MALT AND BREWERS.

The duty on malt from July 5, 1785, to the same day 1786, produced

a million and a half of money, from a liquor which invigorates the

bodies of its willing subjects to defend the blessings they enjoy,

while that from Stygian gin enervates and incapacitates.

One of the brewers (or Chevaliers de Malte, as an impertinent

Frenchman styled Humphrey Parsons, when the King of France inquired

who he was) within one year contributed fifty thousand pounds to

his own share. The sight of a great London brewery exhibits a

magnificence unspeakable. The vessels evince the extent of the trade.

Mr. Meux of Liquorpond Street can show twenty-four vessels containing

thirty-five thousand four hundred barrels of wholesome liquor,

which enables our London porter-drinkers to perform tasks that ten

gin-drinkers would sink under.

[38] This gentleman has been very properly baptized the _Herring

Poet_.

[39] It is directed to the Trunkmaker, and contains five enormous

folios, titled as follows:--_Lauder on Milton_. _Politics_, vol.

999. _Modern Tragedies_, vol. 12. _Hill on the Royal Society_, and

_Turnbull on Ancient Paintings_. The two last are worthy of a better

fate, for one has some wit, and the other many sensible remarks.

[40] It is not 400 years since a Baron of this realm was tried for

high crimes and misdemeanours, and one of the chief accusations

exhibited against him was, that he suffered himself to be carried

about his garden by two of his own species.

[41] It is said, I don't know upon what authority, to be intended as

a burlesque delineation of John Stephen Liotard, of whom Mr. Walpole

thus writes in p. 195 of his _Anecdotes_:--

"Devoid of imagination, and one would think of memory, he could

render nothing but what he saw before his eyes. Freckles, marks of

the small-pox, everything found its place; not so much from fidelity,

as because he could not conceive the absence of anything that

appeared to him."

This miserable personage may, however, be only intended to show the

state of the arts at that time, when an English painter, if not

excellent in portraits, had no other patronage than that of those

gentlemen who put out signs of Blue Lions, Green Dragons, and Red

Harts. Thanks to the talents of our immortal bard, it is not so now.

Whether the artists of the present day drain copious draughts of

humble porter, or fill their flagons with Falernian or French wines,

let not the memory of their patron poet be forgotten. "He merits all

their wonder, all their praise!"

[42] This wretched being was painted from nature. His cry was, "Buy

my ballads, and I'll give you a glass of gin for nothing."

[43] This _infernal broth_ is vulgarly called "Strip-me-naked," and

has almost invariably that effect.

[44] This is an unnatural and violent exaggeration.

[45] The church in view is _St. George's, Bloomsbury_. Ralph, in his

_Critical Review of the Buildings in London_, properly observes that

"this structure is ridiculous and absurd even to a proverb. That the

builder mistook whim for genius, and ornament for taste, and that

the execrable conceit of displaying a statue of the king on the top

of it excites laughter in the ignorant, and contempt in the judge of

architecture."

[46] Two of these harpies have names highly descriptive of their

professions--"Gripe" and "Killman."

[47] I hope I shall not be censured for inserting a quotation from

Fingal as the motto to an imitation of Rembrandt. Both poet and

painter delighted in darkness, and each of them sometimes introduced

a sublime and majestic figure, which beamed through the gloom "like

the new moon seen through a gathered mist, when the sky pours down

its flaky snow, and the world is silent and dark."

[48] This little winged periwinkle is engraven in a very different

style from the rest of the plate, much of which is a sort of _aquæ_

tint. Many impressions were taken off without this figure.

[49] On the blade is engraven a dagger, the arms of our metropolis.

[50] This has been generally thought intended for a portrait of

Hume Campbell, who, like some of his boisterous brethren of the

present day, distinguished himself by a sort of savage elocution more

consonant to Billingsgate than a court of law. Others have said it

was designed for Doctor William King, Principal of St. Mary Hall,

Oxford, and in proof of their assertion refer to an ascertained

portrait in Worlidge's view of "Lord Westmoreland's Installation,"

1761, to which it has a striking resemblance.

[51] On the scraps are inscribed, "We have found this man a pestilent

fellow, a mover of sedition among the Jews, ringleader of the sect,"

etc. etc. etc.

[52] While the plate remained in the hands of Mrs. Hogarth

impressions were sold at that price, but were afterwards reduced to

three shillings.

[53] With each infant was then sent some little memorial by which it

might be known at a future day. The following lines were written by

an unfortunate widow, and pinned to the breast of a child who was

received into the hospital:

"Go, gentle babe, thy future life be spent

In virtuous purity and calm content;

Life's sunshine bless thee, and no anxious care

Sit on thy brow, and draw the falling tear;

Thy country's grateful servant may'st thou prove,

And all thy life be happiness and love."

