CHAPTER III.

THE GRAND CAÑONS OF WESTERN RIVERS.

[Illustration: CRYSTAL FALLS, CASCADE CAÑON.]

Having pretty thoroughly photographed the region roundabout Manitou, we

hitched our camera car to a train on the Colorado Midland and started

westward for Salt Lake, and to embalm the scenery that lay between. The

way led around the base of Pike’s Peak, passed Cascade Cañon, and along

Bear Creek, the road doubling upon itself and twisting around in the

most tortuous course imaginable in order to get through the mountain

defiles. Every foot of the route is grand, for there is no point that

does not offer a view of scenic splendors beautiful, awesome and

sublime. So rugged, tumultuous and wonderfully aberrant is the way, that

the road plunges through no less than eight tunnels in traversing as

many miles, and thus the traveler is whirled through the heart and arms

of the mountains. The approach to Green Mountain Falls is up a valley

which spreads out into a fascinating landscape, where the green of the

meadowlands is set in a brown frame of sky-piercing peaks and impending

cliffs. Fontaine River refreshes the glade that opens through the

towering range, and a little way from the town the water goes leaping

down Foster’s Falls in a sheet of liquid crystal. It is from this

cascade that Green Mountain Falls takes its name. But besides this deep

dash of broken water, there are many other beautiful falls in the

vicinity which have served to make of the place a popular resort,

indeed, one of the greatest in Colorado.

Onward we speed through valleys aflame with flowers and noisy with the

laughter of gamboling streams, until, seventy miles from Colorado

Springs, we plunge into a gorge known by its length as Eleven-Mile

Cañon. It lies directly in the way to South Park, and is wonderful not

so much for its darkling depths as for its marvelous petrifactions and

other natural curiosities; its great masses of granite that have broken

away from the peaks above and become a wall to the turbulent torrent

that has cleft the mountains on its bridleless way to the sea. Thence

our train winds around, up hill, past lakes, trout streams, and ranches,

until we stop a while at Buena Vista, where the train pauses on the side

of Gold Hill Mountain, fully one thousand feet above the town. From this

natural observatory a beautiful view is had indeed: Below is the madly-

rushing Arkansas, and the silvery Cottonwood Creek that joins its waters

with the river at this point. Buena Vista is in a valley that glows like

an emerald in the sun, across which rises a giant bank of mountains

known as the Saguache range, in which we distinguish the collegiate

trinity of mounts Harvard, Yale and Princeton, each being above 14,000

feet, and the former the second highest in the Rocky Mountains. Snowy

and Sangre de Cristo ranges are also visible from this point, while

eleven miles up Cottonwood Pass is Cottonwood Lake, a very gem set in a

wilderness of snow-covered peaks. It is the same distance from Buena

Vista to the summit of Mt. Princeton, reached by an easy wagon road, and

on this lofty pedestal the observer sweeps the horizon with enraptured

vision that commands a view of Salida, Poncha Pass, the wide expanse of

South Park, and grand old Pike’s Peak one hundred miles away; Twin Lakes

are twenty-five miles to the north, near Buffalo Peaks, where the

sportsman finds a paradise and the health-seeker is exhilarated with

balsamic winds; while all around, whichever way we look, the omnipotence

of the Creator is exhibited in the mightiness of His handiwork as

displayed in the weirdly broken landscape of jocund mountain peaks,

bowlders of granite torn from the great heart of the earth, babbling

streams, tumbling water-falls, and teeming valleys.

[Illustration: THE BEARS’ CAVE, NEAR GREEN LAKE.]

After leaving Buena Vista the route was along the Arkansas River,

through somewhat less rugged scenery, and on by Leadville, a city whose

life is drawn from the bowels of the mountain. The whole territory is

speckled and dotted with engine houses, and derricks, and flumes, and

cavities, where the cupidity of man has laid a tribute upon the

everlasting hills, and is collecting it by the sweat of his brow and the

exercise of his genius.

