RELATIONS OF TREES TO POETRY AND FABLE.

From the earliest period of history, mankind have looked upon trees and

woods with veneration, regarding them as special gifts of the gods to

the human race. The ancient priests and philosophers used them as their

places of retirement, both for the study of wisdom and the services of

religion. Hence arose that early custom of planting trees in circles,

forming a kind of amphitheatre, for religious assemblies. The teachers

of philosophy used the same circular groves. These were held in the

greatest reverence; and no man dared to commit the sacrilegious act of

cutting down any part of them or defacing any of the trees. By means of

these circular groves, wise and holy men obtained that seclusion and

quiet which it was not easy to find in towns and cities. They were both

schools and chapels, devoted to religion and philosophy. Hence the

often-quoted remark of Pliny that “the groves were the first temples of

the gods.”

It is not improbable that many of the ancient superstitions relating to

trees and groves originated with wise men, who believed that such holy

fears alone would restrain the people from devastating the whole earth

by the destruction of trees. Science now supplies mankind with rational

motives for their preservation, in place of the religious scruples of

ancient communities. I am inclined to believe that many a rational

principle has been advocated by wise men under the guise of theology.

The druidical priesthood foresaw that the oak, from the superior value

of its timber, could not be saved from the woodman’s axe except by

certain ceremonies on their part that should render it sacred in the

eyes of the people. To impress this idea of its sanctity upon their

minds, they made use of its leaves and branches to consecrate all

important private or public transactions.

In still more ancient times, the priests adopted the expedient of

dedicating to some one of the gods, particularly to Jupiter, certain

woods and groves, which were thenceforth held in veneration by all men,

including even invading armies, whose chiefs, while respecting neither

the lives nor the property of the enemy, held these consecrated groves

sacred and inviolable. Hunting was forbidden within them by this

superstition, and its injunctions were in all cases religiously

observed. It is even asserted that the wild animals in these sacred

groves had become so tame, from the permanent security they enjoyed,

that they did not flee from the presence of man.

Many persons formerly believed that trees felt the stroke of the

woodman’s axe, which disturbed the repose of some resident spirit. The

ancient Greeks supposed certain trees to be inhabited by wood-nymphs,

and that these deities uttered groans when the axe was laid upon the

tree. These sounds gave origin to the sacred oracle of Dodona. There

were two kinds of nymphs supposed to inhabit trees,—an inferior class

that lived during the life of the tree, and died when it perished; and a

superior class, like the dryads, who could pass at will from one tree to

another. “One might fill a volume,” says Evelyn, “with the history of

groves that were violated by wicked men who came to untimely ends;

especially those upon which the mistletoe grew, than which nothing was

reputed more sacred.”

The custom of planting a tree at the birth of a child has prevailed

among certain nations from the earliest times, and is still observed in

some parts of Europe. Connected with this custom was the idea that the

fate of the child was mysteriously associated with that of the natal

tree, which created the strongest motives, arising from parental

affection, to preserve the tree, and on the part of the child to protect

it when he attained his manhood. Nothing is more evident than the

beneficial tendency of all these superstitions, at an early age of the

world, when men were not wise enough to be governed by the principles of

reason and science.

The ancients placed the Naiad and her fountain in the shady arbor of

trees, whose foliage gathers the waters of heaven into her fount and

preserves them from dissipation. From their dripping shades she

distributed the waters which she garnered from the skies over the plain

and the valley; and the husbandman, before he learned the marvels of

science, worshipped the beneficent Naiad, who drew the waters of her

fountain from heaven, and from her sanctuary in the forest showered them

upon the arid glebe, and gave new verdure to the plain. After science

had explained to us the law by which these supplies of moisture are

preserved by the trees, the Naiad still remained a sacred theme of

poetry. We would not remove the drapery of foliage that protects her

fountain, nor drive her into exile by the destruction of the trees,

through which she holds mysterious commerce with the skies, and

preserves our fields from drought.

Evelyn says: “Innumerable are the testimonies I might produce concerning

the inspiring and sacred influence of groves from the ancient poets and

historians. Here the noblest raptures have been conceived; and in the

walks and shades of trees poets have composed verses which have animated

men to glorious and heroic actions. Here orators have made their

panegyrics, historians their grave relations; and here profound

philosophers have loved to pass their lives in repose and

contemplation.”

As man is nomadic before he is agricultural, and a maker of tents and

wigwams before he is a builder of houses and temples, in like manner he

is an architect and an idolater before he becomes a student of wisdom.

He is a sacrificer in temples and a priest at their altars before he is

a teacher of philosophy and an interpreter of nature. After the

perfection of mechanical science, a higher state of mental culture

succeeds, causing us to see all nature invested with beauty, and fraught

with imaginative charms, adding new wonders to our views of creation and

new dignity to life. Man learns now to regard trees in other relations

beside their capacity to supply his physical and mechanical wants. He

looks upon them as the principal ornaments of the landscape, and as the

conservatories in which nature preserves certain plants and small

animals and birds that will thrive only under their protection, and

those insect hosts that charm the student with their beauty and excite

his wonder by their mysterious instincts. Science has built an altar

under the trees, and delivers thence new oracles of wisdom, teaching men

how they are mysteriously wedded to the clouds, and are the instruments

of their beneficence to the earth.

It is difficult to estimate how great a part of all that is cheerful and

delightful in the recollections of our life is associated with trees.

They are allied with the songs of morn, with the quiet of noonday, with

social gatherings under the evening sky, and with the beauty and

attractiveness of every season. Nowhere does nature look more lovely, or

the sounds from birds and insects affect us more deeply, than under

their benevolent shade. Never does the blue sky look more serene than

when its dappled azure glimmers through their green trembling leaves.

Their recesses, which in the early ages were the temples of religion and

science, are still the favorite resorts of the studious, the scenes of

sport for the active and adventurous, and the very sanctuary of peaceful

seclusion for the contemplative and sorrowful.

In our early years we are charmed with the solitude of groves, with the

flowers that dwell in their nooks, with the living creatures that sport

among their branches, and with the birds that convey to us by their

notes a share of their own indefinable happiness. Nature has made use of

trees to wed our minds to the love of homely scenes, and to make us

satisfied with life. How many recollections of village merry-makings, of

rural sports and pastimes, of the frolics of children and of studious

recreation, come to us when we sit down under some old familiar tree

that stands in the open field or by the wayside! Trees are among the

most poetic objects of creation. Every wood teems with legends of

mythology and romance; every tree is vocal with music; and their flowers

and fruits do not afford more luxury to the sense than delight to the

mind. Trees have their roots in the ground; but they send up their

branches toward the skies, and are so many supplicants to Heaven for

blessings on the earth.

In whatever light we regard trees, they deserve attention as the fairest

ornaments of nature; and the more we study them, the more do we think

upon the dangers that await them from the improvidence of man. He takes

but a narrow view of their importance who considers only their

economical value. The painter has always made them a particular branch

of his study; and the poet understands their advantages in increasing

the effect of his descriptions, and considers them the blessed gifts of

nature to render the earth a beautiful abode and sanctify it to our

affections.

A year among the trees · 第 135 / 159 题