Some fifteen or sixteen years ago, a person of respectable appearance

went to the hospital, and requested to see the chapel, great room,

etc. He then desired to speak with the treasurer, to whom he

presented a ten-pound bank note, expressing a wish that it might be

recorded as a small but grateful memorial from the first orphan who

was apprenticed by the charity. He added, "I was that orphan, and in

consequence of the education I here received, have had the power of

acquiring an independence with integrity and honour."

[54] Several other pictures were presented to the hospital by the few

eminent painters who then lived in London.

"The donations in painting which several artists presented to the

Foundling Hospital were among the first objects of this nature which

engaged the public attention. The artists observing the effects that

these paintings produced, came, in the year 1760, to a resolution

to try the fate of a public exhibition of their works. This effort

had its desired effect. The public were entertained, and the artists

were excited to emulation."--_Strange's Inquiry into the Rise and

Establishment of the Royal Academy_, p. 63.

This gives Hogarth a right to be classed, if not among those who were

founders of the Royal Academy, as one of the first causes of its

establishment.

[55] Be this as it may, certain it is that the boy, who was

afterwards so great a Jewish legislator, bears a very strong

resemblance to the Egyptian princess. That the artist meant by this

family likeness to hint that he was of royal descent, I do not

presume to assert.

[56] The head is said to be copied from a youth of the name of

Seaton. The attitude and general air very much resemble that of

Delilah, in a picture painted by Vandyke, of Samson seized by the

Philistines, now in the Emperor's gallery at Vienna.

[57] These prints were promised to the subscribers sooner than they

could be completed; and in consequence of their being delayed, the

following advertisement was inserted in the _Public Advertiser_ of

February 28, 1757:--

"Mr. Hogarth is obliged to inform the subscribers to his Election

prints that the three last cannot be published till about

Christmas next, which delay is entirely owing to the difficulties

he has met with to procure able hands to engrave the plates: but

that he neither may have any more apologies to make on such an

account, nor trespass any further on the indulgence of the public

by increasing a collection already sufficiently large, he intends

to employ the rest of his time in portrait-painting; chiefly this

notice seems more necessary, as several spurious and scandalous

prints have lately been published in his name," etc.

This fretful appeal must have been written under the influence of

momentary spleen, which might possibly originate in his coadjutor's

disappointing, and by that means forcing him to violate his

engagements with the public. There is no other apology for his

indulging a thought of quitting that walk in which he indisputably

led, for another in which he must not only follow, but be far behind

some of his contemporaries.

[58] Sir George Saville saw this in its true light. One of the

supporters of the Bill of Rights being desirous of introducing Sir

George's name among the members of the society, made application to

the worthy Baronet for his permission to propose him. Sir George

declined the honour, and pleaded his engagements being so numerous

that he had not time to attend, etc. etc. "We do not expect your

attendance," replied his friend; "we do not expect your constant

attendance; but the sanction of your name would be a tower of

strength to the society; and as you see by the public prints, the

manner we conduct ourselves, and the business we do, you must

approve, I think you cannot refuse us your name." "I do not," said

Sir George, "make any objection to your conduct, which I have thought

very regular and systematic, but I really dislike the title you have

adopted; I observe that you meet, read a string of observations, and

then make a motion for adjourning to dinner in the next room; there

each man drinks his two bottles to most patriotic and constitutional

toasts. In the next paper appear advertisements, that on the

following Monday the supporters of the Bill of Rights will meet

again. Dinner on table precisely at four o'clock. You dine, and

drink your wine; your secretary gives us the same information in the

succeeding prints, and again adds, that--dinner will be on the table

precisely at four o'clock. All these circumstances induce me to think

you should alter your title; instead of 'Supporters of the Bill of

Rights,' call yourselves what you really are, 'Supporters of the Bill

of Fare!'"

[59] This has been pronounced, I know not upon what authority, to be

intended for the late Thomas Potter, Esq.

[60] In page 21 of a quarto pamphlet published in 1755, and entitled,

"The Last Blow, or an unanswerable vindication of the society of

Exeter College, being a reply to the Vice-Chancellor, Dr. King,

and the writers of the _London Evening Post_," is the following

paragraph:--

"The next character to whose merits we would do justice is the

Rev. Dr. C--ss--t (Cosserat). But as it is very difficult to

delineate this fellow in colours sufficiently strong and lively,

it is fortunate for us and the Doctor that Hogarth has undertaken

the task. In the print of 'An Election Entertainment,' the public

will see the Doctor represented sitting among the freeholders,

and zealously eating and drinking for the sake of the new

interest. His venerable and humane aspect will at once bespeak

the dignity and benevolence of his heart. Never did aldermen at

Guildhall devour custard with half such an appearance of love to

his country, or swallow ale with so much the air of a patriot.