The road continues to rise until we reach Hagerman Tunnel, a mammoth

passage-way bored through solid rock. Its length is 2,164 feet, and to

provide perfect ventillation the cut is eighteen feet wide and nearly as

many high. The grade is a continually ascending one from Colorado

Springs to this point, where an altitude of 11,530 feet is reached, and

the slope towards the Pacific begins. Just as we emerge from Hagerman

Tunnel, Loch Ivanhoe bursts into glorious view, a silvery sheet that

wraps the cold feet of Snowy Mountain, while off to the left, like a

sign of hope to the Christian traveler, is the Mount of the Holy Cross.

This wonderful peak has become a veritable shrine, visited as it is by

thousands, whose reverent feelings it never fails to excite. The

mountain obtains its name and reputation from the clefts on its northern

side near the summit, which are in the form of a cross and in which the

snow lies at such a depth that summer suns never melt it. The height of

this peak is 14,176 feet, but though not so lofty as some others in

Colorado, it is apparently more exposed and holds the snow longest, the

summit being nearly always covered.

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[Illustration:

PORTAL OF GRAND RIVER CAÑON.—Grand and Green Rivers form the Colorado

River, and all are rich in scenery of the most splendid and imposing

character. A fine example of the beautiful and the grand blended and

combined is seen in the photograph on this page. This is the gateway

or portal, as it is aptly named, to other views equal in all

respects to this one. A tour through this region is worth the toil

and effort of a lifetime, and yet how few there are who can afford

to spend their accumulations in giving to themselves such a supreme

pleasure. But the camera overcomes the difficulty, giving us mirror-

like reflections of these majestic wonders, in which we behold them

as perfectly as if we were there in person.

]

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[Illustration: SYLVAN FALLS, CASCADE CAÑON.]

The next point of interest on the way to Salt Lake is Glenwood Springs,

situated at the junction of Grand and Roaring Fork Rivers. This place

derives its importance from its numerous thermal springs of great

remedial virtues, and the beautiful adornments which a lavish but well-

directed use of money has provided. The situation, too, is one of great

natural picturesqueness, as the scenery rivals that about Manitou.

Glenwood Springs is located at the head of Grand River Cañon, which

extends a distance of sixteen miles through colossal mountains, the

palisades of which rise in serried ranks and terminate in towering

columns and gigantic turrets frequently 2,000 feet above the bed of the

river. It is through this tremendous chasm that the railroad runs, so

that travelers have a perfect view of the Titanic scenery from the car

windows, as they are whirled through it. Three miles from Glenwood

Springs is No Name Cañon, while further up the stream is a tremendous

fissure which admits the river, and on account of its wildly savage

appearance is called Grizzly Cañon. Ten miles more towards the river’s

source is Dead Horse Cañon, which may be gained only at the expense of

most laborious effort, for the trail is over great bowlders and along

crumbling walls which frown far above the roaring waters below. But away

up in this darksome retreat of nature, where the lion and bear have

their haunts, is Meteor Falls, that leaps almost out of the mouth of the

cañon and hurls its waters down a precipice nearly one hundred feet

deep, and then spreads through crevices of the rocks into a score of

separate streams. Not far distant is Alexander’s Cave, which, though not

so well known, is much grander in size and more curious with stalactite

formations than those near Manitou, which have an undeserved fame. From

the summit of a mountain just east of Glenwood, and reached by a walk of

three miles, an immense expanse of charming scenery is viewable. For

seventy miles towards the east extends the snow-crowned chain of the

Continental Divide, while towards the north, like a babe sleeping to the

lullabys of a brooklet’s voice, lies the White River plateau. Southward

the observer’s vision swings across the valleys of Roaring Fork and

Crystal River to the Elk range, and then sweeps around to the west,

where it lingers on Book Cliffs, ninety miles away, which gleam with

scintillant beauty, and inspire with a grandeur that fills the very soul

with wondering ecstasy.

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[Illustration:

BOOK CLIFFS, WALLS OF GRAND RIVER CAÑON.—It would be a difficult thing

to find a more beautiful picture than the one that embellishes this

page. It is gloriously beautiful. The camera has done its work so

well that the very reflection of the sun’s rays and the soft glimmer

of the summer air are shown as perfectly as they could be seen with

the natural eye. In fact it has been said, and truly so, that the

camera is a good detective, for it discovers objects which are

invisible to ordinary human sight, and prints them indelibly upon

its sensitive plates. Hence good photographs, like those in GLIMPSES

OF AMERICA, are in many respects more desirable than a visit to the

scenes themselves.

