CHAPTER VI.

THE SURPRISE.

Seapoint was beautifully situated on a headland, which commanded a view

of the boundless sea on one side, and on the other a panoramic view of

the fertile Isle of Wight. And this was the summer home of the artist's

little daughter. Her governess, Miss Mortimer, had charge of her, but

her father came backwards and forwards to see her constantly; for Lilian

was all that was now left to him in this world to love except his art,

and the days when he came were the brightest of his little girl's life.

She knew that he would take her long on rambling walks, and let her clamber

about amongst the rocks and little bays and creeks in which she

delighted; and that, when she was tired, there was always a comfortable

resting-place ready for her in that father's arms; and loving, tender

words, which she never heard from any one but him. In his little

daughter the artist found his ideal of childish beauty realized. The

exquisitely shaped oval face; the large eyes of dark blue, through which

the loving little heart looked out at him, and in which, though

generally sparkling with fun and merriment, there was sometimes a dreamy

intentness, as if they beheld a world more beautiful than any which his

art or imagination created; the perfectly formed nose and mouth; the

arched forehead, shaded with golden brown hair; the delicate complexion;

and the witching charm of the graceful little figure, were a perpetual

feast to the artist-father. Miss Mortimer complained bitterly that

nothing would make Lilian behave with the due propriety of a young lady;

but to her father there was a winsomeness in her free, gay manner, that

made up for her wild spirits, which sometimes carried her past the

bounds which the worthy governess laid down for her.

It was one of those glorious evenings in early summer, when all nature

is bathed in that soft golden light which precedes sunset, and little

Lilian was watching for her father's arrival; for it was Friday, and he

generally came on that day to stay till Monday.

The eager child had not long to wait; she heard the well-known footstep

on the gravel, and she bounded out of the door.

"Well, my Lilian."

"Well, papa." And the soft arms were thrown about his neck as the father

stooped to kiss his little daughter.

"All right here, Fairy?"

"Yes, all right. And Miss Mortimer has got so many good things about me

to tell you; and isn't it fine? Won't you take me for a beautiful long

walk, papa?"

"Yes, darling. Shall we go now? I will just speak to Miss Mortimer, and

then we will set off; and I will ask them to defer tea until we return."

"Beautiful!" said Lilian. "I will go and get my hat. Miss Mortimer is in

the school-room, papa."

[Illustration: EAGER WATCHING.]

Mr. Smith walked across the grass, and entered the school-room by a

folding glass-door that opened upon the lawn. Lilian returned presently;

her shady straw hat fastened with blue ribbons, a little basket on her

arm, and her face glowing with pleasure and excitement.

"Now, Miss Mortimer, you said you would tell papa about my lessons

to-day."

The governess, a tall staid lady of about fifty, whose face betokened

that her mind was full of grammars and dictionaries, smiled a little,

and answered, "I have been informing your father of the marked

improvement which you have lately made in your studies."

"Yes, Lily, I have heard all about it," said Mr. Smith, looking down

fondly into the bright little face that was raised to his. "And I have

been telling Miss Mortimer of a treat that I have in store for you."

"What is it, papa?" she cried eagerly.

"Oh, I am not going to tell you, until we get to your favourite seat

among the rocks."

"Then don't let us lose another minute, papa," said Lilian, and they set

off.

Away over the breezy hill-side which overhung the sea; away through the

furze, the gorse, and the large brake-ferns; away until they had left

the pretty villa far behind them, and found themselves in the small

sheltered bay where Mr. Smith's boat, the _White Lily_, was moored.

"It is very calm, may we go out for a little way, papa?"

"Yes, dear," said the artist, as he unfastened the padlock which moored

the boat. Then he placed Lilian in the stern, and sprung in himself,

taking the oars, and pushing away from the strand.

The setting sun shed a flood of glory over the quiet bay, with its

brilliantly coloured rocks, and its shore covered with white pebbles,

and fell upon the little boat that danced over the rippling sea,

lingering lovingly on the beautiful face of the artist's child as she

bent forward to claim the promised secret.

"Now, papa, what is the treat?"

"Well, Lily, you know I have told you about Raymond and Madge."

"Yes, papa; and I was going to have asked how Raymond was, and whether

he liked the fruit I sent him, only the thought of the treat put it all

out of my head."

"He is much better, darling. And what would you say if you were soon to

see him?"

"Oh, papa!"

[Illustration: A BEAUTIFUL SCENE.]

"I have asked Madge and him to come here, that he may recover his

strength; and I have come on to make all preparations. They will be here

to-morrow."

"Oh, joy, joy!" cried Lilian. "Mayn't I have a whole holiday, papa?"

"Yes, to-morrow you shall; and after that Madge shall do her lessons

with you."

"And Raymond too, papa?"

"No, darling. Raymond will do his lessons with me."

"Shall you teach him to paint beautiful pictures as you do, papa?"

"Yes, I hope so," replied the artist, smiling.

Lilian drew a long-sigh of contentment.

"I do wish it were to-morrow! Will you take them out in the boat, papa?"

"Raymond will not be well enough at first; but by-and-by, I hope, we

shall have some grand excursions."

"And that dear little Madge that you have told me about; oh, papa, I

shall love her so much! Do you think she will love me?"

The fond father thought within himself that it would not be very easy

for her to help doing so; but he only answered, "I think she will,

Lily."

And thus they talked in the pleasant evening light, until the red sun

had dipped down behind the hills on the further coast; and then Mr.

Smith moored the boat, and the father and daughter walked home in the

red glow which the sun had left behind it.