These circumstances the pencil of Hogarth will undoubtedly make

manifest; but it is much to be lamented that his words also

cannot appear in this print, and that the artist cannot delineate

that persuasive flow of eloquence which could prevail upon

copyholders to abjure their base tenures and swear themselves

freeholders. But this oratory (far different from the balderdash

of Tully and Doctor King, concerning liberty and our country),

as the genius of mild ale alone could inspire, this fellow alone

could deliver."

[61] I think it is recorded in Mr. Joseph Miller's _Reports_, that

our British Solomon often asserted that scratching was too great a

luxury for a subject to enjoy.

[62] This woman was remarkable for performing at fairs, country

hops, etc. in the neighbourhood of Oxford, and known by the name of

Fiddling Nan.

[63] This is a portrait of the present Sir John Parnell, nephew to

the poet. He was introduced into this print by his own request,

declaring at the same time that, from his being so generally known in

Ireland, his face would help the sale of the engraving.

[64] It is supposed to be the portrait of an Oxford bruiser who went

by the name of Teague Carter.

[65] A mashing-tub seems a sufficiently capacious vessel, but sinks

to nothing when compared with a bowl which, it is recorded, was

filled with punch on the 15th of October 1694, at the expense of

Admiral Russel. The Admiral's punch was made in a fountain situated

in the centre of a large garden, the terminus to four long gravel

walks, canopied with orange and lemon trees. In each walk was a table

the length of the avenue, covered with a cold collation, consisting

of every luxury which the season produced; and in the basin of

the fountain, which the gallant seaman chose to call a little

basin, for the entertainment of a few friends, were the following

ingredients:--Four hogsheads of brandy, eight hogsheads of water,

twenty-five thousand lemons, twenty gallons of lime juice, thirteen

hundredweight of fine Lisbon sugar, five pounds of grated nutmegs,

three hundred toasted biscuits, and lastly, a pipe of dry mountain

Malaga. Over the fountain was erected a large canopy to keep off the

rain, and in a little boat, built for the purpose, a boy belonging to

the fleet rowed round the basin, and served this cordial beverage to

the company. More than six thousand men partook of this mighty bowl.

[66] This alludes to the alteration of the style in the year 1752, a

measure which gave great umbrage, and excited a violent clamour among

the advocates for old customs and adherents to ancient forms.

[67] Kirton was a tobacconist in Fleet Street, but injured his

circumstances and destroyed his constitution by his active zeal in

the Oxfordshire election of 1754.

[68] This is said to be intended for the late Duke of Newcastle,

his Grace having exerted all his influence in support of the

Naturalization Bill: the nose of the effigy gives some probability to

the conjecture.

[69] Under the portrait of a Mr. Cholmondeley of Vale Royal, in

Cheshire, engraved about the same time with these prints, are the

following quaint lines:

"In this plain garb a senator is shown,

Who never bought a vote, nor sold his own."

[70] This print undoubtedly gave the hint for a transaction in which

Punch was made the principal agent at a late Shaftesbury election.

[71] By the condescending humility of men of high rank, and the

aspiring ambition of men of no rank, they to all appearance become

equal at every general election. The following is one among the few

instances of an independent spirit in a candidate's address:--

"TO THE GENTLEMEN, CLERGY, AND FREEHOLDERS OF THE COUNTY OF YORK.

"GENTLEMEN,--I have had the honour to represent the county of

York in three successive Parliaments: I have been diligent in my

attendance, and have performed my duty with a clear and unbiassed

conscience. I have now an opposition declared against me, for

what reasons I do not know, except that I am not disposed to obey

the dictates of the associators at York. I do not wish to serve

you upon such terms. I will never go to Parliament in fetters;

nor did I, nor ever will I disguise my principles, which all go

to the support of our excellent constitution in Church and State.

I avow myself an enemy to tumults, sedition, and rebellion, and

will never support any but a British interest. Consistently with

that, I am a friend to the people, and am determined to preserve

my independency, yielding neither to any influence of ministers,

nor to any clamours of a faction.

"Upon these principles I shall esteem it a high honour to be

returned for this great county, and shall be thankful for your

support.--I am, gentlemen, etc.,

"EDWIN LASCELLES.

