COLERIDGE'S CHRISTABEL.

(Vol. vii., pp. 206. 292.)

It is difficult to believe that the third part of _Christabel_, published

in Blackwood for June, 1819, vol. v. p. 286., could have either "perplexed

the public," or "pleased Coleridge." In the first place, it was avowedly

written by "Morgan Odoherty;" and in the next, it is too palpable a parody

to have pleased the original author, who could hardly have been satisfied

with the raving rhapsodies put into his mouth, or with the treatment of his

innocent and virtuous heroine. This will readily be supposed when it is

known that the Lady Geraldine is made out to have been a man in woman's

attire, and that "the mark of Christabel's shame, the seal of her sorrow,"

is neither more nor less than the natural consequence of her having shared

her chamber with such a visitor.

Is your correspondent A. B. R. correct in stating this parody to have been

the composition of Dr. Maginn? In the biography of this brilliant writer in

the twenty-third volume of the _Dublin University Magazine_, Dr. Moir, who

had undoubtedly good opportunities of knowing, mentions that his first

contribution to _Blackwood_ was the Latin translation of "Chevy Chase," in

the number for November 1819; if this be correct, many of the cleverest

papers that appeared under the name of Odoherty, and which are all

popularly attributed {12} to Maginn, must have been the work of other

authors, a circumstance which I had been already led to suspect from the

frequent local allusions to Scotland in general, and to Edinburgh in

particular, which could have scarcely proceeded from the pen of a native of

Cork, who had then never visited Scotland. Since Dr. Moir's own death, it

appears that the _Eve of St. Jerry_, and the _Rhyme of the Auncient

Waggonere_, have been claimed for him, as well as some other similar

pieces; and I believe that the series of _Boxiana_, which also appeared

under the name of the renowned ensign and adjutant, was written by

Professor Wilson. Maginn's contributions were at first under various

signatures, and some time elapsed before he made use of the _nom de guerre_

of Morgan Odoherty, which eventually became so identified with him.

Notes and Queries, Number 192, July 2, 1853 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 52 / 151 题