _caho-caho_, which is always used in this ceremony,
is put in the ground about a month before, when, on each plantation, there
is a small piece of land chosen and fenced in, for the purpose of growing
a couple of yams of the above description. As soon as they have arrived at
a state of maturity, the _How_ [King] sends a messenger to Tooitonga,
stating that the yams for the _inachi_ are fit to be taken up, and
requesting that he would appoint a day for the ceremony; he generally
fixes on the tenth day afterwards, reckoning the following day for the
first. There are no particular preparations made till the day before the
ceremony; at night, however, the sound of the conch is heard occasionally
in different parts of the islands, and as the day of the ceremony
approaches, it becomes more frequent, so that the people of almost every
plantation sound the conch three or four times, which, breaking in upon
the silence of the night, has a pleasing effect, particularly at Vavaoo,
where the number of woods and hills send back repeated echoes, adding
greatly to the effect. The day before the ceremony the yams are dug up,
and ornamented with a kind of ribbon prepared from the inner membrane of
the leaf of a species of pandanus, and dyed red....
“The sun has scarcely set when the sound of the conch begins again to echo
through the island, increasing as the night advances. At the Mooa
[capital] and all the plantations the voices of men and women are heard
singing _Nófo óoa tegger gnaoóe, óooa gnaoóe_, Rest thou, doing no work;
thou shalt not work. This increases till midnight, men generally singing
the first part of the sentence, and the women the last: it then subsides
for three or four hours, and again increases as the sun rises. Nobody,
however, is seen stirring out in the public roads till about eight
o’clock, when the people from all quarters of the island are seen
advancing towards the Mooa, and canoes from all the other islands are
landing their men; so that all the inhabitants of Tonga seem approaching
by sea and land, singing and sounding the conch. At the Mooa itself the
universal bustle of preparation is seen and heard; and the different
processions entering from various quarters of men and women, all dressed
up in new _gnatoos_, ornamented with red ribbons and wreaths of flowers,
and the men armed with spears and clubs, betoken the importance of the
ceremony about to be performed. Each party brings in its yams in a basket,
which is carried in the arms with great care by the principal vassal of
the chief to whom the plantation may belong. The baskets are deposited in
the _malái_(979) (in the _Mooa_), and some of them begin to employ
themselves in slinging the yams, each upon the centre of a pole about
eight or nine feet long, and four inches diameter. The proceedings are
regulated by attending matabooles.(980) The yams being all slung, each
pole is carried by two men upon their shoulders, one walking before the
other, and the yam hanging between them, ornamented with red ribbons. The
procession begins to move towards the grave of the last Tooitonga (which
is generally in the neighbourhood, or the grave of one of his family will
do), the men advancing in a single line, every two bearing a yam, with a
slow and measured pace, sinking at every step, as if their burden were of
immense weight. In the meantime the chiefs and matabooles are seated in a
semicircle before the grave, with their heads bowed down, and their hands
clasped before them.” The procession then marched round the grave twice or
thrice in a great circle, the conchs blowing and the men singing. Next the
yams, still suspended from the poles, were deposited before the grave, and
their bearers sat down beside them. One of the _matabooles_ of Tooitonga
now addressed the gods generally, and afterwards particularly, mentioning
the late Tooitonga, and the names of several others. He thanked them for
their divine bounty in favouring the land with the prospect of so good a
harvest, and prayed that their beneficence might be continued in future.
