IT is an open question whether the policeman is not demoralising us; and
that in proportion as he does his duty well; whether the perfection of
justice and safety, the complete “preservation of body and goods,” may
not reduce the educated and comfortable classes into that lap-dog
condition in which not conscience, but comfort, doth make cowards of us
all. Our forefathers had, on the whole, to take care of themselves; we
find it more convenient to hire people to take care of us. So much the
better for us, in some respects; but, it may be, so much the worse in
others. So much the better; because, as usually results from the
division of labour, these people, having little or nothing to do save to
take care of us, do so far better than we could; and so prevent a vast
amount of violence and wrong, and therefore of misery, especially to the
weak; for which last reason we will acquiesce in the existence of
policemen and lawyers, as we do in the results of arbitration, as the
lesser of two evils. The odds in war are in favour of the bigger bully,
in arbitration in favour of the bigger rogue; and it is a question
whether the lion or the fox be the safer guardian of human interests.
But arbitration prevents war; and that, in three cases out of four, is
full reason for employing it.
On the other hand, the lap-dog condition, whether in dogs or in men, is
certainly unfavourable to the growth of the higher virtues. Safety and
comfort are good, indeed, for the good; for the brave, the
self-originating, the earnest. They give to such a clear stage and no
favour, wherein to work unhindered for their fellow-men. But for the
majority, who are neither brave, self-originating, nor earnest, but the
mere puppets of circumstance, safety and comfort may, and actually do,
merely make their lives mean and petty, effeminate and dull. Therefore
their hearts must be awakened, as often as possible, to take exercise
enough for health; and they must be reminded, perpetually and
importunately, of what a certain great philosopher called, “whatsoever
things are true, honourable, just, pure, lovely, and of good report;” “if
there be any manhood, and any just praise, to think of such things.”
This pettiness and dulness of our modern life is just what keeps alive
our stage, to which people go to see something a little less petty, a
little less dull, than what they see at home. It is, too, the cause of—I
had almost said the excuse for—the modern rage for sensational novels.
Those who read them so greedily are conscious, poor souls, of capacities
in themselves of passion and action for good and evil, for which their
frivolous humdrum daily life gives no room, no vent. They know too well
that human nature can be more fertile, whether in weeds and poisons, or
in flowers and fruits, than it is usually in the streets and houses of a
well-ordered and tolerably sober city. And because the study of human
nature is, after all, that which is nearest to everyone and most
interesting to everyone, therefore they go to fiction, since they cannot
go to fact, to see what they themselves might be had they the chance; to
see what fantastic tricks before high heaven men and women like
themselves can play, and how they play them.
Well, it is not for me to judge, for me to blame. I will only say that
there are those who cannot read sensational novels, or, indeed, any
novels at all, just because they see so many sensational novels being
enacted round them in painful facts of sinful flesh and blood. There are
those, too, who have looked in the mirror too often to wish to see their
own disfigured visage in it any more; who are too tired of themselves and
ashamed of themselves to want to hear of people like themselves; who want
to hear of people utterly unlike themselves, more noble, and able, and
just, and sweet, and pure; who long to hear of heroism and to converse
with heroes; and who, if by chance they meet with an heroic act, bathe
their spirits in that, as in May-dew, and feel themselves thereby, if but
for an hour, more fair.
If any such shall chance to see these words, let me ask them to consider
with me that one word Hero, and what it means.
Hero; Heroic; Heroism. These words point to a phase of human nature, the
capacity for which we all have in ourselves, which is as startling and as
interesting in its manifestations as any, and which is always beautiful,
always ennobling, and therefore always attractive to those whose hearts
are not yet seared by the world or brutalised by self-indulgence.
But let us first be sure what the words mean. There is no use talking
about a word till we have got at its meaning. We may use it as a cant
phrase, as a party cry on platforms; we may even hate and persecute our
fellow-men for the sake of it: but till we have clearly settled in our
own minds what a word means, it will do for fighting with, but not for
working with. Socrates of old used to tell the young Athenians that the
ground of all sound knowledge was—to understand the true meaning of the
words which were in their mouths all day long; and Socrates was a wiser
man than we shall ever see. So, instead of beginning an oration in
praise of heroism, I shall ask my readers to think with me what heroism
is.
