CHAPTER XVII

MORRO CASTLE

In the course of the first week after I landed in Santiago, I made a

number of interesting excursions to points in the vicinity of the

harbor, for the purpose of ascertaining the real nature and strength of

the Spanish fortifications and intrenchments. From the front of our

army, after the battle of July 1-2, I had carefully examined, with a

strong glass, the blockhouses and rifle-pits which defended the city on

the land side; and from the bridge of the _State of Texas_, two weeks

later, I had obtained a general idea of the appearance of Morro Castle

and the batteries at the mouth of the harbor which protected the city

from an attack by water; but I was not satisfied with this distant and

superficial inspection. External appearances are often deceptive, and

forts or earthworks that look very formidable and threatening from the

front, and at a distance of half a mile, may prove to have little real

strength when seen from the other side and at a distance of only a few

yards. I wished, therefore, to get into these forts and batteries before

any changes had been made in them, and before their guns had been

removed or touched, so that I might see how strong they really were and

how much damage had been done to them by the repeated bombardments to

which they had been subjected.

The first excursion that I made was to Morro Castle and the

fortifications at the entrance to the harbor. It was my intention to

start at 4 A.M., so as to reach the castle before it should get

uncomfortably hot; but as I had no alarm-clock, and as no one in the

club ever thought of getting up before six, I very naturally overslept

myself, and by the time I had dressed, eaten a hasty breakfast of

oatmeal, hard bread, and tea, and filled my canteen with boiled water,

it was after seven. The air ought to have been fresh and cool even then;

but on the southeastern coast of Cuba the change from the damp

chilliness of night to the torrid heat of the tropical day is very

rapid, and if there is no land-breeze, the rays of the unclouded sun,

even as early as seven o'clock in the morning, have a fierce, scorching

intensity that is hardly less trying than the heat of noon. The only

really cool part of the day is from four to six o'clock in the morning.

I put a can of baked beans and a-few crackers of hard bread into my

haversack for lunch, threw the strap of my field-glass over my shoulder,

took my canteen in my hand, and hurried down Gallo Street to the pier of

the Juragua Iron Company, where I had engaged a colored Cuban fisherman

to meet me with a sail-boat at 4 A.M. He had been waiting for me,

patiently or impatiently, more than three hours; but he merely looked at

me reproachfully, and pointed to the sun, as if to say, "You agreed to

be here at daybreak, and now see where the sun is." I laid my head down

sidewise on the palm of my hand, shut my eyes, snored vociferously, and

explained to him in Russian that I had overslept myself. I was gratified

to see that he understood my Russian perfectly. In communicating with

Cubans and Spaniards I have always made it a practice to address them in

Russian, for the obvious reason that, as they are foreigners, and

Russian is a foreign tongue, they must necessarily understand that

language a little better than they could possibly understand English. It

may seem like an absurd idea, but I have no hesitation in saying that a

skilful and judicious combination of Russian with the sign-language is a

good deal more intelligible to a Cuban fisherman than either

Pidgin-English or Volapuek. Voltaire once cynically remarked that

"paternosters will shave if said over a good razor." So Russian will

convey a perfectly clear idea to a Cuban fisherman if accompanied by a

sufficiently pictorial pantomime. I tried it repeatedly on my boatman,

and became convinced that if I only spoke Russian a little more

grammatically, and gesticulated the sign-language a little more

fluently, I could explain to him the outlines of cosmic philosophy and

instruct him in the doctrines of esoteric Buddhism. I never should have

got to Morro Castle and back with him if I had not been able to draw

diagrams in the air with both hands and my head simultaneously, and then

explain them to him in colloquial Russian.

The surface of the bay, as we pushed off from the pier, was almost as

smooth and glassy as an expanse of oil; and although my negro boatman

whistled persuasively for a breeze, after the manner of sailors, and

even ejaculated something that sounded suspiciously like "Come up

'leven!" as he bent to his clumsy oars, he could not coax the Cuban

AEolus to unloose the faintest zephyr from the cave of the winds in the

high blue mountains north of the city. He finally suspended his

whistling to save his breath, wiped his sweaty face on his shirt-sleeve,

and made a few cursory remarks in Spanish to relieve his mind and

express his unfavorable opinion of the weather. I shared his feelings,

even if I could not adopt his language, and, pantomimically wringing the

perspiration out of my front hair, I remarked in Russian that it was

_zharko_ (hot). Encouraged by what he took for sympathetic and

responsive profanity on my side, he scowled fiercely and exclaimed,

"Mucha sol--damn!" whereupon we smiled reciprocally and felt much

cooler.