When he had finished, the men rose and resumed their loads, and after
parading two or three times round the grave, marched back to the _malái_,
singing and blowing the conchs as before. The chiefs and _matabooles_ soon
followed to the same place, where the yams had been again deposited. Here
the company sat down in a great circle, presided over by Tooitonga. Then
the other articles that formed part of the _Inachi_ were brought forward,
consisting of dried fish, mats, etc., which, with the yams, were divided
into shares. About a fourth was allotted to the gods, and appropriated by
the priests; about a half fell to the king; and the remainder belonged to
Tooitonga. The materials of the _Inachi_ having been carried away, the
company set themselves to drink _cava_, and a _mataboole_ addressed them,
saying that the gods would protect them, and grant them long lives, if
they continued to observe the religious ceremonies and to pay respect to
the chiefs.(981)
The Samoans used to present the first-fruits to the spirits (_aitus_) and
chiefs.(982) For example, a family whose god was in the form of an eel
presented the first-fruits of their taro plantations to the eel.(983) In
Tahiti “the first fish taken periodically on their shores, together with a
number of kinds regarded as sacred, were conveyed to the altar. The
first-fruits of their orchards and gardens were also _taumaha_, or
offered, with a portion of their live stock, which consisted of pigs,
dogs, and fowls, as it was supposed death would be inflicted on the owner
or the occupant of the land from which the god should not receive such
acknowledgment.”(984) In Huahine, one of the Society Islands, the
first-fruits were presented to the god Tani. A poor person was expected to
bring two of the earliest fruits gathered, of whatever kind; a _raatira_
had to bring ten, and chiefs and princes had to bring more, according to
their rank and riches. They brought the fruits to the temple, where they
threw them down on the ground, with the words, “Here, Tani, I have brought
you something to eat.”(985) The chief gods of the Easter Islanders were
Make-Make and Haua. To these they offered the first of all the produce of
the ground.(986) Amongst the Maoris the offering of the first-fruits of
the sweet potatoes to Pani, son of Rongo, the god of sweet potatoes, was a
solemn religious ceremony.(987)
It has been affirmed that the old Prussians offered the first-fruits of
their crops and of their fishing to the god Curcho, but doubt rests on the
statement.(988) The Romans sacrificed the first ears of corn to Ceres, and
the first of the new wine to Liber; and until the priests had offered
these sacrifices, the people might not eat the new corn nor drink the new
wine.(989)
The chief solemnity of the Natchez, an Indian tribe on the Lower
Mississippi, was the Harvest Festival or the Festival of New Fire. When
the time for the festival drew near, a crier went through the villages
calling upon the people to prepare new vessels and new garments, to wash
their houses, and to burn the old grain, the old garments, and the old
utensils in a common fire. He also proclaimed an amnesty to criminals.
Next day he appeared again, commanding the people to fast for three days,
to abstain from all pleasures, and to make use of the medicine of
purification. Thereupon all the people took some drops extracted from a
root which they called the “root of blood.” It was a kind of plantain and
distilled a red liquor which acted as a violent emetic. During their three
days’ fast the people kept silence. At the end of it the crier proclaimed
that the festival would begin on the following day. So next morning, as
soon as it began to grow light in the sky, the people streamed from all
quarters towards the temple of the Sun. The temple was a large building
with two doors, one opening to the east, the other to the west. On this
morning the eastern door of the temple stood open. Facing the eastern door
was an altar, placed so as to catch the first beams of the rising sun. An
image of a _chouchouacha_ (a small marsupial) stood upon the altar; on its
right was an image of a rattlesnake, on its left an image of a marmoset.
Before these images a fire of oak bark burned perpetually. Once a year
only, on the eve of the Harvest Festival, was the sacred flame suffered to
die out. To the right of the altar, on “this pious morn,” stood the great
chief, who took his title and traced his descent from the Sun. To the left
of the altar stood his wife. Round them were grouped, according to their
ranks, the war chiefs, the sachems, the heralds, and the young braves. In
front of the altar were piled bundles of dry reeds, stacked in concentric
rings.
The high priest, standing on the threshold of the temple, kept his eyes
fixed on the eastern horizon. Before presiding at the festival he had to
plunge thrice into the Mississippi. In his hands he held two pieces of dry
wood which he kept rubbing slowly against each other, muttering magic
words. At his side two acolytes held two cups filled with a kind of black
sherbet. All the women, their backs turned to the east, each leaning with
one hand on her rude mattock and supporting her infant with the other,
stood in a great semicircle at the gate of the temple. Profound silence
reigned throughout the multitude while the priest watched attentively the
growing light in the east. As soon as the diffused light of dawn began to
be shot with beams of fire, he quickened the motion of the two pieces of
wood which he held in his hands; and at the moment when the upper edge of
the sun’s disc appeared above the horizon, fire flashed from the wood and
was caught in tinder. At the same instant the women outside the temple
faced round and held up their infants and their mattocks to the rising
sun.
The great chief and his wife now drank the black liquor. The priests
kindled the circle of dried reeds; fire was set to the heap of oak bark on
the altar, and from this sacred flame all the hearths of the village were
rekindled. No sooner were the circles of reeds consumed than the chief’s
wife came forth from the temple and placing herself at the head of the
women marched in procession to the harvest fields, whither the men were
not allowed to follow them. They went to gather the first sheaves of maize
and returned to the temple bearing them on their heads. Some of the
sheaves they presented to the high priest, who laid them on the altar.