]

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THE GRAND CAÑON OF THE COLORADO.

[Illustration: TRIPLE FALLS, CASCADE CAÑON.]

The tumultuous anarchism of nature, the wild riot of natural forces, the

savage disarrangement, the chaotically indefinable throes of internal

madness that characterize the region, suggests other wonders of eruption

and erosion, the dissolution and disorganization which have been wrought

along the water-course and which has gnawed its way through these

everlasting—nay, it would appear, transitory—mountains. The first

travelers that fought their way into these vastnesses of cañon, roaring

peak and soughing forests, carried back to civilization wondrous tales

of the things which they had seen, and though discredited as the

conceptions of perfervid imaginations, others were stimulated to seek

the proofs, and confirm the theories that were offered by adventurous

gold-hunters. The Government itself, unconscious of its own possessions,

joined in the search for the wondrous evidences and sent expeditions

into the Rocky Mountain regions to make topographic and geologic

investigations, the results of which were to increase surprise.

Operations in the west, chiefly against the Mohave Indians, made it

necessary also for the Government to ascertain the most convenient

routes for the transportation of supplies to the military posts in New

Mexico and Utah, and in this search the Colorado River became an object

of special interest, because if navigable it presented the easiest way

to the seat of war. In order to determine the question, an expedition

was despatched by the Secretary of War, in 1858, under the command of

Lieutenant J. C. Ives, chief of topographical engineers. An iron

steamboat fifty feet long was built in Philadelphia, which, being in

sections convenient for transportation, was shipped by way of Panama to

the Gulf of California, and put into service at Fort Yuma, at the mouth

of the Colorado River, for an ascent of that stream.

The expedition thus conducted by Lieutenant Ives resulted in the

exploration of a large territory which was before his advent therein a

_terra incognita_, except that it had been partially traversed in 1540

by a few Spanish explorers, acting under orders of the Viceroy of New

Spain, whose reports, however, were so crude as to be almost valueless.

Ives succeeded in ascending the Colorado a distance of 425 miles in his

steamboat, which he concluded was within seventy-five miles of the head

of navigation during the most favorable season. The practical results

were not of very great value, but his reports were extremely

interesting, chiefly for the descriptions of marvelous scenery which

they contained. Or, as he writes, “The region explored after leaving the

navigable portion of the Colorado—though, in a scientific point of view,

of the highest interest, and presenting natural features whose strange

sublimity is perhaps unparalleled in any part of the world—is not of

much value.”

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[Illustration:

NEAR HANCE’S CABIN, GRAND CAÑON OF THE COLORADO.—The Grand Cañon of

the Colorado, in Northwestern Arizona, is the supreme natural wonder

of the world. It is formed by the Colorado River cutting its way

through the high plateau of that region. It is not a mountainous

district, but a level plateau, and for this reason the tourist sees

no indication of the wonders soon to be unfolded to his astonished

vision until he is right upon the brink of the awful chasm which

gashes the earth in many places to a depth of more than one mile, at

the bottom of which the river writhes and dashes like a tortured

serpent. The towering cliffs on either side reflect all the colors

of the rainbow, and when they are illuminated by the noonday sun the

scene is indescribably beautiful as well as grand.

]

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[Illustration: TEN-MILE PASS, NEAR KOKOMO, COLORADO.]

