CHAPTER XIX

After Mrs. Tully's departure, Paula, true to her threat, filled the

house with guests. She seemed to have remembered all who had been

waiting an invitation, and the limousine that met the trains eight

miles away was rarely empty coming or going. There were more singers

and musicians and artist folk, and bevies of young girls with their

inevitable followings of young men, while mammas and aunts and

chaperons seemed to clutter all the ways of the Big House and to fill a

couple of motor cars when picnics took place.

And Graham wondered if this surrounding of herself by many people was

not deliberate on Paula's part. As for himself, he definitely abandoned

work on his book, and joined in the before-breakfast swims of the

hardier younger folk, in the morning rides over the ranch, and in

whatever fun was afoot indoors and out.

Late hours and early were kept; and one night, Dick, who adhered to his

routine and never appeared to his guests before midday, made a night of

it at poker in the stag-room. Graham had sat in, and felt well repaid

when, at dawn, the players received an unexpected visit from

Paula--herself past one of her white nights, she said, although no sign

of it showed on her fresh skin and color. Graham had to struggle to

keep his eyes from straying too frequently to her as she mixed golden

fizzes to rejuvenate the wan-eyed, jaded players. Then she made them

start the round of "jacks" that closed the game, and sent them off for

a cold swim before breakfast and the day's work or frolic.

Never was Paula alone. Graham could only join in the groups that were

always about her. Although the young people ragged and tangoed

incessantly, she rarely danced, and then it was with the young men.

Once, however, she favored him with an old-fashioned waltz. "Your

ancestors in an antediluvian dance," she mocked the young people, as

she stepped out; for she and Graham had the floor to themselves.

Once down the length of the room, the two were in full accord. Paula,

with the sympathy Graham recognized that made her the exceptional

accompanist or rider, subdued herself to the masterful art of the man,

until the two were as parts of a sentient machine that operated without

jar or friction. After several minutes, finding their perfect mutual

step and pace, and Graham feeling the absolute giving of Paula to the

dance, they essayed rhythmical pauses and dips, their feet never

leaving the floor, yet affecting the onlookers in the way Dick voiced

it when he cried out: "They float! They float!" The music was the

"Waltz of Salomé," and with its slow-fading end they postured slower

and slower to a perfect close.

There was no need to speak. In silence, without a glance at each other,

they returned to the company where Dick was proclaiming:

"Well, younglings, codlings, and other fry, that's the way we old folks

used to dance. I'm not saying anything against the new dances, mind

you. They're all right and dandy fine. But just the same it wouldn't

injure you much to learn to waltz properly. The way you waltz, when you

do attempt it, is a scream. We old folks do know a thing or two that is

worth while."

"For instance?" queried one of the girls.

"I'll tell you. I don't mind the young generation smelling of gasoline

the way it does--"

Cries and protests drowned Dick out for a moment.

"I know I smell of it myself," he went on. "But you've all failed to

learn the good old modes of locomotion. There isn't a girl of you that

Paula can't walk into the ground. There isn't a fellow of you that

Graham and I can't walk into a receiving hospital.--Oh, I know you can

all crank engines and shift gears to the queen's taste. But there isn't

one of you that can properly ride a horse--a real horse, in the only

way, I mean. As for driving a smart pair of roadsters, it's a screech.

And how many of you husky lads, hell-scooting on the bay in your

speed-boats, can take the wheel of an old-time sloop or schooner,

without an auxiliary, and get out of your own way in her?"

"But we get there just the same," the same girl retorted.

"And I don't deny it," Dick answered. "But you are not always pretty.

I'll tell you a pretty sight that no one of you can ever

present--Paula, there, with the reins of four slashing horses in her

hands, her foot on the brake, swinging tally-ho along a mountain road."

On a warm morning, in the cool arcade of the great patio, a chance

group of four or five, among whom was Paula, formed about Graham, who

had been reading alone. After a time he returned to his magazine with

such absorption that he forgot those about him until an awareness of

silence penetrated to his consciousness. He looked up. All the others

save Paula had strayed off. He could hear their distant laughter from

across the patio. But Paula! He surprised the look on her face, in her

eyes. It was a look bent on him, concerning him. Doubt, speculation,

almost fear, were in her eyes; and yet, in that swift instant, he had

time to note that it was a look deep and searching--almost, his quick

fancy prompted, the look of one peering into the just-opened book of

fate. Her eyes fluttered and fell, and the color increased in her

cheeks in an unmistakable blush. Twice her lips moved to the verge of

speech; yet, caught so arrantly in the act, she was unable to phrase

any passing thought. Graham saved the painful situation by saying

casually:

"Do you know, I've just been reading De Vries' eulogy of Luther

Burbank's work, and it seems to me that Dick is to the domestic animal

world what Burbank is to the domestic vegetable world. You are

life-makers here--thumbing the stuff into new forms of utility and

beauty."

Paula, by this time herself again, laughed and accepted the compliment.

"I fear me," Graham continued with easy seriousness, "as I watch your

achievements, that I can only look back on a misspent life. Why didn't

I get in and _make_ things? I'm horribly envious of both of you."