Others they used to bake the unleavened bread which was to be eaten in the
evening. The eastern door of the sanctuary was now closed, and the western
door was opened.
When the day began to decline, the multitude assembled once more at the
temple, this time at its western gate, where they formed a great crescent,
with the horns turned toward the west. The unleavened bread was held up
and presented to the setting sun, and a priest struck up a hymn in praise
of his descending light. When darkness had fallen the whole plain twinkled
with fires, round which the people feasted; and the sounds of music and
revelry broke the silence of night.(990)
INDEX.
Aachen, fire festival at, ii. 251
Aargau, trees planted at births in, ii. 330
Aberdeenshire, ceremony at the cutting of the last sheaf in, i. 345
Abyssinia, rain-making on the outskirts of, i. 53
Abyssinian festivals, ii. 171
Acagchemen tribe, adoration of the buzzard by the, ii. 90, 91
Adonis, myth and worship of, i. 279-282, 296;
connection with vegetation, i. 281;
gardens of, i. 284-296;
rites of, similar to those of Osiris, i. 319, 320;
probable origin of the cult of, i. 363;
lament of, i. 280, 399;
as a pig, ii. 49, 50
Aegira, blood drunk at, before prophesying, i. 34
Aethiopian kings confined to their palaces, i. 164
Afghan Boundary Mission, reception of the, by the natives, i. 155
Afghanistan, reception of strangers in, i. 155
Africa, weather kings common in, i. 44;
reluctance to accept the crown in some parts of West, i. 118, 119;
priestly kings on the west coast of, i. 112;
human heart eaten in the Shire Highlands of, ii. 89
Ague, cure for, ii. 153
Aht Indians, seclusion of girls amongst the, ii. 229, 230
Ain, May-day customs in the Département de l’, i. 88
Aino type of sacrament, ii. 134-136
Ainos, bear festival of the, ii. 101-105;
preparation for fishing, ii. 122;
treatment of the bear, ii. 132
Alaskan sable hunters, ii. 116
Alban hills, i. 1;
mount, i. 2
Albania, Easter Eve custom in, i. 276; ii. 181;
scapegoat in, ii. 201, 202;
beating in, ii. 216
Alexandria, commemoration of the death of Adonis and Aphrodite at, i. 279,
280
Alfoers, function of their high priest Leleen, i. 166;
ceremony for restoring the soul, i. 134, 135;
priest’s hair uncut, i. 194;
priest sows the first rice seed and plucks the first ripe rice, ii. 71;
driving away the devil by the, ii. 159
Algeria, midsummer fires in, ii. 266
Alligator, the man-eating, ii. 109
Alps, May-day custom in the, i. 104
Altisheim, harvest custom in, i. 337
Altmark, Whitsuntide customs in, i. 98;
Easter bonfires, ii. 254
Amboina, soul-abstracting in, i. 139, 140;
sprinkling the sick with spices in, i. 154;
hair burying in, i. 201;
disease boats in, ii. 188;
strength thought to be in the hair in, ii. 328;
offerings of first-fruits in, ii. 377
Amenhôtep IV and the sun-god, i. 314, 315
America, belief in the resurrection of the buffalo in the western prairies
of, ii. 123
Ammon, rage of the sun-god Ra against, i. 315;
rams held sacred by the worshippers of, ii. 92, 93
Andamanese belief in the reflection as the soul, i. 145
Anderida, wealds of Kent, Surrey, and Sussex, remnants of the forest of,
i. 57
Angel-man, beheading the, ii. 267
Angoulême, custom of burning a poplar on St. Peter’s Day in, i. 101
Angoy, king of, must have no bodily defects, i. 221
Animal worship, two types of, ii. 133, 134;
sacred carried in procession, ii. 139-147;
employed as a scapegoat, ii. 189-191, 194, 195;
eaten to obtain its quality, ii. 86, 87;
spared by savages from fear of the vengeance of other animals of the
same kind, ii. 107-110;
respect shown by the savage for the animal he kills, ii. 110-132;
Savage belief in the resurrection of the, ii. 122-125;