We crept slowly down the eastern side of the bay, past the conical hill

crowned with a cubical blockhouse which marks the southern boundary of

the city, around the end of the long iron trestle of the Juragua Iron

Company, past the flat-topped mesa on which stands the harbor

signal-station, and finally into the narrow neck of the Santiago

water-bottle which Hobson vainly tried to cork with the collier

_Merrimac_. From this point of view we could see, between the steep

bluffs which form the entrance to the bay, a narrow strip of blue,

sunlit ocean, and on its left the massive gray bastions of Morro Castle,

projecting in a series of huge steps, like ledges or terraces of natural

rock, from the crest of the eastern promontory.

All the maps of Santiago harbor that I have seen show another castle,

called Socapa, nearly opposite Morro on the western side of the channel;

but I have never been able to discover it. If it still exists, it must

be in ruins and so overgrown with vegetation as to be completely hidden.

The only fortification I could find on that side of the bay is the

so-called "western battery," a recently constructed earthwork situated

on the crest of the long, flat-topped hill which forms the outer

coast-line. This earthwork could never have been known as a "castle"; it

is at least three hundred yards west of the point indicated on the map

as the site of Socapa, and it cannot be seen at all from the channel, or

even from the highest parapet of Morro. Unless Socapa Castle, therefore,

is so small and inconspicuous as to have escaped my notice, it must have

fallen into ruins or been destroyed. There is no castle on the western

side of the entrance now that can be seen from the water, from the

Estrella battery, or from Morro.

After passing Cayo Smith, the sunken collier _Merrimac_, and the

dismantled wreck of the _Reina Mercedes_, we turned abruptly to the

left, opposite the Estrella battery, and entered a deep, sheltered

cove, directly behind the Morro promontory and almost under the massive

walls of the castle itself. Landing at a little wooden pier on the

northern side of the miniature bay, I walked up to the road leading to

the Estrella battery, and there stopped and looked about me. The cove

was completely shut in by high hills, and the only road or path leading

out of it, so far as I could see, was the one on which I stood. This

began, apparently, at the Estrella battery, ran around the head of the

cove, and then, turning to the right, climbed the almost precipitous

side of the Morro promontory, in a long, steep slant, to a height of one

hundred and fifty feet. There it made another turn which carried it out

of sight behind a buttress of rock under the northwestern corner of the

castle. Near the mouth of the cove, on my right, rose the white,

crenellated, half-ruined wall of the Estrella battery--a dilapidated

open stone fort of the eighteenth century, which contained no guns, and

which, judging from its appearance, had long been abandoned. It

occupied, however, a very strong position, and if the Spaniards had had

any energy or enterprise they would have put it in repair and mounted in

it a modern mortar which lay on a couple of skids near the pier, and two

or three small rapid-fire guns which they might have obtained from one

of Admiral Cervera's cruisers. Antiquated and obsolete as it was, it

might then have been of some use.

Near the head of the cove was an old ordnance storehouse, or magazine,

which proved upon examination to contain nothing more interesting than a

few ancient gun-carriages, a lot of solid six-inch projectiles, an

assortment of rammers and spongers for muzzle-loading cannon, and a few

wooden boxes of brass-jacketed cartridges for Remington rifles. Three

long smooth-bore iron culverins lay on the ground between this magazine

and the pier, but they had not been fired, apparently, in a century, and

were so eaten and pitted by rust that I could not find on them any

trace of inscription or date. There was nothing really useful,

effective, or modern, either in the Estrella battery or in the magazine,

except the Remington rifle-cartridges and the unmounted mortar.