"We _are_ responsible for a dreadful lot of creatures being born," she

said. "It makes one breathless to think of the responsibility."

"The ranch certainly spells fecundity," Graham smiled. "I never before

was so impressed with the flowering and fruiting of life. Everything

here prospers and multiplies--"

"Oh!" Paula cried, breaking in with a sudden thought. "Some day I'll

show you my goldfish. I breed them, too--yea, and commercially. I

supply the San Francisco dealers with their rarest strains, and I even

ship to New York. And, best of all, I actually make money--profits, I

mean. Dick's books show it, and he is the most rigid of bookkeepers.

There isn't a tack-hammer on the place that isn't inventoried; nor a

horse-shoe nail unaccounted for. That's why he has such a staff of

bookkeepers. Why, do you know, calculating every last least item of

expense, including average loss of time for colic and lameness, out of

fearfully endless columns of figures he has worked the cost of an

hour's labor for a draught horse to the third decimal place."

"But your goldfish," Graham suggested, irritated by her constant

dwelling on her husband.

"Well, Dick makes his bookkeepers keep track of my goldfish in the same

way. I'm charged every hour of any of the ranch or house labor I use on

the fish--postage stamps and stationery, too, if you please. I have to

pay interest on the plant. He even charges me for the water, just as if

he were a city water company and I a householder. And still I net ten

per cent., and have netted as high as thirty. But Dick laughs and says

when I've deducted the wages of superintendence--my superintendence, he

means--that I'll find I am poorly paid or else am operating at a loss;

that with my net I couldn't hire so capable a superintendent.

"Just the same, that's why Dick succeeds in his undertakings. Unless

it's sheer experiment, he never does anything without knowing

precisely, to the last microscopic detail, what it is he is doing."

"He is very sure," Graham observed.

"I never knew a man to be so sure of himself," Paula replied warmly;

"and I never knew a man with half the warrant. I know him. He is a

genius--but only in the most paradoxical sense. He is a genius because

he is so balanced and normal that he hasn't the slightest particle of

genius in him. Such men are rarer and greater than geniuses. I like to

think of Abraham Lincoln as such a type."

"I must admit I don't quite get you," Graham said.

"Oh, I don't dare to say that Dick is as good, as cosmically good, as

Lincoln," she hurried on. "Dick _is_ good, but it is not that. It is in

their excessive balance, normality, lack of flare, that they are of the

same type. Now I am a genius. For, see, I do things without knowing how

I do them. I just do them. I get effects in my music that way. Take my

diving. To save my life I couldn't tell how I swan-dive, or jump, or do

the turn and a half.

"Dick, on the other hand, can't do anything unless he clearly knows in

advance _how_ he is going to do it. He does everything with balance and

foresight. He's a general, all-around wonder, without ever having been

a particular wonder at any one thing.--Oh, I know him. He's never been

a champion or a record-breaker in any line of athletics. Nor has he

been mediocre in any line. And so with everything else, mentally,

intellectually. He is an evenly forged chain. He has no massive links,

no weak links."

"I'm afraid I'm like you," Graham said, "that commoner and lesser

creature, a genius. For I, too, on occasion, flare and do the most

unintentional things. And I am not above falling on my knees before

mystery."

"And Dick hates mystery--or it would seem he does. Not content with

knowing _how_--he is eternally seeking the _why_ of the _how_. Mystery

is a challenge to him. It excites him like a red rag does a bull. At

once he is for ripping the husks and the heart from mystery, so that he

will know the _how_ and the _why_, when it will be no longer mystery

but a generalization and a scientifically demonstrable fact."

Much of the growing situation was veiled to the three figures of it.

Graham did not know of Paula's desperate efforts to cling close to her

husband, who, himself desperately busy with his thousand plans and

projects, was seeing less and less of his company. He always appeared

at lunch, but it was a rare afternoon when he could go out with his

guests. Paula did know, from the multiplicity of long, code telegrams

from Mexico, that things were in a parlous state with the Harvest

Group. Also, she saw the agents and emissaries of foreign investors in

Mexico, always in haste and often inopportune, arriving at the ranch to

confer with Dick. Beyond his complaint that they ate the heart out of

his time, he gave her no clew to the matters discussed.

"My! I wish you weren't so busy," she sighed in his arms, on his knees,

one fortunate morning, when, at eleven o'clock, she had caught him

alone.

It was true, she had interrupted the dictation of a letter into the

phonograph; and the sigh had been evoked by the warning cough of

Bonbright, whom she saw entering with more telegrams in his hand.

"Won't you let me drive you this afternoon, behind Duddy and Fuddy,

just you and me, and cut the crowd?" she begged.

He shook his head and smiled.

