Like eyes he had loved was her eloquent eye,

was the wife of Joseph Hopkinson, the author of "Hail Columbia," whose

house at Fourth and Chestnut Streets was the resort of Dennie and the

wits.

Moore also contributed to the _Port Folio_ "When Time who steals our

Hearts Away," "Dear, in Pity do not Speak," "Good-night, Good-night, and

is it so?" "When the Heart's Feeling," "Loud sung the Wind," and "The

Sorrow long has worn my Heart."

Among the _Port Folio_ gentlemen who may have met "Anacreon" Moore, and

who were Dennie's faithful coadjutors, were John Blair Linn, John Shaw,

Francis Cope, Robert H. Rose, Thomas I. Wharton, Charles J. Ingersoll

and his brother Edward, Condy Raguet, Robert Walsh, John Sanderson, John

Syng Dorsey, Royall Tyler, Robert Hare, Dr. Nathaniel Chapman, Alexander

Graydon, Josiah Quincy, John Leeds Bozman, William B. Wood, General

Thomas Cadwalader, Philip Hamilton, Richard Rush, Richard Peters,

Gouverneur Morris, Joseph Hopkinson, Horace Binney, Alexander Wilson,

Charles Brockden Brown and Samuel Ewing. To this list must be added the

bright names of Sarah Hall, Mrs. Elizabeth Ferguson and Harriet Fenno.

The editors and editorial helpers of the _Port Folio_ from the death of

Dennie until 1827, when the magazine finally ceased, were Paul Allen,

Nicholas Biddle, Dr. Charles Caldwell, Thomas Cooper, Judge Workman,

John Elihu Hall, and his three brothers James, Thomas Mifflin, and

Harrison.

JOHN BLAIR LINN (1777-1804), the author of the "Powers of Genius"

(1801), a popular work which was splendidly reprinted in London,[13] was

the son of Dr. William Linn, of Shippensburg, who presided successively

over the destinies of three colleges--Washington, Rutgers and Union--and

was for many years a regent of a fourth--the University of the State of

New York. John Blair was graduated from Columbia, read law with

Alexander Hamilton, wrote an unsuccessful drama, "Bourville Castle," and

on June 13, 1799, was installed as joint-pastor of the First

Presbyterian Church, Philadelphia. He engaged in controversy with Joseph

Priestley, but his best achievements were "Valerian," a narrative poem,

and "The Death of Washington" (1800). John Blair Linn was a

brother-in-law of Charles Brockden Brown. A biographical sketch of him

was written for the _Port Folio_ in 1809 (page 21), and again in 1811

(89-97). Brown also published a review of his life and work in the

_Literary Magazine_, Vol. II, page 554.

[13] The Powers of Genius, a poem in three parts, by John Blair Linn,

A.M. Albion Press. Printed by J. Cundee, Ivy Lane, for F. Williams,

Stationers' Court, and T. Hurst, Paternoster Row, 1804.

JOHN SHAW (1778-1809) was born in Annapolis, May 4, 1778, and lost at

sea January 10, 1809. He studied medicine in the University of

Pennsylvania, and visited Algiers as a ship-surgeon in 1798. He died on

a voyage to the Bahama Islands.

The best poem that he contributed to the _Port Folio_ was:

Who has robbed the ocean cave,

To tinge thy lips with coral hue?

Who from India's distant wave

For thee those pearly treasures drew?

Who, from yonder Orient sky,

Stole the morning of thine eye?

Thousand charms thy form to deck,

From sea, and earth, and air are born;

Roses bloom upon thy cheek,

On thy breath their fragrance borne.

Guard thy bosom from the day,

Lest thy snows should melt away.

But one charm remains behind,

Which mute earth can ne'er impart;

Nor in ocean wilt thou find,

Nor in the circling air, a heart.

Fairest! wouldst thou perfect be,

Take, oh take that heart from me.

All his offerings to the _Port Folio_ were signed "Ithacus." His poems

were collected and published in 1810, together with a memoir and

extracts from his foreign correspondence.