Finding nothing else of interest in the vicinity of the cove, I started

up the road that led to the front or western face of Morro Castle. I

call it a "road" by courtesy, because it did show some signs of labor

and engineering skill; but it was broken every few yards into rude steps

by transverse ledges of tough, intractable rock, and how any wheeled

vehicle could ever have been drawn up it I cannot imagine. The fringe of

plants, bushes, and low trees that bordered this road was bright with

flowers, among which I noticed the white spider-lily (apparently a

variety of _Cleome pungens_), the so-called "Cuban rose" (a flower that

flaunts the scarlet and yellow of the Spanish flag and looks a little

like _Potentilla la Vesuve_), and a beautiful climbing vine with large

violet blossoms which resembled in shape and color the butterfly-pea

(_Centrosema_).

In and out among these plants and bushes ran nimble lizards of at least

half a dozen different kinds: lizards that carried their tails curled up

over their backs like pug-dogs; lizards that amused themselves by

pushing out a whitish, crescent-shaped protuberance from under their

throats and then drawing it in again; lizards that changed color while I

watched them; and big gray iguanas, two or three feet in length, which,

although perfectly harmless, looked ugly and malevolent enough to be

classed with Cuban land-crabs and tarantulas. I saw no animals except

these lizards, and no birds except the soaring vultures, which are never

absent from Cuban skies, and which hang in clouds over every

battle-field, fort, city, and village on the island.

The road from the head, of the Estrella cove to the crest of the Morro

promontory forks at a distance of seventy-five or one hundred yards from

the cable-house, one branch of it turning to the left and climbing a

steep grade to the summit of the ridge east of the castle, where stand

the lighthouse and the barracks, while the other branch goes straight on

in a rising slant to a rocky buttress situated almost perpendicularly

over the point where the southern shore of the cove intersects the

eastern margin of the harbor channel. Turning to the left around this

buttress, it runs horizontally southward along a shelf-like cornice in

the face of the precipice until it reaches a spacious terrace, or

esplanade, cut out of the solid rock, at a height of one hundred and

fifty feet above the water. This terrace, which is on the western face

of the castle and directly under its lower bastions, seems to have been

intended originally for a gun-platform, but there is nothing there now

to indicate that guns were ever mounted on it. It has no parapet, or

battlement, and is merely a wide, empty shelf of rock, overhanging the

narrow entrance to the harbor, and overhung, in turn, by the walls of

the fortress. In the mountain-side back of it are four or five

quadrangular apertures, which look from a distance like square

port-holes, or embrasures, for heavy cannon, but which prove upon closer

examination to be doors leading to huge subterranean chambers, designed,

I presume, for the safekeeping of ammunition and explosives. At the time

when I went through them they contained nothing more dangerous than

condemned shovels and pickaxes, empty bottles, old tin cans, metal

lamps, dirty straw hats, discarded hammocks, and cast-off shoes. I found

nothing in the shape of ammunition except two or three dozen spherical

iron cannon-balls, which lay scattered over the rocky floor of the

esplanade, as if the soldiers of the garrison had been accustomed to

play croquet with them there, just to pass away the time in the

intervals between Admiral Sampson's bombardments.

After looking about the esplanade and exploring the dim recesses of the

gloomy ammunition-vaults, I climbed a crooked flight of disintegrating

stone steps and entered, between two massive quadrangular bastions,[6]

the lower story--if I may so call it--of the castle proper. As seen from

the ocean outside of the harbor, this ancient fortress appears to

consist of three huge cubes of gray masonry, superimposed one upon

another in such a manner as to present in profile the outline of three

rocky terraces; but whether this profile view gives anything like a

correct idea of the real shape of the building I am unable to say. From

the time when I entered the gateway at the head of the flight of stone

steps that led up from the esplanade, I was lost in a jumbled

aggregation of intercommunicating corridors, bastions, grated cells,

stairways, small interior courtyards, and huge, gloomy chambers, which I

could not mentally group or combine so as to reduce them to intelligible

order or bring them into anything like architectural harmony. The almost

complete absence of windows made it impossible to orient one's self by

glancing occasionally at some object of known position outside; the

frequent turns in the passages and changes of level in the floors were

very confusing; the small courtyards which admitted light to the

interior afforded no outlook, and I simply roamed from bastion to

bastion and from corridor to corridor, without knowing where I was, or

what relation the place in which I stood bore to the castle as a whole.