Subsequently the Government determined to effect an exploration of the

headwaters of the Colorado, and to this end Major J. W. Powell, chief of

the U. S. Survey Corps, was sent out in charge of a party of a dozen

equally intrepid men, with instructions to descend the stream if

possible. To accomplish his purpose Major Powell provided four

staunchly-built row-boats in which he and his party debarked at Green

River Station, on the 24th of May, 1869, to run the gauntlet of cañon,

maelstrom, rapids and waterfalls in the Green and Colorado Rivers. It is

to Major Powell’s report that we are indebted for descriptions of the

terribly sublime scenery of these two streams, which surpass in wonder

every other region on the globe, and to the photographer of that

expedition we make our acknowledgments for several of the views which

are here reproduced. Mr. W. H. Jackson, who was for a long while

attached to the survey corps as photographer, has also kindly furnished

us with a number of exquisite pictures of the more accessible cañons of

the Colorado, and to him, therefore, credit in large share must be

given. Our own party, while thoroughly equipped for photographing

regions contiguous to railroads, was unprepared for making a trip down

the most dangerous of rivers, and we have accordingly been compelled to

rely for our photographs of the Green and Colorado Cañons upon the work

of those above credited. Condensing as much as possible the elaborate

and entrancing report of Major Powell, as it fills a very large volume,

his explorations may be thus hastily described:

Almost from the beginning of the trip, the scenery was delightful,

variegated as it was with high-reaching cliffs dyed in great variety of

colors, and long lines of mountains stretching away into an infinity of

distance. The blue sky above, green shades of forest pines along the

side, empurpled clouds catching the tints of a rising and setting sun,

and lines of buff, red and brown, marking the strata of the banks, made

a picture which no painter has the genius to reproduce. Green River

enters the Minta plateau by the Flaming Gorge, and after reaching the

heart of the chain turns eastward, then southward, cutting its way out

by the splendid cañon of Lodore. Then following the base of the range

for a few miles a sudden caprice seizes it. Not content with the

terrible gash it has inflicted upon this noble chain, it darts at it

viciously once more and cuts a horseshoe cañon in its flank 2,700 feet

deep, then twists and emerges near the point of entrance. Thenceforward

the river runs a tortuous course of 300 miles through gently inclined

terraces which rise gradually as the stream descends. Further down, the

Kaibab (Buckskin) Plateau rises to contest its passage, and a chasm

5,000 to 6,000 feet is the result. The whole province is a vast category

of instances of river channels cutting through plateaus, mesas, and

terraces where the strata dip up-stream, as will be more particularly

described in the summary of Major Powell’s hazardous explorations.

------------------------------------------------------------------------

[Illustration:

GRAND CAÑON OF THE COLORADO, NEAR THE TEMPLE OF SET.—This splendid

photograph will convey to the mind of the reader a good idea of the

awful grandeur of this locality. The picture is taken at the bottom

of the cañon, beneath the overhanging cliffs which rise

perpendicularly for thousands of feet, and between whose jutting

crags the sun can penetrate only when it is at the meridian. It is

well to contemplate such scenery, for it shows us our own littleness

and impotency in the midst of the fearful and resistless forces of

nature which God has set in motion.

]

------------------------------------------------------------------------

[Illustration: KAIBAB PINNACLES, GRAND CAÑON OF THE COLORADO.]

Sixty miles from Green River the expedition floated into Flaming Gorge,

a chasm fifteen hundred feet in depth, through which the water poured in

swift measures and gave intimation of a more impetuous course further

down. But undeterred the gallant party proceeded, through Red and

Horseshoe Cañons, where the walls drew closer and big bowlders in the

stream caused the water to boil with such ominous signs that portage

around the obstructions was necessary. Thereafter the way became more

difficult, for to dangerous rapids were added lofty falls, while along

the vertical walls in places there was scarcely a space to set foot.

Frequently the only possible means of passage was by lowering the boats

by ropes attached to stem and stern, which taxed the strength of the men

as well as the staunchness of the crafts. Time and again, in running

rapids, the boats were capsized, but being built in water-tight

compartments they righted themselves and were a refuge for the men, who

clung to the sides until they drifted near the shore.

At one place, which Major Powell named Disaster Falls, one of the boats

was swept over a fall and carried down to a rapid, where, striking

broadside against a bowlder, it was broken in two, leaving the three

occupants adrift to battle with the surging waters. Their escape from

drowning was almost a miracle, due to good luck and the extraordinary

efforts of their brave comrades. In this spot the walls were more than

3,000 feet high, and drawn so near together that only a thin strip of

sky was visible, which at night-time appeared to rest on the jagged

edges of the cliffs.

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[Illustration:

PYRAMID PEAK, IN GRAND CAÑON OF THE COLORADO.—We have on this page a

general view of some of the rugged and imposing scenery of this

region. The space is too limited, however, to show the towering

heights of the cliffs to the right, which, when viewed from this

standpoint, seem to bathe their faces in the blue vault of heaven.

