CHAPTER XVI.

RHEIMS--(_continued_).

Rheims possesses a handsome theatre, the acquaintance of which I

was enabled to make under exceptional circumstances. At the risk of

appearing slightly egotistical, I will here describe an incident which

has other than personal interest. My visit to Damon’s country, the

particulars of which were given in a former chapter, had an especial

object, viz., the setting of a novel of my own having the great

conventionnel for its hero. The story was dramatised by two French

collaborators, one of whom was at that time stage manager of the Grand

Theatre, Rheims. What, then, was my delight to see one morning placarded

throughout the town the announcement of the Anglo-French play? A few

days before the first representation I had witnessed a rehearsal, and as

I was guided through the dusky labyrinths of the theatre I could realise

the excessive, the appalling, combustibility of such buildings. It

is difficult, moreover, for those who have never penetrated into such

recesses--whose only acquaintance is with the representation on the

stage--to imagine how gloomy and sepulchral “behind the scenes”

may appear. However, by-and-by it was all cheerful enough, and the

rehearsal, I must say, although of a tragedy, abounded in touches of

humour. My friend and myself were accommodated with chairs just in

front of the stage near the prompter, a very friendly personage, who

was evidently interested in the fact of my presence. The actors and

actresses dropped in one by one and we exchanged a cordial handshake.

There was nothing theatrical about the dress or manners of these ladies,

whose ages ranged from extreme youth to middle age. They all looked

pleasant, lady-like, ordinary women, who might have quitted their

housekeeping or any other occupation of a domestic nature. The men, too,

impressed me agreeably as they greeted myself and their colleagues. Very

amusing was the commencement of proceedings.

“Come, my children, put yourselves into position,” said the stage

manager, making corrections or suggestions as he went on; now somebody

spoke too loud, and now somebody was too inarticulate, now an arm was

held too forward, and now a leg dragged too much. Excessively diverting,

also, the dummy show. In one scene of the play, a village schoolmaster

is holding a class of little boys and girls. To-day, a row of chairs

did duty for the scholars and were duly harangued, catechised, and even

admonished with a cane. In another scene, a peasant woman appears with

her donkey, to whom she confides a long tirade of troubles, the donkey

for the moment being like the showman’s hero in the famous story, “round

the corner.” A third and still more amusing piece of dumb show occurred

later, when an ex-abbess acting as housekeeper to the village curé, let

fall a basket of potatoes which were supposed to roll about the stage.

All went well and the prompter, to whom I appealed for an opinion,

assured me that I need be under no uneasiness, for the piece would go

off like a house on fire.

In spite of that favourable prognostic an author’s first night is always

a nervous affair, especially when that author is a foreigner, and her

piece a translation from the original.

However, everything went merry as a marriage bell, my kind friends

filled several boxes, and perhaps one of the most interesting

incidents of the evening was the fact that just underneath sat Danton’s

great-nephew with his clerk, who had come from Arcis-sur-Aube expressly

for the occasion. Between the acts I went down and chatted with these

two gentlemen, also with a French friend who had travelled from Dijon--a

six hours’ railway journey--in order to witness the piece. To the best

of my knowledge now for the first time Danton figured on the French

stage.

It must be confessed that the theatre on this especial night was not a

crowded house. In the first place, three large soirées, which had been

postponed on account of the President’s funeral, coincided with the

representation. In the second place, as a rule, the wealthier and more

fashionable classes do not patronise provincial theatres, especially

when residing within easy reach of Paris. However, the pit and gallery

were packed, and loud was the applause with which the appearance

of Danton in a blue tail coat, top boots and sash, and his vehement

utterances were greeted.

It had never crossed my mind that under such circumstances an author

would be called for; when, indeed, at the close of the piece, cries of

“Auteur! auteur!” were heard throughout the theatre, my friends begged

me to show myself. Which, proudly enough, I did, first saluting the

sovereign people in the gallery, then bowing less beamingly to the

scantier audience in the boxes, finally acknowledging the acclamations

from the pit. If “Danton à Arcis” brought its author neither fame nor

fortune, it certainly repaid her in another and most agreeable fashion.

Two or three days later, a second representation of the piece at

popular prices was given, and upon that occasion the house was full to

overflowing.

The Grand Theatre, Rheims, is a very handsome building, and like most

other provincial houses maintains a company of its own, although from

time to time it is visited by the best Paris troupes.

Yet another uncommon recollection of Rheims must here be recorded. In

September of last year, I witnessed such a spectacle as my military

friends assured me had never before been afforded to the marvel-loving;

in other words, the sight of a hundred and sixty thousand men--a host

perhaps more numerous than any ever commanded by Napoleon--performing

evolutions within range of vision.

