CHAPTER ONE.

Somewhere on the West coast of England, about a hundred miles from the

metropolis, there stands a sleepy little town, which possesses no

special activity nor beauty to justify its existence. People live in it

for reasons of their own. The people who do _not_ live in it wonder for

_what_ reasons, but attain no better solution of the mystery than the

statement that the air is very fine. "We have such bracing air!" says

the resident, as proudly as if that said air were his special invention

and property. Certain West-country doctors affect Norton-on-Sea for

patients in need of restful change, and their melancholy advent

justifies the existence of the great hotel on the esplanade, and the row

of bath-chairs at the corner. There are ten bath-chairs in all, and on

sunny days ten crumpled-looking old ladies can generally be seen sitting

inside their canopies, trundling slowly along the esplanade, accompanied

by a paid companion, dressed in black and looking sorry for herself.

Occasionally on Saturdays and Sundays a pretty daughter, or a tall son

takes the companion's place, but as sure as Monday arrives they

disappear into space. One can imagine that one hears them bidding their

farewells--"So glad to see you getting on so well, mother dear! I

positively _must_ rush back to town to attend to a hundred duties. It's

a comfort to feel that you are so well placed. Miss Biggs is a

treasure, and this air is so bracing!..."

The esplanade consists of four rows of lodging-houses and two hotels, in

front of which is a strip of grass, on which a band plays twice a week

during the summer months, and the school-children twice a day all the

year long. The invalids in the hotel object to the children and make

unsuccessful attempts to banish them from their pitch, and the children

in their turn regard the invalids with frank disdain, and make audible

and uncomplimentary surmises as to the nature of their complaints as the

procession of chairs trundles by.

In front of the green, and separating it from the steep, pebbly shore,

are a number of fishermen's shanties, bathing machines, and hulks of old

vessels stretched in a long, straggling row, while one larger shed

stands back from the rest, labelled "Lifeboat" in large white letters.

Parallel with the esplanade runs the High Street, a narrow thoroughfare

showing shops crowded with the useless little articles which are

supposed to prove irresistibly attractive to visitors to the seaside.

At the bazaar a big white label proclaims that everything in the window

is to be sold at the astounding price of "eleven-three," and the

purchaser is free to make his choice from such treasures as work-boxes

lined in crimson plush, and covered with a massed pattern in shells;

desks fitted with all the implements for writing, scent bottles tied

with blue ribbons; packets of stationery with local views, photograph

frames in plush and gelatine, or to select more perishable trophies in

glass and china, all solemnly guaranteed to be worth double the price.

At the photographer's, a few yards farther along, a visitor can have his

portrait taken a yard square, the size of a postage stamp, or on a

postcard to send to his friends. Ingenious backgrounds are on hand,

representing appropriate seaside scenes in which the sitter has nothing

to do but to press his face against a hole on the canvas, and these are

extensively patronised, for what can be more convenient than to stand on

solid earth, attired in sober, everyday clothing, yet be portrayed

splashing in the waves in the spandiest of French bathing costumes,

riding a donkey along the sands, or manfully hauling down the sails of a

yacht!

Mr Photographer Sykes is a man of resource, and deserves the prosperity

which is the envy of his neighbours. Mrs Sykes wears silk linings to

her skirts on Sundays, and rustles like the highest in the land. She

had three new hats in one summer, and the fishmonger's wife knows for a

fact that not one of the number costs less than "twenty-five-six."

The High Street and the esplanade constitute the new Norton-on-Sea which

has sprung into being within the last ten years, but the real, original,

aristocratic Norton lies a couple of miles inland, and consists of a

wide, sloping street, lined with alternate shops and houses, branching

off from which are a number of sleepy roads, in which detached and semi-

detached villas hide themselves behind trees and hedges, and barricade

their windows with stiff, white curtains. The one great longing

actuating the Norton householder seems to be to see nothing, and to be

seen by none. "Is the house overlooked?" they ask the agent anxiously

on the occasion of the first application. "Does it overlook any other

house?"

"There _is_ another house across the road, madam!" the agent is

sometimes regretfully obliged to admit, "but it has been very cleverly

planted out."

So it has! by means of a fir or an elm planted within a few yards of the

windows, and blocking out something more important than another villa,

but the Norton resident desires privacy above all things. The sun and

the air have to creep in as best they may.

The more aristocratic the position of a family, the more secluded

becomes their position. Fences are raised by an arrangement of lattice-

work on the top of boards; shrubs are planted thickly inside the hedges;

even the railings of the gates are backed by discreetly concealing

boards. If there happens to be a rise in the road from which a passer-

by can catch a glimpse of white figures darting to and fro on the tennis

courts, the owner promptly throws up a bank, and plants on the top one

or two quickly growing limes. It is so disagreeable to be overlooked!

