Lawyer Rablay had come from nobody knew where. He was a small man,

almost as round as a billiard ball. His body was round, his head was

round; his blue eyes and even his mouth and chin were round; his nose

was a perky snub; he was florid and prematurely bald--a picture of

good-humour. And yet he was a power in Garotte. When he came to the

camp, a row was the only form of recreation known to the miners. A

“fuss” took men out of themselves, and was accordingly hailed as an

amusement; besides, it afforded a subject of conversation. But after

Lawyer Rablay's arrival fights became comparatively infrequent. Would-be

students of human nature declared at first that his flow of spirits was

merely animal, and that his wit was thin; but even these envious ones

had to admit later that his wit told, and that his good-humour was

catching.

Crocker and Harrison had nearly got to loggerheads one night for no

reason apparently, save that each had a high reputation for courage,

and neither could find a worthier antagonist. In the nick of time Rablay

appeared; he seemed to understand the situation at a glance, and broke

in:

“See here, boys. I'll settle this. They're disputin'--I know they are.

Want to decide with bullets whether 'Frisco or Denver's the finest city.

'Frisco's bigger and older, says Crocker; Harrison maintains Denver's

better laid out. Crocker replies in his quiet way that 'Frisco ain't

dead yet.” Good temper being now re-established, Rablay went on: “I'll

decide this matter right off. Crocker and Harrison shall set up drinks

for the crowd till we're all laid out. And I'll tell a story,” and he

began a tale which cannot be retold here, but which delighted the boys

as much by its salaciousness as by its vivacity.

Lawyer Rablay was to Garotte what novels, theatres, churches, concerts

are to more favoured cities; in fact, for some six months, he and

his stories constituted the chief humanizing influence in the camp.

Deputations were often despatched from Doolan's to bring Rablay to the

bar. The miners got up “cases” in order to give him work. More than once

both parties in a dispute, real or imaginary, engaged him, despite his

protestations, as attorney, and afterwards the boys insisted that,

being advocate for both sides, he was well fitted to decide the issue

as judge. He had not been a month in Garotte before he was christened

Judge, and every question, whether of claim-boundaries, the suitability

of a nickname, or the value of “dust,” was submitted for his decision.

It cannot be asserted that his enviable position was due either to

perfect impartiality or to infallible wisdom. But every one knew that

his judgments would be informed by shrewd sense and good-humour,

and would be followed by a story, and woe betide the disputant

whose perversity deferred that pleasure. So Garotte became a sort of

theocracy, with Judge Rablay as ruler. And yet he was, perhaps, the

only man in the community whose courage had never been tested or even

considered.

One afternoon a man came to Garotte, who had a widespread reputation.

His name was Bill Hitchcock. A marvellous shot, a first-rate

poker-player, a good rider--these virtues were outweighed by his

desperate temper. Though not more than five-and-twenty years of age

his courage and ferocity had made him a marked man. He was said to have

killed half-a-dozen men; and it was known that he had generally provoked

his victims. No one could imagine why he had come to Garotte, but he

had not been half an hour in the place before he was recognized. It was

difficult to forget him, once seen. He was tall and broad-shouldered;

his face long, with well-cut features; a brown moustache drooped

negligently over his mouth; his heavy eyelids were usually half-closed,

but when in moments of excitement they were suddenly updrawn, one was

startled by a naked hardness of grey-green eyes.

Hitchcock spent the whole afternoon in Doolan's, scarcely speaking a

word. As night drew down, the throng of miners increased. Luck had been

bad for weeks; the camp was in a state of savage ill-humour. Not a

few came to the saloon that night intending to show, if an opportunity

offered, that neither Hitchcock nor any one else on earth could scare

them. As minute after minute passed the tension increased. Yet Hitchcock

stood in the midst of them, drinking and smoking in silence, seemingly

unconcerned.

Presently the Judge came in with a smile on his round face and shot off

a merry remark. But the quip didn't take as it should have done. He

was received with quiet nods and not with smiles and loud greetings as

usual. Nothing daunted, he made his way to the bar, and, standing next

to Hitchcock, called for a drink.

“Come, Doolan, a Bourbon; our only monarch!”

