I am willing to go through with it, I said at last.

Good! I knew you would be. Let's get to work at once!

He lifted the most ponderous volume in the laboratory from the floor to

the top of an old walnut refectory table. The book was bound in musty

yellow vellum, clasped with iron, and the foxed leaves were fashioned

from parchment made from the skin of virgin camels. As he opened it,

I saw that the pages were inscribed with cabalistic characters and

symbols, illuminated in colours, none of which I could decipher. Lou

Matagot jumped on to the table and sat on the leaves at the top of the

book, forming a paper weight. He sat with his back to Peter and his

long, black tail played nervously up and down the centre of the volume.

Peter now drew a circle with a radius of twelve or thirteen feet

around us, inscribing within its circumference certain characters

and pentacles. Then he plunged a dagger through what I recognized to

be a sacred wafer, which he told me had been stolen from a church

at midnight, at the same time, muttering what, from the tone of his

voice, I took to be blasphemous imprecations, although the language

he used was unfamiliar to me. Next he arranged a copper chafing-dish

over a blue flame and began to stir the ingredients, esoteric powders

and crystals of bright colours. Now he lovingly lifted a crystal

viol, filled with a purple liquid, and poured the contents into a

porcelain bowl. Instantly, there was a faint detonation and a thick

cloud of violet vapour mounted spirally to the ceiling. All the time,

occasionally referring to the grimoire on the table, and employing

certain unmentionable symbolic objects in the manner prescribed, he

muttered incantations in the unknown tongue. The room swam with odours

and mists, violet clouds and opopanax fogs. So far, the invocation was

pretty and amusing but it resembled the arcane rites of Paul Iribe more

than those of Hermes Trismegistus.

Now Peter pulled three black hairs from the cat's tail, which Lou

Matagot delivered with a yowl of rage, springing at the same time from

the table to the top of the cabinet, whence he regarded us through the

mists and vapours, with his evil yellow eyes. The hairs went into the

chafing-dish and a new aroma filled the room. The claws of an owl,

the flower of the moly, and the powder of vipers followed and then

Peter opened a long flat box which nearly covered one end of the huge

table, and a nest of serpents, with bellies of rich turquoise blue and

backs of tawny yellow, marked with black zigzags, reared their wicked

heads. He called them by name and they responded by waving their heads

rhythmically. I began to grow alarmed and dizzy. Vade retro, Satanas!

was on tip of my tongue. For a few seconds, I think, I must have

fainted. When I revived, I still heard the chanting of the incantation

and the sound of tinkling bells. The serpents' heads still waved in

rhythm and their bodies, yellow and turquoise blue, were elongated in

the air until they appeared to be balancing on the tips of their tails.

The eyes of Lou Matagot glared maliciously through the thick vapours

and the cat howled with rage or terror.

Now! cried Peter, for the first time in English. Now!

My nails dug holes in the palms of my perspiring hands. Peter renewed

his nocuous muttering and casting the wafer, transfixed by the dagger,

into the porcelain bowl containing the violet fluid, he poured the

whole mixture into the copper chafing-dish.

There was a terrific explosion.

Peter Whiffle · 第 33 / 36 题