Now and then I would ascend a flight of stone steps at the side of a

courtyard and come out unexpectedly upon what seemed to be a flat roof,

from which I could see the entrance to the harbor and the white walls

of the Estrella battery hundreds of feet below; but as soon as I went

back into the maze of passages, chambers, and bastions on that level, I

lost all sense of direction, and five minutes later I could not tell

whether I was on the northern side of the castle or the southern side,

nor whether I was in the second of the three cubes of masonry or the

third.

The most surprising thing about the castle, to me, was its lack of

offensive power. Its massive stone walls gave it, of course, a certain

capacity for endurance, and even for resistance of a passive kind; but

it was almost as incapable of inflicting injury on an enemy as a Dutch

dike or a hillock of the mound-builders would be. Until I reached what,

for want of a better name, I shall have to call the roof of the

uppermost cube, I did not find anywhere a single round of ammunition,

nor a gun of any caliber, nor a casemate intended for a gun, nor an

embrasure from which a gun could have been fired. So far as

architectural adaptation to the conditions of modern warfare is

concerned, it was as harmless as an old Norman keep, and might have been

planned and built two centuries before guns were used or gunpowder

invented. I have been unable to ascertain the date of its erection; but

the city of Santiago was founded by Diego Velasquez in 1514, and all the

evidence furnished by the castle itself would seem to indicate that it

dates back to the sixteenth, or at latest to the seventeenth, century.

There is certainly nothing in its plan or in its appearance to show that

the engineers who designed it were acquainted even with the art of

fortification as developed in the seventeenth century by Vauban. It is

simply an old feudal castle, with moat, drawbridge, and portcullis,

built after the model of medieval strongholds before heavy

siege-ordnance came into general use. The idea that it could have done

any serious damage to Admiral Sampson's fleet seems absolutely ludicrous

when one has explored the interior of it and taken stock of its

antiquated, not to say obsolete and useless, armament.

After wandering about for half an hour in the two lower stories, I

climbed a crooked flight of stone steps, half blocked up with debris

from a shattered parapet above, and came out on the flat roof of the

highest and largest of the three cubes that together make up the

fortress. It was a spacious battlemented floor, of rectangular but

irregular outline, having an extreme length of perhaps one hundred and

fifty feet, with an average width of seventy-five to one hundred.[7] On

its eastern side it overlooked a deep, wide moat, intended to protect

the wall from an assault made along the crest of the promontory, while

on the other three sides one might look down hundreds of feet to the

wide blue plain of the ocean, the narrow mouth of the harbor, and the

deep sheltered cove of the Estrella battery. The city of Santiago was

hidden behind the flat-topped hill on which the signal-station stands;

but I could see a part of the beautiful bay, with the bare green

mountains behind it, while eastward and westward I could follow the

surf-whitened coast-line to the distant blue capes formed by the

forest-clad slopes of Turquino on one side and the billowy foot-hills of

the Gran Piedra on the other. The fleet of Admiral Sampson had

disappeared; but its place had already been taken by a little fleet of

fishing-smacks from Santiago, whose sun-illumined sails looked no

larger, on the dark-blue expanse of the Caribbean, than the wings of

white Cuban butterflies that had fallen into the sea.

For ten minutes after I reached the aerial platform of the bastion roof

I had no eyes for anything except the magnificent natural cyclorama of

blue water, rolling foot-hills, deep secluded valleys, and palm-fringed

mountains that surrounded me; but, withdrawing my gaze reluctantly at

last from the enchanting scenery, I turned my attention again to the

castle and its armament. Scattered about here and there on the flat roof

of the bastion were five short bronze mortars of various calibers and

two muzzle-loading smooth-bore cannon, mounted, like field-pieces, on

clumsy wooden carriages with long "trails" and big, heavy wheels. It was

evident at a glance that neither of the cannon would be likely to hit a

battle-ship at a distance of five hundred yards without a special

interposition of Providence; and as the mortars had no elevating,

training, or sighting gear, and could be discharged only at a certain

fixed angle, it is doubtful whether they could drop a shell upon a

floating target a mile in diameter--and yet these five mortars and two

eighteen-pounder muzzle-loading guns were all the armament that Morro

Castle had.