The rest of the evening passed away very slowly to Lilian, she was

looking forward so eagerly to the morrow; and it was not until she had

planned and replanned every kind of pleasure that was likely to be given

to her, during the visit of her friends, and wondered over and over

again what they would be like that sleep came over her; and before she

knew anything more, the much longed-for morning had arrived.

Mr. Smith had gone to meet the children at their landing-place; and

about two o'clock Lilian heard the sound of the carriage-wheels coming

near. Then a fit of shyness came over her; and she hung back, so that it

was not until she heard her father's voice calling her that she went to

the door, just in time to see him helping out of the carriage a tall,

delicate-looking boy of about sixteen, followed by a quiet-looking

little girl of twelve.

"Here are your new friends, Lily; come and speak to them," said Mr.

Smith.

Then Lilian stepped forward, and shook hands with Raymond, and kissed

Madge. Madge returned the kiss; but she seemed intent on watching

Raymond, as if she had no other thought than to take care of him.

"I will take Raymond to his room, and he had better lie down for a

while," said Mr. Smith.

The boy smiled faintly, but he was too tired to speak; so his friend and

Madge helped him to the pretty room which had been prepared for him,

overlooking the sea.

He lay on the bed with his eyes fixed on the water; but very soon,

overcome with the fatigue of the journey, he fell asleep; and when, a

little while after, Madge stole softly into the room, she found him

slumbering peacefully. For an instant she bent over him, and the dark

earnest eyes were filled with tears of thankfulness that he was spared

to her, and was likely to recover health and strength in this beautiful

home. Then little Madge drew the curtain across the window to exclude

the light from his eyes, and left the room as quietly as she had entered

it.

She found Lilian waiting for her at the foot of the stairs; and before

long the two children had become quite confidential, and were rapidly

making friends.

In the evening Raymond was allowed to come down-stairs, and to lie on

the sofa in the pretty drawing-room.

Lilian came to his side with a handful of bright-coloured geraniums and

white roses. "Papa says you like pretty things; and he told me I might

bring you these."

Raymond took them with a bright smile. They were not as beautiful as the

child who gave them, glowing as the colours were.

"Are you better?" said Lilian.

"Yes, much better, thank you; I shall soon be quite well."

"Do you like being here?"

"Very much; and so does Madge," he answered, laying his hand on hers as

she knelt beside him.

"We are going to have great fun when you are well again; and I am to

have shorter lessons; and Madge is going to do lessons with me; and you

will do lessons with papa. He says so."

Raymond lay very still, sometimes looking out at the sea, sometimes at

the "airy fairy Lilian," by his side, sometimes at the beautiful

pictures around the room. "I wonder who painted that one!" he said,

pointing to a likeness of a lovely lady and child.

[Illustration: RAYMOND AND LILIAN.]

"It is mamma and me," said Lilian, a little sadly; and then pointing to

one that hung near it, she said, "I like that picture better than any."

"Whose is it?"

"It is done by the great artist, Herbert Smith," she answered, laughing.

Raymond looked at it with eager delight; and at this moment Lilian's

father entered the room.

"Chatterbox, I hope you are not tiring Raymond;" and he looked kindly

and inquiringly at the invalid.

"Not the least, sir; I was thinking that you are fortunate to possess so

many of the paintings of Herbert Smith. How beautiful they are!" and the

young artist's eye kindled with enthusiasm.

His new friend smiled.

"I am very fond of painting, Raymond."

"You must be, sir, from the way you have talked to me about it, and from

your having such beautiful pictures. Do you paint yourself?"

"Why, Raymond," said Lilian, "don't you know--;" but a warning look from

her father stopped her saying anything more. She only looked over at

Madge, with her large blue eyes full of laughter.

Then her father bent down over the boy, and said, "I paint a great deal,

Raymond."

"Oh, I am so glad!" said Raymond eagerly. "Then you will not think it

wrong of me to want to be an artist."

"So far from thinking it wrong, Raymond, I am going to help you in it. I

am going to get you taught."

A bright flush came over Raymond's face as he looked up for an

explanation.

"Who will teach me, sir?"

"Mr. Herbert Smith."

Raymond started up. "Do you know him, sir? Do you know Mr. Smith, the

greatest artist that is living? Is he a relation of yours?"

"Raymond, I am Herbert Smith," said his friend kindly.

A look of wondering doubt passed over the boy's face, which quickly

changed to one of intense veneration, almost of reverence, at feeling

himself in the presence of this master mind. Then, as the thought of all

his friend's former kindness came over him, and of this great privilege

before him, he covered his face with his hands; and the tears, which he

vainly tried to conceal, fell through his thin fingers.

[Illustration: THE SURPRISE.]

Madge bent down over him. "Raymond, dear Raymond, look up. Do not be sad

now, it is all joy."

"I am so glad, I cannot help it, Madge," said Raymond. "All my

brightest dreams coming true. I shall be an artist yet."

Mr. Smith turned away his head, his heart deeply moved by the boy's

delight; but Lilian could not restrain her gladness.

"And did you not know that papa was the great Herbert Smith?" she asked.

"What fun! Did you know, Madge?"

"Yes," said Madge, looking shyly into Raymond's face.

"O Madge, how _could_ you let me go on talking to Mr. Smith about my

poor little paintings without telling me."

"He told me not to tell you," she said.

"Yes," said Mr. Smith; "I wanted, Raymond, to watch you for a little

while, before you knew who I was. I wanted to see if your whole heart

was really devoted to painting, and that you were likely to rise in your

profession, before I offered you assistance. I am satisfied; and now

shake hands: if you are willing to endure a life of labour, I think I

can promise you success."

"I am willing for anything," said Raymond. And to Madge he whispered,

"You shall glory in me some day, little sister."

[Illustration]

The boy-artist · 第 6 / 7 章