CHAPTER XVII.

_Turned Tables._

Betty reached the house in safety but there an unforeseen difficulty

confronted her. In her haste to obey the summons, she had given no

thought as to how she might gain re-entrance, if Welch had made his

rounds and locked up for the night. She knew with what caution the

house was guarded and if she encountered one of the alarm wires all

would be lost. Even that would presuppose a window or door left

unfastened and that was a contingency too remote to be considered.

The lower floor was still lighted and moving shadows blurred against

the curtains of the windows as she skirted the side of the house on

which the music room was located. Betty had taken no account of time

but she felt that it must be very late and it was with a forlorn hope

that she tried the kitchen door.

To her surprise it yielded against her hand and she pushed it slowly

open, halting upon the threshold in sudden dread. A low light was still

burning in the room and she saw a man seated at the table. His head

rested upon his outflung arms and from where the girl stood she could

hear his heavy stertorous breathing. The face was turned sidewise

toward her and she had no difficulty in recognizing Welch, although

his expression was oddly distorted and his heavy jowls were tinged a

mottled purplish hue.

Betty tiptoed past him, scarcely daring to breathe, but he did not

awaken and his rasping snore followed her as she fled silently up

the stair. Her own room was reached at last and bolting the door she

removed her damp, chilling garments, heavy with the night's dew and

prepared for the task which remained to her when the household should

finally retire.

The slender chain clung reassuringly to her neck and she drew out

the little whistle and examined it. It was of silver, delicately

chased, and bore upon a plain oval shield the initials H. R. It seemed

incredible that so fragile and toylike an instrument could summon aid

and yet upon it might sometime depend life or death for her. It was

Ross's own that he had given to her, and she pressed it to her breast

fervently as though it were a talisman to keep all danger and evil from

her.

The hour dragged, but at length she heard the rustle of feet upon the

stair and a murmur of voices which grew less and less as doors closed

until silence fell once more.

Betty was in a fever of impatience, but she resolutely fixed her eyes

upon the tiny clock on the mantel and waited in an excess of caution

until the hands pointed to half-past one. Then with her dark robe

girded about her and her felt-covered feet making no sound, she opened

her door.

The next moment she started back in amazement. A chair had been placed

a short distance down the hall near the entrance to Mrs. Atterbury's

bedroom but it was empty and an oddly huddled figure lay beside it upon

the floor. It was a woman, collapsed as though she had been overcome by

slumber and slipped from her chair, but there was something about the

inert, helpless figure and hoarse stertorous breath not unlike that of

the other downstairs which warned Betty that this was no ordinary sleep.

Holding her breath she drew near the recumbent form and recognized

Caroline. The woman's face was empurpled like that of Welch and her

relaxed chin had fallen upon her breast giving her an expression of

repellant brutish vacuity. Betty had always considered her a stolid

unintelligent creature whose chief virtue was faithfulness, but now it

was as if something malevolent and bestial had made itself manifest,

betraying her real nature in her unconsciousness.

Hesitating no longer, Betty stole to the stairs and was descending as

on the previous night, when again a light in the music room warned

her of an alien presence. This time, however, it was not dim and

flickering but a slender, dazzlingly brilliant ray, like the dart of a

rapier, which swept the doorway in a flash and was gone, leaving behind

a shimmering hazy glow.

Betty crept down, her unlighted candle and box of matches clutched to

her breast. The glow still remained as that of a searchlight which has

been shifted in another direction and while she paused breathless, the

clink of metal and a low-muttered ejaculation in an unknown masculine

voice came to her ears.

Step by step, with her heart fluttering like a wild thing, the girl

advanced to the doorway and cautiously reconnoitred. The portrait of

Beethoven was in its place, but before it knelt a man in rough dark

clothes, the soles of his boots upturned and glistening with fresh

gobbets of mud. A canvas bag open on the floor beside him displayed

odd shapes of metal whose edges caught the light, and the bull's-eye

lantern in the intruder's hand cast a steady stream of radiance about

the benign pictured face above.

While his back was still turned, Betty slipped silently across the

doorsill and to her hiding place of the night before where she crouched

peering out from beneath the upraised piano top. The man was passing

his hands hurriedly over the lower part of the frame, grunting in his

impatience as the secret spring eluded his search. Once he turned his

head slightly and she caught a glimpse of a heavy, protruding, unshaven

jaw and flattened nose. The low visor of his cap concealed the forehead

and eyes, but the profile was startling in its ferocity and sullen

strength.