After looking the pieces over superficially and forming from mere

inspection a judgment as to their value, I proceeded to examine them

closely for dates. The larger of the two cannon, which was trained over

the northern parapet as if to bombard the city of Santiago, bore the

following inscription:

MARS

PLURIBUS NEC IMPAR[8]

12 Jun 1748

PAR JEAN MARITZ

ULTIMO RATIO REGUM[9]

LOUIS CHARLES DE BOURBON

COMPTE D'EU

DUC D'AUMALE

The other cannon, which was trained over the western parapet and aimed

at the place where Socapa Castle ought to have been, was inscribed:

LE COMPTE DE PROVENCE

ULTIMO RATIO REGUM

LOUIS CHARLES DE BOURBON

COMPTE D'EU

DUC D'AUMALE

1755

The mortars, which were embellished with Gorgons' heads and were fine

specimens of bronze casting, bore inscriptions or dates as follows:

No. 1. EL MANTICORA

1733

STRVXITDVCTOREXERC

ITM REGISBEN[q*]VE (_sic_) [* enlarged small letter q. (note of transcriber)]

------------------

PHIL II HISPAN REX[10]

ELISA FAR HIS REGINA

No. 2. VO[~I]E ABET FECIT

SEVILLE ANO D

1724

No. 3. EL COMETA

1737

No. 4. 1780

No. 5. 1781

From the above inscriptions and dates it appears that the most modern

piece of ordnance in the Morro Castle battery was cast one hundred and

seventeen years ago, and the oldest one hundred and seventy-four years

ago. It would be interesting to know the history of the two French

cannon which, in obedience to the order of Louis XIV, were marked

"ULTIMO RATIO REGUM." Iean Maritz, their founder, doubtless regarded

them, a century ago, with as much pride as Herr Krupp feels now when he

turns out a fifteen-inch steel breech-loader at Essen; but the _ultimo

ratio regum_ does not carry as much weight on this side of the Atlantic

in the nineteenth century as it carried on the other side in the

eighteenth, and the recent discussions between Morro Castle and Admiral

Sampson's fleet proved conclusively that the "last argument of kings" is

much less cogent and convincing than the first argument of battle-ships.

It is doubtful, however, whether these antiquated guns were ever fired

at Admiral Sampson's fleet. They were not pointed toward the sea when

the castle was evacuated; I could not find any ammunition for them,

either on the bastion roof where they stood or in the vaults of the

castle below; there were no rammers or spongers on or about the

gun-platforms, where they would naturally have been left when the guns

were abandoned; and there was nothing whatever to show that they had

been fired in fifty years. But it could have made little difference to

the blockading fleet whether they were fired or not. They were hardly

more formidable than the "crakys of war" used by Edward III against the

French at the battle of Crecy. As for the mortars, they were fit only

for a museum of antiquities, or a collection of obsolete implements of

war like that in the Tower of London. I hope that Secretary Alger or

Secretary Long will have "El Manticora" and "El Cometa" brought to the

United States and placed at the main entrance of the War Department or

the Navy Department as curiosities, as fine specimens of artistic bronze

casting, and as trophies of the Santiago campaign.

When I had finished copying the inscriptions on the cannon and the

mortars, I went down into the interior of the castle to examine some

pictures and inscriptions that I had noticed on the walls of a chamber

in the second story, which had been used, apparently, as a guard-room

or barrack. It was a large, rectangular, windowless apartment, with a

wide door, a vaulted ceiling, and smooth stone walls which had been

covered with plaster and whitewashed. Among the Spanish soldiers who had

occupied this room there was evidently an amateur artist of no mean

ability, who had amused himself in his hours of leisure by drawing

pictures and caricatures on the whitewashed walls. On the left of the

door, at a height of five or six feet, was a life-sized and very

cleverly executed sketch of a Spaniard in a wide sombrero, reading a

Havana newspaper. His eyes and mouth were wide open, as if he were

amazed and shocked beyond measure by the news of some terrible calamity,

and his attitude, as well as the horror-stricken expression of his

elongated face, seemed to indicate that, at the very least, he had just

found in the paper an announcement of the sudden and violent death of

all his family. Below, in quotation-marks, were the words:!!! Que

BARBARIDAD.!!! Han apresado UN VIVERO." ("What BARBARITY!!! They have

captured A FISHING-SMACK!!!")