Now, we shall always get most surely at the meaning of a word by getting
at its etymology—that is, at what it meant at first. And if heroism
means behaving like a hero, we must find out, it seems to me, not merely
what a hero may happen to mean just now, but what it meant in the
earliest human speech in which we find it.
A hero or a heroine, then, among the old Homeric Greeks, meant a man or
woman who was like the gods; and who, from that likeness, stood superior
to his or her fellow-creatures. Gods, heroes, and men, is a threefold
division of rational beings, with which we meet more than once or twice.
Those grand old Greeks felt deeply the truth of the poet’s saying—
Unless above himself he can
Exalt himself, how poor a thing is man.
But more: the Greeks supposed these heroes to be, in some way or other,
partakers of a divine nature; akin to the gods; usually, either they, or
some ancestor of theirs, descended from a god or goddess. Those who have
read Mr. Gladstone’s “Juventus Mundi” will remember the section (cap. ix.
§ 6) on the modes of the approximation between the divine and the human
natures; and whether or not they agree with the author altogether, all
will agree, I think, that the first idea of a hero or a heroine was a
godlike man or godlike woman.
A godlike man. What varied, what infinite forms of nobleness that word
might include, ever increasing, as men’s notions of the gods became purer
and loftier, or, alas! decreasing, as their notions became degraded. The
old Greeks, with that intense admiration of beauty which made them, in
after ages, the master-sculptors and draughtsmen of their own, and,
indeed, of any age, would, of course, require in their hero, their
god-like man, beauty and strength, manners too, and eloquence, and all
outward perfections of humanity, and neglect his moral qualities.
Neglect, I say, but not ignore. The hero, by virtue of his kindred with
the gods, was always expected to be a better man than common men, as
virtue was then understood. And how better? Let us see.
The hero was at least expected to be more reverent than other men to
those divine beings of whose nature he partook, whose society he might
enjoy even here on earth. He might be unfaithful to his own high
lineage; he might misuse his gifts by selfishness and self-will; he
might, like Ajax, rage with mere jealousy and wounded pride till his rage
ended in shameful madness and suicide. He might rebel against the very
gods, and all laws of right and wrong, till he perished his ἀτασθαλίη—
Smitten down, blind in his pride, for a sign and a terror to mortals.
But he ought to have, he must have, to be true to his name of Hero,
justice, self-restraint, and αἰδώς—that highest form of modesty, for
which we have, alas! no name in the English tongue; that perfect respect
for the feelings of others which springs out of perfect self-respect.
And he must have too—if he were to be a hero of the highest type—the
instinct of helpfulness; the instinct that, if he were a kinsman of the
gods, he must fight on their side, through toil and danger, against all
that was unlike them, and therefore hateful to them. Who loves not the
old legends, unsurpassed for beauty in the literature of any race, in
which the hero stands out as the deliverer, the destroyer of evil?
Theseus ridding the land of robbers, and delivering it from the yearly
tribute of boys and maidens to be devoured by the Minotaur; Perseus
slaying the Gorgon, and rescuing Andromeda from the sea-beast; Heracles
with his twelve famous labours against giants and monsters; and all the
rest—
Who dared, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens and the forests
Smite the devourers of men, heaven-hated brood of the giants;
Transformed, strange, without like, who obey not the golden-haired
rulers.
These are figures whose divine moral beauty has sunk into the hearts, not
merely of poets or of artists, but of men and women who suffered and who
feared; the memory of them, fables though they may have been, ennobled
the old Greek heart; they ennobled the heart of Europe in the fifteenth
century, at the re-discovery of Greek literature. So far from
contradicting the Christian ideal, they harmonised with—I had almost said
they supplemented—that more tender and saintly ideal of heroism which had
sprung up during the earlier Middle Ages. They justified, and actually
gave a new life to, the old noblenesses of chivalry, which had grown up
in the later Middle Ages as a necessary supplement of active and manly
virtue to the passive and feminine virtue of the cloister. They
inspired, mingling with these two other elements, a literature both in
England, France, and Italy, in which the three elements, the saintly, the
chivalrous, and the Greek heroic, have become one and undistinguishable,
because all three are human, and all three divine; a literature which
developed itself in Ariosto, in Tasso, in the Hypnerotomachia, the
Arcadia, the Euphues, and other forms, sometimes fantastic, sometimes
questionable, but which reached its perfection in our own Spenser’s
“Fairy Queen”—perhaps the most admirable poem which has ever been penned
by mortal man.
