CHAPTER II

AN UNPLEASANT VISITOR

Ruth overheard the question asked by Alice, and her father's answer. She

came in swiftly, and put her arms about him, as her sister had done.

"Oh, Daddy dear, what is it?" she asked, anxiously.

"I--I'll tell you--presently," he replied, chokingly. "I am a little out

of breath. I am getting too--too stout. And my throat has bothered me a

good deal of late. Would you mind getting me that throat spray and

medicine Dr. Rathby left? That always helps me."

"I'll get it," offered Alice, quickly, as her father sank into a chair,

and while she searched in the medicine closet for it, there was a dull

ache in her heart. More trouble! And there had been so much of it of

late. The sun had seemed to break through the clouds, and now it had

gone behind again.

And while the girls are thus preparing to minister to their father, I

will tell my new readers something of the previous books of this series,

and a little about the main characters.

In the initial volume, entitled "The Moving Picture Girls; Or, First

Appearances in Photo Dramas," I related how Mr. Hosmer DeVere, a

talented actor, suddenly lost his voice, by the return of an old throat

affection. He had just been "cast" for an important part in a new play,

but had to give it up, as he could not speak distinctly enough to be

heard across the footlights.

The DeVere family fortunes were at low ebb, and money was much needed.

By accident Russ Dalwood, a moving picture operator, suggested to one of

the girls that their father might act for a moving picture film company,

as he would not have to use his voice in such employment.

How Mr. DeVere took the engagement, and how Ruth and Alice followed him,

as well as their part in helping Russ to save a valuable camera

patent--all this you will find set down in the first book.

In the second volume, entitled "The Moving Picture Girls at Oak Farm;

Or, Queer Happenings While Taking Rural Plays," the scene was shifted to

the country. There you may read of many strange occurrences, as well as

funny ones--how Alice fell into the water--but there! I must save my

space in this book for the happenings of it. I might add that,

incidentally, the girls helped to solve a strange mystery concerning Oak

Farm, and solved it in a way that made glad the hearts of Mr. and Mrs.

Felix Apgar, the parents of Sandy, and of the heart of Sandy himself.

Mr. Frank Pertell was the manager of the Comet Film Company, with whom

Mr. DeVere and his daughters had an engagement, and the entire company,

including the DeVeres, spent a whole summer at Oak Farm, in New Jersey,

making rural plays.

The company had just returned to New York City, to finish some dramas

there, and Mr. Pertell was working on new plans, which were not, as yet,

fully developed.

The Comet Film Company included a number of people, and you will meet

some of them from time to time as this story advances. You have already

heard of a few members. In addition there was Wellington Bunn, a former

Shakespearean actor, who could never seem to get away from an ambition

to do Hamlet. Pepper Sneed was the "grouch" of the company, always

finding fault, or worrying lest something happen. Paul Ardite was the

"leading juvenile," the father of the moving picture girls being the

leading man. The girls themselves, though comparatively new to the

business, had made wonderful strides, for they had the advantage of

private "coaching" at home from Mr. DeVere.

Miss Pearl Pennington and Miss Laura Dixon were former vaudeville

actresses, who had gone into the "movies," and between them and the

DeVeres there was not the best of feeling; caused by the jealousy of the

former.

Carl Switzer, a German with a marked accent, generally did "comics."

Then there was Mrs. Maguire, who did "old woman" parts. She had two

grandchildren, Tommy and Nellie, who frequently played minor rôles.

"Do you feel any better, Daddy?" asked Ruth, as she took from her

father's hand the atomizer he had been using on his throat.

"Yes, the pain is much less. Dr. Rathby's medicine is a wonderful help."

"Do you feel like--talking?" inquired Alice gently, for she saw that the

worried look had not left her father's face.

"Yes," he answered, with a smile, "but I do not want to burden you girls

with all of my troubles."

"Why shouldn't you?" asked Ruth, quickly. "Who would you share your

troubles with, if not with us? We must help each other!"

"Yes, I suppose so," returned Mr. DeVere, in a low voice. "And yet,

after all, I suppose this is not such a terrible trouble. It will not

kill any of us. But it will make a hard pull for me if I cannot prove my

contention."

"What is that?" asked Alice. "Is there some trouble with the film

company? You haven't lost your engagement; have you, Daddy?"

"Oh, no, it isn't that," he answered. "I'll tell you. Just a little more

of that spray, please, Alice. I will then be better able to talk."

In a few moments he resumed:

"Did you ever hear me speak of a Dan Merley?"

"You mean that man who came to see you when we lived in the other

apartment--the nicer one?" asked Ruth, for the Fenmore was not one of

the high-class residences of New York. The DeVeres had not been able to

afford a better home in the time of their poverty. And when better days

came they had still remained, as they liked their neighbors, the

Dalwoods. Then, too, they had been away all summer at Oak Farm.

"Yes, that was the man," replied Mr. DeVere. "Well, in my hard luck days

I borrowed five hundred dollars from him to meet some pressing needs. I

gave him my note for it. By hard work, later, I was able to scrape the

five hundred dollars together, and I paid him back.