This is evidently a humorous sneer at the trifling value of the prizes

taken by the vessels of our blockading fleet off Havana in the early

days of the war. But there is more in the Spanish words than can well be

brought out in a translation, for the reason that _vivero_ means a

vessel in which fish are brought from the Yucatan banks _alive_, in

large salt-water tanks. We had been accusing the Spaniards of cruelty

and barbarity in their treatment of the insurgents. The artist "gets

back at us," to use a slang phrase, by exclaiming, in pretended horror,

"What barbarous cruelty! They have captured a boat-load of _living_

fish!"

For a Spanish soldier, that is not bad; and the touch is as delicate in

the sneer of the legend as in the technic of the cartoon.

A little farther along and higher up, on the same wall, was a carefully

executed and beautifully finished life-sized portrait of a tonsured

Roman Catholic monk--a sketch that I should have been glad to frame and

hang in my library, if it had only been possible to get it off the wall

without breaking the plaster upon which it had been drawn. I thought of

trying to photograph it; but the light in the chamber was not strong

enough for a snap shot, and I had no tripod to support my camera during

a time-exposure.

There were several other sketches and caricatures on the left-hand wall;

but none of them was as good as were the two that I have described, and,

after examining them all carefully, I cast my eyes about the room to see

what I could find in the shape of "loot" that would be worth carrying

away as a memento of the place. Apart from old shoes, a modern

kerosene-lamp of glass, a dirty blanket or two, and a cot-bed, there

seemed to be nothing worth confiscating except a couple of Spanish

newspapers hanging against the right-hand wall on a nail. One was "El

Imparcial," a sheet as large as the New York "Sun"; and the other, "La

Saeta," an illustrated comic paper about the size of "Punch." They had

no intrinsic value, of course, and as "relics" they were not

particularly characteristic; but "newspapers from a bastion in Morro

Castle" would be interesting, I thought, to some of my journalistic

friends at home, so I decided to take them. I put up my hand to lift

them off the nail without tearing them, and was amazed to discover that

neither nail nor newspapers had any tangible existence. They had been

drawn on the plaster, by that confounded soldier-artist, with a

lead-pencil I felt worse deceived and more chagrined than the Greek pony

that neighed at the painted horse of Apelles! But I need not have felt

so humiliated. Those newspapers would have deceived the elect; and I am

not sure that the keenest-sighted proof-reader of the "Imparcial" would

not have read and corrected a whole column before he discovered that

the paper was plaster and that the letters had been made with a pencil.

Major Greene of the United States Signal-Service, to whom I described

these counterfeit newspapers, went to the castle a few days later, and,

notwithstanding the fact that he had been forewarned, he tried to take

"La Saeta" off the nail. He trusted me enough to believe that one of the

papers was deceptive; but he felt sure that a real copy of "La Saeta"

had been hung over a counterfeit "Imparcial" in order to make the latter

look more natural. If the soldier who drew the caricatures, portraits,

and newspapers in that guard-room escaped shot, shell, and calenture,

and returned in safety to Spain, I hope that he may sometime find in a

Spanish journal a translation of this chapter, and thus be made aware of

the respectful admiration that I shall always entertain for him and his

artistic talents.

In all the rooms of the castle that had been occupied by soldiers I

found, scratched or penciled on the walls, checker-board calendars on

which the days had been successively crossed off; rude pictures and

caricatures of persons or things; individual names; and brief

reflections or remarks in doggerel rhyme or badly spelled prose, which

had been suggested to the writers, apparently, by their unsatisfactory

environment. One man, for example, has left on record this valuable

piece of advice:

"Unless you have a good, strong 'pull' [_mucha influencia_], don't

complain that your rations are bad. If you do, you may have to come and

live in Morro Castle, where they will be much worse."