Although she realized that the clumsy fingers might at any moment touch

the knob and a shrill alarm peal through the house the girl lingered,

held by a slender thread of hope. Welch was sleeping, perhaps drugged,

and there was a chance that he might not have attached the alarm system

for the night before unconsciousness descended upon him. In that case,

if she could but remain undiscovered until the burglar had accomplished

his purpose and was gone, she could examine the rifled safe for herself.

"You're ahead of time, Mike. Admiring the portrait?" A low, sarcastic

drawl sounded from the doorway and the man turned with an oath, holding

something in his free hand which glittered ominously. Betty cowered

back, her fluttering heart still and cold within her breast.

Leaning nonchalantly against the wall by the door, his hands in the

pockets of his dressing gown and his dark face wreathed with a derisive

smile, stood Jack Wolvert.

The man before the picture swore again, but in a relieved fashion.

"You don't mind taking chances, do you?" he growled. "I might have

plugged you full of holes without lookin' first."

"Oh, no you wouldn't!" retorted Wolvert amiably. "If you'd been quick

on the trigger you wouldn't have done your stretch at St. Quentin.

Nifty portrait that, isn't it? Serves a two-fold purpose; immortalizes

the likeness of the gentleman who composed what may be your funeral

march, if you are lucky, and--"

"Say, cut the comedy, an' let's get down to business!" the other

interrupted gruffly. "You'll have Welch lumberin' in on us before you

know it."

"Not he!" Wolvert shrugged and strolled over to the picture. "He is

sleeping the sleep of one who finishes off the wine-glasses left from

dinner. I prepared one for his especial benefit."

"God!" The man called "Mike" recoiled. "You don't mean--"

"Of course not!" The languid tone was edged sharply. "I don't go in for

anything crude! Caroline, too, is _hors de combat_ or, as you would

express it, dead to the world. Her midnight cup of tea before she went

on guard outside Marcia's door was of specific brewing. Our beloved

Marcia, I may add, has resumed her Macbethan promenades."

"Walkin' again in her sleep?" Mike paused uneasily. "I don't like that!

It always means bad luck for some of us! I ain't stuck on this job

anyway; we could drop it now an' stick to the old game, fifty-fifty--"

"Forget it!" Wolvert snatched the lantern from the other's hand and

trained its single ray upon the right hand corner of the frame. "Watch

me, and duck when the big swing starts."

Betty watched also, her heart racing once more as Wolvert's facile

fingers found the spring and the portrait swung out in a mighty sweep,

revealing the square steel sheet built compactly into the wall. The

buzzer of the alarm whirred impotently and was still, and Mike dropped

to his knees before the aperture with a grunt of satisfaction, his

suddenly aroused scruples forgotten in professional interest.

His bullet-shaped head completely blocked Betty's view of the

combination, but she heard the clink of the knob as it whirled under

his hand. At length Mike sat back on his heels, swearing softly.

"It's no go!" he breathed. "Can't feel the drop of the tumblers. I'll

have to use the soup, after all."

"Go to it," responded Wolvert savagely. "It's a tough layer but thin;

look out she doesn't eat through."

Then followed an interminable age while Betty crouched, tense and

cramped, listening to the click of tools and pressing a fold of her

gown across her mouth and nostrils to keep out the pungent fumes which

stole upon the air. Would they penetrate the closed doors above and

give warning that treachery was afoot?

"Ha!" Wolvert's ejaculation of triumph broke the protracted tension,

just as the heavy door, with a grating jar, split like a crust before

their eyes and fell outward, yawning upon one hinge.

"Got it!" Mike pushed back his cap and wiped his brow. "Armor plate's

made of cheese compared to that! Now which is the pay dirt?"

Wolvert knelt beside him and threw the light upon the gaping cavity.

Betty's eyes were watering but the fumes were gradually passing away

and she could see that the interior of the safe was filled with packets

of paper, neatly pigeon-holed in rows.

"Three hundred thousand!" Wolvert crooned, gloatingly. "Three hundred

thousand and maybe more! God, what a haul! Think of it, Mike, the

pickings of five years, salted down and waiting for us, to say nothing

of rich veins that have scarcely been tapped yet!"

"I can lick my chops over 'em just as well when I've got 'em safe away

from here!" Mike glanced apprehensively over his shoulder and Betty

could see his eyes glistening like those of a cat in the shadow of his

visored cap. "Hurry up and pick out the live wires from the dead ones.