FRANCIS COPE contributed essays to the _Port Folio_ in 1812. He was an

occasional writer for several years, signing his papers with the

initials "C. F."

ROBERT H. ROSE is the author of the "Sketches in Verse," published in

1810, nearly all of which had previously appeared in the _Port Folio_,

where the "Sketches" were termed "a kind of chalk drawings." One of

them, "To a Market Street Gutter," was a parody of the "Ode to the

Raritan," and was the cause of John Davis writing the "Pursuits of

Philadelphia Literature".[14]

[14] There is no mention of Robert Rose in Duyckinck, or Allibone, in

Appleton's Encyclopædia of American Biography, or in the admirable

Stedman-Hutchinson Library of American Literature.

The _Port Folio_ of May, 1816 (page 361), has a frontispiece engraving

of "Silver Lake," the seat of Robert Rose, in Susquehanna County, on the

New York line.

ODE TO A MARKET STREET GUTTER.

_A Specimen of Local Description._

O sweetest Gutter! though a clown,

I love to see thee running down;

Or mark thee stop awhile, then free

From ice, jog on again, like me;

Or like the lasses whom I meet,

Who, sauntering, stray along the street,

As if they had nowhere to go!

At times, so rapid is thy flow,

That did the cits not wish in vain

Thou wouldst be in the pumps again,

But like a pig, whose fates deny

To find again his wonted sty,

You turn, and stop, and run, and turn,

Yet ne'er shall find your "native urn."

How oft has rolled down thy stream

Things which in song not well would seem,

Ere scavengers their scrapers plied

To drag manure from out thy tide,

Or hydrants bade thy scanty rill

Desert its banks and cellars fill.

Last Thursday morn, so very cold,

A morn _not_ better felt than told,

Then first in all its bright array,

Did I thy "frozen form" survey;

And, goodness! what a great big steeple!

What sights of houses! and such people!!

And then I thought, did I not stutter,

But verse could, like _some poets_, utter,

How much I'd praise thee, sweetest Gutter!

After the publication of this parody John Davis printed "The

Philadelphia Pursuits of Literature. By Juvenal Junius of New Jersey.

Phila.: John Davis, 1805."

"Then Muses aid me! and I'll fain review

The Philadelphia lounging scribbling crew."

Davis had met the gentlemen of the _Port Folio_ and had all the

information necessary for stinging satire of the Mutual Admiration

Society that met at Meredith's and Hopkinson's or at Dennie's office. In

his "Travels" (p. 203), he writes: "At Philadelphia I found Mr. Brown

(C. B.), who felt no remission of his literary diligence by a change of

abode (from New York). He was ingratiating himself into the favor of the

ladies by writing a new novel, and rivalling Lopez de Vega by the

multitude of his works. Mr. Brown introduced me to Mr. (Asbury) Dickins,

and Mr. Dickins to Mr. Dennie; Mr. Dennie presented me to Mr. Wilkins,

and Mr. Wilkins to the Rev. Mr. Abercrombie; a constellation of

American geniuses, in whose blaze I was almost consumed.... Rev. Mr.

Abercrombie was impatient of every conversation that did not relate to

Dr. Johnson, of whom he could detail every anecdote from the time he

trod on a duck till he purchased an oak-stick to repulse

Macpherson."[15]

[15] Abercrombie's prospectus for a new edition of Johnson's Works--"to

be comprised in fourteen octavo volumes, with new designs and plates.

Phila.: 1811"--is contained in the _Port Folio_, Vol. VI, p. 98.

In the "Philadelphia Pursuits" Davis wrote of Dennie:

"There's no clown from Walpole to Hell-Gate,

But ribaldry from him has learned to prate."

And again:

"Such is our Dennie! high exalted name,

Eager alike for dollars and for fame."

Two Philadelphians only escaped the sting of the adder:

"With Clifton, Nature's poet, who shall vie?

Though low he lies, his works shall never die.

