THE OPPORTUNITY OF PETITPAS

In Bordeaux, on the 21st of December, monsieur Petitpas, a clerk with

bohemian yearnings, packed his portmanteau for a week's holiday. In

Paris, on the same date, monsieur Tricotrin, poet and pauper, was

commissioned by the Editor of _Le Demi-Mot_ to convert a rough

translation into literary French. These two disparate incidents were

destined by Fate--always mysterious in her workings--to be united in a

narrative for the present volume.

Three evenings later the poet's concierge climbed the stairs and rapped

peremptorily at the door.

"Well?" cried Tricotrin, raising bloodshot eyes from the manuscript;

"who disturbs me now? Come in!"

"I have come in," panted madame Dubois, who had not waited for his

invitation, "and I am here to tell you, monsieur, that you cannot be

allowed to groan in this agonised fashion. Your lamentations can be

heard even in the basement."

"Is it in my agreement, madame, that I shall not groan if I am so

disposed?" inquired the poet haughtily.

"There are things tacitly understood. It is enough that you are in

arrears with your rent, without your doing your best to drive away the

other tenants. For two days they have all complained that it would be

less disturbing to reside in a hospital."

"Well, they have my permission to remove there," said Tricotrin. "Now

that the matter is settled, let me get on with my work!" And with the

groan of a soul in Hades, he perused another line.

"There you go again!" expostulated the woman angrily, "It is not to be

endured, monsieur. What is the matter with you, for goodness' sake?"

"With me, madame, there is nothing the matter; the fault lies with an

infernal Spanish novel. A misguided editor has commissioned me to

rewrite it from a translation made by a foreigner. How can I avoid

groans when I read his rot? Miranda exclaims, 'May heaven confound you,

bandit!' And the fiancé of the ingénue addresses her as 'Angel of this

house!'"

"Well, at least groan quietly," begged the concierge; "do not bellow

your sufferings to the cellar."

"To oblige you I will be as Spartan as I can," agreed Tricotrin. "Now I

have lost my place in the masterpiece. Ah, here we are! 'I feel she

brings bad tidings--she wears a disastrous mien.' It is sprightly

dialogue! If the hundred and fifty francs were not essential to keep a

roof over my head, I would send the Editor a challenge for offering me

the job."

Perspiration bespangled the young man's brow as he continued his task.

When another hour had worn by he thirsted to do the foreign translator

a bodily injury, and so intense was his exasperation that, by way of

interlude, he placed the manuscript on the floor and jumped on it. But

the climax was reached in Chapter XXVII; under the provocation of the

love scene in Chapter XXVII frenzy mastered him, and with a yell of

torture he hurled the whole novel through the window, and burst into

hysterical tears.

The novel, which was of considerable bulk, descended on the landlord,

who was just approaching the house to collect his dues.

"What does it mean," gasped monsieur Gouge, when he had recovered his

equilibrium, and his hat; "what does it mean that I cannot approach my

own property without being assaulted with a ton of paper? Who has dared

to throw such a thing from a window?"

"Monsieur," stammered the concierge, "I do not doubt that it was the

top-floor poet; he has been behaving like a lunatic for days."

"Aha, the top-floor poet?" snorted monsieur Gouge. "I shall soon

dispose of _him_!" And Tricotrin's tears were scarcely dried when

_bang_ came another knock at his door.

"So, monsieur," exclaimed the landlord, with fine satire, "your poems

are of small account, it appears, since you use them as missiles? The

value you put upon your scribbling does not encourage me to wait for my

rent!"

"Mine?" faltered Tricotrin, casting an indignant glance at the muddy

manuscript restored to him; "you accuse _me_ of having perpetrated

that atrocity? Oh, this is too much! I have a reputation to preserve,

monsieur, and I swear by all the Immortals that it was no work of

mine."

"Did you not throw it?"

"Throw it? Yes, assuredly I threw it. But I did not write it."

"Morbleu! what do I care who wrote it?" roared monsieur Gouge, purple

with spleen. "Does its authorship improve the condition of my hat? My

grievance is its arrival on my head, not its literary quality. Let me

tell you that you expose yourself to actions at law, pitching weights

like this from a respectable house into a public street."

