CHAPTER I.

Produced by Darleen Dove, David K. Park, Roger Frank and

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A YANKEE FROM THE WEST.

_FOURTEENTH EDITION._

A YANKEE FROM THE WEST

A Novel

BY

OPIE READ,

AUTHOR OF

"JUDGE ELBRIDGE," "THE WATERS OF CANEY FORK," "AN ARKANSAS PLANTER."

[Illustration]

CHICAGO AND NEW YORK: RAND, McNALLY & COMPANY, PUBLISHERS.

Copyright, 1898, by Rand, McNally & Co.

A YANKEE FROM THE WEST.

CHAPTER I.

MILFORD.

In his mind the traveler holds of Illinois a tiresome picture, the

kitchen garden of a great people, a flat and unromantic necessity. The

greatest of men have trod the level ground, but it is hard to mark

history upon a plane; there is no rugged place on which to hang a

wreath, and on the prairie the traveling eye is accommodated by no inn

whereat it may halt to rest. Such is the Illinois as remembered by the

hastening tourist. But in the southern part of the State there are

mountains, and in the north, the scene of this story, there is a spread

and a roll of romantic country--the green billows of Wisconsin gently

breaking into Illinois; lakes scattered like a handful of jewels thrown

broadcast, quiet rivers singing low among the rushes. Traveling north,

we have left the slim, man-tended tree of the prairies, and here we find

the great oak. There are hillsides where the forest is heavy. There are

valleys sweet in a riot of flowers. Along the roads the fences are

almost hidden by grape-vines. On a knoll the air is honeyed with wild

crab-apple; along a slope the senses tingle with the scent of the green

walnut. There are lanes so romantic that cool design could have had no

hand in their arrangement--they hold the poetry of accident. The

inhabitants of this scope of country have done nothing to beautify it.

They have built wooden houses and have scarred the earth, but persistent

nature soon hides the scars with vines and grasses. The soil is

wastefully strong. In New England and in parts of the South, the feeble

corn is a constant care, but here it grows with the rankness of a jungle

weed. And yet, moved by our national disease, nervousness, the farmer

sells his pastoral dales to buy a wind-swept space of prairie in the far

West. A strange shiftlessness, almost unaccountable in a climate so

stimulating, has suffered many a farm to lie idle, with fences slowly

moldering under flowering vines--a reproach to husbandry, but a

contribution to sentiment. Amid these scenes many an astonished muser

has asked himself this question: "Where are the poets of this land,

where the bluebell nods in metre to the gentle breeze?" Not a poem, not

a story has he seen reflecting the life of this rude England in America.

In the summer the Sunday newspaper prints the names of persons who,

escaping from Chicago, have "sardined" themselves in cottages or

suffered heat and indigestion at a farm-house; the maker of the bicycle

map has marked the roads and dotted the villages; the pen and ink worker

for the daily press has drawn sketches of a lily pad, a tree and a fish

much larger than the truth; the reporter has caught a bit of color here

and there, but the contemplative writer has been silent and the American

painter has shut his eyes to open them upon a wood-shod family group in

Germany.

This region was settled by Yankees. They brought with them a tireless

industry and a shrewd humor. But to be wholly himself the Yankee must

live on thin soil. Necessity must extract the full operation of his

energy. Under his stern demand, the conquered ground yields more than

enough. Vanquished poverty stuffs his purse. He sets up schools and

establishes libraries. But on a soil that yields with cheerful

readiness, he becomes careless and loses the shrewd essence of his

energy. His humor, though, remains the same. Nervous and whimsical, he

sees things with a hollow eye, and his laugh is harsh. Unlike his

brother of the South, he does not hook arms with a joke, walk with it

over the hill and loll with it in the shade of the valley; it is not his

companion, but his instrument, and he makes it work for him.

One afternoon in early summer a man got off a train at Rollins, a milk

station, and stood looking at a number of farmers loading into wagons

the empty milk cans that had been returned from the city. He was tall

and strong-appearing. He wore a dark, short beard, trimmed sharp, and

his face was almost fierce-looking, with a touch of wildness, such as

the art of the stage-man tries in vain to catch. He was not well

dressed; he carried the suggestion that he might have lived where man is

licentiously free. With his sharp eye he must have been quick to draw a

bead with a gun; but his eye, though sharp, was pleasing. A dog sniffed

him and walked off, satisfied with his investigation. The countryman

stands ready to sanction a dog's approval of a stranger--it is wisdom

fortified by superstition, by tales told around the fire at night--so a

look of mistrust was melted with a smile, and the owner of the dog spoke

to the stranger.

"Don't guess you've got a newspaper about you?" said the farmer, putting

his last can into the wagon.

"No. The afternoon papers weren't out when I left town."

"Morning paper would suit me just as well--haven't seen one to-day. I

get a weekly all winter, and I try to get a daily in the summer, but

sometimes I fail. Goin' out to anybody's house?"

"I don't know."

The farmer looked at him sharply. A man who did not know--who didn't

even guess that he didn't know--was something of a curiosity to him.

"Did you expect anybody to meet you?"

"No; I came out to look around a little--thought I might rent a farm if

I could strike the right sort of terms."

"Well, I guess you've come to the right place." He turned and pointed

far across a meadow to a windmill above tree tops on the brow of a hill.

