Eily was looking around her now at the beautiful room, the lovely women,

their smart attire, and shyness seized her; she hung her head in dismay;

every one in the room was pressing forward to see the girl whom Hamilton

had immortalised, and comments on her appearance passed from lip to lip.

"Stand there, Eily," said Hamilton kindly, placing her on a low stool

that stood near. The game should be played out now.

The crowd pressed around eagerly, delighted and curious.

[Sidenote: A Pleasant Surprise!]

"What a pleasant surprise you have prepared for us, dear Mr. Hamilton!

quite unprepared, I assure you! but ah, how you artists idealise to be

sure! who but genius itself could find anything picturesque under so

much glitter and vulgarity?" and so on and so on, until Eily's blushing

face grew paler and paler.

"Now, Eily, you may go; the ladies and gentlemen have looked at you long

enough. Here is something to buy a new gown and bonnet," and Leslie

Hamilton, with a patronising smile, put some gold into her hand.

"How kind and considerate!" murmured the highborn dames as they turned

away.

He escorted the girl to the door, and drew aside the _portière_

courteously, but his face became livid with rage as he spoke in a low,

stern voice, "Go, girl! never dare to come here again--if you do, I

swear I will call the police!"

He closed the door after her retreating figure, and turned with a smile

to the company; his eyes sought those of beautiful Bee Vandaleur, but

she had gone.

Outside in the busy street Eily stood, leaning for support against a

stone pillar. She heard nothing, saw nothing. A mist swam before her

eyes; she was dumb with shame and disappointment; her face, a moment

before so eager, was pale as death, and deep sobs that came from her

very soul shook her poor body. She clenched the gold in her hands, and

then with a bitter, passionate cry threw it into the street, and watched

while two street-urchins picked it up and ran off with their

treasure-trove.

"May I help you, my poor girl? Are you in trouble?" Bee Vandaleur spoke

gently and softly; she had heard all that passed between the artist and

his model.

Eily looked up. "Oh, me lady, God bless ye! but I'm past the helping

now! I loved him, I would have died to save him from a minute's sorrow,

and he threatened the police on me!"

"Come with me; I will take care of you, and you shall tell me all." Miss

Vandaleur hailed a passing hansom and jumped in, followed by Eily,

white, shivering, and limp. "Now tell me all," she said, as they were

driven at a rapid pace through the streets. Eily, won by her gentleness,

told her the pitiful story of her love; told her of her simple mountain

home, of the handsome stranger who had promised to return and carry her

to a land where she would be fairest of the fair; told it with dry eyes

and white set lips, while her heart was breaking and her temples beat,

beat, beat, like sledge-hammers beneath the weight of the fringe with

which she had thought to please him.

Miss Vandaleur heard all, and made no sign, save that her lips tightened

now and then, and an expression of pain stole into her soft grey eyes.

It was a pathetic story, and the rich girl was touched as she listened

to the poor simple one at her side. "Where do you live, Eily?" she

asked, as the girl stopped speaking, and lay back with closed eyes.

"At me aunt's, your honour, but I won't go back! shure, I cannot! Oh, me

lady, let me go; it's not for the likes of me to be keeping your

ladyship away from her grand friends. God's blessing upon ye for your

kindness to a poor girl!"

Bee was silent, wondering what she could do with the unhappy creature

beside her; presently a bright thought struck her.

"I am looking out for a girl who will attend on me, Eily; do you think

you would like the place if you are taught?"

[Sidenote: "An Angel from Heaven!"]

"Arrah, me lady, me lady! it's an angel from heaven ye are!" cried Eily

gratefully, but her head sank back again, till the gaudy pink feather in

her hat was spoilt for ever.

That night Eily was taken to hospital. Brain fever set in, and the

doctors and nurses feared the worst.

* * * * *

Bee Vandaleur sat in her boudoir thinking. Her pretty brow was puckered

as she gazed at the photograph of a young man, tall, fair, and handsome.

For some time she cogitated, then, setting her lips together, she tore

the card straight across, dropped it into the waste-paper basket beside

her, and shrugged her pretty shoulders, exclaiming in a tone more

forcible than polite, "Brute!"

* * * * *

Leslie Hamilton stood outside the door of Mr. Vandaleur's handsome town

residence. The footman, gorgeously attired, opened the heavy door.

"Not at 'ome, sir," he answered pompously in answer to inquiries.

