XVII

Mary was up in the attic, the west attic that looked on to the road

through its shy gable window.

She moved quietly there, her whole being suffused exquisitely with a

sense of peace, of profound, indwelling goodness. Every act of hers

for the last three days had been incomparably good, had been, indeed,

perfect. She had waited on Alice hand and foot. She had made the

chicken broth refused by Alice. There was nothing that she would not

do for poor little Ally. When little Ally was petulant and sullen,

Mary was gentle and serene. She felt toward little Ally, lying there

so little and so white, a poignant, yearning tenderness. Today she

had visited all the sick people in the village, though it was not

Wednesday, Dr. Rowcliffe's day. (Only by visiting them on other days

could Mary justify and make blameless her habit of visiting them on

Wednesdays.) She had put the house in order. She had done her shopping

in Morfe to such good purpose that she had concealed even from herself

the fact that she had gone into Morfe, surreptitiously, to fetch the

doctor.

Of course Mary was aware that she had fetched him. She had been driven

to that step by sheer terror. All the way home she kept on saying to

herself, "I've saved Ally." "I've saved Ally." That thought, splendid

and exciting, rushed to the lighted front of Mary's mind; if the

thought of Rowcliffe followed its shining trail, it thrust him back,

it spread its luminous wings to hide him, it substituted its heavenly

form for his.

So effectually did it cover him that Mary herself never dreamed that

he was there.

Neither did the Vicar, when he saw her arrive, laden with parcels,

wholesomely cheerful and reddened by her ride. He had said to her

"You're a good girl, Mary," and the sadness of his tone implied that

he wished her sister Gwendolen and her sister Alice were more like

her. And he had smiled at her under his austere moustache, and carried

in the biggest parcels for her.

The Vicar was pleased with his daughter Mary. Mary had never given him

an hour's anxiety. Mary had never put him in the wrong, never made him

feel uncomfortable. He honestly believed that he was fond of her. She

was like her poor mother. Goodness, he said to himself, was in her

face.

There had been goodness in Mary's face when she went into Alice's room

to see what she could do for her. There was goodness in it now, up in

the attic, where there was nobody but God to see it; goodness at peace

with itself, and utterly content.

She had been back more than an hour. And ever since teatime she had

been up in the attic, putting away her summer gowns. She shook them

and held them out and looked at them, the poor pretty things that she

had hardly ever worn. They hung all limp, all abashed and broken in

her hands, as if aware of their futility. She said to herself,

"They were no good, no good at all. And next year they'll all be

old-fashioned. I shall be ashamed to be seen in them." And she folded

them and laid them by for their winter's rest in the black trunk. And

when she saw them lying there she had a moment of remorse. After

all, they had been part of herself, part of her throbbing, sensuous

womanhood, warmed once by her body. It wasn't their fault, poor

things, any more than hers, if they had been futile and unfit. She

shut the lid down on them gently, and it was as if she buried them

gently out of her sight. She could afford to forgive them, for she

knew that there was no futility nor unfitness in her. Deep down in her

heart she knew it.

She sat on the trunk in the attitude of one waiting, waiting in the

utter stillness of assurance. She could afford to wait. All her being

was still, all its secret impulses appeased by the slow and orderly

movements of her hands.

Suddenly she started up and listened. She heard out on the road the

sound of wheels, and of hoofs that struck together. And she frowned.

She thought, He might as well have called today, if he's passing.

The clanking ceased, the wheels slowed down, and Mary's peaceful heart

moved violently in her breast. The trap drew up at the Vicarage gate.

She went over to the window, the small, shy gable window that looked

on to the road. She saw her sister standing in the trap and Rowcliffe

beneath her, standing in the road and holding out his hand. She saw

the two faces, the man's face looking up, the woman's face looking

down, both smiling.

And Mary's heart drew itself together in her breast. Through her shut

lips her sister's name forced itself almost audibly.

"_Gwen_-da!"

* * * * *

Suddenly she shivered. A cold wind blew through the open window. Yet

she did not move to shut it out. To have interfered with the attic

window would have been a breach of compact, an unholy invasion of her

sister's rights. For the attic, the smallest, the coldest, the

darkest and most thoroughly uncomfortable room in the whole house,

was Gwenda's, made over to her in the Vicar's magnanimity, by way of

compensation for the necessity that forced her to share her room with

Alice. As the attic was used for storing trunks and lumber, only two

square yards of floor could be spared for Gwenda. But the two square

yards, cleared, and covered with a strip of old carpet, and furnished

with a little table and one chair; the wall-space by the window with

its hanging bookcase; the window itself and the corner fireplace near

it were hers beyond division and dispute. Nobody wanted them.

And as Mary from among the boxes looked toward her sister's territory,

her small, brooding face took on such sadness as good women feel in

contemplating a character inscrutable and unlike their own. Mary was

sorry for Gwenda because of her inscrutability and unlikeness.

Then, thinking of Gwenda, Mary smiled. The smile began in pity for her

sister and ended in a nameless, secret satisfaction. Not for a moment

did Mary suspect its source. It seemed to her one with her sense of

her own goodness.

When she smiled it was as if the spirit of her small brooding face

took wings and fluttered, lifting delicately the rather heavy corners

of her mouth and eyes.

Then, quietly, and with no indecorous haste, she went down into the

drawing-room to receive Rowcliffe. She was the eldest and it was her

duty.

By the mercy of Heaven the Vicar had gone out.