"Mrs. Stuvic, a widow woman, that lives over yonder, has an adjoinin'

farm to rent. Get in, and I'll drive you over--goin' that way anyhow,

and it shan't cost you a cent. Throw your carpet-bag in there, it won't

fall out. Whoa, boys! They won't run away. Yes, sir, as good a little

place as there is in the county," he added, turning down a lane. "But

the old woman has had all sorts of bad luck with it. That horse would

have a fit if he couldn't clap his tail over that line every five

minutes. But he won't run away."

"I don't care if he does," said the stranger.

"Well, you would if you had to pick up milk cans for half a mile. He

scattered them from that house up yonder down to that piece of timber

day before yesterday."

"Did he run away?"

"Well, he wasn't walkin'."

"Then how do you know he won't run away again?"

"Well, I think I've sorter Christian scienced him."

The stranger laughed, and the farmer clucked an applause of his own

wisdom. They had reached a corner where a large white house stood

surrounded by blooming cherry trees. Bees hummed, and the air was heavy

with sweetness. The stranger took off his hat, and straightening up

breathed long. "Delicious," he said. The farmer turned to the right,

into another road. "I'm almost glad I'm alive," said the stranger.

"You must have paid your taxes and got it over with," the farmer

replied. The stranger did not rejoin. His mind and his eye had gone

forth to roam in a piece of woods gently sloping toward the road. He saw

the mandrake's low canopy, shading the sod, the crimson flash of a

woodpecker through the blue of the air beneath the green of the trees,

like a spurt of blood. The farmer's eye, cloyed with the feasts that

nature spreads, followed a horse that galloped through the rank tangle

of a marsh-dip in a meadow.

"Over on that other hill is where the old lady lives," he said.

"What did you say her name was?"

"Well, her name _was_ first one thing then another, but it's Stuvic now.

She's been married several times--a Dutchman the last time, a

good-hearted fellow that used to work for her first husband--a good

talker in his way, smokin' all the time, and coughin' occasionally fit

to kill himself. He liked to read, but he had to keep his books hid in

the barn, for the old lady hates print worse than she does a snake. He'd

wait till she was off the place, and then he'd go out and dig up his

learnin'. But the minute he heard her comin'--and he could hear her a

mile--he'd cover up his knowledge again. One day he told her he was

goin' to die, and she might have believed him, but he had lied to her a

good deal, so she hooted at him; but a few days afterwards he convinced

her, and when she found he had told the truth, she jumped into a black

dress and cried. Strangest creature that ever lived, I guess; and if you

want to come to good terms with her tell her you can't read. She gets on

a rampage once in a while, and then she owns the road. I saw her

horse-whip a hired man. He had let a horse run away with him. She took

the horse, hitched him to a buggy, jumped in, laid on the whip, and

drove him at a gallop till he was only too glad to behave himself. Well,

you can get out here."

The stranger got down in front of a white "frame" house near the road.

The farmer waved him a good-bye and drove on. From a young orchard

behind the house there came the laughter of children at play. In the

yard sat an aged man beneath an old apple tree. The place was a mingling

of the old and the new, a farm-house with an extension for summer

boarders.

As the stranger entered the gate, a tall, heavy, but graceful old woman

stepped out upon the veranda. "Wasn't that Steve Hardy that you rode up

with?" she asked, gazing at him. The visitor bowed, and was about to

answer when she snapped: "Oh, don't come any of your bowin' and scrapin'

to me. All I want is the truth."

"The man didn't tell me his name, madam."

"Well, you didn't lose anythin'. It was Steve Hardy, and a bigger liar

never trod luther. Come in."

The visitor stepped upon the veranda, and sat down upon a bench. The old

woman stood looking at him. "Do you want board?" she asked. He took off

his hat and placed it upon the bench beside him. She gazed at his

bronzed face, his white brow, and grunted:

"I asked if you wanted board."

"I want something more than board, madam; I want work."

She snapped her eyes at him. "You look more like you was dodgin' it

than huntin' for it; yes, you bet. I know all about a man lookin' for

work. All he wants is a chance to get drunk and lie down in the corner

of the fence. Yes, you bet. What sort of work do you want?"

"A man that needs work is not very particular. I've never been lazy

enough to look for an easy job."

She leaned toward him; she held out her hand. "Shake! You've earned your

supper by sayin' that." He took her hard hand and smiled. She frowned.

"Don't try to look putty at me! No, you bet! It won't work with me."

There came a hoarse cry from the old apple tree. An enormous Dutch girl

ran by, laughing. An old man came forward, brushing himself.

"Now what's the matter with you, Lewson?" the old woman asked.

The aged man was in a rage. "That infernal Dutch cow ran over me again.

Why the devil can't she walk? What does she want to snort around for

like a confounded heifer? If I don't get me a gun and shoot her I'm the

biggest liar on the earth."

"Now, you keep still, Lewson; you keep right still!"

"Still! How the deuce am I going to keep still when she's knocking me

down all the time? Every time I walk out she runs over me; if I sit down

she runs over me; if I go to my room to take a nap she runs against the

house and wakes me up. She can't understand a word you say to her--and

confound her, I hit her with a stick, and was three days trying to

explain it. Why don't you drive her away?"

A bell at the end of a pole at the kitchen door rang furiously. There

came an answering shout from the lake across the meadow. "You've earned

your supper," said the old woman. "Yes, you bet!"

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