And Linn, distinguish'd for his moral lays,

Shall, by his strain, Columbia's triumph raise."

"The Sketches in Verse" was magnificently printed for C. and A. Conrad

by Smith and Maxwell in 1810.

To "a pastoral love-ditty" that began--

"Where Schuylkill o'er his rocky bed

Roars, like a bull in battle"--

Rose appended the note:

"Our American names, although some of them are truly savage, are

not much worse than many of those with which we might be furnished

by other nations in abundance; and Schuylkill would not have

offended the ears of Boileau more than the Whal and the Leck, the

Issel and the Zuiderzee."

THOMAS I. WHARTON (1791-1856), a distinguished Philadelphia lawyer, was

a frequent contributor, and for a time was editor of the _Analectic

Magazine_.

CHARLES J. INGERSOLL, the author of "Inchiquin the Jesuit's Letters on

American Literature and Politics," was born in Philadelphia, October 3,

1782, and died there May 14, 1862. His first boyish composition is in

the _Port Folio_ of October 24, 1801. It is entitled "Chiomara," and is

introduced by the editor as the work of a "youth ambitious of the fame

of Chatterton." Chiomara is a Gaul, who kills a Roman in defence of her

honor.

EDWARD INGERSOLL, a younger brother of Charles, wrote poems for the

_Port Folio_ on the events of the times, and named them "Horace in

Philadelphia." All his poems, of whatever nature, were signed "Horace."

CONDY RAGUET (1784-1842) published in the _Port Folio_ some interesting

letters on the "Massacre of St. Domingo." He had gone as supercargo to

Hayti, and lived there during the exciting scenes of the Revolution. He

also contributed numerous papers to the _Port Folio_ upon "Free Trade."

JOHN SANDERSON (1783-1844) was professor of Greek and Latin in the

Philadelphia Central High School. He wrote, at the suggestion of

Theodore Hook, a capital volume of Parisian sketches, called the

"American in Paris," which Jules Janin translated into French. Portions

of his "American in London" appeared in the _Knickerbocker Magazine_. He

successfully opposed, in a pamphlet signed "Riberjot," the plan of

excluding the classical languages from Girard College. He was an

intimate friend of John E. Hall, and contributed to the _Port Folio_.

JOHN SYNG DORSEY (1783-1818) succeeded Dr. Wistar as professor of

anatomy in the University of Pennsylvania. He published an edition of

Cooper's "Surgery," and "Elements of Surgery," the latter of which was

adopted as the text-book in Edinburgh.

ROYALL TYLER was born in Boston, near Faneuil Hall, July 18, 1757. He

studied law under John Adams, was made a judge of the Supreme Court in

1794, and, in 1800, became chief justice. He was one of the closest

friends of Joseph Dennie, and when the latter became editor of the

_Farmer's Weekly Museum_ he wrote for him a medley of verse and social

and political skits under the general title "From the Shop of Messrs.

Colon and Spondee."

These papers he continued to write for the _Port Folio_. They "are

divided between Federal politics, attacks on French democracy, the Della

Cruscan literature, and the fashionable frivolities of the day." He also

wrote for the _Port Folio_, in 1801, a series of similarly varied

articles, richly reminiscent, entitled "An Author's Evenings."

ROBERT HARE (1781-1858), father of Judge J. I. C. Hare, who was

professor of chemistry and natural philosophy in William and Mary

College, and, later, professor of chemistry in the University of

Pennsylvania, published a number of moral essays in the _Port Folio_

under the pen-name of "Eldred Grayson."

DR. NATHANIEL CHAPMAN (1783-1850) used the pen-name of "Falkland."

ALEXANDER GRAYDON (1752-1818), a man of elegant manners and author of a

useful and entertaining volume of "Memoirs of a Life chiefly passed in

Pennsylvania within the last Sixty Years," published, in the _Port

Folio_, in 1813-14, a series of chatty paragraphs styled "Notes of a

Desultory Reader." He lived in the "Slate-Roof House," at Second Street

and Norris' Alley, where he had an opportunity of meeting men of rank

and fame.

