"Ah! hello! hello!" Fulkerson said, in recognition of the Marches.
"Regular gathering of the clans. How are you, Mrs. Dryfoos? How do you
do, Mrs. Mandel, Miss Christine, Mela, Aunt Hitty, and all the folks? How
you wuz?" He shook hands gayly all round, and took a chair next the old
lady, whose hand he kept in his own, and left Conrad to introduce Beaton.
But he would not let the shadow of Beaton's solemnity fall upon the
company. He began to joke with Mrs. Dryfoos, and to match rheumatisms
with her, and he included all the ladies in the range of appropriate
pleasantries. "I've brought Mr. Beaton along to-night, and I want you to
make him feel at home, like you do me, Mrs. Dryfoos. He hasn't got any
rheumatism to speak of; but his parents live in Syracuse, and he's a kind
of an orphan, and we've just adopted him down at the office. When you
going to bring the young ladies down there, Mrs. Mandel, for a champagne
lunch? I will have some hydro-Mela, and Christine it, heigh? How's that
for a little starter? We dropped in at your place a moment, Mrs. March,
and gave the young folks a few pointers about their studies. My goodness!
it does me good to see a boy like that of yours; business, from the word
go; and your girl just scoops my youthful affections. She's a beauty, and
I guess she's good, too. Well, well, what a world it is! Miss Christine,
won't you show Mr. Beaton that seal ring of yours? He knows about such
things, and I brought him here to see it as much as anything. It's an
intaglio I brought from the other side," he explained to Mrs. March, "and
I guess you'll like to look at it. Tried to give it to the Dryfoos
family, and when I couldn't, I sold it to 'em. Bound to see it on Miss
Christine's hand somehow! Hold on! Let him see it where it belongs,
first!"
He arrested the girl in the motion she made to take off the ring, and let
her have the pleasure of showing her hand to the company with the ring on
it. Then he left her to hear the painter's words about it, which he
continued to deliver dissyllabically as he stood with her under a
gas-jet, twisting his elastic figure and bending his head over the ring.
"Well, Mely, child," Fulkerson went on, with an open travesty of her
mother's habitual address, "and how are you getting along? Mrs. Mandel
hold you up to the proprieties pretty strictly? Well, that's right. You
know you'd be roaming all over the pasture if she didn't."
The girl gurgled out her pleasure in his funning, and everybody took him
on his own ground of privileged character. He brought them all together
in their friendliness for himself, and before the evening was over he had
inspired Mrs. Mandel to have them served with coffee, and had made both
the girls feel that they had figured brilliantly in society, and that two
young men had been devoted to them.
"Oh, I think he's just as lovely as he can live!" said Mela, as she stood
a moment with her sister on the scene of her triumph, where the others
had left them after the departure of their guests.
"Who?" asked Christine, deeply. As she glanced down at her ring, her eyes
burned with a softened fire.
She had allowed Beaton to change it himself from the finger where she had
worn it to the finger on which he said she ought to wear it. She did not
know whether it was right to let him, but she was glad she had done it.
"Who? Mr. Fulkerson, goosie-poosie! Not that old stuckup Mr. Beaton of
yours!"
"He is proud," assented Christine, with a throb of exultation.
Beaton and Fulkerson went to the Elevated station with the Marches; but
the painter said he was going to walk home, and Fulkerson let him go
alone.
"One way is enough for me," he explained. "When I walk up, I don't walk
down. Bye-bye, my son!" He began talking about Beaton to the Marches as
they climbed the station stairs together. "That fellow puzzles me. I
don't know anybody that I have such a desire to kick, and at the same
time that I want to flatter up so much. Affect you that way?" he asked of
March.
"Well, as far as the kicking goes, yes."
"And how is it with you, Mrs. March?"
"Oh, I want to flatter him up."
"No; really? Why? Hold on! I've got the change."