* * * * *

Gwenda left Rowcliffe with Mary and went upstairs to prepare Alice for

his visit. She had brushed out her sister's long pale hair and platted

it, and had arranged the plats, tied with knots of white ribbon, one

over each low breast, and she had helped her to put on a little white

flannel jacket with a broad lace collar. Thus arrayed and decorated,

Alice sat up in her bed, her small slender body supported by huge

pillows, white against white, with no color about her but the dull

gold of her hair.

Gwenda was still in the room, tidying it, when Mary brought Rowcliffe

there.

It was a Rowcliffe whom she had not yet seen. She had her back to him

as he paused in the doorway to let Mary pass through. Ally's bed faced

the door, and the look in Ally's eyes made her aware of the change in

him. All of a sudden he had become taller (much taller than he really

was) and rigid and austere. His youth and its charm dropped clean away

from him. He looked ten years older than he had been ten minutes ago.

Compared with him, as he stood beside her bed, Ally looked more than

ever like a small child, a child vibrating with shyness and fear, a

child that implacable adult authority has found out in foolishness and

naughtiness; so evident was it to Ally that to Rowcliffe nothing was

hidden, nothing veiled.

It was as a child that he treated her, a child who can conceal

nothing, from whom most things--all the serious and important

things--must be concealed. And Ally knew the terrible advantage that

he took of her.

It was bad enough when he asked her questions and took no more notice

of her answers than if she had been a born fool. That might have been

his north-country manners and probably he couldn't help them. But

there was no necessity that Ally could see for his brutal abruptness,

and the callous and repellent look he had when she bared her breast to

the stethescope that sent all her poor secrets flying through the long

tubes that attached her heart to his abominable ears. Neither (when

he had disentangled himself from the stethescope) could she understand

why he should scowl appallingly as he took hold of her poor wrist to

feel her pulse.

She said to herself, "He knows everything about me and he thinks I'm

awful."

It was anguish to Ally that he should think her awful.

And (to make it worse, if anything could make it) there was Mary

standing at the foot of the bed and staring at her. Mary knew

perfectly well that he was thinking how awful she was. It was what

Mary thought herself.

If only Gwenda had stayed with her! But Gwenda had left the room when

she saw Rowcliffe take out his stethescope.

And as it flashed on Ally what Rowcliffe was thinking of her, her

heart stopped as if it was never going on again, then staggered, then

gave a terrifying jump.

* * * * *

Rowcliffe had done with Ally's little wrist. He laid it down on the

counterpane, not brutally at all, but gently, almost tenderly, as if

it had been a thing exquisitely fragile and precious.

He rose to his feet and looked at her, and then, all of a sudden,

as he looked, Rowcliffe became young again; charmingly young, almost

boyish. And, as if faintly amused at her youth, faintly touched by

her fragility, he smiled. With a mouth and with eyes from which all

austerity had departed he smiled at Alice.

(It was all over. He had done with her. He could afford to be kind to

her as he would have been kind to a little, frightened child.)

And Alice smiled back at him with her white face between the pale

gold, serious bands of platted hair.

She was no longer frightened. She forgot his austerity as if it had

never been. She saw that he hadn't thought her awful in the least. He

couldn't have looked at her like that if he had.

A sense of warmth, of stillness, of soft happiness flooded her body

and her brain, as if the stream of life had ceased troubling and

ran with an even rhythm. As she lay back, her tormented heart seemed

suddenly to sink into it and rest, to be part of it, poised on the

stream.

Then, still looking down at her, he spoke.

"It's pretty evident," he said, "what's the matter with you."

"_Is_ it?"

Her eyes were all wide. He had frightened her again.

"It is," he said. "You've been starved."

"Oh," said little Ally, "is _that_ all?"

And Rowcliffe smiled again, a little differently.

Mary said nothing. She had found out long ago that silence was her

strength. Her small face brooded. Impossible to tell what she was

thinking.

"What has become of the other one, I wonder?" he said to himself.

He wanted to see her. She was the intelligent one of the three

sisters, and she was honest. He had said to her quite plainly that he

would want her. Why, on earth, he wondered, had she gone away and left

him with this sweet and good, this quite exasperatingly sweet and good

woman who had told him nothing but lies?

He was aware that Mary Cartaret was sweet and good. But he had found

that sweet and good women were not invariably intelligent. As for

honesty, if they were always honest they would not always be sweet and

good.

Through the door he opened for the eldest sister to pass out the other

slipped in. She had been waiting on the landing.

He stopped her. He made a sign to her to come out with him. He closed

the door behind them.

"Can I see you for two minutes?"

"Yes."

They whispered rapidly.

At the head of the stairs Mary waited. He turned. His smile

acknowledged and paid deference to her sweetness and goodness, for

Rowcliffe was sufficiently accomplished.

But not more so than Mary Cartaret. Her face, wide and candid,

quivered with subdued interrogation. Her lips parted as if they said,

"I am only waiting to know what I am to do. I will do what you like,

only tell me."

Rowcliffe stood by the bedroom door, which he had opened for her

to pass through again. His eyes, summoning their powerful pathos,

implored forgiveness.

Mary, utterly submissive, passed through.

* * * * *

He followed Gwendolen Cartaret downstairs to the dining-room.

He knew what he was going to say, but what he did say was unexpected.

For, as she stood there in the small and old and shabby room, what

struck him was her youth.

"Is your father in?" he said.

He surprised her as he had surprised himself.

"No," she said. "Why? Do you want to see him?"

The Three Sisters · 第 28 / 150 题