At the date at which this history opens, there were several large places

in the neighbourhood of Norton, foremost among them were the Manor

House, occupied by the young squire, Geoffrey Greville, and Madame, his

mother; Green Arbour, owned by Admiral Perry, who had married the widow

of the late High Sheriff; and The Meads, the ofttime deserted seat of a

rich London banker.

With these exceptions, quite the most aristocratic dwellings were

situated in what was known as "The Park," though perhaps "The Crescent"

would have been the more appropriate name, for the twelve houses were

built on one side of a curving road, looking out on a charming stretch

of land, dipping down to a miniature lake, and rising again to a soft

green knoll, surmounted by a bank of trees. The carefully-mowed grass

looked like softest velvet, and might be seen, but not touched, being

surrounded by tiny wire arches, and protected by wooden boards,

requesting visitors to keep to the paths, and not trespass on the

"verges." Impressive title! Visitors were likewise requested not to

touch the flowering shrubs; not to pick the flowers; not to throw

rubbish into the lake, or to inscribe their initials on the seats.

These rules being carefully observed, the twelve householders who paid

for the upkeep of these decorous gardens were free to enjoy such

relaxations as could be derived from gravel paths, and wooden benches.

The view from their windows the residents apparently did not wish to

enjoy, for they planted their trees and heightened their fences as

industriously as the owners of the fifty-pound villas in Hill Street.

Mrs Garnett, at Buona Vista, having a garden deficient in foliage, had

even erected a temporary trellis at the end of the lawn, and covered it

with creepers, rather than face the indignity of an open view. It gave

her such a "feeling of publicity" to see the neighbours pass to and fro!

It was only the residents themselves who enjoyed the proud privilege of

pacing the Park unmolested, for at either entrance stood small eaved

lodges in which were housed the two gardeners and their wives. To be

lodge-keeper to the Park was as great a guarantee of respectability in

Norton as to be vicar of the parish church itself. Only middle-aged,

married, teetotal, childless churchmen could apply for the posts, and

among their scant ranks the most searching inquiries were instituted

before an appointment was finally arranged. It is safe to affirm that

no working couples on earth were more clean, industrious, and alive to

their duty towards their betters, than the occupants of the North and

South Lodges of Norton Park!

All day long the two husbands mowed grass, clipped hedges, and swept up

gravel paths; all day long the wives scrubbed and dusted their

immaculate little houses, keeping a weather-eye on the door to see who

passed to and fro. Their duty it was to pounce out on any stranger who

dared attempt to force an entrance through the hallowed portals, and

send them back discomfited.

"You can't come this way, madam! This road is private!"

"Can't I just walk straight through on the path? It is so much nearer

than going all the way round!"

"The park is private, madam; there is no thoroughfare."

Occasionally some child of sin would endeavour to prevaricate.

"I wish to pay a call!"

"Which house did you wish to go to, madam?"

"Er--Buona Vista!"

"Buona Vistas is away from home. They won't be back till the end of the

month."

Foiled in her attempts the miscreant would have to retrace her steps, or

make her way round by the narrow lane by means of which the tradesmen

made their way to the back-doors of these secluded dwellings.

Perhaps the most unpromisingly decorous house in the Park was christened

"The Nook," with that appalling lack of humour which is nowhere

portrayed more strikingly than in the naming of suburban residences. It

stood fair and square in the middle of the crescent; and from garret to

cellar there was not a nooky corner on which the eye could light. Two

drawing-room windows flanked the front door on the left; two dining-room

windows on the right. There was not even a gable or a dormer to break

the square solidity of the whole. Fourteen windows in all, each

chastely shrouded in Nottingham lace curtains, looped back by yellow

silk bands, fastened, to a fraction of an inch, at the same height from

the sill, while Aspidistra plants, mounted on small tables, were

artfully placed so as to fill up the space necessarily left in the

centre. They were handsome plants of venerable age, which Mason, the

parlourmaid, watered twice a week, sponging their leaves with milk

before she replaced them in their pots.

