II.

The winter did not renew for Christine and Mela the social opportunity

which the spring had offered. After the musicale at Mrs. Horn's, they

both made their party-call, as Mela said, in due season; but they did not

find Mrs. Horn at home, and neither she nor Miss Vance came to see them

after people returned to town in the fall. They tried to believe for a

time that Mrs. Horn had not got their cards; this pretence failed them,

and they fell back upon their pride, or rather Christine's pride. Mela

had little but her good-nature to avail her in any exigency, and if Mrs.

Horn or Miss Vance had come to call after a year of neglect, she would

have received them as amiably as if they had not lost a day in coming.

But Christine had drawn a line beyond which they would not have been

forgiven; and she had planned the words and the behavior with which she

would have punished them if they had appeared then. Neither sister

imagined herself in anywise inferior to them; but Christine was

suspicious, at least, and it was Mela who invented the hypothesis of the

lost cards. As nothing happened to prove or to disprove the fact, she

said, "I move we put Coonrod up to gittun' it out of Miss Vance, at some

of their meetun's."

"If you do," said Christine, "I'll kill you."

Christine, however, had the visits of Beaton to console her, and, if

these seemed to have no definite aim, she was willing to rest in the

pleasure they gave her vanity; but Mela had nothing. Sometimes she even

wished they were all back on the farm.

"It would be the best thing for both of you," said Mrs. Dryfoos, in

answer to such a burst of desperation. "I don't think New York is any

place for girls."

"Well, what I hate, mother," said Mela, "is, it don't seem to be any

place for young men, either." She found this so good when she had said it

that she laughed over it till Christine was angry.

"A body would think there had never been any joke before."

"I don't see as it's a joke," said Mrs. Dryfoos. "It's the plain truth."

"Oh, don't mind her, mother," said Mela. "She's put out because her old

Mr. Beaton ha'r't been round for a couple o' weeks. If you don't watch

out, that fellow 'll give you the slip yit, Christine, after all your

pains."

"Well, there ain't anybody to give you the slip, Mela," Christine clawed

back.

"No; I ha'n't ever set my traps for anybody." This was what Mela said for

want of a better retort; but it was not quite true. When Kendricks came

with Beaton to call after her father's dinner, she used all her cunning

to ensnare him, and she had him to herself as long as Beaton stayed;

Dryfoos sent down word that he was not very well and had gone to bed. The

novelty of Mela had worn off for Kendricks, and she found him, as she

frankly told him, not half as entertaining as he was at Mrs. Horn's; but

she did her best with him as the only flirtable material which had yet

come to her hand. It would have been her ideal to have the young men stay

till past midnight, and her father come down-stairs in his stocking-feet

and tell them it was time to go. But they made a visit of decorous

brevity, and Kendricks did not come again. She met him afterward, once,

as she was crossing the pavement in Union Square to get into her coupe,

and made the most of him; but it was necessarily very little, and so he

passed out of her life without having left any trace in her heart, though

Mela had a heart that she would have put at the disposition of almost any

young man that wanted it. Kendricks himself, Manhattan cockney as he was,

with scarcely more outlook into the average American nature than if he

had been kept a prisoner in New York society all his days, perceived a

property in her which forbade him as a man of conscience to trifle with

her; something earthly good and kind, if it was simple and vulgar. In

revising his impressions of her, it seemed to him that she would come

even to better literary effect if this were recognized in her; and it

made her sacred, in spite of her willingness to fool and to be fooled, in

her merely human quality. After all, he saw that she wished honestly to

love and to be loved, and the lures she threw out to that end seemed to

him pathetic rather than ridiculous; he could not join Beaton in laughing

at her; and he did not like Beaton's laughing at the other girl, either.

It seemed to Kendricks, with the code of honor which he mostly kept to

himself because he was a little ashamed to find there were so few others

like it, that if Beaton cared nothing for the other girl--and Christine

appeared simply detestable to Kendricks--he had better keep away from

her, and not give her the impression he was in love with her. He rather

fancied that this was the part of a gentleman, and he could not have

penetrated to that aesthetic and moral complexity which formed the

consciousness of a nature like Beaton's and was chiefly a torment to

itself; he could not have conceived of the wayward impulses indulged at

every moment in little things till the straight highway was traversed and

well-nigh lost under their tangle. To do whatever one likes is finally to

do nothing that one likes, even though one continues to do what one will;

but Kendricks, though a sage of twenty-seven, was still too young to

understand this.