Fulkerson pushed March away from the ticket-office window; and made them
his guests, with the inexorable American hospitality, for the ride
down-town. "Three!" he said to the ticket-seller; and, when he had walked
them before him out on the platform and dropped his tickets into the urn,
he persisted in his inquiry, "Why?"
"Why, because you always want to flatter conceited people, don't you?"
Mrs. March answered, with a laugh.
"Do you? Yes, I guess you do. You think Beaton is conceited?"
"Well, slightly, Mr. Fulkerson."
"I guess you're partly right," said Fulkerson, with a sigh, so
unaccountable in its connection that they all laughed.
"An ideal 'busted'?" March suggested.
"No, not that, exactly," said Fulkerson. "But I had a notion maybe Beaton
wasn't conceited all the time."
"Oh!" Mrs. March exulted, "nobody could be so conceited all the time as
Mr. Beaton is most of the time. He must have moments of the direst
modesty, when he'd be quite flattery-proof."
"Yes, that's what I mean. I guess that's what makes me want to kick him.
He's left compliments on my hands that no decent man would."
"Oh! that's tragical," said March.
"Mr. Fulkerson," Mrs. March began, with change of subject in her voice,
"who is Mrs. Mandel?"
"Who? What do you think of her?" he rejoined. "I'll tell you about her
when we get in the cars. Look at that thing! Ain't it beautiful?"
They leaned over the track and looked up at the next station, where the
train, just starting, throbbed out the flame-shot steam into the white
moonlight.
"The most beautiful thing in New York--the one always and certainly
beautiful thing here," said March; and his wife sighed, "Yes, yes." She
clung to him, and remained rapt by the sight till the train drew near,
and then pulled him back in a panic.
"Well, there ain't really much to tell about her," Fulkerson resumed when
they were seated in the car. "She's an invention of mine."
"Of yours?" cried Mrs. March.
"Of course!" exclaimed her husband.
"Yes--at least in her present capacity. She sent me a story for the
syndicate, back in July some time, along about the time I first met old
Dryfoos here. It was a little too long for my purpose, and I thought I
could explain better how I wanted it cut in a call than I could in a
letter. She gave a Brooklyn address, and I went to see her. I found her,"
said Fulkerson, with a vague defiance, "a perfect lady. She was living
with an aunt over there; and she had seen better days, when she was a
girl, and worse ones afterward. I don't mean to say her husband was a bad
fellow; I guess he was pretty good; he was her music-teacher; she met him
in Germany, and they got married there, and got through her property
before they came over here. Well, she didn't strike me like a person that
could make much headway in literature. Her story was well enough, but it
hadn't much sand in it; kind of-well, academic, you know. I told her so,
and she understood, and cried a little; but she did the best she could
with the thing, and I took it and syndicated it. She kind of stuck in my
mind, and the first time I went to see the Dryfooses they were stopping
at a sort of family hotel then till they could find a house--" Fulkerson
broke off altogether, and said, "I don't know as I know just how the
Dryfooses struck you, Mrs. March?"
"Can't you imagine?" she answered, with a kindly, smile.
"Yes; but I don't believe I could guess how they would have struck you
last summer when I first saw them. My! oh my! there was the native earth
for you. Mely is a pretty wild colt now, but you ought to have seen her
before she was broken to harness.
"And Christine? Ever see that black leopard they got up there in the
Central Park? That was Christine. Well, I saw what they wanted. They all
saw it--nobody is a fool in all directions, and the Dryfooses are in
their right senses a good deal of the time. Well, to cut a long story
short, I got Mrs. Mandel to take 'em in hand--the old lady as well as the
girls. She was a born lady, and always lived like one till she saw
Mandel; and that something academic that killed her for a writer was just
the very thing for them. She knows the world well enough to know just how
much polish they can take on, and she don't try to put on a bit more.
See?"
"Yes, I can see," said Mrs. March.