Beyond a smile from Doolan the remark elicited no applause. Astonished,

the Judge looked about him; never in his experience had the camp been

in that temper. But still he had conquered too often to doubt his powers

now. Again and again he tried to break the spell--in vain. As a last

resort he resolved to use his infallible receipt against ill-temper.

“Boys! I've just come in to tell you one little story; then I'll have to

go.”

From force of habit the crowd drew towards him, and faces relaxed.

Cheered by this he picked up his glass from the bar and turned towards

his audience. Unluckily, as he moved, his right arm brushed against

Hitchcock, who was looking at him with half-opened eyes. The next moment

Hitchcock had picked up his glass and dashed it in the Judge's face.

Startled, confounded by the unexpected suddenness of the attack, Rablay

backed two or three paces, and, blinded by the rush of blood from his

forehead, drew out his handkerchief. No one stirred. It was part of the

unwritten law in Garotte to let every man in such circumstances play his

game as he pleased. For a moment or two the Judge mopped his face, and

then he started towards his assailant with his round face puckered up

and out-thrust hands. He had scarcely moved, however, when Hitchcock

levelled a long Navy Colt against his breast:

“Git back, you ---- ”

The Judge stopped. He was unarmed but not cowed. All of a sudden those

wary, long eyes of Hitchcock took in the fact that a score of revolvers

covered him.

With lazy deliberation Dave Crocker moved out of the throng towards the

combatants, and standing between them, with his revolver pointing to the

ground, said sympathetically:

“Jedge, we're sorry you've been jumped, here in Garotte. Now, what would

you like?”

“A fair fight,” replied Rablay, beginning again to use his handkerchief.

“Wall,” Crocker went on, after a pause for thought. “A square fight's

good but hard to get. This man,” and his head made a motion towards

Hitchcock as he spoke, “is one of the best shots there is, and I reckon

you're not as good at shootin' as at--other things.” Again he paused

to think, and then continued with the same deliberate air of careful

reflection, “We all cotton to you, Jedge; you know that. Suppose you

pick a man who kin shoot, and leave it to him. That'd be fair, an' you

kin jes' choose any of us, or one after the other. We're all willin'.”

“No,” replied the Judge, taking away the handkerchief, and showing a

jagged, red line on his forehead. “No! he struck _me_. I don't want any

one to help me, or take my place.”

“That's right,” said Crocker, approvingly; “that's right, Jedge, we all

like that, but 'tain't square, and this camp means to hev it square.

You bet!” And, in the difficult circumstances, he looked round for the

approval which was manifest on every one of the serious faces. Again he

began: “I guess, Jedge, you'd better take my plan, 'twould be surer. No!

Wall, suppose I take two six-shooters, one loaded, the other empty, and

put them under a _capote_ on the table in the next room. You could both

go in and draw for weapons; that'd be square, I reckon?” and he waited

for the Judge's reply.

“Yes,” replied Rablay, “that'd be fair. I agree to that.”

“Hell!” exclaimed Hitchcock, “I don't. If he wants to fight, I'm here;

but I ain't goin' to take a hand in no sich derned game--with the cards

stocked agen me.”

“Ain't you?” retorted Crocker, facing him, and beginning slowly. “I

reckon _you'll_ play any game we say. _See_! any damned game _we_ like.

D'ye understand?”

As no response was forthcoming to this defiance, he went into the other

room to arrange the preliminaries of the duel. A few moments passed

in silence, and then he came back through the lane of men to the two

combatants.

“Jedge,” he began, “the six-shooters are there, all ready. Would you

like to hev first draw, or throw for it with him?” contemptuously

indicating Hitchcock with a movement of his head as he concluded.

“Let us throw,” replied Rablay, quietly.

In silence the three dice and the box were placed by Doolan on the bar.

In response to Crocker's gesture the Judge took up the box and rolled

out two fives and a three--thirteen. Every one felt that he had lost the

draw, but his face did not change any more than that of his adversary.

In silence Hitchcock replaced the dice in the box and threw a three, a

four, and a two--nine; he put down the box emphatically.

