The Dryfoos family stayed in town till August. Then the father went West
again to look after his interests; and Mrs. Mandel took the two girls to
one of the great hotels in Saratoga. Fulkerson said that he had never
seen anything like Saratoga for fashion, and Mrs. Mandel remembered that
in her own young ladyhood this was so for at least some weeks of the
year. She had been too far withdrawn from fashion since her marriage to
know whether it was still so or not. In this, as in so many other
matters, the Dryfoos family helplessly relied upon Fulkerson, in spite of
Dryfoos's angry determination that he should not run the family, and in
spite of Christine's doubt of his omniscience; if he did not know
everything, she was aware that he knew more than herself. She thought
that they had a right to have him go with them to Saratoga, or at least
go up and engage their rooms beforehand; but Fulkerson did not offer to
do either, and she did not quite see her way to commanding his services.
The young ladies took what Mela called splendid dresses with them; they
sat in the park of tall, slim trees which the hotel's quadrangle
enclosed, and listened to the music in the morning, or on the long piazza
in the afternoon and looked at the driving in the street, or in the vast
parlors by night, where all the other ladies were, and they felt that
they were of the best there. But they knew nobody, and Mrs. Mandel was so
particular that Mela was prevented from continuing the acquaintance even
of the few young men who danced with her at the Saturday-night hops. They
drove about, but they went to places without knowing why, except that the
carriage man took them, and they had all the privileges of a proud
exclusivism without desiring them. Once a motherly matron seemed to
perceive their isolation, and made overtures to them, but then desisted,
as if repelled by Christine's suspicion, or by Mela's too instant and
hilarious good-fellowship, which expressed itself in hoarse laughter and
in a flow of talk full of topical and syntactical freedom. From time to
time she offered to bet Christine that if Mr. Fulkerson was only there
they would have a good time; she wondered what they were all doing in New
York, where she wished herself; she rallied her sister about Beaton, and
asked her why she did not write and tell him to come up there.
Mela knew that Christine had expected Beaton to follow them. Some banter
had passed between them to this effect; he said he should take them in on
his way home to Syracuse. Christine would not have hesitated to write to
him and remind him of his promise; but she had learned to distrust her
literature with Beaton since he had laughed at the spelling in a scrap of
writing which dropped out of her music-book one night. She believed that
he would not have laughed if he had known it was hers; but she felt that
she could hide better the deficiencies which were not committed to paper;
she could manage with him in talking; she was too ignorant of her
ignorance to recognize the mistakes she made then. Through her own
passion she perceived that she had some kind of fascination for him; she
was graceful, and she thought it must be that; she did not understand
that there was a kind of beauty in her small, irregular features that
piqued and haunted his artistic sense, and a look in her black eyes
beyond her intelligence and intention. Once he sketched her as they sat
together, and flattered the portrait without getting what he wanted in
it; he said he must try her some time in color; and he said things which,
when she made Mela repeat them, could only mean that he admired her more
than anybody else. He came fitfully, but he came often, and she rested
content in a girl's indefiniteness concerning the affair; if her thought
went beyond lovemaking to marriage, she believed that she could have him
if she wanted him. Her father's money counted in this; she divined that
Beaton was poor; but that made no difference; she would have enough for
both; the money would have counted as an irresistible attraction if there
had been no other.
The affair had gone on in spite of the sidelong looks of restless dislike
with which Dryfoos regarded it; but now when Beaton did not come to
Saratoga it necessarily dropped, and Christine's content with it. She
bore the trial as long as she could; she used pride and resentment
against it; but at last she could not bear it, and with Mela's help she
wrote a letter, bantering Beaton on his stay in New York, and playfully
boasting of Saratoga. It seemed to them both that it was a very bright
letter, and would be sure to bring him; they would have had no scruple
about sending it but for the doubt they had whether they had got some of
the words right. Mela offered to bet Christine anything she dared that
they were right, and she said, Send it anyway; it was no difference if
they were wrong. But Christine could not endure to think of that laugh of
Beaton's, and there remained only Mrs. Mandel as authority on the
spelling. Christine dreaded her authority on other points, but Mela said
she knew she would not interfere, and she undertook to get round her.