"Well, she took hold at once, as ready as a hospital-trained nurse; and
there ain't anything readier on this planet. She runs the whole concern,
socially and economically, takes all the care of housekeeping off the old
lady's hands, and goes round with the girls. By-the-bye, I'm going to
take my meals at your widow's, March, and Conrad's going to have his
lunch there. I'm sick of browsing about."
"Mr. March's widow?" said his wife, looking at him with provisional
severity.
"I have no widow, Isabel," he said, "and never expect to have, till I
leave you in the enjoyment of my life-insurance. I suppose Fulkerson
means the lady with the daughter who wanted to take us to board."
"Oh yes. How are they getting on, I do wonder?" Mrs. March asked of
Fulkerson.
"Well, they've got one family to board; but it's a small one. I guess
they'll pull through. They didn't want to take any day boarders at first,
the widow said; I guess they have had to come to it."
"Poor things!" sighed Mrs. March. "I hope they'll go back to the
country."
"Well, I don't know. When you've once tasted New York--You wouldn't go
back to Boston, would you?"
"Instantly."
Fulkerson laughed out a tolerant incredulity.
X
Beaton lit his pipe when he found himself in his room, and sat down
before the dull fire in his grate to think. It struck him there was a
dull fire in his heart a great deal like it; and he worked out a fanciful
analogy with the coals, still alive, and the ashes creeping over them,
and the dead clay and cinders. He felt sick of himself, sick of his life
and of all his works. He was angry with Fulkerson for having got him into
that art department of his, for having bought him up; and he was bitter
at fate because he had been obliged to use the money to pay some pressing
debts, and had not been able to return the check his father had sent him.
He pitied his poor old father; he ached with compassion for him; and he
set his teeth and snarled with contempt through them for his own
baseness. This was the kind of world it was; but he washed his hands of
it. The fault was in human nature, and he reflected with pride that he
had at least not invented human nature; he had not sunk so low as that
yet. The notion amused him; he thought he might get a Satanic epigram out
of it some way. But in the mean time that girl, that wild animal, she
kept visibly, tangibly before him; if he put out his hand he might touch
hers, he might pass his arm round her waist. In Paris, in a set he knew
there, what an effect she would be with that look of hers, and that
beauty, all out of drawing! They would recognize the flame quality in
her. He imagined a joke about her being a fiery spirit, or nymph, naiad,
whatever, from one of her native gas-wells. He began to sketch on a bit
of paper from the table at his elbow vague lines that veiled and revealed
a level, dismal landscape, and a vast flame against an empty sky, and a
shape out of the flame that took on a likeness and floated detached from
it. The sketch ran up the left side of the sheet and stretched across it.
Beaton laughed out. Pretty good to let Fulkerson have that for the cover
of his first number! In black and red it would be effective; it would
catch the eye from the news-stands. He made a motion to throw it on the
fire, but held it back and slid it into the table-drawer, and smoked on.
He saw the dummy with the other sketch in the open drawer which he had
brought away from Fulkerson's in the morning and slipped in there, and he
took it out and looked at it. He made some criticisms in line with his
pencil on it, correcting the drawing here and there, and then he
respected it a little more, though he still smiled at the feminine
quality--a young lady quality.
In spite of his experience the night he called upon the Leightons, Beaton
could not believe that Alma no longer cared for him. She played at having
forgotten him admirably, but he knew that a few months before she had
been very mindful of him. He knew he had neglected them since they came
to New York, where he had led them to expect interest, if not attention;
but he was used to neglecting people, and he was somewhat less used to
being punished for it--punished and forgiven. He felt that Alma had
punished him so thoroughly that she ought to have been satisfied with her
work and to have forgiven him in her heart afterward. He bore no
resentment after the first tingling moments were past; he rather admired
her for it; and he would have been ready to go back half an hour later
and accept pardon and be on the footing of last summer again. Even now he
debated with himself whether it was too late to call; but, decidedly, a
quarter to ten seemed late. The next day he determined never to call upon
the Leightons again; but he had no reason for this; it merely came into a
transitory scheme of conduct, of retirement from the society of women
altogether; and after dinner he went round to see them.