And why? What has made these old Greek myths live, myths though they be,
and fables, and fair dreams? What—though they have no body, and,
perhaps, never had—has given them an immortal soul, which can speak to
the immortal souls of all generations to come?
What but this, that in them—dim it may be and undeveloped, but still
there—lies the divine idea of self-sacrifice as the perfection of
heroism, of self-sacrifice, as the highest duty and the highest joy of
him who claims a kindred with the gods?
Let us say, then, that true heroism must involve self-sacrifice. Those
stories certainly involve it, whether ancient or modern, which the
hearts, not of philosophers merely, or poets, but of the poorest and the
most ignorant, have accepted instinctively as the highest form of moral
beauty—the highest form, and yet one possible to all.
Grace Darling rowing out into the storm towards the wreck. The “drunken
private of the Buffs,” who, prisoner among the Chinese, and commanded to
prostrate himself and kotoo, refused in the name of his country’s honour:
“He would not bow to any China-man on earth:” and so was knocked on the
head, and died surely a hero’s death. Those soldiers of the Birkenhead,
keeping their ranks to let the women and children escape, while they
watched the sharks who in a few minutes would be tearing them limb from
limb. Or, to go across the Atlantic—for there are heroes in the Far
West—Mr. Bret Harte’s “Flynn of Virginia,” on the Central Pacific
Railway—the place is shown to travellers—who sacrificed his life for his
married comrade:
There, in the drift,
Back to the wall,
He held the timbers
Ready to fall.
Then in the darkness
I heard him call:
“Run for your life, Jake!
Run for your wife’s sake!
Don’t wait for me.”
And that was all
Heard in the din—
Heard of Tom Flynn—
Flynn of Virginia.
Or the engineer, again, on the Mississippi, who, when the steamer caught
fire, held, as he had sworn he would, her bow against the bank, till
every soul save he got safe on shore:
Through the hot black breath of the burning boat
Jim Bludso’s voice was heard;
And they all had trust in his cussedness,
And knew he would keep his word.
And sure’s you’re born, they all got off
Afore the smokestacks fell;
And Bludso’s ghost went up alone
In the smoke of the Prairie Belle.
He weren’t no saint—but at the judgment
I’d run my chance with Jim
’Longside of some pious gentlemen
That wouldn’t shake hands with him.
He’d seen his duty—a dead sure thing—
And went for it there and then;
And Christ is not going to be too hard
On a man that died for men.
To which gallant poem of Colonel John Hay’s—and he has written many
gallant and beautiful poems—I have but one demurrer: Jim Bludso did not
merely do his duty but more than his duty. He did a voluntary deed, to
which he was bound by no code or contract, civil or moral; just as he who
introduced me to that poem won his Victoria Cross—as many a cross,
Victoria and other, has been won—by volunteering for a deed to which he,
too, was bound by no code or contract, military or moral. And it is of
the essence of self-sacrifice, and therefore of heroism, that it should
be voluntary; a work of supererogation, at least towards society and man;
an act to which the hero or heroine is not bound by duty, but which is
above though not against duty.
Nay, on the strength of that same element of self-sacrifice, I will not
grudge the epithet “heroic,” which my revered friend Mr. Darwin justly
applies to the poor little monkey, who once in his life did that which
was above his duty; who lived in continual terror of the great baboon,
and yet, when the brute had sprung upon his friend the keeper, and was
tearing out his throat, conquered his fear by love, and, at the risk of
instant death, sprang in turn upon his dreaded enemy, and bit and
shrieked till help arrived.