The old girl may take it into her head to walk again!"

"You can drop her with the blackjack if she does," Wolvert returned

carelessly. His long, slender hands were darting in and out among the

pigeonholes, sorting the various packets deftly and ranging them in two

piles. "Got the wallets?"

"Here!" Mike produced oblong leather folders from each of his breast

pockets. "Sure you don't overlook any good bets, Jack."

"No fear!" Wolvert passed over package after package of envelopes as he

talked. "Here's the dope on the Texas matter; that's good for thirty

or forty thousand to start with; this is the certificate for those two

hundred shares of copper you've heard about. To the right party they're

worth twenty thousand. These we might take on speculation; lumping

them together we may figure on realizing a hundred thousand from them,

roughly speaking."

"Some dough!" Mike chuckled, stowing away the packets as fast as they

were handed to him. "What's this bunch?"

"Can't stop now to go over them, Mike, but I know what they are and

I'll open your eyes when we sort them out over at your joint. Now, if

I can only lay my hands on that Crane contract; I wonder where our

careful Marcia cached it?"

"What's this, any good?" Mike had stuffed one bulging wallet back into

his pocket and drawn a long envelope from one of the upper pigeonholes.

Wolvert glanced over his shoulder at the label and shrugged.

"Small change, a thousand or so, but take it along if you want it. It's

easy money."

"A thousand cold iron men look good to me. I can feel 'em rolling into

my hand right now, but those big figures make me afraid the alarm

clock's liable to go off any minute an' wake me up. Say, get a move on,

Jack. I'm gettin' a cold chill like someone was watchin' me!"

Betty gasped inaudibly and shrank still further back in her retreat,

but Wolvert only shrugged in impatience.

"That Crane contract is the main thing; it's worth more than all the

rest put together, to us!" he grumbled. "Get your head out of the

light, Mike!"

"Is this it, in the long blue envelope?" The other had overcome his

momentary uneasiness and resumed his search. "Feels kinder thick."

"No, don't pay dividends any more. It's the West--what's that?"

Betty had caught at the leg of the piano as her cramped limbs wavered

beneath her and a little silver ring which she wore rapped smartly upon

the polished surface of the wood. For one thrilling moment she held her

breath, but the lantern swept around the opposite side of the room to

the door and then flashed back and Mike swore once more.

"I've had enough of this, I tell you! I don't feel right and I've got

a hunch that I'd better be movin'. Let the bloomin' contract go if you

can't find it; we've got enough as it is!"

"Nothing doing!" Wolvert spoke through set teeth in a tone which the

listening girl remembered with a shudder. "You don't beat it unless you

take that with you!"

"Oh, don't I?" snarled Mike, leaping to his feet in swift rage. "I'll

show you, my fine gentleman, that you ain't dealin' with a skirt now,

to bully or soft-soap as you feel like it! I wouldn't be here if I

wasn't through takin' orders from nobody--!"

"Easy there with the bluff!" Wolvert interrupted coolly. "You can't get

along without me, you know. What you've got there is just so much waste

paper to you, if I don't negotiate it for you. Don't be a quitter!"

"Nobody ain't ever called me that yet, but I'm hep that there's

somethin' wrong. Give it up, Jack, an' let's lay the plant--"

"Here it is!" Wolvert swooped down upon a single folded paper and waved

it exultantly. "Take it, Mike, and keep it well; it's a gold mine! Now

come on and set the stage."

Before Betty's amazed eyes a curious scene was enacted. Seizing one

after another of the heavy leather chairs which were grouped about

the room, Wolvert and his accomplice noiselessly overturned them,

easing them gently to the floor where they lay at grotesque angles.

Next they turned their attention to the smokers' stand, rolling the

smaller articles upon it in every direction until the rug was strewn

with cigarettes and matches. The stand itself they placed upon its side

against the wall as if it had been flung there with violence.

"How about the piano?" Mike's eyes travelled speculatively to the

shadowed corner and Betty's senses reeled. "Gonna bang it up a little?"

"No, don't overdo the wreckage. Just move the center table over against

it." Wolvert was busy scattering the remaining contents of the safe

about before it. "Too bad we can't smash that bit of crockery; it would

be the last finishing touch."

He gestured toward a priceless Royal Worcester vase which stood upon a

teakwood taboret near the portrait, and Mike grinned.

"That's easy! Watch me knock it to smithereens!"

