XXIX

(THE PLAYERS)

Si' Myra was a Congo. She believed the Obi priests could boil water

without fire, and in many ways cause frightful woes. To her own myths

she had added Danish ones. "De wehr-wolf, yes, me chile! Dem nights

w'en de moon shine bright and de dogs a-barkin', you see twelb dogs

a-talkin' togedder in a ring, and one in de middle. Dah dem wait till

dem yerry [hear] him; den dem take arter him, me chile," etc.

Strangest, wildest practice of the slaves was the hideous misuse

Christian masters allowed them to make of Chrismas Day and week. It

was then they danced the bamboula, incessantly. All through the year

this Saturnalia was prepared for in meetings held at night by their

leaders. The songs to which they danced were made of white society's

scandals reduced to satirical rhyme; and to the rashest girl or man

there was power in the warning, "You'll get yourself sung about at

Christmas." Yearly a king, queen, and retinue were elected. The

dresses of court and all were a mixture of splendor and tawdriness that

exhausted the savings and pilferings of a twelvemonth. Good-natured

"missies" often helped make these outfits. They were of velvet, silk,

satin, cotton lace, false flowers, the brilliant seeds of the licorice

and coquelicot, tinsel, beads, and pinch-beck. Sometimes mistresses

even lent--firmly sewed fast--their own jewelry.

On Christmas Eve, here and there in the town, ground-floor rooms were

hired and decorated with palm branches; or palm booths were built,

decked with oranges and boughs of cinnamon berries, lighted with

candles and lanterns and furnished with seats for the king, queen, and

musicians, and with buckets of rum punch. Then the "bulrush man" went

his round. Covered with capes and flounces of rushes and crowned with

a high waving fringe of them, he rattled pebbles in calabashes, danced

to their clatter, proclaimed the feast, and begged such of us white

children as his dress did not terrify, for stivers from our holiday

savings.

Soon the dancers began to gather in the booths; women in gorgeous

trailing gowns, the men bearing showy batons and clad in gay shirts or

satin jackets, and with a mongrel infant rabble at their heels. When

the goombay--a flour-barrel drum--sounded, the town knew the bamboula

had begun. On two confronting lines, the men in one, the women in the

other, a leading couple improvised a song and all took up the refrain.

The goombay beat time, and the dancers rattled or tinkled the woody

seed-cases of the sand-box tree set on long handles and with each of

their lobes painted a separate vivid color; rattles of basketwork; and

calabashes filled with pebbles and shells. All instruments were gay

with floating ribbons. So the lines approached each other by two

steps, receded, advanced, and receded, always in wild cadence to the

signals of voice and instrument; then bowed so low that they

touched--twice--thrice; then pirouetted and resumed the first movement,

and now and then, with two or three turns or bows, clashed their

rattles together in time. As night darkened, the rude lights flared

yellow and red upon the dusky forms bedizened with beads, bangles, and

grotesquer trumpery. Faces, necks, arms reeked and shone in the heat,

ribbons streamed, gross odors arose, the goombay dominated all, and

children of the master race--for even I was permitted to witness these

orgies--without comprehending, stood aghast. Close outside, the

matchless night lay on land and sea; a relieved sense caught ethereal

perfumes and was soothed by the exquisite refinement into whose space

and silence the faint deep voice of the savage drum sobbed one grief

and one prayer alike for slave and master.

The revel always ended with New Year's Day. The next morning broke

silently, and with the rising of the sun the plantation bell or the

conch called the bondman and bondwoman into the cane-fields. Then,

alike in broadest noon or deepest night, a spectral fear hovered

wherever the master sat among his loved ones or rode from place to

place. Not often did the hand of oppression fall upon any slave with

illegal violence, or he or she turn to slaughter or poison the

oppressor; but the slaves were in thousands, the masters were but

hundreds, the laws were cruel; the whipping-post stood among the town's

best houses of commerce, justice, and worship, with the thumbscrews

hard by. As to armed defense, the well-drilled and finely caparisoned

volunteer "troopers" were but a handful, the Danish garrison a mere

squad; the governor was mild and aged, and the two towns were the width

of the island apart.

The Flower of the Chapdelaines · 第 55 / 84 题