Some would nowadays use that story merely to prove that the monkey’s
nature and the man’s nature are, after all, one and the same. Well: I,
at least, have never denied that there is a monkey-nature in man, as
there is a peacock-nature, and a swine-nature, and a wolf-nature—of all
which four I see every day too much. The sharp and stern distinction
between men and animals, as far as their natures are concerned, is of a
more modern origin than people fancy. Of old the Assyrian took the
eagle, the ox, and the lion—and not unwisely—as the three highest types
of human capacity. The horses of Homer might be immortal, and weep for
their master’s death. The animals and monsters of Greek myth—like the
Ananzi spider of Negro fable—glide insensibly into speech and reason.
Birds—the most wonderful of all animals in the eyes of a man of science
or a poet—are sometimes looked on as wiser, and nearer to the gods, than
man. The Norseman—the noblest and ablest human being, save the Greek, of
whom history can tell us—was not ashamed to say of the bear of his native
forests that he had “ten men’s strength and eleven men’s wisdom.” How
could Reinecke Fuchs have gained immortality, in the Middle Ages and
since, save by the truth of its too solid and humiliating theorem—that
the actions of the world of men were, on the whole, guided by passions
but too exactly like those of the lower animals? I have said, and say
again, with good old Vaughan:
Unless above himself he can
Exalt himself, how mean a thing is man.
But I cannot forget that many an old Greek poet or sage, and many a
sixteenth and seventeenth century one, would have interpreted the
monkey’s heroism from quite a different point of view; and would have
said that the poor little creature had been visited suddenly by some
“divine afflatus”—an expression quite as philosophical and quite as
intelligible as most philosophic formulas which I read nowadays—and had
been thus raised for the moment above his abject selfish monkey-nature,
just as man requires to be raised above his. But that theory belongs to
a philosophy which is out of date and out of fashion, and which will have
to wait a century or two before it comes into fashion again.
And now, if self-sacrifice and heroism be, as I believe, identical, I
must protest against the use of the word “sacrifice” which is growing too
common in newspaper-columns, in which we are told of an “enormous
sacrifice of life;” an expression which means merely that a great many
poor wretches have been killed, quite against their own will, and for no
purpose whatsoever; no sacrifice at all, unless it be one to the demons
of ignorance, cupidity, or mismanagement.
The stout Whig undergraduate understood better the meaning of such words,
who, when asked, “In what sense might Charles the First be said to be a
martyr?” answered, “In the same sense that a man might be said to be a
martyr to the gout.”
And I must protest, in like wise, against a misuse of the words “hero.”
“heroism,” “heroic,” which is becoming too common, namely, applying them
to mere courage. We have borrowed the misuse, I believe, as we have more
than one beside, from the French press. I trust that we shall neither
accept it, nor the temper which inspires it. It may be convenient for
those who flatter their nation, and especially the military part of it,
into a ruinous self-conceit, to frame some such syllogism as this:
“Courage is heroism: every Frenchman is naturally courageous: therefore
every Frenchman is a hero.” But we, who have been trained at once in a
sounder school of morals, and in a greater respect for facts, and for
language as the expression of facts, shall be careful, I hope, not to
trifle thus with that potent and awful engine—human speech. We shall
eschew likewise, I hope, a like abuse of the word “moral,” which has
crept from the French press now and then, not only into our own press,
but into the writings of some of our military men, who, as Englishmen,
should have known better. We were told again and again, during the late
war, that the moral effect of such a success had been great; that the
_morale_ of the troops was excellent; or again, that the _morale_ of the
troops had suffered, or even that they were somewhat demoralised. But
when one came to test what was really meant by these fine words, one
discovered that morals had nothing to do with the facts which they
expressed; that the troops were in the one case actuated simply by the
animal passion of hope, in the other simply by the animal passion of
fear. This abuse of the word “moral” has crossed, I am sorry to say, the
Atlantic; and a witty American, whom we must excuse, though we must not
imitate, when some one had been blazing away at him with a revolver, he
being unarmed, is said to have described his very natural emotions on the
occasion, by saying that he felt dreadfully demoralised. We, I hope,
shall confine the word “demoralisation,” as our generals of the last
century would have done, when applied to soldiers, to crime, including,
of course, the neglect of duty or of discipline; and we shall mean by the
word “heroism,” in like manner, whether applied to a soldier or to any
human being, not mere courage, not the mere doing of duty, but the doing
of something beyond duty; something which is not in the bond; some
spontaneous and unexpected act of self-devotion.