JOSIAH QUINCY (1772-1864), whose opinion of the _Port Folio_ has been

already quoted, contributed to it a series of articles, beginning

January 28, 1804, in the style of Swift, and signed "Climenole".[16]

[16] The name of the flappers, employed by the inhabitants of Laputa to

arouse them from their scientific reveries.

JOHN LEEDS BOZMAN (1757-1823) studied at the University of Pennsylvania,

and read law in the Middle Temple, London. He contributed both prose

and verse to the _Port Folio_.

GENERAL THOMAS CADWALADER (1779-1841) furnished the magazine with

translations of Horace.

RICHARD RUSH (1780-1859) was admitted to the Philadelphia bar in 1800,

and successfully defended William Duane, of the _Aurora_, on a charge of

libelling Gov. Thomas McKean. He occasionally contributed official and

personal anecdotes to the _Port Folio_.

RICHARD PETERS (1744-1828), the witty judge of Belmont, extended

princely hospitality at his country seat. His association with the most

distinguished men of Europe and America stored his memory with the

choicest bits of political and personal history. These odd old ends,

stolen out of the secret chronicles of the time, and decked with his

rare wit, were given upon irregular occasions to the _Port Folio_.

GOUVERNEUR MORRIS (1752-1816) contributed political satires in both

prose and verse to Dennie and his confrères.

JOSEPH HOPKINSON (1770-1842), whose authorship of "Hail Columbia" has

been already referred to, wrote the articles upon Shakespeare that

appeared in the _Port Folio_ between 1801 and 1806. His house at Fourth

and Chestnut Streets was a favorite meeting-place for Dennie and the

wits.

HORACE BINNEY (1780-1875), one of the most distinguished lawyers at a

time when a Philadelphia lawyer was a synonym for skill and cleverness,

wrote in moments, snatched from a busy and almost breathless profession,

some of the clearest and most careful sketches of classical literature,

as well as the shrewdest of political satires to be found in the early

volumes of the _Port Folio_.

HARRIET FENNO, daughter of John Ward Fenno, founder and editor of the

_United States Gazette_, signed her verses "Violetta."

MRS. ELIZABETH FERGUSON was the woman who carried to Washington the

letter written by Dr. Duché urging concessions to the British as the

only means of saving the country from spoliation and ruin. She was a

daughter of Dr. Thomas Graeme, a Scottish physician, and granddaughter

of Sir William Keith. Father and daughter lived for a time in the

Slate-Roof House, then in the Carpenter mansion at Sixth and Chestnut,

and finally at Graeme Hall in Montgomery County. Her life was written in

the _Port Folio_ of 1809 (Page 524). Letters from her appear in various

numbers of that magazine, always signed "Laura." Nathaniel Evans wooed

Miss Graeme as "Laura" in true Petrarchan fashion. The Philadelphia

Library possesses the MS. of a translation of Fénelon by Mrs. Ferguson.

She visited Europe in company with Dr. Richard Peters, of Philadelphia,

and everywhere her brilliant conversation and refined manners won her

recognition and applause in literary society. Laurence Sterne was

fascinated by her. "She took a seat upon the same stage with him at the

York races. While bets were making upon different horses, she selected a

small horse that was in the rear of the coursers as the subject of a

trifling wager. Upon being asked the reason for doing so, she said 'the

race was not always to the swift nor the battle to the strong.' Mr.

Sterne, who stood near to her, was struck with this reply, and turning

hastily toward her begged for the honor of her acquaintance. They soon

became sociable, and a good deal of pleasant conversation took place

between them to the great entertainment of the surrounding company"

(Knapp, "Female Biography," page 217).

She wrote a parody upon Pope which was printed with Nathaniel Evans'

poems (1772):

How happy is the country parson's lot!

Forgetting bishops, as by them forgot;

Tranquil of spirit, with an easy mind,

To all his vestry's votes he sits resigned.