"My good man, you have made some mistake; I am Leslie Hamilton, and I

wish to see Miss Vandaleur."

"Very sorry, sir, no mistake, sir; Miss Vandaleur is not at 'ome!" and

the door closed in the face of the astonished artist.

* * * * *

It was June in Connemara. Where else is the month of roses half as

lovely? where does the sky show bluer, or the grass greener? and where

is the air so clear and cool and fragrant, or the lakes half as still

and azure as in that blessed country?

The sun rode high in the sky, monarch of all, and men smiled as they

went about their daily toil, and thanked the good God who was sending

them favourable weather. Here and there, dotted about the hillsides, the

tiny white-washed cabins were full of life; the cocks crowed proudly as

they strutted in and out among their plump, sleek wives; the useful ass

brayed loudly, roaming about field and lane in enjoyment of a leisure

hour; the men were in the fields, cutting the sweet-scented grass, and

the women busied themselves about the midday meal, while babies, with

dirty faces and naked feet, tumbled about among the wandering pigs and

quacking ducks in blissful content.

Along the white road that bordered the lake a cart was jolting slowly

along; it was painted in a startling shade of blue, with shafts of

brightest red that projected both back and front; upon it was arranged,

with neatness and precision, a load of turf just cut from the bog; on

one side, painted black, that all who run might read, was the name of

"Patrick O'Malley" in crude lettering, and Patrick himself, in working

dress of coarse cream homespun, walked beside his slow-going jennet,

idly smoking his tin-topped pipe. From time to time he drew from his

trouser pocket a letter, which he fingered with respect, gazing at it

with profoundest wonder.

"Shure, 'tis the grandest and the natest letther ever seen, and the

ilegant picthur on the back! Musha, musha, 'tis not the likes o' that

comes to Biddy Joyce ivery day, no, nor to no one else neither in these

parts! It minds me of a letther her ladyship at the castle aksed me to

take to the posht, and her in a hurry; begob, but the paper's thick and

good entoirely!" and he rubbed it softly between his finger and thumb.

"Shure 'tis from London itself, and maybe the one as wrote it is some

friend o' Eily's. Ah, but it's she is the foolish one that she did not

take the boy! it's long ere she'll find another such a match again, and

him with cattle and sheep and pigs o' his own, a house that many a girl

would be wild for to get, and maybe--maybe--a bit laid by for a rainy

day into the bargain!"

[Sidenote: "Too Good for Her!"]

The jennet jogged slowly on as Patrick soliloquised. "The poor lad, but

it makes me heart ache to see him so low-like, setting so quiet in the

house, and him thinking, thinking all the blessed while, and never a

word out o' his mouth to complain. He's a rale good lad, and it's sorry

I am that he should take on so bad, and all for the sake o' a pair o'

bright eyes! To see him when Biddy Joyce was sick and Mike got laid up

with rheumatics; who was it minded the cattle, and fed the pigs, and sat

early and late 'tending on the pair o' thim but Dermot! It's mighty high

the girl is, with her talk o' the gintry and the ilegant places she seen

in London, and never a mintion o' his name in all her letthers, the

foolish craythur! it's too good the bhoy is for the likes o' her!" The

old man was beginning to wax indignant over his son's unfavoured suit

when a voice, rich and strong, called to him across the loose stone wall

that divided the road from the fields.

"Any news going down Lissough way, father?" It was Dermot, who had

stopped for a moment in his task of cutting down the long grass.

"Arrah, phwat news is it likely an old man like me should bring? You ask

me so eager-like that I misdoubt me but it's some colleen that's caught

your eye!" Patrick's eyes twinkled merrily as he made his little joke.

Dermot's face saddened, and he turned to his scythe once more.

His father, sorry that he had brought back the cloud once more to his

son's face, pulled the letter from his pocket and laid it on the wall.

"Now, there's for yez! as lovely a letther as ever you seen, all the way

from London, with a little picthur of an agle on the back o' it! 'Tis

for Biddy Joyce, and maybe ye'll take it, Dermot, seeing your legs is

younger than mine?"

Dermot was off already, climbing the mountain slopes in hot haste.

Biddy Joyce stood watching him from the door where Eily and he had

parted months before.

"The poor fellow! it's like me own son he has been all this time, so

kind when the sickness took hould o' Mike and me! It's meself that

wishes he could forget me daughter, for it's poor comfort she will ever

be to him. Faith, thin, Dermot," she exclaimed, as he came towards her,

"phwat is it at all at all that ye come hurrying like this when the sun

is warm enough to kill a body? Come inside, lad, and taste a sup o' me

nice, sweet butther-milk; shure the churn's just done, though the

butther's too soft entoirely"--she shook her head sadly.