"You'll meet at lunch a weird combination," he explained. "Nobody else

needs to know, but I'll tell you." He lowered his voice, while

Bonbright discreetly occupied himself at the filing cabinets. "They're

Tampico oil folk. Samuels himself, President of the Nacisco; and

Wishaar, the big inside man of the Pearson-Brooks crowd--the chap that

engineered the purchase of the East Coast railroad and the Tiuana

Central when they tried to put the Nacisco out of business; and

Matthewson--he's the _hi-yu-skookum_ big chief this side the Atlantic

of the Palmerston interests--you know, the English crowd that fought

the Nacisco and the Pearson-Brooks bunch so hard; and, oh, there'll be

several others. It shows you that things are rickety down Mexico way

when such a bunch stops scrapping and gets together.

"You see, they are oil, and I'm important in my way down there, and

they want me to swing the mining interests in with the oil. Truly, big

things are in the air, and we've got to hang together and do something

or get out of Mexico. And I'll admit, after they gave me the turn-down

in the trouble three years ago, that I've sulked in my tent and made

them come to see me."

He caressed her and called her his armful of dearest woman, although

she detected his eye roving impatiently to the phonograph with its

unfinished letter.

"And so," he concluded, with a pressure of his arms about her that

seemed to hint that her moment with him was over and she must go, "that

means the afternoon. None will stop over. And they'll be off and away

before dinner."

She slipped off his knees and out of his arms with unusual abruptness,

and stood straight up before him, her eyes flashing, her cheeks white,

her face set with determination, as if about to say something of grave

importance. But a bell tinkled softly, and he reached for the desk

telephone.

Paula drooped, and sighed inaudibly, and, as she went down the room and

out the door, and as Bonbright stepped eagerly forward with the

telegrams, she could hear the beginning of her husband's conversation:

"No. It is impossible. He's got to come through, or I'll put him out of

business. That gentleman's agreement is all poppycock. If it were only

that, of course he could break it. But I've got some mighty interesting

correspondence that he's forgotten about.... Yes, yes; it will clinch

it in any court of law. I'll have the file in your office by five this

afternoon. And tell him, for me, that if he tries to put through this

trick, I'll break him. I'll put a competing line on, and his steamboats

will be in the receiver's hands inside a year.... And... hello, are you

there?... And just look up that point I suggested. I am rather

convinced you'll find the Interstate Commerce has got him on two

counts...."

Nor did Graham, nor even Paula, imagine that Dick--the keen one, the

deep one, who could see and sense things yet to occur and out of

intangible nuances and glimmerings build shrewd speculations and

hypotheses that subsequent events often proved correct--was already

sensing what had not happened but what might happen. He had not heard

Paula's brief significant words at the hitching post; nor had he seen

Graham catch her in that deep scrutiny of him under the arcade. Dick

had heard nothing, seen little, but sensed much; and, even in advance

of Paula, had he apprehended in vague ways what she afterward had come

to apprehend.

The most tangible thing he had to build on was the night, immersed in

bridge, when he had not been unaware of the abrupt leaving of the piano

after the singing of the "Gypsy Trail"; nor when, in careless smiling

greeting of them when they came down the room to devil him over his

losing, had he failed to receive a hint or feeling of something unusual

in Paula's roguish teasing face. On the moment, laughing retorts,

giving as good as she sent, Dick's own laughing eyes had swept over

Graham beside her and likewise detected the unusual. The man was

overstrung, had been Dick's mental note at the time. But why should he

be overstrung? Was there any connection between his overstrungness and

the sudden desertion by Paula of the piano? And all the while these

questions were slipping through his thoughts, he had laughed at their

sallies, dealt, sorted his hand, and won the bid on no trumps.

Yet to himself he had continued to discount as absurd and preposterous

the possibility of his vague apprehension ever being realized. It was a

chance guess, a silly speculation, based upon the most trivial data, he

sagely concluded. It merely connoted the attractiveness of his wife and

of his friend. But--and on occasional moments he could not will the

thought from coming uppermost in his mind--why had they broken off from

singing that evening? Why had he received the feeling that there was

something unusual about it? Why had Graham been overstrung?

* * * * *

Nor did Bonbright, one morning, taking dictation of a telegram in the

last hour before noon, know that Dick's casual sauntering to the

window, still dictating, had been caused by the faint sound of hoofs on

the driveway. It was not the first of recent mornings that Dick had so

sauntered to the window, to glance out with apparent absentness at the

rush of the morning riding party in the last dash home to the hitching

rails. But he knew, on this morning, before the first figures came in

sight whose those figures would be.

"Braxton is safe," he went on with the dictation without change of

tone, his eyes on the road where the riders must first come into view.

"If things break he can get out across the mountains into Arizona. See

Connors immediately. Braxton left Connors complete instructions.

Connors to-morrow in Washington. Give me fullest details any

move--signed."

Up the driveway the Fawn and Altadena clattered neck and neck. Dick had

not been disappointed in the figures he expected to see. From the rear,

cries and laughter and the sound of many hoofs tokened that the rest of

the party was close behind.

"And the next one, Mr. Bonbright, please put in the Harvest code," Dick

went on steadily, while to himself he was commenting that Graham was a

passable rider but not an excellent one, and that it would have to be

seen to that he was given a heavier horse than Altadena. "It is to

Jeremy Braxton. Send it both ways. There is a chance one or the other

may get through..."

The Little Lady of the Big House · 第 19 / 31 章