Of manners gentle and of temper even,

He jogs his flocks, with easy pace, to heaven.

In Greek and Latin pious books he keeps,

And, while his clerk sings psalms, he--soundly sleeps.

His garden fronts the sun's sweet orient beams,

And fat church-wardens prompt his golden dreams.

The earliest fruit in his fair orchard blooms,

And cleanly pipes pour out tobacco fumes.

From rustic bridegroom oft he takes the ring,

And hears the milkmaid plaintive ballads sing.

Back-gammon cheats whole winter nights away,

And Pilgrim's Progress helps a rainy day.

ALEXANDER WILSON was born in Paisley, Scotland, July 6, 1766, and died

in Philadelphia, August 23, 1813. "The Poems and Literary Prose of

Alexander Wilson" was edited by A. B. Grosart, and published at Paisley

in 1876. "With the exception of Allen Ramsay, Ferguson and Burns, none

of our Scottish vernacular poets have been so continuously kept in print

as Alexander Wilson" (Grosart). Seven biographies of him attest the

lively interest felt in his personality and his work. In Scotland he was

apprenticed to a weaver, and, after serving his time, he continued to

work at the loom for four years more. He published "Watty and Meg" in

1792, an anonymous poem, the authorship of which was commonly ascribed

to Robert Burns. He came to America in 1794, worked for a year at his

trade, and subsequently taught at various schools in Pennsylvania and

New Jersey. In 1802 he settled at Kingsessing, now in the city of

Philadelphia, close by the home of Bartram, the botanist. Here he taught

the "Union" School. It was in a picturesque spot. Before its doors were

cedars and "stripling poplars planted in a row, and old gray white

oaks."

But birds were more attractive to him than boys. They commanded him, as

the nightingale did the gypsy steward, and he followed them into

untrodden wildernesses. Thomas Bradford undertook to publish Wilson's

colossal "Ornithology." It was to be distinctly an "American" work. It

was to be printed on American paper; and Amies, the paper-maker, even

declared that he would use only "American" rags in making it. Seven

volumes appeared during the author's life, or between 1808 and 1813.

Wilson published the "Rural Walk" in Brown's _Literary Magazine_ of

August, 1804, and the "Solitary Tutor" in the same publication, October,

1804. The former poem was reprinted in the _Port Folio_ of April 27,

1805. Dennie was charmed with the poem, and explained that he reprinted

it because the author "delights in pictures of American scenery and

landscape, and wisely therefore leaves to European poets their

nightingales and skylarks, and their _dingles_ and _dells_. He makes no

mention of yews and myrtles, nor echoes a single note of either

bullfinch or chaffinch, but faithfully describes American objects,

though not entirely in the American idiom." The following four stanzas

from the "Rural Walk" may give a conception of Wilson's close

observation and nice fidelity to nature.

"Down to the left was seen afar

The whitened spire of sacred name,[17]

And ars'nal, where the god of war

Has hung his spears of bloody fame.

"There upward where it (Schuylkill) gently bends,

And Say's red fortress tow'rs in view,[18]

The floating bridge its length extends--

A lively scene forever new.

"There market-maids in lively rows,

With wallets white, were riding home,

And thundering gigs, with powdered beaux,

Through Gray's green festive shades to roam.

"Sweet flows the Schuylkill's winding tide

By Bartram's green emblossom'd bowers,

Where nature sports in all her pride

Of choicest plants and fruits and flowers."

[17] Christ Church.

[18] Dr. Benjamin Say's house at Gray's Ferry.

Wilson, in 1804, undertook a journey to Niagara. The adventures by the

way and the sight of the stupendous cataract supply the theme of his

longest and most ambitious poem, "The Foresters." It was published with

illustrations in successive numbers of the _Port Folio_ of 1809, Volumes

I, II and III. The entire poem contained 2,000 lines. The _Literary

Magazine_ contains a part of the poem. This appearance, I believe, has

never been noted. It is to be found in Volume IV, page 155. The lines

were written August 12, 1805, and were published in the same month. In

the literary intelligence of the same month the future publication of

"The Foresters" is glanced at.

