The apprentice slapped his leg. "I could have sworn it!"

"Hey?"

"Nay, question me not, master, for I cannot bring it to words. You tell

me that you knew him: and I--on the instant I clapped eyes on you it

seemed that somehow you were part of his world and somehow had belonged

to him. Nearer I cannot get, unless you tell me more."

"I knew him: to be sure, down in Warwickshire: but he has gone somedel

beyond my ken, living in London, you see."

"He goes beyond any man's kenning: he that has taught us to ken the

world with new eyes. I tell you, master,"--the apprentice stretched out

a hand,--"I go seeking him like one seeking a father who has begotten

him into a new world, seeking him with eyes derived from him. Tell

me----"

But the countryman was leaning over the gallery-rail and scanning the

pit again. He seemed a trifle bored by a conversation if not of less,

then certainly of other, wit than he had bargained for. Somebody had

drawn the curtains back from the stage, where the two lackeys who had

decked the balcony with lanterns were busy now with crowbars, levering

its wooden supports from their sockets.

"Sure," said he, musing, "they don't lift and pack away the stage every

night, do they? Or is this some new law to harass players?" He brought

his attention back to the apprentice with an effort. "If you feel that

way towards him, lad," he answered, "why not accost him? He walks

London streets; and he has, if I remember, a courteous, easy manner."

"If the man and his secret were one! But they are not, and there lies

the fear--that by finding one I shall miss the other and recover it

never. I cannot dare either risk: I want them both. You saw, this

afternoon, how, when the secret came within grasp, the man slipped

away; how, having taught us to know Falstaff as a foot its old shoe, he

left us wondering on a sudden why we laughed! And yet 'twas not sudden,

but bred in the play from the beginning; no, nor cruel, but merely

right: only he had persuaded us to forget it."

The countryman put up a hand to hide a yawn: and the yawn ended in a

slow chuckle.

"Eh? that rogue Falstaff was served out handsomely: though, to tell the

truth, I paid no great heed to the last scene, my midriff being sore

with laughing."

The apprentice sighed.

"But what is happening below?" the other went on impatiently. "Are they

taking the whole theatre to pieces?"

"That is part of the play."

"A whole regiment of workmen!"

"And no stage-army, neither. Yet they come into the play--not the play

you saw without understanding, but the play you understood without

seeing. They call it _The Phoenix_. Be seated, master, while I unfold

the plot: this hammering deafens me. The Burbages, you must know----"

"I knew old James, the father. He brought me down a company of players

to our town the year I was High Bailiff; the first that ever played in

our Guildhall. Though a countryman, I have loved the arts--even to the

length of losing much money by them. A boon fellow, old James! and yet

dignified as any alderman. He died--let me see--was it two year agone?

The news kept me sad for a week."

"A good player, too,"--the apprentice nodded,--"though not a patch upon

his son Richard. Cuthbert will serve, in ripe sententious parts that

need gravity and a good memory for the lines. But Richard bears the

bell of the Burbages. Well, Sir, old James being dead, and suddenly,

and (as you say) these two years come February, his sons must go suing

to the ground landlord, the theatre being leased upon their dad's life.

You follow me?"

The countryman nodded in his turn.

"Very well. The landlord, being a skinflint, was willing to renew

the lease, but must raise the rent. If they refuse to pay it, the

playhouse fell to him. You may fancy how the Burbages called gods and

men to witness. Being acquainted with players, you must know how little

they enjoy affliction until the whole town shares it. Never so rang

Jerusalem with all the woes of Jeremy as did City and suburb,--from

north beyond Bishopsgate to south along the river, with the cursings

of this landlord, who--to cap the humour of it--is a precisian, and

never goes near a playhouse. Nevertheless, he patched up a truce for

two years ending to-night, raising the rent a little, but not to the

stretch of his demands. To-morrow--or, rather, the day after, since

to-morrow is Christmas--the word is pay or quit. But in yielding this

he yielded our friends the counterstroke. They have bought a plot

across the water, in the Clink Liberty: and to-morrow, should he pass

this way to church, no theatre will be here for him to smack his

Puritan lips over. But for this hammering and the deep slush outside

you might even now hear the rumbling of wagons; for wagons there be, a

dozen of them, ready to cart the Muses over the bridge before midnight.

'Tis the proper vehicle of Thespis. See those dozen stout rascals

lifting the proscenium----"

The countryman smote his great hands together, flung back his head, and

let his lungs open in shout after shout of laughter.

"But, master----"

"Oh--oh--oh! Hold my sides, lad, or I start a rib.... Nay, if you keep

st-staring at me with that s-sol-ol-ol-emn face. Don't--oh, _don't_!"

"Now I know," murmured the apprentice, "what kind of jest goes down in

the country: and, by'r Lady, it goes deep!"

But an instant later the man had heaved himself upon his feet; his eyes

expanded from their creases into great O's; his whole body towered and

distended itself in gigantic indignation. "The villain! The nipcheese

curmudgeonly villain! And we tarry here, talking, while such things are

done in England! A Nabal, I say. Give me a hammer!" He heaved up an

enormous thigh and bestrode the gallery-rail.

"Have a care, master: the rail----"

"A hammer! Below there. A hammer!" He leaned over, bellowing. The gang

of workmen lifting the proscenium stared up open-mouthed into the foggy

gloom--a ring of ghostly faces upturned in a luminous haze.

Already the man's legs dangled over the void. Twelve, fifteen feet

perhaps, beneath him projected a lower gallery, empty but for three

tiers of disordered benches. Plumb as a gannet he dropped, and an

eloquent crash of timber reported his arrival below. The apprentice,

craning over, saw him regain his feet, scramble over the second rail,

and vanish. Followed an instant's silence, a dull thud, a cry from the

workmen in the area. The apprentice ran for the gallery stairs and

leapt down them, three steps at a time.

It took him, maybe, forty seconds to reach the area. There already,

stripped to the shirt, in a whirl of dust and voices, stood his friend

waving a hammer and shouting down the loudest. The man was possessed,

transformed, a Boanerges; his hammer, a hammer of Thor! He had caught

it from the hand of a douce, sober-looking man in a plum-coloured

doublet, who stood watching but taking no active share in the work.

"By your leave, Sir!"

"With or without my leave, good Sir, since you are determined to have

it," said the quiet man, surrendering the hammer.

The countryman snatched and thrust it between his knees while he

stripped. Then, having spat on both hands, he grasped the hammer and

tried its poise. "'Tis odd, now," said he, as if upon an afterthought,

staring down on the quiet man, "but methinks I know your voice?"

"Marry and there's justice in that," the quiet man answered; "for 'tis

the ghost of one you drowned erewhile."

Shakespeare's Christmas, and other stories · 第 21 / 44 题