"I should plead insanity," said Tricotrin; "twenty-seven chapters of

that novel, translated into a Spaniard's French, would suffice to

people an asylum. Nevertheless, if it arrived on your hat, I owe you an

apology."

"You also owe me two hundred francs!" shouted the other, "and I have

shown you more patience than you deserve. Well, my folly is finished!

You settle up, or you get out, right off!"

"Have you reflected that it is Christmas Eve--do we live in a

melodrama, that I should wander homeless on Christmas Eve? Seriously,

you cannot expect a man of taste to lend himself to so hackneyed a

situation? Besides, I share this apartment with the composer monsieur

Nicolas Pitou. Consider how poignant he would find the room's

associations if he returned to dwell here alone!"

"Monsieur Pitou will not be admitted when he returns--there is not a

pin to choose between the pair of you. You hand me the two hundred

francs, or you go this minute--and I shall detain your wardrobe till

you pay. Where is it?"

"It is divided between my person and a shelf at the pawnbroker's,"

explained the poet; "but I have a soiled collar in the left-hand corner

drawer. However, I can offer you more valuable security for this

trifling debt than you would dare to ask; the bureau is full of pearls

--metrical, but beyond price. I beg your tenderest care of them,

especially my tragedy in seven acts. Do not play jinks with the

contents of that bureau, or Posterity will gibbet you and the name of

'Gouge' will one day be execrated throughout France. Garbage,

farewell!"

"Here, take your shaving paper with you!" cried monsieur Gouge,

flinging the Spanish novel down the stairs. And the next moment the man

of letters stood dejected on the pavement, with the fatal manuscript

under his arm.

"Ah, Miranda, Miranda, thou little knowest what mischief thou hast

done!" he murmured, unconsciously plagiarising. "She brought bad

tidings indeed, with her disastrous mien," he added. "What is to become

of me now?"

The moon, to which he had naturally addressed this query, made no

answer; and, fingering the sou in his trouser-pocket, he trudged in the

direction of the rue Ravignan. "The situation would look well in

print," he reflected, "but the load under my arm should, dramatically,

be a bundle of my own poems. Doubtless the matter will be put right by

my biographer. I wonder if I can get half a bed from Goujaud?"

Encouraged by the thought of the painter's hospitality, he proceeded to

the studio; but he was informed in sour tones that monsieur Goujaud

would not sleep there that night.

"So much the better," he remarked, "for I can have all his bed, instead

of half of it! Believe me, I shall put you to no trouble, madame."

"I believe it fully," answered the woman, "for you will not come

inside--not monsieur Goujaud, nor you, nor any other of his vagabond

friends. So, there!"

"Ah, is that how the wind blows--the fellow has not paid his rent?"

said Tricotrin. "How disgraceful of him, to be sure! Fortunately

Sanquereau lives in the next house."

He pulled the bell there forthwith, and the peal had scarcely sounded

when Sanquereau rushed to the door, crying, "Welcome, my Beautiful!"

"Mon Dieu, what worthless acquaintances I possess!" moaned the unhappy

poet. "Since you are expecting your Beautiful I need not go into

details."

"What on earth did you want?" muttered Sanquereau, crestfallen.

"I came to tell you the latest Stop Press news--Goujaud's landlord has

turned him out and I have no bed to lie on. Au revoir!"

After another apostrophe to the heavens, "That inane moon, which makes

no response, is beginning to get on my nerves," he soliloquised. "Let

me see now! There is certainly master Criqueboeuf, but it is a long

journey to the quartier Latin, and when I get there his social

engagements may annoy me as keenly as Sanquereau's. It appears to me I

am likely to try the open-air cure to-night. In the meanwhile I may as

well find Miranda a seat and think things over."

Accordingly he bent his steps to the place Dancourt, and having

deposited the incubus beside him, stretched his limbs on a bench

beneath a tree. His attitude, and his luxuriant locks, to say nothing

of his melancholy aspect, rendered him a noticeable figure in the

little square, and monsieur Petitpas, from Bordeaux, under the awning

of the café opposite, stood regarding him with enthusiasm.

"Upon my word of honour," mused Petitpas, rubbing his hands, "I believe

I see a Genius in the dumps! At last I behold the Paris of my dreams.

If I have read my Murger to any purpose, I am on the verge of an epoch.

What a delightful adventure!"