“Wall,” Crocker decided impassively, “I guess that gives you the draw,

Jedge; we throw fer high in Garotte--sometimes,” he went on, turning

as if to explain to Hitchcock, but with insult in his voice, and then,

“After you, Jedge!”

Rablay passed through the crowd into the next room. There, on a table,

was a small heap covered with a cloak. Silently the men pressed round,

leaving Crocker between the two adversaries in the full light of the

swinging lamp.

“Now, Jedge,” said Crocker, with a motion towards the table.

“No!” returned the Judge, with white, fixed face, “he won; let him draw

first. I only want a square deal.”

A low hum of surprise went round the room. Garotte was more than

satisfied with its champion. Crocker looked at Hitchcock, and said:

“It's your draw, then.” The words were careless, but the tone and face

spoke clearly enough.

A quick glance round the room and Hitchcock saw that he was trapped.

These men would show him no mercy. At once the wild beast in him

appeared. He stepped to the table, put his hand under the cloak, drew

out a revolver, dropped it, pointing towards Rablay's face, and pulled

the trigger. A sharp click. That revolver, at any rate, was unloaded.

Quick as thought Crocker stepped between Hitchcock and the table. Then

he said:

“It's your turn now, Jedge!”

As he spoke a sound, half of relief and half of content came from the

throats of the onlookers. The Judge did not move. He had not quivered

when the revolver was levelled within a foot of his head; he did not

appear to have seen it. With set eyes and pale face, and the jagged

wound on his forehead whence the blood still trickled, he had waited,

and now he did not seem to hear. Again Crocker spoke:

“Come, Jedge, it's your turn.”

The sharp, loud words seemed to break the spell which had paralyzed the

man. He moved to the table, and slowly drew the revolver from under the

cloak. His hesitation was too much for the crowd.

“Throw it through him, Jedge! Now's your chance. Wade in, Jedge!”

The desperate ferocity of the curt phrases seemed to move him. He raised

the revolver. Then came in tones of triumph:

“I'll bet high on the Jedge!”

He dropped the revolver on the floor, and fled from the room.

The first feeling of the crowd of men was utter astonishment, but in

a moment or two this gave place to half-contemptuous sympathy. What

expression this sentiment would have found it is impossible to say, for

just then Bill Hitchcock observed with a sneer:

“As he's run, I may as well walk;” and he stepped towards the bar-room.

Instantly Crocker threw himself in front of him with his face on fire.

“Walk--will ye?” he burst out, the long-repressed rage flaming

up--“walk! when you've jumped the best man in Garotte--walk! No, by God,

you'll crawl, d'ye hear? crawl--right out of this camp, right now!” and

he dropped his revolver on Hitchcock's breast.

Then came a wild chorus of shouts.

“That's right! That's the talk! Crawl, will ye! Down on yer hands and

knees. Crawl, damn ye! Crawl!” and a score of revolvers covered the

stranger.

For a moment he stood defiant, looking his assailants in the eyes. His

face seemed to have grown thinner, and his moustache twitched with the

snarling movement of a brute at bay. Then he was tripped up and thrown

forwards amid a storm of, “Crawl, damn ye--crawl!” And so Hitchcock

crawled, on hands and knees, out of Doolan's.

Lawyer Rablay, too, was never afterwards seen in Garotte. Men said his

nerves had “give out.”

JULY, 1892.

* * * * *

GULMORE, THE BOSS

The habits of the Gulmore household were in some respects primitive.

Though it was not yet seven o'clock two negro girls were clearing away

the breakfast things under the minute supervision of their mistress,

an angular, sharp-faced woman with a reedy voice, and nervously abrupt

movements. Near the table sat a girl of nineteen absorbed in a book. In

an easy-chair by the open bay-window a man with a cigar in his mouth

was reading a newspaper. Jonathan Byrne Gulmore, as he always signed

himself, was about fifty years of age; his heavy frame was muscular, and

the coarse dark hair and swarthy skin showed vigorous health. There was

both obstinacy and combativeness in his face with its cocked nose, low

irregular forehead, thick eyebrows, and square jaw, but the deep-set

grey eyes gleamed at times with humorous comprehension, and the usual

expression of the countenance was far from ill-natured. As he laid the

paper on his knees and looked up, he drew the eye. His size and strength

seemed to be the physical equivalents of an extraordinary power of

character and will. When Mrs. Gulmore followed the servants out of the

room the girl rose from her chair and went towards the door. She was

stopped by her father's voice:

“Ida, I want a talk with you. You'll be able to go to your books

afterwards; I won't keep you long.” She sat down again and laid her book

on the table, while Mr. Gulmore continued:

“The election's next Monday week, and I've no time to lose.” A moment's

silence, and he let his question fall casually:

“You know this--Professor Roberts--don't you? He was at the University

when you were there--eh?” The girl flushed slightly as she assented.

