From _The Pictorial Review_

"Martha Sloan is goin' the way o' Jim," said Deems Lennon to his wife.

"See," and he pointed through the open window toward the cemetery. "I

seen her before Jim's stone, beggin' on her knees an' mumblin' with her

hands stretched out. She been that way a number o' times when I come

upon her as I was fixin' up the graves."

Mrs. Lennon, a stout, pleasant-faced woman, looked in the direction

indicated by her husband. Together they watched Martha Sloan,

white-haired, thin, and bent, making her way up the cemetery path. She

was nervous and her walk was broken by little, sudden pauses in which

she looked about.

"Poor soul," said Mrs. Lennon, "she's afraid. She ain't been herself

sence Dorothy died. Losin' the two children right after Jim has broken

her up completely."

"She's afraid for herself," said her husband. "If you heard her up there

by that stone you'd have thought she was speakin' to some one alive, to

some one who could do her things."

"Oh well, that's enough to make any one queer," Mrs. Lennon said. Then

she stopped, and watched the figure on the hillside.

"Look," said Mrs. Lennon, "look at her. She's down on her knees."

Deems stood by her near the window.

"That's it," he exclaimed. "That's exactly what she's been doing now for

some time. I heard her speak. I don't know where she got the idea. She

thinks Jim's following her--reaching out for her--trying to grasp her. I

heard her plead. I don't know what'll come of it."

They were both startled when, as suddenly as Martha Sloan had knelt, she

rose from her place before the gravestone and, moving in nervous haste,

ran down the pathway.

"Deems, we must go to her," said Mrs. Lennon. "Maybe we can do something

for her." And as they both hurried into the kitchen and out of the

house, Martha Sloan, panting and white-faced with fright, rushed to the

house.

"Deems," she gasped. "Deems, it's Jim. He's reaching out. He's reaching

out to seize me."

"Martha, calm yourself," said Deems, taking Martha Sloan's shaking hand

in his. "That ain't right. You're sensible. You mustn't think so much of

it. You must keep your mind away."

"That's right, Martha," Mrs. Lennon said, as she helped Martha Sloan

into the house. "You mustn't keep thinking of Jim, and keep going up

there all the time. There's many things waiting for you at home, and

when you're through there why don't you come over to us?"

But Martha Sloan, either not hearing or not heeding the words of Deems

and his wife, sat huddled, nervously whispering, more to herself than to

her friends. "It's Jim. It's his hand reaching out to me. He took

Dorothy. He took Joseph, and he's reaching out now to me. He can't stand

having me living."

She was nervous and in the power of a fear that was stronger than her

will. She sat uneasily looking about her as if knowing that she was safe

in the house of friends, but as if feeling herself momentarily in the

presence of something strange and frightful. She cast frightened looks

about her, at the room, at Mrs. Lennon, and at Deems. She looked at them

in silence as if she did not know how to speak to them until, prompted

by great uneasiness, she spoke in a loud whisper, "Take me home. Take me

home, Deems. I want to get away."

Deems slipped into his coat, said to his wife, "I'll be back soon,"

then, helping Martha from the chair, walked out with her.

"Come now, Martha, you know us well enough. We're your friends, aren't

we? And we tell you there's nothing to fear. It's all your believing.

There's nothing after you. There's nothing you need fear."

"You don't know. It was he took my two children. He took Dorothy. When

they laid her out in the parlor, I could just see him standing at her

head. He was cruel when he lived. He beat them; Dorothy and Joseph, they

hated him. And when they laid out Joseph after his fall, when the bridge

gave way, Jim was standing by his head, and his eyes were laughing at me

like he'd say, 'I took him, but now there's you.' And he's trying for me

now."

Deems was pleased that she was speaking. He hoped that in conversing she

would find respite from her thoughts.

"No, Martha," he said, "that wasn't Jim took Dorothy and Joseph. You

know there's a God that gives and takes. Their years were run. Can't you

see, Martha?"

"It was Jim who took. He couldn't see them living. When he lived he

couldn't see them growing up to be themselves. He took them like he took

me from you. D' you remember, Deems, how he came and in no time I was

his? He owned me completely."

Deems was silent. There was no arguing. Even now there was vividly alive

in his mind, and, he knew, in the minds of the other villagers, the

recollection of that sense of possession which went with Jim Sloan. He

recalled that William Carrol had hanged himself when he could not pay

Jim Sloan the debt he owed him. It was true that Jim Sloan had owned his

children as if they were pieces of property. The whole village had

learned to know this fact soon after these children had grown up. Deems,

recalling his feelings for Martha Sloan, remembered now the amazement,

the astonishment, with which he had viewed the change that came over

Martha immediately after her marriage to Jim Sloan.

She had been light-hearted and joyful as if overflowing with the

vitality natural to the country about the village. There had been

gladness in her laugh. Immediately after her marriage all this had

changed.