Taking out his Marylands, Petitpas sauntered towards the bench with a

great show of carelessness, and made a pretence of feeling in his

pockets for a match. "Tschut!" he exclaimed; then, affecting to observe

Tricotrin for the first time, "May I beg you to oblige me with a light,

monsieur?" he asked deferentially. A puff of wind provided an excuse

for sitting down to guard the flame; and the next moment the Genius had

accepted a cigarette, and acknowledged that the weather was mild for

the time of year.

Excitement thrilled Petitpas. How often, after business hours, he had

perused his well-thumbed copy of _La Vie de Bohème_ and in fancy

consorted with the gay descendants of Rodolphe and Marcel; how often he

had regretted secretly that he, himself, did not woo a Muse and jest at

want in a garret, instead of totting up figures, and eating three meals

a day in comfort! And now positively one of the fascinating beings of

his imagination lolled by his side! The little clerk on a holiday

longed to play the generous comrade. In his purse he had a couple of

louis, designed for sight-seeing, and, with a rush of emotion, he

pictured himself squandering five or six francs in half an hour and

startling the artist by his prodigality.

"If I am not mistaken, I have the honour to address an author,

monsieur?" he ventured.

"Your instincts have not misled you," replied the poet; "I am

Tricotrin, monsieur--Gustave Tricotrin. The name, however, is to be

found, as yet, on no statues."

"My own name," said the clerk, "is Adolphe Petitpas. I am a stranger in

Paris, and I count myself fortunate indeed to have made monsieur

Tricotrin's acquaintance so soon."

"He expresses himself with some discretion, this person," reflected

Tricotrin. "And his cigarette was certainly providential!"

"To meet an author has always been an ambition of mine," Petitpas

continued; "I dare to say that I have the artistic temperament, though

circumstances have condemned me to commercial pursuits. You have no

idea how enviable the literary life appears to me, monsieur!"

"Its privileges are perhaps more monotonous than you suppose," drawled

the homeless poet. "Also, I had to work for many years before I

attained my present position."

"This noble book, for instance," began the clerk, laying a reverent

hand on the abominable manuscript.

"Hein?" exclaimed its victim, starting.

"To have written this noble book must be a joy compared with which my

own prosperity is valueless."

"The damned thing is no work of mine," cried Tricotrin; "and if we are

to avoid a quarrel, I will ask you not to accuse me of it! A joy,

indeed? In that block of drivel you view the cause of my deepest

misfortunes."

"A thousand apologies!" stammered his companion; "my inference was

hasty. But what you say interests me beyond words. This manuscript, of

seeming innocence, is the cause of misfortunes? May I crave an enormous

favour; may I beg you to regard me as a friend and give me your

confidence?"

"I see no reason why I should refuse it," answered Tricotrin, on whom

the boast of "prosperity" had made a deep impression. "You must know,

then, that this ineptitude, inflicted on me by an eccentric editor for

translation, drove me to madness, and not an hour ago I cast it from my

window in disgust. It is a novel entirely devoid of taste and tact, and

it had the clumsiness to alight on my landlord's head. Being a man of

small nature, he retaliated by demanding his rent."

"Which it was not convenient to pay?" interrupted Petitpas, all the

pages of _La Vie de Bohème_ playing leapfrog through his brain.

"I regret to bore you by so trite a situation. 'Which it was not

convenient to pay'! Indeed, I was not responsible for all of it, for I

occupied the room with a composer named Pitou. Well, you can construct

the next scene without a collaborator; the landlord has a speech, and

the tragedy is entitled 'Tricotrin in Quest of a Home.'"

"What of the composer?" inquired the delighted clerk; "what has become

of monsieur Pitou?"

"Monsieur Pitou was not on in that Act. The part of Pitou will attain

prominence when he returns and finds himself locked out."

"But, my dear monsieur Tricotrin, in such an extremity you should have

sought the services of a friend."

"I had that inspiration myself; I sought a painter called Goujaud. And

observe how careless is Reality in the matter of coincidences! I learnt

from his concierge that precisely the same thing had befallen monsieur

Goujaud. He, too, is Christmassing alfresco."

"Mon Dieu," faltered the clerk, "how it rejoices me that I have met

you! All my life I have looked forward to encountering a genius in such

a fix."

