CHAPTER II

THE ENGLISH ACTRESS

Mrs. Dainton, the great English actress, had the artistic temperament.

Mrs. Dainton had nerves. Mrs. Dainton had many other things which an

imported foreign star anxious to create a sensation might be expected to

have. For instance, she had Fuzzy-Wuzzy, the petite Pomeranian poodle

which never left her night or day. She had her personal manager, Victor

Weldon, to act as valet for the dog by daytime, and attend to occasional

business details. There were also two maids--Lizette, the French maid,

whose duties were of a personal nature at hotels; and Johanna, the

German maid, who assisted at the theater. Furthermore, there was a

footman whose special province it was to precede Mrs. Dainton at all

times and make sure that no rude persons caused her the slightest

annoyance. In the trail of this imposing procession, as a rule, could be

found Sanford Gordon.

Once Mrs. Dainton had been a great beauty. The daughter of an obscure

country curate in her native England, conditions made it necessary for

her to support herself. Naturally, as so many of her sex have done, she

gravitated toward the stage, which always beckons most alluringly to

those who have beauty, youth and talent. Too often it is but the Lorelei

by which are wrecked the disappointed hopes of those not fitted by

nature or temperament for the hardships that must be encountered, but

with Mrs. Dainton the struggle for success had been aided materially by

the beauty and charm with which she was richly endowed. Returning to

America after a number of years--for her first tour of this country

after her London triumphs had been like a whirlwind--Mrs. Dainton had

found herself still viewed with interest, still admired for the great

beauty which had now reached its maturity, and still peevish and

petulant as a result of the fulfillment of her every slightest wish and

whim. Her little eccentricities were always excused by her personal

manager as "Madame's temperament." If an inquisitive newspaper man

wanted to know why Madame had held the curtain until nine o'clock--when

in reality she had merely motored into the country too far and had been

careless of the time--Victor would explain: "Ah, Madame has been

visiting some sick children. She is always so generous, so considerate."

Long experience had made Victor invaluable. His it was to receive the

blame whenever anything went wrong, to excuse to the utmost the

weaknesses of the English actress whenever, as they often did, her whims

seemed likely to affect the box-office receipts.

Consequently, when Mrs. Dainton and her entourage, passing out on their

way to Sanford Gordon's new ninety horse-power touring car which was

drawn up before the hotel, entered the sun parlor, it didn't in the

least surprise the amiable and considerate Victor to have the English

actress pause, sniff, stamp her foot, and protest.

"Some one has been smoking here," she insisted shrilly. "Victor, send

for the manager! The same thing happened yesterday."

"I have already complained once--" began Weldon, shifting the Pomeranian

from the left arm to the right.

"No matter--complain again. If we cannot have satisfaction, complain a

third and a fourth time. That is what hotel managers are here for--to

listen to complaints."

Sanford Gordon, the least obtrusive figure of the little cavalcade, and

the one who, for personal reasons, least desired a scene which might

find its way into the newspapers, stepped forward to calm the irate

actress. Once, rumor said, Sanford Gordon had been able to calm her

impetuous spirit, but that had been in days long gone by. Then he had

chartered a private car to be near her on her travels, he had risked an

open scandal by his devotion to the celebrated beauty. Now things were

different. Not only did he not relish the idea of an altercation with a

hotel management, always fraught with sensational newspaper

possibilities which his smart fellow club members in New York might turn

into a jibe or a joke, but his influence with Mrs. Dainton herself

seemed to be waning.

"Really, my dear Mrs. Dainton," he began softly, "what does it matter?

We do not intend to remain here more than a moment."

Perhaps for some hidden reason of her own, Mrs. Dainton seemed to find

pleasure in turning upon him suddenly.

"How do you know how long I may stay here? Perhaps I may wish to spend

the afternoon here," she declared. "Some one has been smoking here,

smoking vile, filthy cigars. Such things affect my voice. And what could

I do without my voice? I couldn't act. I should be penniless. Victor,

you must not let this happen again."

"I will do my best, Mrs. Dainton," replied Victor.

"Marky" Zinsheimer, covertly throwing away his cigar, rose and bowed

before the English actress, while the footman stared in surprise, and

Victor seemed aghast at the presumption.

"I beg pardon, Mrs. Dainton, it was I who smoked," said "Marky."

Mrs. Dainton surveyed him curiously through her lorgnette.

"Indeed! You should have known better. I really think you had better

complain to the manager, Victor, about this person."

