THE WOMAN WHO WORKS IN THE CITY OF UNREST

At a quarter to seven the alarm-clock went off next her bed--how she

would have liked to sleep for another hour, or lie warm and cosy under

the clothes! The training in the habit of doing what she did not like

helped her into a little tin bath, and to dress close to the radiator,

as it was a bitterly cold morning. At 7.30 she stepped out into a

snow-covered street and then hurried across Washington-square.

Bitterly cold wind shivered through the white coral-like branches of

the trees. The snow brought out the carving on the Washington Arch;

the snow seemed to suit the whole square, and make it seem still less

a part of the City--the Sleepy Hollow in the City of Unrest, with the

solid big houses around it where ladies and gentlemen lived who had

refused to be hustled into joining in the general dollar scramble.

In the street on the other side of the square she entered a

restaurant, already full of breakfasters. She sat down at one of the

marble tables with a couple of men she knew, ordered an orange,

coffee, porridge, roll, two eggs--total, thirty cents. Her friends

were in offices down town, one of them not earning as much as she was.

They were comrades, chums, so much that he often borrowed a dollar

from her during those critical days at the month's end.

[Illustration: General Yule's Column On The Way To Ladysmith.]

Breakfast finished, and a glance at the paper--at least, enough to

read the headings--and then out on Broadway to take the down-town car.

Two passed as she stood at the corner, so packed that there was not

standing-room even on the platform for another; then one stopped from

which a few passengers struggled out, and she got in. All along the

centre of the car men and women were standing, holding on to the

straps, swaying backwards and forwards as the car swooped forward, and

jerking forward every time it stopped. No idea in such a car of the

men sitting down, against whose knees hers rubbed, to get up and

relinquish their seats--why should they? She did not expect it. Was

she not by her very going down town taking the place of a possible man

there? was she not showing that she could do a man's work?

Equality--he might think himself called on to give up his seat to one

of the weaker sex. But there is no sex in the City. Swaying,

squeezing, jostling, twenty minutes of uncomfortable cattle-truck-like

journey brought her to the big office where she worked.

Men do not doff their hats in the down-town elevators which brought

her up to the big office where she was employed, a great room near the

top of one of the high down-town buildings; the windows looked out on

the river, now a white mass of down-flowing ice, through which the

calling steamers worked their way laboriously towards the harbour, to

the Statue of Liberty standing beside what now looked a white gravel

path of entry to the city.

There were about fifty people at work in the room, three-fourths

women, seated at desks and tables, and some occupied the dignified

position of little glass-partitioned rooms. She had one of these to

herself, in which there was also a table for a stenographer. It was a

publishing-house; books, illustrations, manuscripts, were in evidence

everywhere. Near the door was a sort of railed-in pen where men with

bundles of manuscript under their arms were usually to be seen seated,

waiting. Some of these were even shown into her office, and left minus

their bundles, or more often with them. There was a hum of chattering

typewriting machines constantly in the air, like the chirruping of

insects heard from tropical trees. Constantly her telephone rang and

she had to make excursions to the manager's office, and head printers

and printers'-ink-marked men came to her with proof-sheets, and so on,

till 12.30, when she went out to lunch at the women's cafe and had

lunch not unlike her breakfast.

The room was full of girls similarly employed, ten to thirty cents

being the average of their expenditure; all real workers, none of them

the fancy stenographers that their employers frequently take out to

little lunches at the smarter restaurants at safe distance from their

wives up town. They were not a very attractive crowd--thin,

flat-chested, and often anæmic, occasionally with pretty faces, hair,

or eyes; but work, daily work, had left its impress on them all. Some

(their luncheon bills did not exceed ten cents) looked, with their

thin fingers and arms, like human attachments to typewriting machines.

There was a something not in the least mannish, but still not

appealingly womanly, in these self-reliant, quiet business beings. Was

it a sort of neuter gender, a sexless being that was there in course

of development? Somehow, they did not strike one as beings who would

bear and suckle and nurse children. Was this severe struggle and

necessity of existence to eliminate the supreme joy of motherhood from

their lives?