I am glad, but not surprised, to see that Miss Yonge has held to this
sound distinction in her golden little book of “Golden Deeds,” and said,
“Obedience, at all costs and risks, is the very essence of a soldier’s
life. It has the solid material, but it has hardly the exceptional
brightness, of a golden deed.”
I know that it is very difficult to draw the line between mere obedience
to duty and express heroism. I know also that it would be both invidious
and impertinent in an utterly unheroic personage like me, to try to draw
that line; and to sit at home at ease, analysing and criticising deeds
which I could not do myself; but—to give an instance or two of what I
mean:
To defend a post as long as it is tenable is not heroic. It is simple
duty. To defend it after it has become untenable, and even to die in so
doing, is not heroic, but a noble madness, unless an advantage is to be
gained thereby for one’s own side. Then, indeed, it rises towards, if
not into, the heroism of self-sacrifice.
Who, for example, will not endorse the verdict of all ages on the conduct
of those Spartans at Thermopylæ, when they sat “combing their yellow hair
for death” on the sea-shore? They devoted themselves to hopeless
destruction; but why? They felt—I must believe that, for they behaved as
if they felt—that on them the destinies of the Western World might hang;
that they were in the forefront of the battle between civilisation and
barbarism, between freedom and despotism; and that they must teach that
vast mob of Persian slaves, whom the officers of the Great King were
driving with whips up to their lance-points, that the spirit of the old
heroes was not dead; and that the Greek, even in defeat and death, was a
mightier and a nobler man than they. And they did their work. They
produced, if you will, a “moral” effect, which has lasted even to this
very day. They struck terror into the heart, not only of the Persian
host, but of the whole Persian empire. They made the event of that war
certain, and the victories of Salamis and Platæa comparatively easy.
They made Alexander’s conquest of the East, one hundred and fifty years
afterwards, not only possible at all, but permanent when it came; and
thus helped to determine the future civilisation of the whole world.
They did not, of course, foresee all this. No great or inspired man can
foresee all the consequences of his deeds; but these men were, as I hold
inspired to see somewhat at least of the mighty stake for which they
played; and to count their lives worthless, if Sparta had sent them
thither to help in that great game.
Or shall we refuse the name of heroic to those three German cavalry
regiments who, in the battle of Mars-la-Tour, were bidden to hurl
themselves upon the chassepots and mitrailleuses of the unbroken French
infantry, and went to almost certain death, over the corpses of their
comrades, on and in and through, reeling man over horse, horse over man,
and clung like bull-dogs to their work, and would hardly leave, even at
the bugle-call, till in one regiment thirteen officers out of nineteen
were killed or wounded? And why?
Because the French army must be stopped, if it were but for a quarter of
an hour. A respite must be gained for the exhausted Third Corps. And
how much might be done, even in a quarter of an hour, by men who knew
when, and where, and why to die! Who will refuse the name of heroes to
these men? And yet they, probably, would have utterly declined the
honour. They had but done that which was in the bond. They were but
obeying orders after all. As Miss Yonge well says of all heroic persons:
“‘I have but done that which it was my duty to do,’ is the natural answer
of those capable of such actions. They have been constrained to them by
duty or pity; have never deemed it possible to act otherwise; and did not
once think of themselves in the matter at all.”
