EDITORIAL

In entering the arena of Journalism THE STORYTELLERS’ MAGAZINE invites

the support of all who love literature and youth. There are many

magazines today covering almost every field of activity, but not one

devoted to _the art of story telling_.

While it is true that most of the magazines publish stories, few of

them deal with the educational aspect of these stories—their most

important relation.

Story telling in the schools; at the home; on the playground; in the

Sunday schools; the children’s library rooms of the Public Library,

and among social organizations has become so popular and aroused

such widespread interest throughout the land that some medium of

communication which will represent and unify these interests—has

become almost a necessity.

THE STORYTELLERS’ MAGAZINE is founded upon a definite purpose. It

enters the field in the hope that it will merit the support of a large

number of general readers as well as teachers, parents and all who are

interested in the uplifting of the rising generation. It goes forth as

a missionary to acquaint its audience as far as it can with the vital

principles that underlie the whole movement of story telling. It,

therefore, invites the co-operation of all who believe in the story

telling idea, in the hope that great good may come through such a union

of interests.

The Editor of the MAGAZINE has devoted many years to the work of

story telling, and he earnestly hopes that through the columns of

the MAGAZINE greater opportunity may be afforded for direction and

organization, and thus make more permanent the whole story telling

movement.

There is a growing belief that in arranging the curriculum of studies

for the young the rights and interests of the child have received

but scant consideration. Mere drudgery has been translated to mean

development while hard labor with little thought to the tendencies and

attributes of the individual child has been accepted as education.

THE STORYTELLERS’ MAGAZINE offers itself as a champion of the rights

of the child in education, and it hopes with the co-operation of those

who know and believe in the efficacy of the story as a pleasing and

effective instrument of education to battle bravely for the rights and

liberties of the child, who has been aptly termed “the last serf of

civilization.”

* * * * *

Elsewhere in this issue will be found an “ANNOUNCEMENT” setting forth

in some detail the aims and ideals of the STORYTELLERS’ MAGAZINE.

The chief aim of this magazine is to serve the great cause of story

telling in a manner that will best satisfy the needs of _the greatest

number_ of those interested in the movement.

How shall this be accomplished? The answer to this question is

_Co-operation_.

The first issue of a magazine is something of an experiment. Its

make-up is open to criticism and discussion. Its friends can do it no

greater service than to disclose its shortcomings and point out the

road to improvement.

Criticism is usually divided into two schools, one constructive, the

other destructive; or better, let us say into friendly or unfriendly

criticism.

While we shall endeavor to turn all unfriendly comment into

constructive channels, we shall hope far more to profit by the

sympathetic assistance and helpful advice of friends and well-wishers.

The latch string is out to all, but a double welcome is assured to

those who “LEND A HAND.”

The Story Tellers' Magazine, Vol. I, No. 1, June 1913 · 第 40 / 104 题