"A letther!" cried Dermot, drawing out the treasured epistle from

between the folds of his shirt, where he had hastily thrust it, that his

hands might not soil the creamy paper.

"Thanks be to God!" exclaimed the woman, raising her eyes and hands for

one moment to heaven. "'Tis long sence she wrote to me, the poor

darlint, and it's many a time I lie awake and think o' the child all

alone wid sthrangers not of her own blood. Whisht, boy, but you are

worse nor meself I make no doubts"--as Dermot snatched the letter from

her and hastily tore open the envelope. His face was pale with

excitement and dread, for he feared, with a lover's jealous fear, that

this was an announcement of Eily's marriage with some of the grand folks

she had talked about.

"Rade it, Dermot; 'tis long sence I was at school, and the writin's not

aisy."

Dermot obeyed, and this is the letter he spelt out slowly, with no

little difficulty and several interruptions--

"Miss Vandaleur is sorry to tell Mrs. Joyce that

her daughter Eily has been suffering from a severe

illness; she has been in hospital for three weeks

with brain fever, and until a few days ago was

unable to give her mother's address. She is now

much better, and the doctors hope to allow her to

leave soon; she is being taken every care of by

friends, but if some one could be spared to come

such a long distance to see her, it would be the

best thing for the poor girl, as she is always

wishing for her home, and seems tired of living in

London."

Biddy Joyce was weeping bitterly before the end of the letter, with her

blue-checked apron held up to her eyes; three or four of the little ones

had gathered around, staring with wide-open eyes.

[Sidenote: Dermot's Resolve]

Dermot kept up bravely till the last sentence, and then he could stand

it no longer; he rushed out of the house, down the stony boreen. Eily

sick and ill! Eily well-nigh at death's door! Eily far away in hospital

with strange hands to tend her! Poor girl, his love, his darlint! she

was tired of it all, wishing for home; oh, how his heart yearned for

her, and he longed to take her in his arms and comfort her.

He wandered aimlessly about the mountain side until his emotion had

well-nigh subsided, and then he plunged into the Joyces' cabin once

more.

"Mrs. Joyce, it's to-morrow, early mornin', you and me musht shtart for

London!"

Biddy looked up quickly. "To-morrow! the bhoy's crazy entoirely! It will

be a week before I can go. Who will look after the house and the hins,

and the childer, not forgetting Mike himself? I musht wait till me

sister comes from Ballinahinch, and thin I will go to the child. She's

betther, and near well, or the docthors wouldn't be for lettin' her out

o' hospital, and faith, her aunt, me sisther Delia, will look afther her

for a bit until I find it convaynient to lave; shure Mike himself will

write to Eily and tell her I'm coming; that will cheer her heart up, the

poor sowl."

"Maybe ye are right, Mrs. Joyce." Dermot said no more, but turned slowly

away.

With a firm step and an air of decision he walked homewards across the

fields.

"Mother, it's going to London I am," he said as he entered the house;

"will ye see me clothes is ready, and put me up a bit o' bread? That's

all I'll trouble ye for."

Honor O'Malley looked at the tall, manly figure of her only son, at the

frank, proud face, the bright blue eyes, and the firmly-set mouth; the

exclamation that was on her lips died away.

"God bless ye, me own bhoy!" she cried instead, in a half-smothered

voice, and bent, down over the hearth to hide the tears that rose to her

eyes and choked her utterance.

Dermot climbed the ladder that led to the tiny room in the roof where he

slept; from beneath the mattress he drew a box, which he unlocked

carefully. A small pile of sovereigns lay at the bottom; he counted them

carefully, although he knew exactly the sum the little box contained;

after fingering them almost lovingly for a few moments he transferred

them to a small canvas bag, which he put in his pocket. "Maybe 'twill

all be wanted," he exclaimed, with a happy gleam in his eye; "maybe, and

maybe not, but howsoever it goes, one look at her blessed face will be

worth it all!"

* * * * *

In a pretty, low-ceiled parlour, whose windows looked out upon a

pleasant garden, lay Eily. The wide, old-fashioned sofa was drawn close

to an open window, that she might feel the soft, cool air on her cheeks,

and sniff the fragrance of the mignonette that filled the beds outside.