Martha had been wont to run lightly about her father's house. Her

movements had become suddenly freighted with a seriousness that was not

natural to her. Her laughter quieted to a restrained smile which in turn

gave way to a uniform seriousness. The whole village noted and remarked

the change. "He is older than she," they said, "and is making her see

things as he does."

When they reached the house, Martha, without a word, left Deems and

hurried in. Deems turned away, looking back and shaking his head, the

while he mumbled to himself, "There's no good in this. There's no good

for Martha."

He was struck motionless when suddenly he beheld Martha by the window.

He had thought her slightly composed when she had left him, for her

manner was more quiet than it had been. Now he was startled. Out of the

window she leaned, her eyes fastened on the distant gravestone--white,

large, and dominating--a shaft that rose upright like a gigantic spear

on the crest of the hill. He watched her face and head and saw that her

movements were frightened. As she moved her head--it seemed she was

following something with her eyes which, look as closely as he could, he

failed to make out--there was a jerkiness of movement that showed her

alert and startled.

From the musty, dark parlor Martha looked out on the cemetery. There,

clear in the evening light, stood the large white stone--a terrible

symbol that held her. To her nervous mind, alive with the creations of

her fear, it seemed she could read the lines,

JAMES SLOAN

BORN SEPT. 14, 1857

DIED NOV. 12, 1915

and below it, stamped clearly and illumined by her fright,

HIS FAITHFUL WIFE

MARTHA SLOAN

BORN AUG. 9, 1871. DIED----

At the thought of the word "Died," followed by the dash, she recoiled.

The dash reaching out to her--reaching to her--swept into her mind all

the graspingness of James which had squeezed the sweetness out of

life--all the hardness which had marked his possession of her. Was it

her mind, prodded by terror, that visualized it? There, seeming to

advance from the hill, from the cemetery, from the very gravestone which

was beginning to blot and blurr in her vision, she saw a hand--his hand!

It was coming--coming to her, to crush what of life was left in her.

Even in her own mind, it was a miracle that she had survived Jim's

tenacity. When Jim had died, she began suddenly to recover her former

manner of life. She began to win back to herself. It was as if, the

siege of Winter having lifted, the breath and warmth of Spring might now

again prevail.

Then had come the horrors of uncontrollable dreams followed by the death

by fire of Dorothy. That had shaken her completely.

She recalled their rescuing Dorothy, how they had dragged her out of the

fire, her clothes all burned off. They had sought to nurse her back to

health, and in the week before her daughter died she had learned

something of what had happened the night of the fire. In her sleep

Dorothy had heard herself called and she thought it was her father's

voice. She had arisen when she seemed to see beside her her father as he

had looked in life.

She had followed him to the barn and suddenly he had told her that he

had come back to take her with him as he had promised to before his

death. In her struggle to escape him she had flung the lantern. In the

parlor they had laid out Dorothy--a blackened, burnt frame.

All her care and love and solicitude she concentrated on Joseph. She

thought that perhaps by an intenser, all embracing love for Joseph she

would be enabled to defeat the spell that she felt hanging over her

life. Then, when it seemed that life would begin anew to take on a

definite meaning--Joseph, grown up, was giving purpose to it--she

remembered that some one had knocked timidly on the door and had

announced in a frightened voice: "Mrs. Sloan! There's been a terrible

accident, the bridge fell----?" She remembered that she had screamed,

"My Joseph! My boy!" and then had found herself in the parlor, the body

laid out on the couch.

She remembered suddenly that the parlor had seemed to contain the

presence of Jim. She had looked up to see dimly what seemed the figure

and face of her dead husband. In the eyes that seemed to be laughing she

read the threat, "I took him, but now there's you."

As these recollections flooded and flowed through her mind, a frightened

nervousness seized upon Martha, standing by the window. Somehow she was

being held by a fear to move. Something seemed to have robbed her of the

strength and resolution to turn from the window.

There came to her the impression that there was some one in the room

with her. The feeling grew subtly upon her and added to her fear of

turning around. So she kept her eyes looking out of the window up at

where the shaft of the gravestone stood. But, more clearly now than

before, she sensed something that seemed to reach out from the

gravestone and carry to her, and at the same time there grew the feeling

that the presence in the room was approaching her.

She was held in fright. All her nervous impulses impelled her to flight.

Like a whip that was descending over her head, came the mirage from the

gravestone until, in a mad, wild attempt to evade it, she flung about in

the room as if to dash across and away from the window. Suddenly she was

halted in her passage by the presence of Jim. The dim parlor was somehow

filled with a sense of his being there, and in the dusk near the

mantelpiece and at the head of the couch, there stood in shadowy outline

her husband, come back.

"Jim!" she uttered, in a frightened gasp, and threw her hands outward to

protect herself from his purpose. But she saw clearly the shadowy face

and eyes that said unmistakably, "I have come for you."

She was terror-bound. There was no advance, for moving forward meant

coming closer to that presence, meant walking into his very grasp.

The best short stories of 1919, and the yearbook of the American short story · 第 45 / 137 题