Back to the office, where they joined their fellow men-workers; they

were just fellow-workers, no quarter given or looked for in the

failure to do their work. Some of them earned fine salaries, yet there

seemed a limit-point--thus far and no farther--men were always in the

highest positions. Put it down to tenacity of possession, jealousy,

prejudice--anything but want of perseverance, circumspection,

industry: the obviousness of the fact remains.

Until half-past five her work goes on just the same as before lunch,

and then up town on the elevator. Dry snow is spotting the swirling

wind that eddies round the corners; the sidewalks are thick with

hurrying people; the elevator is packed to the platforms with men and

women tightly crushed together, worse even than coming down. She

dines at a little Italian restaurant, where the proprietor, his wife,

and children personally attend on their customers; it is known only to

a few who mostly know each other--constant _habitués_--magazine

writers and magazine artists, and miscellaneous, but interesting,

nondescripts; and her dinner, with Italian wine included, costs forty

cents. It is the pleasantest part of the day for her--men and women of

that little writing, artistic, thoughtful, and, in a way, thoughtless

set she had known for years; men who could never boom themselves or

others, or keep up a bluff even enough to advertise themselves; the

slow steps of actual merit made their progress seem like marking time.

Ruggles, commonly known to his friends as Rembrandt, saw her home--old

Ruggles, who painted better pictures than half the foreigners who came

to New York, but who would never be a prophet in his own country. Nice

old boy, Ruggles; but the fire was burning low in him, its only fuel

being the ashes of disappointment.

The sky had cleared, and the moon shone out on the glorious old

square, and red lights suggestive of old port and big wood fires

streaked the silent snow from the windows. "Bully, isn't it?" And the

silent pressure of her arm was affirmative of complete understanding.

Her tiny sitting-room was warm; the cheap eastern rugs and dark green

background of the walls and some clever original sketches, all were in

the harmony of taste that loved restfulness. She lit the gas-stove of

imitation logs; Ruggles wheeled a chair in front of it and filled his

pipe; from his match she glowed a cigarette, and with a great sigh of

relief and tiredness lay back on the sofa.

Then they chatted chum-like of many things. She was doing well--doing

a man's work and getting a man's pay, supporting her mother and the

two younger girls in the country. It was a strain; but is not

successful effort Brian L'Estrange's definition of happiness? So they

chatted on until it was time for Ruggles to go.

"Thank you so much for coming, dear old Ruggles; it is so lonely when

I come back here by myself."

"Why don't you get married?"

"Ah! I don't know. Perhaps I'm getting old working, and the men I

would like to marry don't care for me, and those that would I don't

like. I don't think I want really to marry any one, either."

As he shook hands at the door he said, "You ought to get married,

girlie. What a good, and true, and beautiful mother you would make for

a boy-child!"

The shooting of the door-hasp seemed to let go the flood-gates of her

heart. There was the great longing of her heart--to bear a boy-child.

"For joy that a man is born into the world" seemed vaguely ringing in

her ears. Like a deep-down spring surface-seeking, that old desire

welled up, the perfect reward and crown of valiant womanhood--and she

felt how good and tender and true a mother she could be; and as the

desolation of denial flooded her soul she threw herself on that sofa

made of empty cases, held the cushions to her, and cried--cried as if

her heart would break.

Being independent and alone in her own room, she could cry out her

lone cry without any one interfering with unwelcome comforting. Then,

pale-faced and red-eyed, she got up, the sobs still coming in little

gasps. She looked in the glass as she pushed the black hair back from

her blue-veined forehead. With one of those strange revelations of

reality that come to people in life when in solitude they look at

their own reflection in a mirror--she thought--spoke. "It is too

late--too late--for me to be the mother of a boy-child."

Then she went and set her alarm-clock to a quarter to seven in the

morning.

Impressions of a War Correspondent · 第 35 / 47 题