"And have the house about our ears?" Wolvert sneered, but the other

paid no heed.

He had caught up a small silk prayer rug and, wrapping it about the

vase, laid it upon the floor. Then, raising a sausage-like roll of

cloth heavily weighed which he took from his bag, he struck it a blow

with all the force of his brawny arm behind it. There was a dull thud

and a soft, shivery tinkle, and when the rug was unwrapped a heap of

jagged, richly-colored fragments was revealed. It was, as Wolvert had

said, the finishing touch to a scene of havoc which seemingly only a

hand-to-hand struggle could have wrought.

"Now for the rough stuff." Wolvert rose from his knees and with one

quick, muscular jerk, ripped his dressing gown from thigh to shoulder,

tearing one sleeve loose. Then he coolly turned his back to Mike and

crossed his wrists behind him. "Tie them good and tight, Mike. We don't

want to fake this part of the game."

Mike obeyed with alacrity, twisting the cord until Betty could see the

slender wrists writhe.

"Now my ankles." Wolvert gritted his teeth, and in the light from the

lantern beads of perspiration glittered on his forehead. He knelt again

and then lay flat upon his back, facing the safe, his outstretched feet

almost within the aperture.

Mike lashed them firmly and turning to his bag, produced a sponge and a

small phial with which he approached his victim, grinning slyly.

"Easy on that!" warned Wolvert. "Don't put me out, Mike. Use just

enough to leave the scent on my hair and shirt."

"I hate to beat it without my kit." Mike cast a reluctant eye on the

bag at his feet. "Prettiest set of tools I ever had!"

"You won't need it again after we've turned this trick," responded his

co-conspirator. "It's got to look as though you were scared off, you

know. Don't forget to leave the chloroform too. Come on with it, I'm

ready."

"Remember, Two Forty-seven Porter Street. I'll wait till midnight

and if you don't show up by then I'll clear for the old hang-out in

Baltimore. Here goes, pleasant dreams!"

He pulled the cork from the phial and a cloying sweetish odor choked

the air. Producing a grimy handkerchief, Mike poured a few drops upon

it and applied it to the head and throat of the prostrate man.

"Not--too--much!" The smothered tones died away in a mumble, and

placing the phial upon the floor beside the recumbent figure Mike gave

one last sweeping glance about the room and slipped like an eel through

the door, the flash of his lantern vanishing with him into the gloom.

Waiting only until the rasp of a softly opening window had assured her

that the intruder was gone, Betty crept from her hiding place, her

pulses leaping madly. She had made a desperate resolve and realized

that she must put it into immediate execution, before the fumes of the

anæsthetic had cleared from the momentarily dulled brain of the man

lying before her.

Lighting her candle, she placed it upon the floor and crept on her

hands and knees toward the phial, keeping well out of the possible

upward range of Wolvert's vision.

The half-stupefied man stirred and muttered as her fingers closed about

the phial, but she dared not hesitate. With a shaking hand she poured

an ounce of the pungent liquid over the grimy handkerchief which lay

beneath her hand, and creeping to Wolvert, suddenly dropped it like a

cone down over his upturned face, holding the sides drawn tightly down.

His limbs twitched and his head moved feebly, but she did not

relinquish her pressure until the muscular action ceased and the body

lay limp and flaccid as that of the dead. Then, with a little sob

of exultation, she flung herself upon the safe and seizing the blue

envelope of which Mike had spoken, she tore it open.

A swift glance over the single folded sheet of letter paper and long

narrow slip, much creased and yellowed with age, which formed its

contents, and Betty clasped it convulsively to her breast. Her face

was transfigured as she crept to her candle and with it crossed to the

hearth.

A moment more and a clear flame sprang up, flaring fitfully in her

trembling hands, then died and only a tiny heap of fluffy black flakes

among the heavier wood ashes told of her desperate plan's consummation.

She turned to escape, but a glance at the motionless form halted her

in mid-flight. Suppose she had killed him!

Betty's heart contracted and fearfully she approached him once more.

The handkerchief had slipped from his face and its deathlike pallor

seemed to confirm her misgiving.

Kneeling beside him, she had placed her hand upon his breast, when a

lurching shuffle in the hall made her recoil.

Stumbling and clinging to the wall for support, Welch reeled in at

the doorway, and his drug-dulled eyes burst into sudden flame as they

lighted upon her.

"D---- you!" he bellowed. "Got you with the goods at last!"

Suspense · 第 17 / 20 章