Along these cliffs, in many places, are found the deserted homes and

the ghastly relics of an ancient race of men, long since perished

from the face of the earth. They made their dwelling places in this

rugged and secluded region as a protection against wild animals and

still wilder savage men, but with all their precaution they were

unable to shield themselves from the fury of their enemies, and

another chapter of mystery and sorrow is thus added to the history

of man.

]

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[Illustration: HORSESHOE CAÑON, GRAND CAÑON OF THE COLORADO.]

Sixteen days after their departure from the starting point, the

adventurous party were swept into Lodore Cañon, which extends its

colossal walls along twenty-four miles of the river, sometimes in the

form of hanging cliffs, tousled and gray with stunted vegetation, and

rising nearly three thousand feet above the stream, and again in

beautiful terraces of red sandstone that spread upward till they are

lost in the Uintah Mountains.

It was not until two months after leaving Green River Station that the

explorers approached the junction with Grand River. As they dropped out

of the winding gorge whence they had descended, they caught a view of a

wondrous fissure, down which poured a rushing stream which appeared to

issue from the very bowels of the earth, so bottomless seemed the

channel. It was Grand River, which, in many respects, is the counterpart

of its sister stream, having the same features of waterfall, rapid, and

awesome cañon, into which the sunlight falls only at midday, and where

night-birds are on the wing almost constantly. It is a fitting thing

that these two remarkable rivers should mix their fretful waters and

flow on together in a perpetual quarrel, through arid plains, until they

end their differences in the Gulf of California.

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[Illustration:

ECHO CLIFFS, CAÑON OF GRAND RIVER.—The resounding cliffs on either

side of the valley so beautifully photographed on this page, give

name to the locality. The echo is one of the finest known in any

region of the world, and the place will some day become as famous as

similar resorts in Europe, which attract thousands of visitors every

year. The scenic regions of our country are so vast, so diversified,

so grand and so beautiful that the time is not far distant when

pleasure seekers, and those desiring rest and recreation from the

toils and worries of business will turn their footsteps in this

direction, rather than toward the less attractive and more distant

wonders of Europe.

]

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[Illustration: CLIFF RUINS IN THE CAÑON.]

[Illustration: JURASSIC TERRACE OF THE CALAB, GRAND CAÑON OF THE

COLORADO.]

The Colorado River is formed by a union of the Grand and Green Rivers,

the former taking its rise near Long’s Peak, and the latter having its

source in the Wind River Mountains of Wyoming, within a few miles of

Fremont’s Peak. The two streams form a junction near a point known as

Fort Morrison, in southeast Utah, at the head of the most appalling

gorge in the world, called the _Grand Cañon of the_ _Colorado_. The

scenery along both the Grand and Green Rivers is inexpressibly sublime,

rising into towering buttes out of the plains; soaring to the clouds in

the form of mountains; revelling in the wildest disorder of landscape,

and the most turbulent panorama of mad-dashing streams between walls of

amazing height; but the wild passions of both rivers seem to be united

with more than double intensity when they mingle their waters and thence

become one turbid flood gnawing a way through the southwest desert. How

hard it is for the inexperienced eye to catch a mental view of the

tremendous chasm of the Colorado, however realistic a descriptive writer

may paint it, for height and depth almost lose their significance when

we apply the terms to dizzy crags above, and the dark lonesomeness of

Plutonian recesses beneath.

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[Illustration:

BUFFALO BILL AND PARTY AT POINT SUBLIME, GRAND CAÑON OF THE COLORADO.—

During the summer succeeding his triumphal tour of Europe, General

W. F. Cody (Buffalo Bill), accompanied by a party of friends,

visited and explored the famous Grand Cañon of the Colorado. The

photograph on this page represents the party at lunch on Point

Sublime. Buffalo Bill is a warm friend and admirer of the author of

GLIMPSES OF AMERICA, and loaned this photograph to him for

reproduction in this work. It was taken by the special photographer

who accompanied the party on the tour referred to.