He asked for the ladies, and they all three received him, Alma not
without a surprise that intimated itself to him, and her mother with no
appreciable relenting; Miss Woodburn, with the needlework which she found
easier to be voluble over than a book, expressed in her welcome a
neutrality both cordial to Beaton and loyal to Alma.
"Is it snowing outdo's?" she asked, briskly, after the greetings were
transacted. "Mah goodness!" she said, in answer to his apparent surprise
at the question. "Ah mahght as well have stayed in the Soath, for all the
winter Ah have seen in New York yet."
"We don't often have snow much before New-Year's," said Beaton.
"Miss Woodburn is wild for a real Northern winter," Mrs. Leighton
explained.
"The othah naght Ah woke up and looked oat of the window and saw all the
roofs covered with snow, and it turned oat to be nothing but moonlaght.
Ah was never so disappointed in mah lahfe," said Miss Woodburn.
"If you'll come to St. Barnaby next summer, you shall have all the winter
you want," said Alma.
"I can't let you slander St. Barnaby in that way," said Beaton, with the
air of wishing to be understood as meaning more than he said.
"Yes?" returned Alma, coolly. "I didn't know you were so fond of the
climate."
"I never think of it as a climate. It's a landscape. It doesn't matter
whether it's hot or cold."
"With the thermometer twenty below, you'd find that it mattered," Alma
persisted.
"Is that the way you feel about St. Barnaby, too, Mrs. Leighton?" Beaton
asked, with affected desolation.
"I shall be glad enough to go back in the summer," Mrs. Leighton
conceded.
"And I should be glad to go now," said Beaton, looking at Alma. He had
the dummy of 'Every Other Week' in his hand, and he saw Alma's eyes
wandering toward it whenever he glanced at her. "I should be glad to go
anywhere to get out of a job I've undertaken," he continued, to Mrs.
Leighton. "They're going to start some sort of a new illustrated
magazine, and they've got me in for their art department. I'm not fit for
it; I'd like to run away. Don't you want to advise me a little, Mrs.
Leighton? You know how much I value your taste, and I'd like to have you
look at the design for the cover of the first number: they're going to
have a different one for every number. I don't know whether you'll agree
with me, but I think this is rather nice."
He faced the dummy round, and then laid it on the table before Mrs.
Leighton, pushing some of her work aside to make room for it and standing
over her while she bent forward to look at it.
Alma kept her place, away from the table.
"Mah goodness! Ho' exciting!" said Miss Woodburn. "May anybody look?"
"Everybody," said Beaton.
"Well, isn't it perfectly choming!" Miss Woodburn exclaimed. "Come and
look at this, Miss Leighton," she called to Alma, who reluctantly
approached.
"What lines are these?" Mrs. Leighton asked, pointing to Beaton's pencil
scratches.
"They're suggestions of modifications," he replied.
"I don't think they improve it much. What do you think, Alma?"
"Oh, I don't know," said the girl, constraining her voice to an effect of
indifference and glancing carelessly down at the sketch. "The design
might be improved; but I don't think those suggestions would do it."
"They're mine," said Beaton, fixing his eyes upon her with a beautiful
sad dreaminess that he knew he could put into them; he spoke with a
dreamy remoteness of tone--his wind-harp stop, Wetmore called it.
"I supposed so," said Alma, calmly.
"Oh, mah goodness!" cried Miss Woodburn. "Is that the way you awtusts
talk to each othah? Well, Ah'm glad Ah'm not an awtust--unless I could do
all the talking."
"Artists cannot tell a fib," Alma said, "or even act one," and she
laughed in Beaton's upturned face.
He did not unbend his dreamy gaze. "You're quite right. The suggestions
are stupid."