These last true words bring us to another element in heroism: its
simplicity. Whatsoever is not simple; whatsoever is affected, boastful,
wilful, covetous, tarnishes, even destroys, the heroic character of a
deed; because all these faults spring out of self. On the other hand,
wherever you find a perfectly simple, frank, unconscious character, there
you have the possibility, at least, of heroic action. For it is nobler
far to do the most commonplace duty in the household, or behind the
counter, with a single eye to duty, simply because it must be done—nobler
far, I say, than to go out of your way to attempt a brilliant deed, with
a double mind, and saying to yourself not only—“This will be a brilliant
deed,” but also—“and it will pay me, or raise me, or set me off, into the
bargain.” Heroism knows no “into the bargain.” And therefore, again, I
must protest against applying the word “heroic” to any deeds, however
charitable, however toilsome, however dangerous, performed for the sake
of what certain French ladies, I am told, call “faire son salut”—saving
one’s soul in the world to come. I do not mean to judge. Other and
quite unselfish motives may be, and doubtless often are, mixed up with
that selfish one: womanly pity and tenderness; love for, and desire to
imitate, a certain Incarnate ideal of self-sacrifice, who is at once
human and divine. But that motive of saving the soul, which is too often
openly proposed and proffered, is utterly unheroic. The desire to escape
pains and penalties hereafter by pains and penalties here; the balance of
present loss against future gain—what is this but selfishness extended
out of this world into eternity? “Not worldliness,” indeed, as a
satirist once said with bitter truth, “but other-worldliness.”
Moreover—and the young and the enthusiastic should also bear this in
mind—though heroism means the going beyond the limits of strict duty, it
never means the going out of the path of strict duty. If it is your duty
to go to London, go thither: you may go as much farther as you choose
after that. But you must go to London first. Do your duty first; it
will be time after that to talk of being heroic.
And therefore one must seriously warn the young, lest they mistake for
heroism and self-sacrifice what is merely pride and self-will, discontent
with the relations by which God has bound them, and the circumstances
which God has appointed for them. I have known girls think they were
doing a fine thing by leaving uncongenial parents or disagreeable
sisters, and cutting out for themselves, as they fancied, a more useful
and elevated line of life than that of mere home duties; while, after
all, poor things, they were only saying, with the Pharisees of old,
“Corban, it is a gift, by whatsoever thou mightest be profited by me;”
and in the name of God, neglecting the command of God to honour their
father and mother.
There are men, too, who will neglect their households and leave their
children unprovided for, and even uneducated, while they are spending
their money on philanthropic or religious hobbies of their own. It is
ill to take the children’s bread and cast it to the dogs; or even to the
angels. It is ill, I say, trying to make presents to God, before we have
tried to pay our debts to God. The first duty of every man is to the
wife whom he has married, and to the children whom she has brought into
the world; and to neglect them is not heroism, but self-conceit; the
conceit that a man is so necessary to Almighty God, that God will
actually allow him to do wrong, if He can only thereby secure the man’s
invaluable services. Be sure that every motive which comes not from the
single eye, every motive which springs from self, is by its very essence
unheroic, let it look as gaudy or as beneficent as it may.
But I cannot go so far as to say the same of the love of approbation—the
desire for the love and respect of our fellow-men. That must not be
excluded from the list of heroic motives. I know that it is, or may be
proved to be, by victorious analysis, an emotion common to us and the
lower animals. And yet no man excludes it less than that true hero, St.
Paul.
If those brave Spartans, if those brave Germans, of whom I spoke just
now, knew that their memories would be wept over and worshipped by brave
men and fair women, and that their names would become watchwords to
children in their fatherland, what is that to us, save that it should
make us rejoice, if we be truly human, that they had that thought with
them in their last moments to make self-devotion more easy, and death
more sweet?
And yet—and yet—is not the highest heroism that which is free even from
the approbation of our fellowmen, even from the approbation of the best
and wisest? The heroism which is known only to our Father who seeth in
secret? The Godlike deeds alone in the lonely chamber? The Godlike
lives lived in obscurity?—a heroism rare among us men, who live perforce
in the glare and noise of the outer world: more common among women; women
of whom the world never hears; who, if the world discovered them, would
only draw the veil more closely over their faces and their hearts, and
entreat to be left alone with God. True, they cannot always hide. They
must not always hide; or their fellow-creatures would lose the golden
lesson. But, nevertheless, it is of the essence of the perfect and
womanly heroism, in which, as in all spiritual forces the woman
transcends the man, that it would hide if it could.