burnt as representative of the spirit of vegetation, ii. 282-284
Annamites, soul superstition amongst the, i. 132
Antaymour kings responsible for the general welfare, i. 46
Antrim, harvest custom in, i. 339
Apache Indians, rain-making by the, i. 15
Apalai Indians, ceremony on the arrival of a stranger by the, i. 153, 154
Aphrodite, i. 279
Apis the sacred Egyptian bull drowned, ii. 61 _sq._
Apollo Diradiotes, blood of sacrificial lamb drunk in the temple of, i. 34
Apple-tree, superstition with regard to the, by barren women, i. 73
Arabia, belief concerning a man’s shadow in, i. 143
Arabian stories, the external soul in, ii. 318, 319
Arabic belief in the properties of lion’s fat, ii. 86
Arabs, rain-making by the heathen, i. 20
Arcadia, rain-charm in, i. 21;
beating the scapegoat, ii. 214
Archon of Plataeae, the, may not touch iron, i. 173
Arden, forest of, i. 57
Argive tradition concerning Dionysus, i. 324, 325
Ariadne, marriage of, i. 104
Aricia, “there are many Manii at,” explanation of the proverb, ii. 82, 83
Arician Grove, the, i. 1-6;
ritual, ii. 63, 64;
harvest celebration, ii. 67;
Manius the traditional founder of the, ii. 84;
sacrament, ii. 83, 84
Aru Islands, soul superstition in the, i. 125, 126;
custom after a death in the, i. 147;
hair cutting, i. 201;
dog’s flesh eaten, ii. 87
Arval Brothers, priestly college of the, and the sacred grove, i. 65;
sacred grove of the, and iron, i. 172
Aryans, the, tree worshippers, i. 56-59, 99;
totemism and the, ii. 38;
oak the sacred tree of the, ii. 291;
primitive worship, ii. 370
Ascension Day custom, i. 265
Aschbach, harvest custom in, i. 368
Ash Wednesday customs, i. 254-257; ii. 29, 48, 251
Ashantee, royal blood not shed in, i. 181;
harvest festival in, ii. 374
Asia Minor, Pontiffs of, i. 7, 8
Athene, relation of the goat to, ii. 63
Athens, annual marriage of the queen to Dionysus at, i. 103, 104;
rites of Adonis observed in, i. 284, 285;
scapegoats in, ii. 212;
ritual at the sacrifice of the ox in, ii. 38, 39, 41
Attis, myth and festival of, i. 296-298; ii. 50;
a tree-spirit or corn-spirit, i. 298-300;
probability that the high priest of, was slain in the character of the
god, i. 300;
probable origin of the cult of, i. 363;
relation to Lityerses, i. 396, 397;
as a pig, ii. 49, 50
Australia, rain-making in, i. 20, 21;
ceremony on entering strange territory by the Australians, i. 156;
seclusion of women in, i. 170;
blood may not be spilt on the ground in some parts of, i. 181, 182;
hair burning after child-birth in, i. 206;
totemism, ii. 133, 334-336
Australian blacks’ charm for staying the sun, i. 25;
attack the dust columns of red sand, i. 29, 30;
fear of women’s blood, i. 185, 186; ii. 238;
remedy for toothache, ii. 149;
annual expulsion of ghosts, ii. 163
—— Kamilaroi, cannibalism by the, ii. 88
—— medicine man and recall of the soul, i. 131, 132
—— Wotjobaluk, rain-making by the, i. 14
Austria, charm for lulling the wind in, i. 28;
old peasant belief in the souls of trees in, i. 61
Auxerre, reaping custom at, i. 335
Axim, annual expulsion of devils at, ii. 170
Aymara Indians, scapegoat used by the, in times of plague, ii. 191
Aztecs, the, and the reflection-soul, i. 145;
aversion to wine, i. 185
Baba, a name given to the last sheaf, i. 339, 340
Babar Islands, restoration of the soul in the, i. 137;
the soul believed to be in the shadow, i. 142
Babylon, Sacaea festival at, i. 226
Babylonian legend concerning the goddess Istar, i. 287
Baffin Land, expulsion of evil by the Eskimo of, ii. 165
Bagota, restrictions on the heir to the throne in, ii. 225
Balder killed by the mistletoe, ii. 244 _sq._;
the oak, ii. 295;
life of, in the mistletoe, ii. 359-362
Balder’s bale-fires, ii. 289 _sq._