“They say he's smart, an' he ken talk. I heard him the other night;

but I'd like to know what you think. Your judgment's generally worth

havin'.”

Forced to reply without time for reflection, Miss Gulmore said as little

as possible with a great show of frankness:

“Oh, yes; he's smart, and knows Greek and Latin and German, and a great

many things. The senior students used to say he knew more than all the

other professors put together, and he--he thinks so too, I imagine,” and

she laughed intentionally, for, on hearing her own strained laughter,

she blushed, and then stood up out of a nervous desire to conceal her

embarrassment. But her father was looking away from her at the glowing

end of his cigar; and, as she resumed her seat, he went on:

“I'm glad you seem to take no stock in him, Ida, for he's makin' himself

unpleasant. I'll have to give him a lesson, I reckon, not in Greek or

Latin or them things--I never had nothin' taught me beyond the 'Fourth

Reader,' in old Vermont, and I've forgotten some of what I learned

then--but in election work an' business I guess I ken give Professor

Roberts points, fifty in a hundred, every time. Did you know he's always

around with Lawyer Hutchin's?”

“Is he? That's because of May--May Hutchings. Oh, she deserves him;” the

girl spoke with sarcastic bitterness, “she gave herself trouble enough

to get him. It was just sickening the way she acted, blushing every time

he spoke to her, and looking up at him as if he were everything. Some

people have no pride in them.”

Her father listened impassively, and, after a pause, began his

explanation:

“Wall, Ida, anyway he means to help Hutchin's in this city election.

'Tain't the first time Hutchin's has run for mayor on the Democratic

ticket and come out at the little end of the horn, and I propose to whip

him again. But this Professor's runnin' him on a new track, and I want

some points about _him_. It's like this. At the Democratic meetin'

the other night, the Professor spoke, and spoke well. What he said was

popcorn; but it took with the Mugwumps--them that think themselves too

highfalutin' to work with either party, jest as if organization was no

good, an' a mob was as strong as an army. Wall, he talked for an hour

about purity an' patriotism, and when he had warmed 'em up he

went bald-headed for me. He told 'em--you ken read it all in the

'Tribune'--that this town was run by a ring, an' not run honestly;

contracts were given only to members of the Republican party; all

appointments were made by the ring, and never accordin' to ability--as

if sich a ring could last ten years. He ended up by saying, though he

was a Republican, as his father is, he intended to vote Democratic--he's

domiciled here--as a protest against the impure and corrupt Boss-system

which was disgracin' American political life. 'Twas baby talk. But it's

like this. The buildin' of the branch line South has brought a lot

of Irish here--they're all Democrats--and there's quite a number of

Mugwumps, an' if this Professor goes about workin' them all up--what

with the flannel-mouths and the rest--it might be a close finish. I'm

sure to win, but if I could get some information about him, it would

help me. His father's all right. We've got him down to a fine point.

Prentiss, the man I made editor of the 'Herald,' knows him well; ken

tell us why he left Kaintucky to come West. But I want to know somethin'

about the Professor, jest to teach him to mind his own business, and

leave other folk to attend to theirs. Ken you help me? Is he popular

with the students and professors?”

She thought intently, while the colour rose in her cheeks; she was eager

to help.

“With the students, yes. There's nothing to be done there. The

professors--I don't think they like him much; he is too clever. When he

came into the class-room and talked Latin to Johnson, the Professor

of Latin, and Johnson could only stammer out a word or two, I guess he

didn't make a friend;” and the girl laughed at the recollection.