"Alas!" sighed Tricotrin, with a pensive smile, "to the genius the fix

is less spicy. Without a supper--"

"Without a supper!" crowed Petitpas.

"Without a bed--"

"Without a bed!" babbled Petitpas, enravished.

"With nothing but a pen and the sacred fire, one may be forgiven

sadness."

"Not so, not so," shouted Petitpas, smacking him on the back. "You are

omitting _me_ from your list of assets! Listen, I am staying at an

hotel. You cannot decline to accord me the honour of welcoming you

there as my guest for the night. Hang the expense! I am no longer in

business, I am a bohemian, like yourself; some supper, a bed, and a

little breakfast will not ruin me. What do you say, monsieur?"

"I say, drop the 'monsieur,' old chap," responded Tricotrin. "Your

suggestions for the tragedy are cordially accepted. I have never known

a collaborator to improve a plot so much. And understand this: I feel

more earnestly than I speak; henceforth we are pals, you and I."

"Brothers!" cried Petitpas, in ecstasy. "You shall hear all about a

novel that I have projected for years. I should like to have your

opinion of it."

"I shall be enchanted," said Tricotrin, his jaw dropping.

"You must introduce me to your circle--the painters, and the models,

and the actresses. Your friends shall be _my_ friends in future."

"Don't doubt it! When I tell them what a brick you are, they will be

proud to know you."

"No ceremony, mind!"

"Not a bit. You shall be another chum. Already I feel as if we had been

confidants in our cradles."

"It is the same with me. How true it is that kindred spirits recognise

each other in an instant. What is environment? Bah! A man may be a

bohemian and an artist although his occupations are commercial?"

"Perfectly! I nearly pined amid commercial occupations myself."

"What an extraordinary coincidence! Ah, that is the last bond between

us! You can realise my most complex moods, you can penetrate to the

most distant suburbs of my soul! Gustave, if I had been free to choose

my career, I should have become a famous man." "My poor Adolphe!

Still, prosperity is not an unmixed evil. You must seek compensation in

your wealth," murmured the poet, who began to think that one might pay

too high a price for a bed.

"Oh--er--to be sure!" said the little clerk, reminded that he was

pledged to a larger outlay than he had originally proposed. "That is to

say, I am not precisely 'wealthy.'" He saw his pocket-money during the

trip much curtailed, and rather wished that his impulse had been less

expansive.

"A snug income is no stigma, whether one derives it from Parnassus or

the Bourse," continued Tricotrin. "Hold! Who is that I see, slouching

over there? As I live, it's Pitou, the composer, whose dilemma I told

you of!"

"Another?" quavered the clerk, dismayed.

"Hé, Nicolas! Turn your symphonic gaze this way! 'Tis I, Gustave!"

"Ah, mon vieux!" exclaimed the young musician joyfully; "I was

wondering what your fate might be. I have only just come from the

house. Madame Dubois refused me admission; she informed me that you had

been firing Spanish novels at Gouge's head. Why Spanish? Is the Spanish

variety deadlier? So the villain has had the effrontery to turn us

out?"

"Let me make your affinities known to each other," said Tricotrin. "My

brother Nicolas--my brother Adolphe. Brother Adolphe has received a

scenario of the tragedy already, and he has a knack of inventing

brilliant 'curtains.'"

Behind Pitou's back he winked at Petitpas, as if to say, "He little

suspects what a surprise you have in store for him!"

"Oh--er--I am grieved to hear of your trouble, monsieur Pitou," said

Petitpas feebly.

"What? 'Grieved'? Come, that isn't all about it!" cried Tricotrin, who

attributed his restraint to nothing but diffidence. In an undertone he

added, "Don't be nervous, dear boy. Your invitation won't offend him in

the least!"

Petitpas breathed heavily. He aspired to prove himself a true bohemian,

but his heart quailed at the thought of such expense. Two suppers, two

beds, and two little breakfasts as a supplement to his bill would be no

joke. It was with a very poor grace that he stammered at last, "I hope

you will allow me to suggest a way out, monsieur Pitou? A room at my

hotel seems to dispose of the difficulty."

"Hem?" exclaimed Pitou. "Is that room a mirage, or are you serious?"