Bali, mice and the rice fields of the island of, ii. 131;
periodic expulsion of devils, ii. 174, 175;
custom at a birth, ii. 329
Balquhidder, harvest custom in, i. 344
Banjar kings held responsible for the weather, i. 46, 47
Banks Islanders, the tamaniu of the, ii. 331, 332
Baranton, fountain of, i. 15
Barcelona, Mid-Lent custom in, i. 262
Bari tribe, rain kings of the, i. 52, 53
Barotse, the chief a demigod in, i. 46
Barren women’s superstition regarding the apple-tree, i. 73
Bassam, Great, sacrifice of oxen at, ii. 41, 42;
ceremony of driving out the evil spirit, ii. 161, 162
Basutos, the, and the reflection-soul, i. 145;
cannibalism by the, ii. 89;
offerings of first-fruits, ii. 373
Bat, the, ii. 334-337
Battambang, rain-charm in, i. 19
Battas, the, fighting the wind, i. 28, 29;
refuse to fell trees, i. 64, 65;
soul superstition, i. 124, 125, 135, 136;
soul straying, i. 160;
ceremony of making the curse to fly away by the, ii. 150, 151;
totemism amongst the, ii. 340, 341;
belief in plurality of souls, ii. 341
Bavaria, May custom in, i. 84;
Whitsuntide representative of the tree-spirit in, i. 242;
harvest custom in, i. 342; ii. 27, 28;
cure for fever, ii. 153;
Easter bonfires in, ii. 254;
midsummer bonfires in, ii. 278
Bear, Shrovetide, i. 254, 255;
sacrifice of the, ii. 99-108;
ceremony at killing a, ii. 111-113, 115;
ceremony before a bear-hunt, ii. 112, 113
Bears, dead, treated with respect, ii. 111-113
Beasts, divine, held responsible for the course of nature, i. 48
Beating as a ceremonial purification, ii. 213-217, 232-234
Beauce, straw man in, ii. 40
Beavers, superstition about killing, ii. 116
Bechuanaland, rain-charm in, i. 18;
sun superstition in, i. 23;
hack-thorn held sacred in, i. 69;
purification after travel, i. 157;
crocodile superstition in, ii. 55, 56;
transference of ills in, ii. 149
Bedouins, pursuing the wind, i. 29
Belfast, harvest custom at, i. 336, 337
Belgium, procession with wicker giant in, ii. 281
Belli-Paaro, ceremony of, in Quoja, ii. 347, 348
Beltane fires, ii. 254-258
Bengal, Gardens of Adonis in, i. 288, 289
Bernkastel, reaping custom in, ii. 15
Berry, belief regarding the birth of the corn-spirit in, ii. 23;
harvest custom, ii. 26
Bhagats, mock human sacrifices by the, i. 252, 253
Bhotan, man worshippers in, i. 42
Biajas of Borneo, expulsion of diseases to sea by the, ii. 192
Bidasari, ii. 325 _sq._
Bilaspur, custom at, on the death of a Rajah, i. 232
Birch-tree dressed in women’s clothes in Russia at Whitsuntide, i. 77
Births, trees planted at, ii. 229, 230
Bison, resurrection of the, ii. 122, 123
Bithynia, lament by the reapers in, i. 365
Black Lake, i. 15
Blankenfelde, harvest custom in, i. 370
Bleeding trees, i. 61
Blekinge, midsummer ceremonies in, i. 292
Blood, the soul thought to be in the, i. 178, 179;
not eaten, _ib._;
royal blood not spilt upon the ground, i. 179-183;
ill effect of seeing, i. 185, 186;
dread of contact with, i. 185-187;
primitive dread of menstruous, ii. 238-241
Blood-drinking, inspiration by, i. 34, 35
Boba, a name given to the last sheaf, i. 340, 341
Boeotians of Plataea, festival of the, i. 100-103
Boeroe, ceremony at the rice harvest in, ii. 71
Bohemian midsummer custom, i. 79; ii. 259;
Mid-Lent custom, i. 82;
Whit Monday custom, i. 91, 244-247;
ceremony of carrying out Death, i. 258-260;
superstition regarding death, i. 260;
ceremony of bringing back summer, i. 263;
harvest custom, i. 340;
white mice spared in Bohemia, ii. 131, 132;
superstition held by poachers in Bohemia, ii. 288
Böhmer Wald Mountains, custom of the reapers in the, ii. 15
Bolang Mongondo, recapture of the soul in, i. 131;
preservation of cut hair, i. 203;
ceremony at rice harvest in, ii. 71, 72