Alma turned to Miss Woodburn: "You hear? Even when we speak of our own
work."
"Ah nevah hoad anything lahke it!"
"And the design itself?" Beaton persisted.
"Oh, I'm not an art editor," Alma answered, with a laugh of exultant
evasion.
A tall, dark, grave-looking man of fifty, with a swarthy face and
iron-gray mustache and imperial and goatee, entered the room. Beaton knew
the type; he had been through Virginia sketching for one of the
illustrated papers, and he had seen such men in Richmond. Miss Woodburn
hardly needed to say, "May Ah introduce you to mah fathaw, Co'nel
Woodburn, Mr. Beaton?"
The men shook hands, and Colonel Woodburn said, in that soft, gentle,
slow Southern voice without our Northern contractions: "I am very glad to
meet you, sir; happy to make yo' acquaintance. Do not move, madam," he
said to Mrs. Leighton, who made a deprecatory motion to let him pass to
the chair beyond her; "I can find my way." He bowed a bulk that did not
lend itself readily to the devotion, and picked up the ball of yarn she
had let drop out of her lap in half rising. "Yo' worsteds, madam."
"Yarn, yarn, Colonel Woodburn!" Alma shouted. "You're quite incorrigible.
A spade is a spade!"
"But sometimes it is a trump, my dear young lady," said the Colonel, with
unabated gallantry; "and when yo' mothah uses yarn, it is worsteds. But I
respect worsteds even under the name of yarn: our ladies--my own mothah
and sistahs--had to knit the socks we wore--all we could get in the woe."
"Yes, and aftah the woe," his daughter put in. "The knitting has not
stopped yet in some places. Have you been much in the Soath, Mr. Beaton?"
Beaton explained just how much.
"Well, sir," said the Colonel, "then you have seen a country making
gigantic struggles to retrieve its losses, sir. The South is advancing
with enormous strides, sir."
"Too fast for some of us to keep up," said Miss Woodburn, in an audible
aside. "The pace in Charlottesboag is pofectly killing, and we had to
drop oat into a slow place like New York."
"The progress in the South is material now," said the Colonel; "and those
of us whose interests are in another direction find ourselves--isolated
--isolated, sir. The intellectual centres are still in the No'th, sir;
the great cities draw the mental activity of the country to them, sir.
Necessarily New York is the metropolis."
"Oh, everything comes here," said Beaton, impatient of the elder's
ponderosity. Another sort of man would have sympathized with the
Southerner's willingness to talk of himself, and led him on to speak of
his plans and ideals. But the sort of man that Beaton was could not do
this; he put up the dummy into the wrapper he had let drop on the floor
beside him, and tied it round with string while Colonel Woodburn was
talking. He got to his feet with the words he spoke and offered Mrs.
Leighton his hand.
"Must you go?" she asked, in surprise.
"I am on my way to a reception," he said. She had noticed that he was in
evening dress; and now she felt the vague hurt that people invited
nowhere feel in the presence of those who are going somewhere. She did
not feel it for herself, but for her daughter; and she knew Alma would
not have let her feel it if she could have prevented it. But Alma had
left the room for a moment, and she tacitly indulged this sense of injury
in her behalf.
"Please say good-night to Miss Leighton for me," Beaton continued. He
bowed to Miss Woodburn, "Goodnight, Miss Woodburn," and to her father,
bluntly, "Goodnight."
"Good-night, sir," said the Colonel, with a sort of severe suavity.
"Oh, isn't he choming!" Miss Woodburn whispered to Mrs. Leighton when
Beaton left the room.
Alma spoke to him in the hall without. "You knew that was my design, Mr.
Beaton. Why did you bring it?"
"Why?" He looked at her in gloomy hesitation.
Then he said: "You know why. I wished to talk it over with you, to serve
you, please you, get back your good opinion. But I've done neither the
one nor the other; I've made a mess of the whole thing."