And it was a pleasant thought to me, when I glanced lately at the golden
deeds of women in Miss Yonge’s book—it was a pleasant thought to me, that
I could say to myself—Ah! yes. These heroines are known, and their fame
flies through the mouths of men. But if so, how many thousands of
heroines there must have been, how many thousands there may be now, of
whom we shall never know. But still they are there. They sow in secret
the seed of which we pluck the flower and eat the fruit, and know not
that we pass the sower daily in the street; perhaps some humble,
ill-dressed woman, earning painfully her own small sustenance. She who
nurses a bedridden mother, instead of sending her to the workhouse. She
who spends her heart and her money on a drunken father, a reckless
brother, on the orphans of a kinsman or a friend. She who—But why go on
with the long list of great little heroisms, with which a clergyman at
least comes in contact daily—and it is one of the most ennobling
privileges of a clergyman’s high calling that he does come in contact
with them—why go on, I say, save to commemorate one more form of great
little heroism—the commonest, and yet the least remembered of all—namely,
the heroism of an average mother? Ah, when I think of that last broad
fact, I gather hope again for poor humanity; and this dark world looks
bright, this diseased world looks wholesome to me once more—because,
whatever else it is or is not full of, it is at least full of mothers.
While the satirist only sneers, as at a stock butt for his ridicule, at
the managing mother trying to get her daughters married off her hands by
chicaneries and meannesses, which every novelist knows too well how to
draw—would to heaven he, or rather, alas! she would find some more
chivalrous employment for his or her pen—for were they not, too, born of
woman?—I only say to myself—having had always a secret fondness for poor
Rebecca, though I love Esau more than Jacob—Let the poor thing alone.
With pain she brought these girls into the world. With pain she educated
them according to her light. With pain she is trying to obtain for them
the highest earthly blessing of which she can conceive, namely, to be
well married; and if in doing that last, she manœuvres a little, commits
a few basenesses, even tells a few untruths, what does all that come to,
save this—that in the confused intensity of her motherly self-sacrifice,
she will sacrifice for her daughters even her own conscience and her own
credit? We may sneer, if we will, at such a poor hard-driven soul when
we meet her in society; our duty, both as Christians and ladies and
gentlemen, seems to me to be—to do for her something very different
indeed.
But to return. Looking at the amount of great little heroisms, which are
being, as I assert, enacted around us every day, no one has a right to
say, what we are all tempted to say at times: “How can I be heroic? This
is no heroic age, setting me heroic examples. We are growing more and
more comfortable, frivolous, pleasure-seeking, money-making; more and
more utilitarian; more and more mercenary in our politics, in our morals,
in our religion; thinking less and less of honour and duty, and more and
more of loss and gain. I am born into an unheroic time. You must not
ask me to become heroic in it.”
I do not deny that it is more difficult to be heroic, while circumstances
are unheroic round us. We are all too apt to be the puppets of
circumstances; all too apt to follow the fashion; all too apt, like so
many minnows, to take our colour from the ground on which we lie, in
hopes, like them, of comfortable concealment, lest the new tyrant deity,
called Public Opinion, should spy us out, and, like Nebuchadnezzar of
old, cast us into a burning fiery furnace—which public opinion can make
very hot—for daring to worship any god or man save the will of the
temporary majority.
Yes, it is difficult to be anything but poor, mean, insufficient,
imperfect people, as like each other as so many sheep; and, like so many
sheep, having no will or character of our own, but rushing altogether
blindly over the same gap, in foolish fear of the same dog, who, after
all, dare not bite us; and so it always was and always will be.
For the third time I say,
Unless above himself he can
Exalt himself, how poor a thing is man.
But, nevertheless, any man or woman who _will_, in any age and under any
circumstances, can live the heroic life and exercise heroic influences.
If any ask proof of this, I shall ask them, in return, to read two
novels; novels, indeed, but, in their method and their moral, partaking
of that heroic and ideal element, which will make them live, I trust,
long after thousands of mere novels have returned to their native dust.
I mean Miss Muloch’s “John Halifax, Gentleman,” and Mr. Thackeray’s
“Esmond,” two books which no man or woman ought to read without being the
nobler for them.