By half-past five in the morning I was off from Paris with my host and

hostess in their motor car for the Northern railway station. The day

of the great review broke dull and grey, and deserted indeed looked the

usually gay and lively Paris streets. We reached the station at five

minutes to six, i.e., five minutes before the starting of our train, and

at once realised the neatness with which the day’s programme had been

arranged, both by the railway companies and the Government. The tens

of thousands of sightseers had been despatched to Rheims by relays of

trains during the night, and the station was now kept clear for the

numerous specials conveying members of the Senate, the Chamber, and the

Press. Here, therefore, was no crowding whatever, only a quiet stream

of deputies, wearing their tricolour badges accompanied by their ladies,

each deputy having the privilege of taking two.

Precisely on the stroke of six, our long and well-filled train

consisting of first-class carriages only steamed out of the station,

taking the northern route and only making a short halt at Soissons. No

sooner had we joined the Compiègne line than we realised the tremendous

precautions necessary in the case of visitors so august; double rows of

soldiers were placed at short intervals on either side of the railway

and detachments of mounted troops stationed at a distance guarded the

route. The arrangements for our own comfort were perfect. Our train set

us down, not at Rheims, but at Bétheny itself the scene of the review, a

temporary station having been there erected. We were, therefore within a

hundred yards or so of our tribune, or raised stage, and of the luncheon

tents, roads having been laid down to each by the Génie or engineering

body. Numbered indications conspicuously placed quite prevented any

confusion whatever, and, indeed, it was literally impossible for

anyone to miss his way. The only eventuality that could have spoiled

everything, wet weather, fortunately held off until the show was over.

The review itself was a magnificent spectacle, surely not without irony

when we consider that this great military display, one of the greatest

on record, was got up in honour of the first Sovereign in the world who

had dared to propose a general disarmament! Another line of thought was

awakened by the fact of our isolation. The specially invited guests

of the French Government upon this occasion numbered three thousand

persons, and it seemed that for the Czar, his train, and these, the

great show was got up. The thousands of outsiders, sightseers, and

excursionists, brought to Rheims by cheap trains from all parts of

France, were nowhere; in other words, invisible.

Whether or no such spectators got anything like a view of the evolutions

I do not know. I should be inclined to think that from the distance at

which they were kept the moving masses were mere blurs and nothing

more. From our own tribune, adjoining that of the Presidential party,

we commanded a view of the entire forces covering the vast plain,

surrounded by rising ground.

Amazing it was to see the dark immovable lines slowly break up, and

as if set in motion by machinery, deploy according to orders. The vast

plain before us was a veritable sea of men, an army, one would think,

sufficient for the military needs of all Europe.

One striking feature of these superb regiments, cavalry as well as

infantry, was the excellence of the bands. Never before had I realised

the inspiriting thing that martial music might be. Another interesting

point was that afforded by the cyclists, several regiments having these

newly formed companies. Whenever a flag was borne past, whether by foot

or mounted soldier, the cheering was tremendous, but it was reserved for

a regiment of Lorrainers to receive a veritable ovation. Still so fondly

yearns the heart of France after her lost and mutilated provinces! On

the whole, and speaking as a naïve amateur, I should say that no country

in the world could show a grander military spectacle. Enthusiasm reigned

amongst all beholders, but there was no display of political bias or any

discordant note. Cries of “Vive la France!” were as frequent as those of

“Vive l’armée!”

Not a policeman was to be seen anywhere, the deputies keeping order for

themselves. And not always without an effort! People would rise from

their seats, even stand on benches, despite the thundered out “Remain

seated!” on all sides. On the whole, and with this exception, nothing

could surpass the general good humour. And when the splendid cortege

filed by at the close, delight and satisfaction beamed on every face. M.

Loubet was so dignified, folks said, Madame Loubet was so well dressed,

the deportment of M. Waldeck Rousseau was perfect, M. Deschanel

handsomer than ever, and so on, every member of the Czar’s, or rather

the President’s, entourage winning approval. General André and M.

Delcassé were very warmly received. The slim, pale, fastidious looking

young man in flat, white cap, green tunic, and high boots, seated beside

the portly, genial figure wearing the broad Presidential ribbon, set me

thinking. How at the bottom of his heart does the Autocrat of All The

Russias view these representatives of the great French Republic! How

does he really feel towards France, the first nation of the western

world to set the example of officially recognised self-government, the

initiator of a system as opposed to Russian despotism as is white

to black? Whatever may be the secret of this strange Franco-Russian

alliance, it is apparently in the interest of peace, and, as such,

should be warmly welcomed by all advocates of progress.

The luncheon was superabundant, consisting of wines, cold meat, and

bread in plenty. The task of finding refreshment for three thousand

people had been satisfactorily solved. The only thing wanting was

water. It seems that upon such an occasion no one was expected to drink

anything short of Bordeaux, Burgundy, or pale ale.

All the special trains were crowded for the return journey, made by way

of Meaux, but everyone made way for everyone, and we reached Paris at

eight o’clock, almost as fresh and quite as good-humoured as we had

quitted it at dawn. If this great review was interesting from one point

more than another, it was from the manner in which it displayed the

wonderful organising faculty of the French mind. The most trifling

details no more than the largest combinations can disconcert this

pre-eminently national aptitude.

East of Paris: Sketches in the Gâtinais, Bourbonnais, and Champagne · 第 16 / 21 章