"Unfortunately Dan Merley was a bit under the influence of drink when I

gave him the cash, and he could not find my promissory note to return to

me.

"He promised to send it around to me the next day, and, very foolishly,

as I see it now, I let him keep the money, not even getting a receipt

for it. I am not a business man--never was one. I trusted Dan Merley,

and I should not have done so."

"Why?" asked Ruth.

"Because he came to me to-day, for the first time in several months, and

demanded his five hundred dollars. I told him I had paid it, and tried

to recall to him the circumstances. But, as I said, he was slightly

intoxicated when I gave him the bills, and his mind was not clear. He

declares positively that I never paid him, and he says he will make

trouble for me if I do not hand him over the money in a short time."

"But you did give it to him, Daddy!" exclaimed Alice.

"Of course I did; but I have no proof."

"Did you pay him by check?" asked Ruth, who was quite a business woman,

and keeper of the house.

"Unfortunately I was not prosperous enough in those days to have a bank

account," answered Mr. DeVere. "A check would be a receipt; but I

haven't that. In fact, I haven't a particle of evidence to show that I

paid the money. And Dan Merley has my note. He could sue me on it, and

any court would give him a judgment against me, so he could collect."

"But that would be paying him twice!" exclaimed Alice.

"I know it, and that is the injustice of it. It would be out of the

question for me to raise five hundred dollars now. My throat treatment

has been expensive, and though we are making good money at the moving

picture business, I have not enough to pay this debt twice."

"He is a wicked man!" burst out Alice.

"My dear!" Ruth gently reproved.

"I don't care! He is, to make daddy pay twice!"

"Yes, it is hard lines," sighed the veteran actor. "I have begged and

pleaded with Merley, imploring him to try and remember that I paid him,

but he is positive that I did not do so."

"Do you suppose he really thinks so--that he is honest in his belief

that you never paid him?" asked Ruth.

"Well, it is a hard thing to say against a man, when I have no proof,"

replied Mr. DeVere, "but I believe, in his heart, Dan Merley knows I

paid him. I think he is just trying to make me pay him over again to

cheat me."

"Oh, how can he be so cruel?" cried Alice.

"He is a hard man to deal with," went on her father. "A very hard man.

This has been bothering me all day. I simply cannot pay that five

hundred dollars; and yet, if I don't----"

"Can they lock you up, Daddy?" Alice questioned, fearfully.

"Oh, no, dear, not that. But he can make it very unpleasant for me. He

can force me to go to court, and that would take me away from the film

studio. I might even lose my engagement there if I had to spend too much

time over a lawsuit.

"But, worst of all, my reputation will suffer. I have always been

honest, and I have paid every debt I owed, though sometimes it took a

little while to do it. Now if this comes to smirch my character, I don't

know what I shall do."

"Poor Daddy!" said Ruth, softly, as she smoothed his rumpled hair.

"There, girls, don't let me bother you," he said, as gaily as he could.

"Perhaps there may come a way out."

"Why don't you ask the advice of Mr. Pertell?" suggested Ruth.

"I believe I will," agreed her father. "He is a good business man. I

wish I was. If I had been I would have insisted on getting either a

receipt from Merley, or my note back. But I trusted him. I thought he

was a friend of mine."

"Well, let's have supper," suggested Alice. "Matters may look brighter

then."

"And I'll go see Mr. Pertell this evening," promised Mr. DeVere. "He may

be able to advise and help me."

The meal was not a very jolly one at first, but gradually the feeling of

gloom passed as the supper progressed. Mr. DeVere told of what had

happened that day at the film studio where the moving pictures were

made.

"Now I think I'll go see Mr. Pertell," the actor announced, as he rose

from the table. "He said he would be in his office late to-night, as he

is working on some new plans."

"What are they, Daddy?" asked Alice. "Are we to go off to some farm

again?"

"Not this time. I believe there are to be some winter scenes taken,

though just where we will go for them has not been announced. Well, I'm

off," and, kissing the girls good-bye, Mr. DeVere went out.

Ruth and Alice, in his absence, discussed the new source of trouble that

had come to them. They had been so happy all summer, that the blow fell

doubly heavy.

"Isn't it just horrid!" exclaimed Ruth.

"Too mean for anything!" agreed Alice. "I wish I had that Dan Merley

here. I--I'd----"

But Alice did not finish. Ruth had looked at her, to stop her rather

impulsive sister from the use of too violent an expression. But there

was no need of this. An interruption came in the form of a knock at the

door.

"Who is it?" asked Ruth, and there came a little note of fear into her

voice, for she was timid, and she realized at once that it was not one

of their kind neighbors from across the hall. Russ, his mother, and his

brother Billy always rapped in a characteristic manner.

"It's me--Dan Merley, and I want to see the old man!" was the answer.

The girls drew together in fright, for they recognized by the thickness

of the voice that the owner was not altogether himself.

"Oh!" gasped Alice, and then the door was pushed open, for the catch had

been left off, and a man came unsteadily into the room.

The Moving Picture Girls Snowbound Or, The Proof on the Film · 第 2 / 25 章