“John Halifax, Gentleman,” is simply the history of a poor young clerk,
who rises to be a wealthy mill-owner in the manufacturing districts, in
the early part of this century. But he contrives to be an heroic and
ideal clerk, and an heroic and ideal mill-owner; and that without doing
anything which the world would call heroic or ideal, or in anywise
stepping out of his sphere, minding simply his own business, and doing
the duty which lies nearest him. And how? By getting into his head from
youth the strangest notion, that in whatever station or business he may
be, he can always be what he considers a gentleman; and that if he only
behaves like a gentleman, all must go right at last. A beautiful book.
As I said before, somewhat of an heroic and ideal book. A book which did
me good when first I read it; which ought to do any young man good who
will read it, and then try to be, like John Halifax, a gentleman, whether
in the shop, the counting-house, the bank, or the manufactory.
The other—an even more striking instance of the possibility, at least, of
heroism anywhere and everywhere—is Mr. Thackeray’s “Esmond.” On the
meaning of that book I can speak with authority. For my dear and
regretted friend told me himself that my interpretation of it was the
true one; that this was the lesson which he meant men to learn therefrom.
Esmond is a man of the first half of the eighteenth century; living in a
coarse, drunken, ignorant, profligate, and altogether unheroic age. He
is—and here the high art and the high morality of Mr. Thackeray’s genius
is shown—altogether a man of his own age. He is not a sixteenth-century
or a nineteenth-century man born out of time. His information, his
politics, his religion, are no higher than of those round him. His
manners, his views of human life, his very prejudices and faults, are
those of his age. The temptations which he conquers are just those under
which the men around him fall. But how does he conquer them? By holding
fast throughout to honour, duty, virtue. Thus, and thus alone, he
becomes an ideal eighteenth-century gentleman, an eighteenth-century
hero. This was what Mr. Thackeray meant—for he told me so himself, I
say—that it was possible, even in England’s lowest and foulest times, to
be a gentleman and a hero, if a man would but be true to the light within
him.
But I will go farther. I will go from ideal fiction to actual, and yet
ideal, fact; and say that, as I read history, the most unheroic age which
the civilised world ever saw was also the most heroic; that the spirit of
man triumphed most utterly over his circumstances at the very moment when
those circumstances were most against him.
How and why he did so is a question for philosophy in the highest sense
of that word. The fact of his having done so is matter of history.
Shall I solve my own riddle?
Then, have we not heard of the early Christian martyrs? Is there a doubt
that they, unlettered men, slaves, weak women, even children, did
exhibit, under an infinite sense of duty, issuing in infinite
self-sacrifice, a heroism such as the world had never seen before; did
raise the ideal of human nobleness a whole stage—rather say, a whole
heaven—higher than before; and that wherever the tale of their great
deeds spread, men accepted, even if they did not copy, those martyrs as
ideal specimens of the human race, till they were actually worshipped by
succeeding generations, wrongly, it may be, but pardonably, as a choir of
lesser deities?
But is there, on the other hand, a doubt that the age in which they were
heroic was the most unheroic of all ages; that they were bred, lived, and
died, under the most debasing of materialist tyrannies, with art,
literature, philosophy, family and national life dying, or dead around
them, and in cities the corruption of which cannot be told for very
shame—cities, compared with which Paris is the abode of Arcadian
simplicity and innocence? When I read Petronius and Juvenal, and
recollect that they were the contemporaries of the Apostles; when—to give
an instance which scholars, and perhaps, happily, only scholars, can
appreciate—I glance once more at Trimalchio’s feast, and remember that
within a mile of that feast St. Paul may have been preaching to a
Christian congregation, some of whom—for St. Paul makes no secret of that
strange fact—may have been, ere their conversion, partakers in just such
vulgar and bestial orgies as those which were going on in the rich
freedman’s halls; after that, I say, I can put no limit to the
possibility of man’s becoming heroic, even though he be surrounded by a
hell on earth; no limit to the capacities of any human being to form for
himself or herself a high and pure ideal of human character; and, without
“playing fantastic tricks before high heaven,” to carry out that ideal in
every-day life; and in the most commonplace circumstances, and the most
menial occupations, to live worthy of—as I conceive—our heavenly
birthright, and to imitate the heroes, who were the kinsmen of the gods.