"'Serious'?" echoed Tricotrin. "He is as serious as an English

adaptation of a French farce." He went on, under his breath, "You

mustn't judge him by his manner, I can see that he has turned a little

shy. Believe me, he is the King of Trumps."

"Well, upon my word I shall be delighted, monsieur," responded Pitou.

"It was evidently the good kind fairies that led me to the place

Dancourt. I would ask you to step over the way and have a bock, but my

finances forbid."

"Your finances need cause no drought--Adolphe will be paymaster!"

declared Tricotrin gaily, shouldering his manuscript. "Come, let us

adjourn and give the Réveillon its due!"

Petitpas suppressed a moan. "By all means," he assented; "I was about

to propose it myself. I am a real bohemian, you know, and think nothing

of ordering several bocks at once."

"Are you sure he is all you say?" whispered Pitou to Tricotrin, with

misgiving.

"A shade embarrassed, that is all," pronounced the poet. And then, as

the trio moved arm-in-arm toward the café, a second solitary figure

emerged from the obscurity of the square.

"Bless my soul!" ejaculated Tricotrin; "am I mistaken, or--Look, look,

Adolphe! I would bet ten to one in sonnets that it is Goujaud, the

painter, whose plight I mentioned to you!"

"Yet another?" gasped Petitpas, panic-stricken.

"Sst! Hé, Goujaud! Come here, you vagrant, and be entertaining!"

"Well met, you fellows!" sighed Goujaud. "Where are you off to?"

"We are going to give Miranda a drink," said the poet; "she is drier

than ever. Let there be no strangers--my brother Adolphe, my brother

Théodose! What is your secret woe, Théo? Your face is as long as this

Spaniard's novel, Adolphe, have you a recipe in your pocket for the

hump?"

"Perhaps monsieur Goujaud will join us in a glass of beer?" said

Petitpas very coldly.

"There are more unlikely things than that!" affirmed the painter; and

when the café was entered, he swallowed his bock like one who has a

void to fill. "The fact is," he confided to the group, "I was about to

celebrate the Réveillon on a bench. That insolent landlord of mine has

kicked me out."

"And you will not get inside," said Tricotrin, "'not you, nor I, nor

any other of your vagabond friends. So there!' I had the privilege of

conversing with your concierge earlier in the evening."

"Ah, then, you know all about it. Well, now that I have run across you,

you can give me a shakedown in your attic. Good business!"

"I discern only one drawback to the scheme," said Pitou; "we haven't

any attic. It must be something in the air--all the landlords seem to

have the same complaint."

"But if you decide in the bench's favour, after all, you may pillow

your curls on Miranda," put in Tricotrin. "She would be exhilarating

company for him, Adolphe, hein? What do you think?" He murmured aside,

"Give him a dig in the ribs and say, 'You silly ass, _I_ can fix

you up all right!' That's the way we issue invitations in Montmartre."

The clerk's countenance was livid; his tongue stuck to his front teeth.

At last, wrenching the words out, he groaned, "If monsieur Goujaud will

accept my hospitality, I shall be charmed!" He was not without a hope

that his frigid bearing would beget a refusal.

"Ah, my dear old chap!" shouted Goujaud without an instant's

hesitation, "consider it done!" And now there were to be three suppers,

three beds, and three little breakfasts, distorting the account!

Petitpas sipped his bock faintly, affecting not to notice that his

guests' glasses had been emptied. With all his soul he repented the

impulse that had led to his predicament. Amid the throes of his mental

arithmetic he recognised that he had been deceived in himself, that he

had no abiding passion for bohemia. How much more pleasing than to

board and lodge this disreputable collection would have been the daily

round of amusements that he had planned! Even now--he caught his

breath--even now it was not too late; he might pay for the drinks and

escape! Why shouldn't he run away?

"Gentlemen," cried Petitpas, "I shall go and fetch a cab for us all.

Make yourselves comfortable till I come back!"

When the café closed, messieurs Tricotrin, Goujaud, and Pitou crept

forlornly across the square and disposed themselves for slumber on the

bench.

"Well, there is this to be said," yawned the poet, "if the little

bounder had kept his word, it would have been an extraordinary

conclusion to our adventures--as persons of literary discretion, we can

hardly regret that a story did not end so improbably.... My children,

Miranda, good-night--and a Merry Christmas!"

A Chair on the Boulevard · 第 33 / 67 题