It was a very thin face that lay upon the soft down pillow, but a slight

tinge of pink on her cheeks told of returning health. Her abundant black

tresses had been ruthlessly shorn away, and tiny curls clustered around

forehead and neck; her eyes, dark as sloes, were large and thoughtful.

Two days before she had been removed from the great London hospital, and

brought by Miss Vandaleur to her father's country-home, where the

kindliest of white-haired house-keepers watched over her beloved Miss

Bee's _protégée_, tending her with gentlest care.

"Good-morning, Eily;" Miss Vandaleur, in a simple morning gown of white,

entered the room.

Eily struggled to her feet. "Good-morning, miss, your honour!"

Bee laughed good-naturedly; it was funny to hear herself addressed by

such a title.

"Now lie still, Eily, you are not quite strong yet. Tell me, are you

happy here?"

"Happy! Arrah, it's like heaven, miss; my blessin' and the blessin' of

God on ye for all your kindness to a poor girl. Shure, but for yourself

I would have been in me grave this day."

[Sidenote: "Is there no one else?"]

"I am glad you are happy, Eily; but is there no one you would like to

see, no one from home, I mean? Just say the word; perhaps I can manage

it," she said slyly.

"Shure there's me mother--maybe me father too; but you could scarce get

them here, miss--beggin' your honour's pardon," she added hastily.

"Is there no one else, Eily? no one that you think of sometimes--no one

who was kind to you, and loved you dearly?" Bee was leaning over the wan

face eagerly, and what she saw for answer was a deep crimson flush that

covered face, neck, and brow, while tears rolled down the cheeks. Eily

had been thinking of Dermot continually of late, wishing with all her

heart that she had not so scorned his love; she had learnt many lessons

in the quiet watches of the night and the weary hours of weakness

through which she had passed.

Bee Vandaleur said no more, but patted the dark curls gently. "Don't

cry, Eily, all will be right soon," and she left the room.

Eily was alone once more.

"Ah, Dermot, Dermot asthore! why was it I trated ye so!" The tears were

trickling through her fingers, and her heart was aching with

self-reproach.

"Eily, mavourneen!"

The tear-stained fingers were taken in two big, strong hands, and

Dermot, with a depth of love in his eyes, bent over the sorrow-stricken

face and laid a kiss on the quivering lips; not another word was spoken,

but Dermot's protecting arms were around her, and with her head on the

heart that throbbed with love and devotion all the past was blotted out,

all her folly forgotten, and Eily found rest.

In a surprisingly short time Eily regained her health; happiness is the

best of medicine, and Eily felt she had as much as her heart could hold.

Looking at Dermot with a lover's eyes she found out all that was noble

and good in him, and when he asked her to be his wife ere a week had

flown by she gave a glad consent.

Unwin Brothers, Limited, The Gresham Press, Woking and London

* * * * *

Transcriber's Notes:

Obvious punctuation errors repaired.

Varied hyphenation retained between different authors' stories.

Page 4, "Sedgmoor" changed to "Sedgemoor." (in Sedgemoor days)

Page 30, "Fraülein" changed to "Fräulein." (to be respected

Fräulein)

Page 32, same. (Fräulein Christina Fasch)

Page 63, A character named "Robert" appears in a sidenote and

one paragraph. In the next paragraph his name is changed

to Max. The first two instances have been changed to Max

to conform. ([Sidenote: Uncle Max]) and (it was so, Max.)

List of Illustrations and on Illustration, "MARTIN" changed to

"MARTYN" to conform to text. (SELINA MARTYN GAVE)

Illustration caption, "FIRST-BORN" changed to "FIRSTBORN" to

reflect text. (THEIR FIRSTBORN)

Page 176, "half mended" changed to "half-mended." (was only

half-mended)

Page 240, "Kaffir" changed to "Kafir." (and a Kafir sprang out)

Page 314, "ever" changed to "over." (throw over the head)

Page 317, "unbotton" changed to "unbutton." (unbutton her gloves)

Page 323, sidenote "Good-bye" changed to "Goodbye."

The story entitled "Poor Jane's Brother" is credited to M. Ling

in the table of contents and in the list of authors, but the page

on which the story begins lists Marie F. Salton as the author.

This discrepancy was retained.

The illustration labelled "AT THE PICNIC:" seems to go with no

story in this text.

The Empire Annual for Girls, 1911 · 第 26 / 26 段