Mrs. Mandel pronounced the spelling bad, and the taste worse; she forbade
them to send the letter; and Mela failed to get round her, though she
threatened, if Mrs. Mandel would not tell her how to spell the wrong
words, that she would send the letter as it was; then Mrs. Mandel said
that if Mr. Beaton appeared in Saratoga she would instantly take them
both home. When Mela reported this result, Christine accused her of
having mismanaged the whole business; she quarrelled with her, and they
called each other names. Christine declared that she would not stay in
Saratoga, and that if Mrs. Mandel did not go back to New York with her
she should go alone. They returned the first week in September; but by
that time Beaton had gone to see his people in Syracuse.
Conrad Dryfoos remained at home with his mother after his father went
West. He had already taken such a vacation as he had been willing to
allow himself, and had spent it on a charity farm near the city, where
the fathers with whom he worked among the poor on the East Side in the
winter had sent some of their wards for the summer. It was not possible
to keep his recreation a secret at the office, and Fulkerson found a
pleasure in figuring the jolly time Brother Conrad must have teaching
farm work among those paupers and potential reprobates. He invented
details of his experience among them, and March could not always help
joining in the laugh at Conrad's humorless helplessness under Fulkerson's
burlesque denunciation of a summer outing spent in such dissipation.
They had time for a great deal of joking at the office during the season
of leisure which penetrates in August to the very heart of business, and
they all got on terms of greater intimacy if not greater friendliness
than before. Fulkerson had not had so long to do with the advertising
side of human nature without developing a vein of cynicism, of no great
depth, perhaps, but broad, and underlying his whole point of view; he
made light of Beaton's solemnity, as he made light of Conrad's humanity.
The art editor, with abundant sarcasm, had no more humor than the
publisher, and was an easy prey in the manager's hands; but when he had
been led on by Fulkerson's flatteries to make some betrayal of egotism,
he brooded over it till he had thought how to revenge himself in
elaborate insult. For Beaton's talent Fulkerson never lost his
admiration; but his joke was to encourage him to give himself airs of
being the sole source of the magazine's prosperity. No bait of this sort
was too obvious for Beaton to swallow; he could be caught with it as
often as Fulkerson chose; though he was ordinarily suspicious as to the
motives of people in saying things. With March he got on no better than
at first. He seemed to be lying in wait for some encroachment of the
literary department on the art department, and he met it now and then
with anticipative reprisal. After these rebuffs, the editor delivered him
over to the manager, who could turn Beaton's contrary-mindedness to
account by asking the reverse of what he really wanted done. This was
what Fulkerson said; the fact was that he did get on with Beaton and
March contented himself with musing upon the contradictions of a
character at once so vain and so offensive, so fickle and so sullen, so
conscious and so simple.
After the first jarring contact with Dryfoos, the editor ceased to feel
the disagreeable fact of the old man's mastery of the financial
situation. None of the chances which might have made it painful occurred;
the control of the whole affair remained in Fulkerson's hands; before he
went West again, Dryfoos had ceased to come about the office, as if,
having once worn off the novelty of the sense of owning a literary
periodical, he was no longer interested in it.
Yet it was a relief, somehow, when he left town, which he did not do
without coming to take a formal leave of the editor at his office. He
seemed willing to leave March with a better impression than he had
hitherto troubled himself to make; he even said some civil things about
the magazine, as if its success pleased him; and he spoke openly to March
of his hope that his son would finally become interested in it to the
exclusion of the hopes and purposes which divided them. It seemed to
March that in the old man's warped and toughened heart he perceived a
disappointed love for his son greater than for his other children; but
this might have been fancy. Lindau came in with some copy while Dryfoos
was there, and March introduced them. When Lindau went out, March
explained to Dryfoos that he had lost his hand in the war; and he told
him something of Lindau's career as he had known it. Dryfoos appeared
greatly pleased that 'Every Other Week' was giving Lindau work. He said
that he had helped to enlist a good many fellows for the war, and had
paid money to fill up the Moffitt County quota under the later calls for
troops. He had never been an Abolitionist, but he had joined the
Anti-Nebraska party in '55, and he had voted for Fremont and for every
Republican President since then.