Bombay, soul superstition in, i. 127
Bones of animals not broken by savages, ii. 124
Boni, king of, and his courtiers, i. 222, 223
Booandik tribe superstition concerning the blood of women, i. 186
Book of the Dead, i. 312
Bormus, the name given to the lament of the Bithynian reapers, i. 365, 398
Borneo, custom in, regarding infested persons, i. 154
Bouphonia, the, ii. 38-41
Brabant, North, Whitsuntide custom in, i. 88
Brahman soul story, i. 128, 129;
sin eaters, ii. 156
Brahmans, temple of the, i. 230;
transference of sins by the, ii. 200
Brandy, North American Indian theory about, ii. 87
Brazilian Indians, self-beating by the, ii. 215, 216;
treatment of girls at the age of puberty by the, ii. 231, 232
Bresse, May customs in, i. 98;
ceremony regarding the last sheaf, i. 408
Brest, fire festival at, ii. 261
Breton peasant and the wind, i. 30
Briançon, May-day in the neighbourhood of, i. 95;
harvest ceremony at, ii. 11
Bride, a name given to the binder of the last sheaf, i. 345
Brie, May-day custom in, i. 84;
harvest custom in, i. 370, 375;
burning of mock giant in, ii. 282
Britanny, reaping custom in, i. 335, 336;
midsummer fires in, ii. 261
British Columbia, fish ceremony by the Indians of, ii. 121
Bruck, harvest custom in, i. 333, 334
Brüd’s bed in the Highlands, i. 97
Brunnen, Twelfth Night custom at, ii. 182
Brunswick, Whitsuntide customs in, i. 90
Buddhist animism, i. 59
—— Tartar worship, i. 42, 43
Buffalo, belief in the resurrection of the, ii. 123;
held sacred by the Todas, ii. 136, 137
—— bull, ii. 19
Bulgarian rain-charm, i. 16;
custom at the laying of a foundation stone, i. 144;
harvest custom, i. 341
Bull, Dionysus as a, i. 325, 326; ii. 37-44;
the corn-spirit as a, ii. 19-24;
Osiris and the, ii. 59-61;
sacred, ii. 60;
as a scapegoat, ii. 200, 201
Burghers, first seed sowing and reaping amongst the, ii. 72;
transference of sins by the, ii. 151, 152
Burgundian kings deposed in times of scarcity, i. 47
Burma, mode of executing princes of the blood in, i. 180;
head-washing in, i. 188, 189;
mock burial in time of sickness in, ii. 84;
ceremony of driving away cholera in, ii. 161;
offering of first-fruits in, ii. 374
Burmese and the soul, i. 130
Burnt sacrifices among the Celts, ii. 278-280
Buro Islands, dog’s flesh eaten in the, ii. 87;
disease boats, ii. 187
Burying alive, i. 217
Busiris, legend of, i. 400, 401
Butterfly, the Samoans and the, ii. 56
Buzzard, sacrifice of the sacred, ii. 90-92
Byblus, lamentation for the death of Adonis at, i. 280
Calabria, expulsion of witches in, ii. 181
Calcutta, iron-charm used in, i. 176
Calf, the corn-spirit as a, ii. 19-24
Calicut, kings killed at the expiry of twelve years in, i. 224, 225
Californian Indians, their opinion of the dust columns, i. 30
—— sacrifice of the buzzard, ii. 90, 91
Caligula, i. 4
Callander, Beltane fires in, ii. 254, 255
Cambodia, search for inspired man in time of epidemic in, i. 36;
kings of fire and water in, i. 53-56;
its sacred tree, i. 67;
kings of, i. 118;
touching the king’s body in, i. 172;
man’s head not touched in, i. 189;
ceremony at the cutting of the king’s hair in, i. 197;
temporary kings of, i. 228;
the Stiens of Cambodia and the killing of animals, ii. 115;
expulsion of evil spirits, etc. in, ii. 178, 184;
seclusion of girls in, ii. 235
Cambridgeshire, harvest custom in, i. 341, 342
Cameroons, the life of a person supposed to be bound up with that of a
tree by the, ii. 329
Canadian Indians, detention of the soul amongst the, i. 139;
beaver hunting by the, ii. 116, 117
Candlemas Day customs, i. 97; ii. 29, 48
Canelos Indians, their belief of the soul in the portrait, i. 148
Cannibalism, ii. 88, 89
Capital offences, i. 162, 190