“I don't know anything else that could be brought against him. They say

he is an Atheist. Would that be any use? He gave a lecture on 'Culture

as a Creed' about three months ago which made some folk mad. The other

professors are Christians, and, of course, all the preachers took it

up. He compared Buddha with Christ, and said--oh, I remember!--that

Shakespeare was the Old Testament of the English-speaking peoples. That

caused some talk; they all believe in the Bible. He said, too, that

'Shakespeare was inspired in a far higher sense than St. Paul, who was

thin and hard, a logic-loving bigot.' And President Campbell--he's a

Presbyterian--preached the Sunday afterwards upon St. Paul as the great

missionary of Protestantism. I don't think the professors like him, but

I don't know that they can do anything, for all the students, the senior

ones, at least, are with him,” and the girl paused, and tried to find

out from her father's face whether what she had said was likely to be of

service.

“Wall! I don't go much on them things myself, but I guess somethin'

ken be done. I'll see Prentiss about it: send him to interview this

President Campbell, and wake him up to a sense of his duty. This is a

Christian country, I reckon,” the grey eyes twinkled, “and those who

teach the young should teach them Christian principles, or else--get

out. I guess it ken be worked. The University's a State institution. You

don't mind if he's fired out, do you?” And the searching eyes probed her

with a glance.

“Oh! I don't mind,” she said quickly, in a would-be careless tone,

rising and going towards him, “it has nothing to do with me. He belongs

to May Hutchings--let her help him, if she can. I think you're quite

right to give him a lesson--he needs one badly. What right has he to

come and attack you?” She had passed to her father's side, and was

leaning against his shoulder. Those grey eyes saw more than she cared to

reveal; they made her uncomfortable.

“Then I understand it's like this. You want him to get a real lesson? Is

that it? You ken talk straight to me, Ida. I'm with you every time. You

know that.”

The feminine instinct of concealment worked in her, but she knew this

father of hers would have plain speech, and some hidden feeling forced

her violent temper to an outburst of curiously mingled hatred of the

Professor and exultation in her power of injuring him.

“Why, father, it's all the same to me. I've no interest in it, except

to help you. You know I never said a word against him till you asked

me. But he has no business to come down and attack _you_,” and the voice

grew shrill. “It's shameful of him. If he were a man he'd never do it.

Yes--give him a _real_ lesson; teach him that those he despises are

stronger than he is. Let him lose his place and be thrown out of work,

then we'll see if May Hutchings,” and she laughed, “will go and help

him. We'll see who is--”

Her father interrupted her in the middle of a tirade which would have

been complete self-revelation; but it is not to be presumed that he did

this out of a delicate regard for his daughter's feelings. He had got

the information he required.

“That's all right, Ida. I guess he'll get the lesson. You ken count on

me. You've put me on the right track, I believe. I knew if any one could

help me, you'd be able to. Nobody knows what's in you better'n I do.

You're smarter'n any one I know, and I know a few who think they're real

smart--”

In this vein he continued soothing his daughter's pride, and yet

speaking in an even, impersonal tone, as if merely stating facts.

“Now I've got to go. Prentiss'll be waiting for me at the office.”

While driving to the office, Mr. Gulmore's thoughts, at first, were with

his daughter. “I don't know why, but I suspicioned that. That's why she

left the University before graduatin', an' talked of goin' East, and

makin' a name for herself on the stage. That Professor's foolish. Ida's

smart and pretty, and she'll have a heap of money some day. The ring

has a few contracts on hand still--he's a fool. How she talked: she

remembered all that lecture--every word; but she's young yet. She'd have

given herself away if I hadn't stopped her. I don't like any one to do

that; it's weak. But she means business every time, just as I do; she

means him to be fired right out, and then she'd probably go and cry over

him, and want me to put him back again. But no. I guess not. That's not

the way I work. I'd be willin' for him to stay away, and leave me alone,

but as she wants him punished, he shall be, and she mustn't interfere

at the end. It'll do her good to find out that things can't both be done

and undone, if she's that sort. But p'r'aps she won't want to undo

them. When their pride's hurt women are mighty hard--harder than men

by far.... I wonder how long it'll take to get this Campbell to move. I

must start right in; I hain't got much time.”

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