]

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[Illustration: SKULLS OF THE CLIFF DWELLERS.]

The region through which the chafing waters of the Colorado run is

forbidding in the extreme, a vast Sahara of waste and inutility; a

desert too dreary for either vegetable or animal life; a land that is

haunted with wind-storm, on which ride the furies of desolation. But

there is in its very bleakness and consumptive degeneracy something that

appeals to the observer; a sympathy is aroused that stimulates

contemplation of the wondrous works of Deity, of the omnipotent hand

that sows seeds of plenty in one place and scatters tares of poverty in

another; that makes the valleys to laugh with verdure, and the plains to

wail with nakedness. In this sterile domain, this borderland of phantasy

and reality, nature is so distraught that the supernatural seems to hold

carnival, and in the forms which we here behold there is constant

suggestion of chaos. The earth is parched to sterility, and yet there

are abundant evidences that in centuries long ago this same land was

abundantly blessed with an amazing fertility. Depressions ramifying the

region are the dry beds of what were once water-courses, and the whole

plateau is garish with rocks over which life-giving floods once poured

their vivifying nourishment. But the friable nature of both soil and

rock has given way before the action of the river, which has constantly

deepened its path and drained the moisture from the earth. Now it is

like the Moon, a parched district, save for the single stream which,

instead of supplying sustenance, is eating its vitals. The channel is

worn more than 5,000 feet deep, with stupendous banks terraced and

wrought into shapes most fantastic, and at places diabolic. Imagine a

chasm that at times is less than a quarter of a mile wide and more than

a mile deep, the bed of which is a tossing, roaring, madly impetuous

flood; winding its way in a sinuous course along walls that are painted

with all the pigments known to nature! What an imposing spectacle; what

a scene of awesome grandeur; what a sublime vision of mightiness! But

the geologist sees in the crags and precipices, the strata and bed of

that brawling stream, the handwriting of nature, the easily decipherable

physical history and geology of the land. The antiquarian and

ethnologist, following after, translate the relics of rude habitations

found along the cliffs, and the skulls fortunately recovered from the

ruins, into a story of the ancient people who in the long centuries ago

dared to make their homes in these almost inaccessible fastnesses,

driven to such refuges by the ruthless hand of persecution.

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[Illustration:

HANCE’S TRAIL, GRAND CAÑON OF THE COLORADO.—Between the beetling crags

and along the serpentine windings of the river, we obtain in this

photograph a fine view of some of the wonders of the Grand Cañon.

The beauties of the scene would be largely enhanced if the varied

hues of the red and orange and amber tinted cliffs could be painted

by the camera with the same accuracy that it gives to all the other

surroundings and characteristics of the picture. This much to be

desired result is largely accomplished, however, in the splendid

colored photograph of a similar scene in this connection, and which

in fact gives a better idea of the splendors of the Grand Cañon than

any photograph in a single color could convey.

]

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[Illustration: ROTARY SNOW-PLOW.]

In many places, Major Powell found overarching cliffs, formed by the

river in making a sharp bend eating away the shale and gypsum of the

base. Occasional inlets were observed, cut by creeks that have been

dried up for ages; and following up one of these deep aroytas a little

way, he came to a natural stair-way of small and regular terraces that

led up fully 500 feet, to an oasis of vegetation, out of which burst a

spring that lost its waters before they had run a hundred feet down the

parched cliff. Just below this point a beautiful glen was found, where

the walls of the cañon appeared to almost meet above the deep and quiet

river, which, though narrowed, had an unobstructed channel. The cliffs

were of a marvelous beauty, appalling in height, but as variegated as a

bed of poppies, with their strata of white, pink, saffron, gray and red.

Passing out of Glen Cañon, the party came directly into the jaws of

another chasm, where the river had excavated an amphitheater of mammoth

proportions, and then plunged into a gorge where both the walls and bed

of the stream were of marble so pure that they shone with an iridescent

splendor, and the now lazy river reflected its walls until looking down

was gazing into the heavenly depths. Just below was Cataract Cañon, the

entrance to which was indicated by a lofty cliff that, from a distance,

shone like a crystal mountain, but which, on closer inspection, was

discovered to be the source of many springs whose waters glinted in the

sun like jewels.