At his own house March saw more of Lindau than of any other contributor,
but the old man seemed to think that he must transact all his business
with March at his place of business. The transaction had some
peculiarities which perhaps made this necessary. Lindau always expected
to receive his money when he brought his copy, as an acknowledgment of
the immediate right of the laborer to his hire; and he would not take it
in a check because he did not approve of banks, and regarded the whole
system of banking as the capitalistic manipulation of the people's money.
He would receive his pay only from March's hand, because he wished to be
understood as working for him, and honestly earning money honestly
earned; and sometimes March inwardly winced a little at letting the old
man share the increase of capital won by such speculation as Dryfoos's,
but he shook off the feeling. As the summer advanced, and the artists and
classes that employed Lindau as a model left town one after another, he
gave largely of his increasing leisure to the people in the office of
'Every Other Week.' It was pleasant for March to see the respect with
which Conrad Dryfoos always used him, for the sake of his hurt and his
gray beard. There was something delicate and fine in it, and there was
nothing unkindly on Fulkerson's part in the hostilities which usually
passed between himself and Lindau. Fulkerson bore himself reverently at
times, too, but it was not in him to keep that up, especially when Lindau
appeared with more beer aboard than, as Fulkerson said, he could manage
shipshape. On these occasions Fulkerson always tried to start him on the
theme of the unduly rich; he made himself the champion of monopolies, and
enjoyed the invectives which Lindau heaped upon him as a slave of
capital; he said that it did him good.
One day, with the usual show of writhing under Lindau's scorn, he said,
"Well, I understand that although you despise me now, Lindau--"
"I ton't desbise you," the old man broke in, his nostrils swelling and
his eyes flaming with excitement, "I bity you."
"Well, it seems to come to the same thing in the end," said Fulkerson.
"What I understand is that you pity me now as the slave of capital, but
you would pity me a great deal more if I was the master of it."
"How you mean?"
"If I was rich."
"That would tebendt," said Lindau, trying to control himself. "If you hat
inheritedt your money, you might pe innocent; but if you hat mate it,
efery man that resbectedt himself would haf to ask how you mate it, and
if you hat mate moch, he would know--"
"Hold on; hold on, now, Lindau! Ain't that rather un-American doctrine?
We're all brought up, ain't we, to honor the man that made his money, and
look down--or try to look down; sometimes it's difficult on the fellow
that his father left it to?"
The old man rose and struck his breast. "On Amerigan!" he roared, and, as
he went on, his accent grew more and more uncertain. "What iss Amerigan?
Dere iss no Ameriga any more! You start here free and brafe, and you
glaim for efery man de right to life, liperty, and de bursuit of
habbiness. And where haf you entedt? No man that vorks vith his handts
among you has the liperty to bursue his habbiness. He iss the slafe of
some richer man, some gompany, some gorporation, dat crindt him down to
the least he can lif on, and that rops him of the marchin of his earnings
that he knight pe habby on. Oh, you Amerigans, you haf cot it down goldt,
as you say! You ton't puy foters; you puy lechislatures and goncressmen;
you puy gourts; you puy gombetitors; you pay infentors not to infent; you
atfertise, and the gounting-room sees dat de etitorial-room toesn't
tink."
"Yes, we've got a little arrangement of that sort with March here," said
Fulkerson.
"Oh, I am sawry," said the old man, contritely, "I meant noting bersonal.
I ton't tink we are all cuilty or gorrubt, and efen among the rich there
are goodt men. But gabidal"--his passion rose again--"where you find
gabidal, millions of money that a man hass cot togeder in fife, ten,
twenty years, you findt the smell of tears and ploodt! Dat iss what I
say. And you cot to loog oudt for yourself when you meet a rich man
whether you meet an honest man."