"My name is Zinsheimer," bowed "Marky," smiling amiably. "Well-known

first-nighter in New York--go to all the theaters--maybe you've heard of

me. I'm known everywhere along Broadway. Perhaps you may remember I

bought the first box for your opening night last season. Yes, paid three

hundred dollars for it, too," he added proudly, as an afterthought.

"Really?" repeated Mrs. Dainton, languidly. "Such things do not interest

me in the least. I never think of the sordid details of business--I live

only for my art."

She passed him by as though he were merely a part of the furniture.

"Marky" gazed at her furtively, but slowly his composure deserted him.

He backed away carefully from this wonderful creation.

"She lives only for her art, eh?" he murmured softly. "I got you--you'll

die young," he added to himself, as he drew another cigar from his

pocket, ostentatiously lighted it, and strolled out onto the veranda.

"Victor, is the motor here?" demanded Mrs. Dainton.

Victor shifted the Pomeranian to the other arm, stepped to the door of

the sun parlor, and reported that the chauffeur seemed to be tinkering

with the car.

"And must I breathe this horrible atmosphere while that lazy chauffeur

pretends to fix the car? You must discharge him and get another."

"But I say," broke in Gordon, "the man's the best driver I ever had. I

brought him from France."

"I don't care if you brought him from Hindoostan," retorted Mrs.

Dainton, coldly. "When I say I will not use him after to-day, I mean

it." Reaching two daintily gloved hands toward the Pomeranian, snugly

ensconced under Victor's arm, the actress grasped its little, fuzzy

head, pressed it to her cheek, and smothered it with kisses. "And my

poor 'ittle Fuzzy-Wuzzy. Must 'oo breafe ze awful smoke, too, bress um

baby heartsums. Ums 'ittle Fuzzy-Wuzzy is mamma's pet, isn't ums?"

"The motor is ready now, Madame," ventured Victor stolidly.

Mrs. Dainton handed the dog to Johanna.

"Wrap the precious darling up warmly, Johanna," she said. "You ride with

me, Victor. Lizette, my cloak. Crawley, you ride in front with the

chauffeur and keep any dust from entering Fuzzy's eyes."

As the procession started toward the waiting car, Gordon, who followed

close by the English actress, inquired:

"Where shall we go to-day?"

"Really, I don't think we shall have room for you to-day, Sanford," said

Mrs. Dainton, somewhat coldly, pausing at the top of the steps while the

maids, assisted by the footman and Victor, helped Fuzzy-Wuzzy tenderly

into the car.

"That's what you have said for the past three days," Gordon cried

tensely. "And yet I brought my own machine and my own chauffeur out

here from New York just to please you."

"And you are pleasing me a great deal, Sanford, by letting me go alone."

"Will nothing I do ever move you?" inquired Gordon. Then, as he saw she

was more interested in the way Johanna was holding the Pomeranian, he

added fiercely: "Once you would have answered differently."

Mrs. Dainton turned on him, her manner a strange mingling of sadness and

regret.

"Ah, yes, once," she said softly. "I loved you then without any thought

of the future, and I have paid for it with many, many bitter years of

repentance. Now, after all these years--years when you seemed to have

forgotten my very existence and the thing which you had once called

love--I return to America, praised and honored by those who in the old

days had treated me so lightly, you among the rest."

"That's not true," broke in Gordon. "I always loved you."

"But we parted," continued Mrs. Dainton, bitterly. "And if I had

returned, needing your help instead of being able to reject all that you

can give, would you have come to me again?"

"You know I should have."

"No, Sanford, we seek only that which is beyond our reach," she said

softly, laying her hand on his arm. "The candle has burned out. Do not

try to relight it. I have been only an incident in your life--"

"That's not true."

"Don't you suppose I know about the others?"

"They were nothing to me. It was you, always you."

"One who has been through the mill doesn't care to be crushed by the

mill-stones a second time. Take my advice, Sanford--return to New York,

seek out some nice young girl, and marry her."

"Never!"

"Really!" Mrs. Dainton laughed lightly as she ran down the steps and was

helped into the car by the vigilant Victor. "Ta-ta, Sanford, I'll see

you to-morrow, or the day after." And in another moment the big, red

touring-car had whirled away, leaving upon the steps the solitary figure

of a tall, dark, good-looking chap of uncertain age, who clenched his

hands tightly, then turned suddenly as a bell-boy passed along the

veranda.

"Boy!"

"Yes, sir."

"Tell my valet to pack up at once. I'm leaving for New York to-night."

"Yes, sir. Very good, sir," closing a responsive palm. "Thank you,

sir."

A Star for a Night: A Story of Stage Life · 第 2 / 15 章