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[Illustration: PORTION OF THE ANCIENT PALACE AT CASA GRANDE, ARIZONA.]

[Illustration: PART OF THE ANCIENT CITY WALL AI CASA GRANDE, ARIZONA.]

The ruins of the ancient city of Casa Grande, in Arizona, and others not

less wonderful in the same region, prove that this portion of our

country was once inhabited by a powerful and numerous race of people,

who possessed a civilization and knowledge of the arts on a parallel

with Babylon and Assyria. The walls of these ruins are built of adobe,

thick and strong, and guarded with buttresses and towers to meet and

repel the attacks of an enemy; but their age and the date of their

occupancy cannot be determined. They may be a thousand years old, and it

is just as probable that they date back two or three times that distance

into the unknown past. Their origin is a profound mystery, and must

always remain such.

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[Illustration: BRIDAL VEIL, SHOSHONE FALLS.]

In many places the arid desolation which was noticeable in the upper

portion and on the plateau, and which stretched away on both sides, was

broken by patches of vegetation, and the appearance of side gorges in

which creeks were still contributing to the river. Storms were not

infrequent, too, and these occurring where the cañon walls were a mile

high and close together, produced an effect that was almost supernatural

in its awfulness. Every obscuration of the sun brought dense shadows in

the chasm, which were split in twain by blinding flashes, while the deep

thunder echoed sharply between the cliffs, producing a roaring sound

that was almost deafening. Such rain-storms, however, were invariably

confined to the immediate vicinity of the cañon, the territory lying two

or three miles east or west continuing parched, with hardly a cloud

above it. Even more remarkable than the stupendous walls which confine

the Colorado River, are the ruined cave habitations which are to be seen

along the lofty and apparently inaccessible ledges, in which a vanished

race long years ago evidently sought refuge from their enemies. These

caves are no doubt natural excavations, but in many instances the mouths

are partially walled and otherwise fortified. They were reached by very

narrow, precipitous and devious paths, and being extremely difficult to

attain by the occupants themselves, presented an impregnable front to

invaders. But the security which such cavernous retreats afforded was

purchased at great cost, for we wonder how the inhabitants managed to

exist, situated as they were in a desolate country, where there was

great scarcity of both vegetable and animal life. Perhaps the most

strikingly beautiful sections of the Grand Cañon are the Vermilion

Cliffs, and the Temples and Towers of the Virgin, the one fading into

the other. Vermilion Cliffs are a great wall of remarkable height and

length of persistent proportions, and so ornate with natural

sculpturing, and rich with parti-coloring, as to justify the most

extravagant language in describing them. Each of the several terraces

has its own style of architecture, and yet they contrast with one

another in the most harmoniously artistic manner. The Elephantine ruins

on the Nile, the temples of Greece, the pagodas of China, and the

cathedrals of Southern Europe, present no more variety of pleasing

structures than those encountered in descending the stair-way from the

high plateaus to the deep Cañon of the Colorado. As we pass from terrace

to terrace, the scene is constantly changing; not only in the bolder and

grander masses which dominate the landscape, but in every detail and

accessory as well: in the tone of the color-masses, in the vegetation,

and in the spirit and subjective influences of the scenery. The profile

of the Vermilion Cliffs is very complex, though conforming to a definite

type and composed of simple elements. While varying much in different

localities, it never loses its typical character. The cliffs consist of

an ascending series of vertical ledges, rising story above story, with

intervening slopes covered with heaps of rocks, through which project

their fretted edges. The composite effect given by the multiple cliffs

and sloping water-tables rising tier above tier, is highly

architectural, and shows in striking contrast with the rough and craggy

aspect of the cliffs of other regions. This effect is much increased by

the aberrant manner in which the wall advances in promontories or

recedes in alcoves, and by the wings and gables that jut out from every

lateral face. In many places side cañons have cut the terrace platforms

deeply, and open in magnificent gate-ways upon the broad desert plain in

front. We look into them from afar, wonderingly and questioningly, with

our fancy pleased to follow their windings until their sudden turns

carry them into distant, unseen depths. In other places the cliffs verge

into towering buttes, rearing their unassailable summits into the

clouds, rich with the aspiring forms of a pure Gothic type, and flinging

back in red and purple the intense sunlight that is poured upon them.