A prose letter and a poem, "The Pilgrim," by Wilson, are in the _Port

Folio_, June, 1809, page 499. Alexander Wilson and John James Audubon

met in Louisville, Ky., whither the latter had gone after disposing of

his farm upon the Perkiomen Creek, near Philadelphia. Wilson conceived a

dislike for Audubon, and wrote to the _Port Folio_ concerning

Louisville, "Science or literature has not one friend in this place."

Audubon, into whose mind no thought of publishing his own fine drawings

had yet come, refused out of jealousy to add his name to the

subscription list for Wilson's "American Ornithology." Robert Buchanan

wrote, "If Audubon had one marked fault it was vanity; he was a queer

compound of Actæon and Narcissus--having a gun in one hand and

flourishing a looking-glass in the other." Grosart is much too severe

when he styles Audubon "a great dilettante impostor."

After Wilson's death three supplementary volumes to his "Ornithology"

were added by Charles Lucien Bonaparte, and it was Lucien Bonaparte's

son, Prince Canino, who first suggested to Audubon the publication of

his collections.

One of Wilson's most intimate friends was the engraver Alexander Lawson,

with whom he became acquainted through William Bartram, and from whom he

learned to draw. Lawson was born in Lanarkshire, Scotland, December 19,

1772. He came to Philadelphia in 1792, engraved four plates for

Thomson's "Seasons" for Thomas Dobson, and died in 1846. His daughter,

Mary Lockhart, was a contributor to _Graham's Magazine_.

It was Wilson's wish that he should be buried "in some rural spot where

the birds might sing over his grave." His wish was fulfilled, and his

body was laid away in the quiet old-world burial ground of old Swedes'

Church.

SAMUEL EWING was born in Philadelphia August 16, 1776. He was placed in

the counting house of John Swanwick. Upon the failure of his employer,

Ewing studied law, and was admitted to the bar in 1800. He was a

contributor to the _Port Folio_ from the first. He wrote for it a series

of articles, entitled "Reflections in Solitude." All his contributions

were signed "Jacques."

In 1809 he founded _The Select Reviews and Spirit of the Foreign

Magazines_, which he edited for three years, until it was sold to Mr.

Thomas and the title changed to the _Analectic_, when the editorship

passed into the hands of Washington Irving. Samuel Ewing helped to

establish the _Athenæum_ in Philadelphia, and was for a time

vice-president of that institution. He died in Philadelphia, February 8,

1825. Samuel Ewing's father was the Rev. Dr. John Ewing, Provost of the

University of Pennsylvania, whose contributions have been noted in the

earlier magazines. A short account of his life is prefixed to his

lectures on natural philosophy, "A Plain Elementary and Practical System

of Natural Experimental Philosophy. By the late Rev. John Ewing.

Philadelphia, 1809. Revised by Robert Patterson." John Ewing was born

June 22, 1732, in Nottingham, Cecil County, Maryland; was graduated

from Princeton 1752; received the degree of D.D. from Edinburgh; enjoyed

the friendship of Robertson, the historian, and died in Philadelphia,

September 8, 1802. An interesting anecdote is related in the life of Dr.

Ewing (page 16). In 1773 he dined at Dilly's with Dr. Johnson. He

remembered the silence that fell when Johnson entered the room. "He

attended to nothing but his plate; ... having eaten voraciously, he

raised his head slowly, and looking round the table surveyed the guests

for the first time." The conversation turning upon America, Ewing

defended the colonies. "What do you know, sir, on the subject?" Johnson

demanded. Ewing had been cautioned to avoid contradiction, but the

warning was forgotten. "Sir, what do you know in America; you never

read; you have no books there," thundered on the "great cham." "Pardon

me, sir," blandly replied the Philadelphian, "we have read the

'Rambler.'" This civility instantly pacified him.

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