Beaton scarcely understood it himself, perhaps because he was not yet

twenty-seven. He only knew that his will was somehow sick; that it spent

itself in caprices, and brought him no happiness from the fulfilment of

the most vehement wish. But he was aware that his wishes grew less and

less vehement; he began to have a fear that some time he might have none

at all. It seemed to him that if he could once do something that was

thoroughly distasteful to himself, he might make a beginning in the right

direction; but when he tried this on a small scale, it failed, and it

seemed stupid. Some sort of expiation was the thing he needed, he was

sure; but he could not think of anything in particular to expiate; a man

could not expiate his temperament, and his temperament was what Beaton

decided to be at fault. He perceived that it went deeper than even fate

would have gone; he could have fulfilled an evil destiny and had done

with it, however terrible. His trouble was that he could not escape from

himself; and, for the most part, he justified himself in refusing to try.

After he had come to that distinct understanding with Alma Leighton, and

experienced the relief it really gave him, he thought for a while that if

it had fallen out otherwise, and she had put him in charge of her

destiny, he might have been better able to manage his own. But as it was,

he could only drift, and let all other things take their course. It was

necessary that he should go to see her afterward, to show her that he was

equal to the event; but he did not go so often, and he went rather

oftener to the Dryfooses; it was not easy to see Margaret Vance, except

on the society terms. With much sneering and scorning, he fulfilled the

duties to Mrs. Horn without which he knew he should be dropped from her

list; but one might go to many of her Thursdays without getting many

words with her niece. Beaton hardly knew whether he wanted many; the girl

kept the charm of her innocent stylishness; but latterly she wanted to

talk more about social questions than about the psychical problems that

young people usually debate so personally. Son of the working-people as

he was, Beaton had never cared anything about such matters; he did not

know about them or wish to know; he was perhaps too near them. Besides,

there was an embarrassment, at least on her part, concerning the

Dryfooses. She was too high-minded to blame him for having tempted her to

her failure with them by his talk about them; but she was conscious of

avoiding them in her talk. She had decided not to renew the effort she

had made in the spring; because she could not do them good as

fellow-creatures needing food and warmth and work, and she would not try

to befriend them socially; she had a horror of any such futile

sentimentality. She would have liked to account to Beaton in this way for

a course which she suspected he must have heard their comments upon, but

she did not quite know how to do it; she could not be sure how much or

how little he cared for them. Some tentative approaches which she made

toward explanation were met with such eager disclaim of personal interest

that she knew less than before what to think; and she turned the talk

from the sisters to the brother, whom it seemed she still continued to

meet in their common work among the poor.

"He seems very different," she ventured.

"Oh, quite," said Beaton. "He's the kind of person that you might suppose

gave the Catholics a hint for the cloistral life; he's a cloistered

nature--the nature that atones and suffers for. But he's awfully dull

company, don't you think? I never can get anything out of him."

"He's very much in earnest."

"Remorselessly. We've got a profane and mundane creature there at the

office who runs us all, and it's shocking merely to see the contact of

the tyro natures. When Fulkerson gets to joking Dryfoos--he likes to put

his joke in the form of a pretence that Dryfoos is actuated by a selfish

motive, that he has an eye to office, and is working up a political

interest for himself on the East Side--it's something inexpressible."

"I should think so," said Miss Vance, with such lofty disapproval that

Beaton felt himself included in it for having merely told what caused it.

He could not help saying, in natural rebellion, "Well, the man of one

idea is always a little ridiculous."

"When his idea is right?" she demanded. "A right idea can't be

ridiculous."

"Oh, I only said the man that held it was. He's flat; he has no relief,

no projection."

She seemed unable to answer, and he perceived that he had silenced her to

his own disadvantage. It appeared to Beaton that she was becoming a

little too exacting for comfort in her idealism. He put down the cup of

tea he had been tasting, and said, in his solemn staccato: "I must go.

Good-bye!" and got instantly away from her, with an effect he had of

having suddenly thought of something imperative.

He went up to Mrs. Horn for a moment's hail and farewell, and felt

himself subtly detained by her through fugitive passages of conversation

with half a dozen other people. He fancied that at crises of this strange

interview Mrs. Horn was about to become confidential with him, and

confidential, of all things, about her niece. She ended by not having

palpably been so. In fact, the concern in her mind would have been

difficult to impart to a young man, and after several experiments Mrs.

Horn found it impossible to say that she wished Margaret could somehow be

interested in lower things than those which occupied her. She had watched

with growing anxiety the girl's tendency to various kinds of

self-devotion. She had dark hours in which she even feared her entire

withdrawal from the world in a life of good works. Before now, girls had

entered the Protestant sisterhoods, which appeal so potently to the young

and generous imagination, and Margaret was of just the temperament to be

influenced by them. During the past summer she had been unhappy at her

separation from the cares that had engrossed her more and more as their

stay in the city drew to an end in the spring, and she had hurried her

aunt back to town earlier in the fall than she would have chosen to come.