Could the imagination blanch those colors, it might compare them with

vast icebergs, sent from the face of a glacier and floating majestically

out to sea.

Grand, glorious, sublime, are the pictorial cliffs of vermilion hue; yet

a more magnificent spectacle is presented by an unfolding of the

panorama that stretches southward, revealing as it does the heavenly

crowned and resplendently painted temples and towers of the Virgin. Here

the slopes, the serpentine ledges, and the bosses of projecting rock,

interlarded with scanty soil, display all the colors of the rainbow, and

in the distance may be likened to the painter’s palette. The bolder

tints are of maroon, purple, chocolate, magenta and lavender, with broad

bands of white laid in horizontal belts. The cañon proper is 7,000 feet

deep here, but less than two miles beyond it stands the central and

commanding object of this sublime painting, the glorious western temple

that looms up 4,000 feet above the rapid river. This, however, is only

the foreground of a matchless panorama, for right opposite are a mighty

throng of structures wrought in the same exalted style, separated by two

principal forks of the Virgin, known as the Parunuweap and the

Mukuntuweap, or Little Zion Valley. At one point the two side cañons

swing around and form a junction, where the walls break into giant

pediments covered with the most remarkable and picturesque carvings. The

sumptuous, bewildering and mazy effects are boldly discernible; but

detail is lost when attempt is made to analyze it. The flank of the wall

receding up the Mukuntuweap is similarly sculptured and decorated for

two miles, and then changes into new kaleidoscopic forms still more

wonderful and impressive. A row of towers half a mile high is sculptured

out of the palisade, and stands in relief before its face. There is an

eloquence in their forms which stirs the imagination with a singular

power, and kindles in even the dullest mind a glowing response. Just

behind them, and rising a thousand feet higher, is the eastern temple,

crowned with a cylindric dome of white sandstone. Directly in front is a

complex group of white towers, springing from a central pile and

mounting to the clouds. The highest peak in this cumulus mass is almost

pure white, with brilliant streaks of carmine descending its vertical

walls, while the truncated summit is a deep red.

Nothing can exceed the wondrous beauty of Little Zion Valley, which

separates the two temples and their respective groups of towers. In its

proportions it is probably equal to Yosemite, but it very far exceeds

that natural wonder in the nobility and beauty of sculpturing. We are

not surprised that a Mormon zealot gave to this cañon the name of Little

Zion, since the scenery is so imposing as to immediately and powerfully

suggest those “houses not built with hands.”

Far to the westward is to be seen the last palisade, lifting its

imposing front behind an army of towers and domes to an altitude of more

than 3,000 feet. Beyond it the view changes quickly, for it passes at

once into the Great Basin, which to this region is another world.

The passage of the Grand Cañon of the Colorado, that most fearful,

colossal and extraordinary chasm in all the world’s surface, was

completed on August 29th, the perils which beset the explorers being

constant and the hardest work unremitting. Nor was it accomplished

without great sacrifice. The dangers so increased that three of the men

deserted, whose fate, however, was most tragic, for they were shortly

afterwards murdered by Indians. Starvation threatened the party, for

repeated capsizing of the boats resulted in the loss of nearly all their

provisions, while exposure brought on illness, so that the men were in a

desperate situation when they finally emerged from the jaws of the cañon

and found succor among some hospitable Indians.

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[Illustration:

FALLS OF THE PARUNUWEAP.—The Parunuweap is a wady, or dry bed, during

a great part of the year, but which carries in season much of the

rainfall of southwest Colorado into the San Juan River, and thence

into Colorado River. Throughout a great part of its length the bed

of Parunuweap is a cañon of enormous depth and precipitous sides,

into which, at frequent intervals, streams that are suddenly swollen

by heavy rains pour their overflow. The illustration above shows one

of these temporary falls, flowing in large volume over a precipice

of the cañon that is nearly perpendicular and quite 200 feet high.

]

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Glimpses of America A Pictorial and Descriptive History of Our Country's Scenic Marvels · 第 3 / 13 章