Mountain and Valley

It is hard for us to leave the falls with all their surrounding

beauty, and with reluctance we take one last look at this delightful

glen planted in the heart of the wilderness, and strike out on the

upward trail.

At a turn in the path, where it seems as if we were about to walk off

into space, we get a glimpse through the trees of Mount Tamalpais.

Towering above us with its seam-scarred sides, rent and torn by the

storms of centuries, it rears its jagged dome amid the clouds. We can

just make out a train of diminutive cars winding a tortuous course in

and out around the curves, the toy engine fighting every inch of the

steep incline, and panting like an athlete with Herculean efforts to

reach the summit. Across the intervening space a hawk wheels and turns

in ever-widening circles. We watch him through the glass, rising

higher and higher with each successive sweep, until he fades into a

mere speck in the distant blue.

Up we climb, until another view discloses the valley below us like a

panorama. We creep out to the very edge, and for miles in either

direction it stretches away, as if some giant hand had cleaved for

himself a pathway between the mountains. We stand spellbound,

entranced by the wonderful beauty of the scene, and drink long

draughts of the fresh mountain air.

The dazzling splendor of the noonday sun brings out vividly the

variegated colors of the foliage, and banks of white fleecy clouds

floating overhead trail their shadows over the valley and up the

mountainside like ghostly outriders. The pointed tops of the fir

trees, miles below us, look like stunted shrubbery; the buildings in

Mill Valley seem like dolls' houses nestling among the trees; while

far in the distance the blue waters of the bay glisten in the

sunshine, Alcatraz Island rises out of its watery bed, and San

Francisco stands silhouetted against the distant hills.

We are lost in wonder at the grand spectacle spread out before us; it

is a very fairyland of enchantment, as if brought into being by the

genii of Aladdin. For nearly an hour we watch the lights and shadows

flicker over the valley, the high lights in sharp contrast to the deep

dark purples of the cañon.

On the far side of the valley the sloping hills are covered with that

most exquisite flower, the California poppy, its countless millions of

golden blossoms fairly covering the earth. It is a sun worshiper, for

not until the warm sun kisses its golden head does it wake from its

slumbers and throw open its tightly rolled petals. No wonder the

Spanish mariners sailing along the coast and seeing these golden

flowers covering the hills like a yellow carpet called this "The Land

of Fire." This beautiful flower is one of California's natural

wonders--"Copa-de-oro"--cup of gold. It is as famed in the East as in

the West, and thousands come to California to see it in its prodigal

beauty. Steps should quickly be taken to conserve this wild splendor,

and restrictions should be put upon the vandals, who, not content with

picking what they can use to beautify the home, tear them up by the

roots just to see how large an armful they can gather, scattering

their golden petals to the four winds of heaven when they begin to

droop.

[Illustration: The Turn of the Trail]

An old dead pine, whitened by many storms, its gnarled and twisted

branches pathetic in their shorn splendor, is brought into prominence

by the background of vivid green into which it seems to shrink, as if

to hide its useless naked skeleton.

But the lengthening shadows in the valley warn us to begin our

descent, and as we have no desire to sleep out on the trail without

blankets or other camp comforts, we begin our return trip by another

route. Light wisps of fog begin to gather around the top of Mount

Tamalpais, and we hasten our steps, for to be caught in a fog at this

altitude may mean a forced camp, with all its attending

discomforts.

[Illustration: MOUNTAIN AND VALLEY]

We pause for a moment on the margin of a little lake nestling amid the

hills, its blue waters, unruffled by the wind in its sheltered nook,

reflecting back as in a mirror the trees that surround it on all

sides. But we may not linger to drink in the beauty of this quiet

spot, where the red deer once slaked their thirst at its quiet margin,

standing kneedeep in the rushes and lilypads.

Ahead of us a blue jay, that tattler of the woods, flashes his blue

coat in and out among the trees; always saucy, impertinent, and

suspicious, bubbling over with something important to tell, and afraid

he will not be the first to tell it. When he discovers us watching, he

sets up his clamorous cry of "Thief! Thief!" and hurries away to

spread the alarm. A mighty borrower of trouble, this gayly dressed

harlequin of the woods, and yet the forest would not seem complete

without his gay blue vestments.

Suddenly we find ourselves in a cul-de-sac; the trail coming to an

abrupt end. We retrace our steps, and after much searching, find a

narrow trail almost hidden by vines and underbrush. Venturing in, we

follow its tortuous and uneven course along the edge of the cañon,

and, as the evening shadows gather, and the stars come out one by one,

tired and dust-covered, we reach the valley, and enjoy the moonlight

ride across the bay to San Francisco.

[Illustration]

Byways Around San Francisco Bay · 第 8 / 26 题