Another, addressing a girl named "Petenera," who seems to have gotten

him into trouble, exclaims:

Petenera, my life! Petenera, my heart!

It is all your fault.

That I lie here in Morro

Suffering pain and writing my name

On the plastered wall.

JOSE.

Probably "Jose" went to see "Petenera" without first obtaining leave of

absence, and was shut up in one of the gloomy guard-rooms of Morro

Castle as a punishment.

Another wall-writer, in a philosophic, reflective, and rather melancholy

mood, says:

Tu me sobreviviras.

Que vale el ser del hombres

Cuando un escrito vale mas!

You [my writing] will survive me.

What avails it to be a man, when a scrap of writing is worth more!

It is a fact which, perhaps, may not be wholly unworthy of notice that,

among the sketches I saw and the mural inscriptions I copied in all

parts of Morro Castle, there was not an indecent picture nor an improper

word, sentence, or line. Spanish soldiers may be cruel, but they do not

appear to be vicious or corrupt in the way that soldiers often are.

In wandering through the corridors and gloomy chambers of the castle,

copying inscriptions on walls and cannon, and exploring out-of-the-way

nooks and corners, I spent a large part of the day. I found that the

masonry of the fortress had suffered even less from the guns of Admiral

Sampson's fleet than I had supposed. The eastern and southeastern faces

of the upper cube had been damaged a little; the parapet, or battlement,

of the gun-floor had been shattered in one place, and the debris from it

had fallen over and partly blocked up the steps leading to that floor

from the second story; two or three of the corner turrets had been

injured by small shells; and there was a deep scar, or circular pit, in

the face of the eastern wall, over the moat, where the masonry had been

struck squarely by a heavy projectile; but, with the exception of these

comparatively trifling injuries, the old fortress remained intact.

Newspaper men described it as "in ruins" or "almost destroyed" half a

dozen times in the course of the summer; and the correspondent of a

prominent metropolitan journal, who entered the harbor on his

despatch-boat just behind the _State of Texas_ the day that Santiago

surrendered, did not hesitate to say: "The old fort is a mass of ruins.

The stone foundation has been weakened by the shells from the fleet,

causing a portion of the castle to settle from ten to twenty feet. Only

the walls on the inner side remain. The terraces have been obliterated

and the guns dismounted and buried in the debris. There are great

crevices in the supporting walls, and the fort is in a general state of

collapse."

How any intelligent man, with eyes and a field-glass, could get such an

erroneous impression, or make such wild and reckless statements, I am

utterly unable to imagine. As a matter of fact, the fleet never tried or

intended to injure the castle, and all the damage done to it was

probably accidental. I have no doubt that Admiral Sampson might have

reduced the fortress to the condition that the correspondent so

graphically describes,--I saw him destroy the stone fort of Aguadores in

a few hours, with only three ships,--but he discovered, almost as soon

as he reached Santiago, that the old castle was perfectly harmless, and,

with the cool self-restraint of a thoughtful and level-headed naval

officer, he determined to save it as a picturesque and interesting relic

of the past. Most of the projectiles that struck it were aimed at the

eastern battery, the lighthouse, or the barracks on the crest of the

bluff behind it; and all the damage accidentally done to it by these

shots might easily be repaired in two or three days. If Cuba ever

becomes a part of the United States, the people of this country will owe

a debt of gratitude to Admiral Sampson for resisting the temptation to

show what his guns could do, and for preserving almost intact one of the

most interesting and striking old castles in the world.

Leaving the fortress through the eastern gateway and crossing the dry

moat on a wooden trestle which had taken the place of the drawbridge, I

walked along the crest of the bluff toward the eastern battery. It was

evident, from the appearance of the lighthouse and the one-story,

tile-roofed buildings on the crest of the hill, that if Morro Castle

escaped serious injury it was not because the gunners of our fleet were

unable to hit it. Every other structure in its vicinity had been

shattered, riddled, or smashed. The lighthouse, which was a tapering

cylinder of three-quarter-inch iron twelve feet in diameter at the base

and perhaps thirty feet high, had been struck at least twenty or thirty

times. The western half of it, from top to bottom, had been carried away

bodily; there were eleven shot-holes in the other half; the lantern had

been completely demolished; and the ground everywhere in the vicinity

was strewn with fragments of iron and glass. The flagstaff of the

signal-station had been struck twice, slender and difficult to hit as it

was, and the walls and roofs of the barracks and ammunition storehouses

had been pierced and torn by shot and shell in a dozen different places.