"Well," said Fulkerson, "I wish I was a subject of suspicion with you,
Lindau. By-the-way," he added, "I understand that you think capital was
at the bottom of the veto of that pension of yours."
"What bension? What feto?"--The old man flamed up again. "No bension of
mine was efer fetoedt. I renounce my bension, begause I would sgorn to
dake money from a gofernment that I ton't peliefe in any more. Where you
hear that story?"
"Well, I don't know," said Fulkerson, rather embarrassed. "It's common
talk."
"It's a gommon lie, then! When the time gome dat dis iss a free gountry
again, then I dake a bension again for my woundts; but I would sdarfe
before I dake a bension now from a rebublic dat iss bought oap by
monobolies, and ron by drusts and gompines, and railroadts andt oil
gompanies."
"Look out, Lindau," said Fulkerson. "You bite yourself mit dat dog some
day." But when the old man, with a ferocious gesture of renunciation,
whirled out of the place, he added: "I guess I went a little too far that
time. I touched him on a sore place; I didn't mean to; I heard some talk
about his pension being vetoed from Miss Leighton." He addressed these
exculpations to March's grave face, and to the pitying deprecation in the
eyes of Conrad Dryfoos, whom Lindau's roaring wrath had summoned to the
door. "But I'll make it all right with him the next time he comes. I
didn't know he was loaded, or I wouldn't have monkeyed with him."
"Lindau does himself injustice when he gets to talking in that way," said
March. "I hate to hear him. He's as good an American as any of us; and
it's only because he has too high an ideal of us--"
"Oh, go on! Rub it in--rub it in!" cried Fulkerson, clutching his hair in
suffering, which was not altogether burlesque. "How did I know he had
renounced his 'bension'? Why didn't you tell me?"
"I didn't know it myself. I only knew that he had none, and I didn't ask,
for I had a notion that it might be a painful subject."
Fulkerson tried to turn it off lightly. "Well, he's a noble old fellow;
pity he drinks." March would not smile, and Fulkerson broke out: "Dog on
it! I'll make it up to the old fool the next time he comes. I don't like
that dynamite talk of his; but any man that's given his hand to the
country has got mine in his grip for good. Why, March! You don't suppose
I wanted to hurt his feelings, do you?"
"Why, of course not, Fulkerson."
But they could not get away from a certain ruefulness for that time, and
in the evening Fulkerson came round to March's to say that he had got
Lindau's address from Conrad, and had looked him up at his lodgings.
"Well, there isn't so much bric-a-brac there, quite, as Mrs. Green left
you; but I've made it all right with Lindau, as far as I'm concerned. I
told him I didn't know when I spoke that way, and I honored him for
sticking to his 'brinciples'; I don't believe in his 'brincibles'; and we
wept on each other's necks--at least, he did. Dogged if he didn't kiss me
before I knew what he was up to. He said I was his chenerous gong
friendt, and he begged my barton if he had said anything to wound me. I
tell you it was an affecting scene, March; and rats enough round in that
old barracks where he lives to fit out a first-class case of delirium
tremens. What does he stay there for? He's not obliged to?"
Lindau's reasons, as March repeated them, affected Fulkerson as
deliciously comical; but after that he confined his pleasantries at the
office to Beaton and Conrad Dryfoos, or, as he said, he spent the rest of
the summer in keeping Lindau smoothed up.
It is doubtful if Lindau altogether liked this as well. Perhaps he missed
the occasions Fulkerson used to give him of bursting out against the
millionaires; and he could not well go on denouncing as the slafe of
gabidal a man who had behaved to him as Fulkerson had done, though
Fulkerson's servile relations to capital had been in nowise changed by
his nople gonduct.
Their relations continued to wear this irksome character of mutual
forbearance; and when Dryfoos returned in October and Fulkerson revived
the question of that dinner in celebration of the success of 'Every Other
Week,' he carried his complaisance to an extreme that alarmed March for
the consequences.