Margaret had her correspondents among the working-women whom she

befriended. Mrs. Horn was at one time alarmed to find that Margaret was

actually promoting a strike of the button-hole workers. This, of course,

had its ludicrous side, in connection with a young lady in good society,

and a person of even so little humor as Mrs. Horn could not help seeing

it. At the same time, she could not help foreboding the worst from it;

she was afraid that Margaret's health would give way under the strain,

and that if she did not go into a sisterhood she would at least go into a

decline. She began the winter with all such counteractive measures as she

could employ. At an age when such things weary, she threw herself into

the pleasures of society with the hope of dragging Margaret after her;

and a sympathetic witness must have followed with compassion her course

from ball to ball, from reception to reception, from parlor-reading to

parlor-reading, from musicale to musicale, from play to play, from opera

to opera. She tasted, after she had practically renounced them, the

bitter and the insipid flavors of fashionable amusement, in the hope that

Margaret might find them sweet, and now at the end she had to own to

herself that she had failed. It was coming Lent again, and the girl had

only grown thinner and more serious with the diversions that did not

divert her from the baleful works of beneficence on which Mrs. Horn felt

that she was throwing her youth away. Margaret could have borne either

alone, but together they were wearing her out. She felt it a duty to

undergo the pleasures her aunt appointed for her, but she could not

forego the other duties in which she found her only pleasure.

She kept up her music still because she could employ it at the meetings

for the entertainment, and, as she hoped, the elevation of her

working-women; but she neglected the other aesthetic interests which once

occupied her; and, at sight of Beaton talking with her, Mrs. Horn caught

at the hope that he might somehow be turned to account in reviving

Margaret's former interest in art. She asked him if Mr. Wetmore had his

classes that winter as usual; and she said she wished Margaret could be

induced to go again: Mr. Wetmore always said that she did not draw very

well, but that she had a great deal of feeling for it, and her work was

interesting. She asked, were the Leightons in town again; and she

murmured a regret that she had not been able to see anything of them,

without explaining why; she said she had a fancy that if Margaret knew

Miss Leighton, and what she was doing, it might stimulate her, perhaps.

She supposed Miss Leighton was still going on with her art? Beaton said,

Oh yes, he believed so.

But his manner did not encourage Mrs. Horn to pursue her aims in that

direction, and she said, with a sigh, she wished he still had a class;

she always fancied that Margaret got more good from his instruction than

from any one else's.

He said that she was very good; but there was really nobody who knew half

as much as Wetmore, or could make any one understand half as much. Mrs.

Horn was afraid, she said, that Mr. Wetmore's terrible sincerity

discouraged Margaret; he would not let her have any illusions about the

outcome of what she was doing; and did not Mr. Beaton think that some

illusion was necessary with young people? Of course, it was very nice of

Mr. Wetmore to be so honest, but it did not always seem to be the wisest

thing. She begged Mr. Beaton to try to think of some one who would be a

little less severe. Her tone assumed a deeper interest in the people who

were coming up and going away, and Beaton perceived that he was

dismissed.

He went away with vanity flattered by the sense of having been appealed

to concerning Margaret, and then he began to chafe at what she had said

of Wetmore's honesty, apropos of her wish that he still had a class

himself. Did she mean, confound her? that he was insincere, and would let

Miss Vance suppose she had more talent than she really had? The more

Beaton thought of this, the more furious he became, and the more he was

convinced that something like it had been unconsciously if not

consciously in her mind. He framed some keen retorts, to the general

effect that with the atmosphere of illusion preserved so completely at

home, Miss Vance hardly needed it in her art studies. Having just

determined never to go near Mrs. Horn's Thursdays again, he decided to go

once more, in order to plant this sting in her capacious but somewhat

callous bosom; and he planned how he would lead the talk up to the point

from which he should launch it.

In the mean time he felt the need of some present solace, such as only

unqualified worship could give him; a cruel wish to feel his power in

some direction where, even if it were resisted, it could not be overcome,

drove him on. That a woman who was to Beaton the embodiment of

artificiality should intimate, however innocently--the innocence made it

all the worse--that he was less honest than Wetmore, whom he knew to be

so much more honest, was something that must be retaliated somewhere

before his self-respect could be restored. It was only five o'clock, and

he went on up-town to the Dryfooses', though he had been there only the

night before last. He asked for the ladies, and Mrs. Mandel received him.

"The young ladies are down-town shopping," she said, "but I am very glad

of the opportunity of seeing you alone, Mr. Beaton. You know I lived

several years in Europe."

"Yes," said Beaton, wondering what that could have to do with her

pleasure in seeing him alone. "I believe so?" He involuntarily gave his

words the questioning inflection.

"You have lived abroad, too, and so you won't find what I am going to ask

so strange. Mr. Beaton, why do you come so much to this house?" Mrs.

Mandel bent forward with an aspect of ladylike interest and smiled.

A Hazard of New Fortunes — Complete · 第 78 / 102 题