It is not likely, of course, that all this damage was done at any one

time or in any single bombardment. The gunners of our fleet probably

used these buildings as targets, and fired at them, every time they got

a chance, just for amusement and practice. The white cylinder of the

lighthouse made a particularly good mark, and the eleven shot-holes in

the half of it that remained standing showed that Admiral Sampson's

gunners found no difficulty in hitting a target ten feet by thirty at a

distance of more than a mile. The captain of the Spanish cruiser

_Vizcaya_ told Lieutenant Van Duzer of the battle-ship _Iowa_ that, at

the height of the naval engagement off the mouth of the harbor on July

3, his vessel was struck by a shell, on an average, once a second. He

spoke as if he had been greatly surprised by the extraordinary accuracy

of our gunners' fire; but if he had taken one look at that Morro

lighthouse before he ran out of the harbor he would have known what to

expect.

After examining the shattered barracks and the half-demolished

lighthouse, I walked on to the so-called "eastern battery," a strong

earthwork on the crest of the ridge about one hundred and fifty yards

from the castle. Here, in a wide trench behind a rampart of earth

strengthened with barrels of cement, I found four muzzle-loading iron

siege-guns of the last century, two modern mortars like the one that I

had seen on the skids near the head of the Estrella cove, one

smooth-bore cannon dated 1859, and two three-inch breech-loading rifles.

The eighteenth-century guns were no more formidable than those on the

roof of Morro, but the mortars and three-inch rifles were useful and

effective. It was a shell from one of these mortars that killed or

wounded eight sailors on the battle-ship _Texas_. One gun had been

dismounted in this battery, but all other damage to it by the fleet had

been repaired. Owing to the fact that its guns were in a wide trench,

six or eight feet below the level of the hilltop, it was extremely

difficult to hit them; and although Admiral Sampson repeatedly silenced

this battery by shelling the gunners out of it, he was never able to

destroy it.

The only other fortifications that I was able to find in the vicinity of

Morro Castle were two earthworks known respectively as the "western

battery" and the "Punta Gorda battery." The western battery, which was

situated on the crest of the hill opposite Morro, on the other side of

the harbor entrance, contained seven guns of various sizes and dates,

but only two of them were modern. The Punta Gorda battery, which

occupied a strong position on a bluff inside the harbor and behind the

Estrella cove, had only two guns, but both were modern and of high

power. In the three batteries--eastern, western, and Punta Gorda--there

were only eight pieces of artillery that would be regarded as effective

or formidable in modern warfare, and two of these were so small that

their projectiles would have made no impression whatever upon a

battle-ship, and could hardly have done much damage even to a protected

cruiser. Six of these guns were so situated that, although they

commanded the outside approach to the bay, they could not possibly hit

an enemy that had once passed Morro and entered the channel. The neck of

the bottle-shaped harbor, or, in other words, the narrow strait between

Morro Castle and the upper bay, had absolutely no defensive intrenchment

except the Punta Gorda battery, consisting of two guns taken from the

old cruiser _Reina Mercedes_.

"Why," it may be asked, "did not Admiral Sampson fight his way into the

harbor, if its defenses were so weak?"

Simply because the channel was mined. He might have run past the

batteries without serious risk; but in so narrow a strip of water it was

impossible to avoid or escape the submarine mines, four of which were

very powerful and could be exploded by electricity. He offered to force

an entrance if General Shafter would seize the mine-station north of

Morro; but the general could not do this without changing his plan of

campaign. The cooeperation of the navy, therefore, was limited to the

destruction of Cervera's fleet and the bombardment of the city from the

mouth of Aguadores ravine.

Campaigning in Cuba · 第 17 / 21 章