It was a typical early Victorian residence, inhabited by a spinster lady

of early Victorian type and her four henchwomen--Heap the cook, Mary the

housemaid, Mason the parlourmaid, and Jane the tweeny. Four women, plus

a boot-boy, to wait upon the wants of one solitary person, yet in

conclave with the domestic at The Croft to the right, and The Holt to

the left, Miss Briskett's maids were wont to assert that they were

worked off their feet. It was, as has been said, an early Victorian

household, conducted on early Victorian lines. Other people might be

content to buy half their supplies ready-made from the stores, but Miss

Briskett insisted on home-made bread, home-made jams and cakes; home-

made pickles and sauces; home-cured tongues and hams, and home-made

liqueurs. Cook kept the tweeny busy in the kitchen, while Mary grumbled

at having to keep half a dozen unused bedrooms in spick and span

perfection, and Mason spent her existence in polishing, and sweeping

invisible grains of dust from out-of-the-way-corners.

As a rule the domestic wheel turned on oiled wheels and Miss Briskett's

existence flowed on its even course, from one year's end to another,

with little but the weather to differentiate one month from another, but

on the day on which this history begins, a thunderbolt had fallen in the

shape of a letter bearing a New York post-mark, which the postman handed

in at the door of The Nook at the three o'clock delivery. Miss Briskett

read its contents, and gasped; read them again, and trembled; read them

a third time, and sat buried in thought for ten minutes by the clock, at

the expiration of which time she opened her own desk, and penned a note

to her friend and confidant, Mrs Ramsden, of The Holt--

"My dear Friend,--I have just received a communication from America

which is causing me considerable perturbation. If your engagements

will allow, I should be grateful if you will take tea with me this

afternoon, and give me the benefit of your wise counsel. Pray send a

verbal answer by bearer.--Yours sincerely,--

"Sophia A Briskett."

The trim Mason took the note to its destination, and waited in the hall

while Mrs Ramsden wrote her reply. The reference to a verbal answer

was only a matter of form. Miss Briskett would have been surprised and

affronted to receive so unceremonious a reply to her invitation--

"My dear Friend,--It will give me pleasure to take tea with you this

afternoon, as you so kindly suggest. I trust that the anxiety under

which you are labouring may be of a temporary nature, and shall be

thankful indeed if I can in any way assist to bring about its

solution.--Most truly yours,--

"Ellen Bean Ramsden."

"The best china, Mason, and a teapot for two!" was Miss Briskett's order

on receipt of this cordial response, and an hour later the two ladies

sat in conclave over a daintily-spread table in the drawing-room of The

Nook.

Miss Briskett was a tall, thin woman of fifty-eight or sixty, wearing a

white cap perched upon her grey hair, and an expression of frosty

propriety on her thin, pointed features. Frosty is the adjective which

most accurately describes her appearance. One felt a moral conviction

that she would suffer from chilblains in winter, that the long, thin

fingers must be cold to the touch, even on this bright May day; that the

tip of her nose was colder still, that she could not go to sleep at

night without a hot bottle to her feet. She was addicted to grey

dresses, composed of stiff and shiny silk, and to grey bonnets

glittering with steely beads. She creaked, as she moved, and her thin

figure was whale-boned into an unnatural rigidity.

Mrs Ramsden was, in appearance at least, a striking contrast to her

friend, being a dumpy little woman, in whose demeanour good-nature vied

with dignity. She was dressed in black, and affected an upright feather

in front of her bonnets. "To give me height, my dear!"

In looking at her one was irresistibly reminded of a pouter pigeon

strutting along on its short little legs, preening its sleek little head

to and fro above its protuberant breast.

"Read that!" said Miss Briskett, tragically, handing the thin sheet of

paper to her friend, and Mrs Ramsden put on her spectacles and read as

follows--

"My dear Sister,--Business connected with mines makes it necessary for

me to go out West for the next few months, and the question has arisen

how to provide for Cornelia meantime. I had various notions, but she

prefers her own (she generally does!), and reckons she can't fill in

this gap better than by running over to pay you a visit in the Old

Country. I can pick her up in the fall, and have a little trot round

before returning. She has friends sailing in the _Lucania_ on the

15th, and intends crossing with them. You will just have time to

cable to put her off if you are dead, or otherwise incapacitated; but

I take it you will be glad to have a look at my girl. She's worth

looking at! I shall feel satisfied to know she is with you. She

might get up to mischief over here.

"Looking forward to seeing you later on,--Your brother, Edward

Briskett."

"_P S_--Dear Aunt Soph, don't you worry to prepare! I'll just chip

in, and take you as you are. We'll have some high old times!--Your

niece, Cornelia."

Letter and eye-glasses fell together upon Mrs Ramsden's knee. She

raised startled eyes, and blinked dumbly at her friend.

Miss Briskett wagged her head from side to side, and heaved a sepulchral

sigh.

The halcyon days of peace were over!

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