"_September 12, 1780._"

In Mr. Edmund Burke's speech to the electors of Bristol, on the 3d

of November 1774, he gave such cogent reasons for not signing any

engagement to obey in all cases the instructions of his constituents,

that I cannot resist the temptation of inserting an extract, for the

contemplation of those who are advocates of a contrary system:--

"Certainly, gentlemen, it ought to be the happiness and glory

of a representative to live in the strictest union, the closest

correspondence, and the most unreserved communication with his

constituents. Their wishes ought to have great weight with him; their

opinion high respect; their business unremitted attention. It is

his duty to sacrifice his repose, his pleasures, his satisfaction

to theirs; and above all, ever and in all cases to prefer their

interest to his own. But his unbiassed opinion, his mature judgment,

his enlightened conscience, he ought not to sacrifice to you, to any

men, or to any set of men living. These he does not derive from your

pleasure; no, nor from the law and the constitution. They are a trust

from Providence, for the abuse of which he is deeply answerable. Your

representative owes you not only his industry, but his judgment;

and he betrays instead of serving you, if he sacrifices it to your

opinion.

"My worthy colleague says his will ought to be subservient to

yours. If that be all, the thing is innocent. If government were a

matter of will upon any side, yours, without question, ought to be

superior. But government and legislation are matters of reason and

judgment, and not of inclination; and what sort of reason is that in

which the determination precedes the discussion, in which one set

of men deliberate and another decide, and where those who form the

conclusion are three hundred miles distant from those who hear the

argument?

"To deliver an opinion is the right of all men; that of constituents

is a weighty and respectable opinion, which a representative ought

always to rejoice to hear, and which he ought always most seriously

to consider. But authoritative instructions; mandates issued, which

the member is bound blindly and implicitly to obey, to vote, and to

argue for, though contrary to the clearest conviction of his judgment

and conscience; these are things utterly unknown to the laws of the

land, which arise from a fundamental mistake of the whole order and

tenor of our constitution.

"Parliament is not a congress of ambassadors from different and

hostile interests; which interests each must maintain, as an agent

and advocate against other agents and advocates; but Parliament is a

deliberative assembly of one nation, with one interest, that of the

whole; where not local purposes, not local prejudices ought to guide,

but the general good resulting from the general reason of the whole.

You choose a member, indeed; but when you have chosen him, he is not

a member of Bristol, but he is a member of Parliament. If the local

constituent should have an interest, or should form an hasty opinion,

evidently opposite to the real good of the rest of the community,

the member of that place ought to be as far as any other from any

endeavour to give it effect."

[72] In the year 1739 Admiral Vernon took Portobello with six ships

only. The public gratitude to him was boundless: he was sung in

ballads; at the ensuing general election in 1741 he was returned for

three different corporations; but above all, his portrait covered

every signpost; and he may be, figuratively, said to have sold the

ale, beer, and purl of all England for six years.

[73] This sign has a very whimsical appearance: it represents our

merry monarch in a great tree, enveloped in a black wig, decorated

with a point lace cravat, and environed with three crowns. Two

Parliamentary troopers, riding beneath the branches, do not perceive

that this faithless "Defender of the Faith," and so forth, is

immediately above them. This curious delineation is evidently copied

from some country sign, and gives a very exact representation of

one I remember to have seen in a village in Shropshire, with the

following _poetical_ inscription:--

"This oak, the glory of the wood, may well be called a royal thing,

For once upon its branches there perched a great king;

And while the king was perched upon the branches so high,

The Roundhead rebels under him they all passed by."

[74] When Ware the architect was told of this piece of satire, he

said the artist must be a very foolish fellow; for if he had painted

the coachman as a shorter man, or made him stoop, he might have

driven through the gateway with his head upon his shoulders.

[75] John Shoreditch, in the reign of Edward III., sued the county of

Middlesex (for which he was returned to Parliament) to recover his

wages. In some letters from the dead to the living, published about

the year 1761, one signed with his name concludes as follows:

"If I was now upon earth--either nobleman or commoner--I should

choose peace and quiet, both public and private: I should be

happy in preserving religion and morality among my countrymen,

instead of suborning them to take the oath falsely about bribery

and corruption; debauching their minds, by giving them money that

is of no use to their families, and keeping them in continual

drunkenness, that renders them incapable of serving themselves or

their country.

"To this I attribute the loss of that which was common in my

time, but in yours is found only in romances and novels--I mean

simplicity of manners among the country people. Rustic innocence

was then as common among the men as among the women; but there

is scarce any mode of vice or folly which is not at this period

equally known and practised by both sexes; and in the most

obscure villages to as great a degree as in the most polished

cities. Let us consider that a million of money was spent in

treats and bribery at the last general election; and if we take

into the calculation the contested elections, for some of which

there were three or four candidates, and the money that is spent

by their friends on these occasions, we shall not find the

computation too high. What place, then, will not the influence

of this immense sum extend to? Not even the smallest hamlet can

escape; and you may as well look for purity of manners, innocence

and simplicity, among the Capuans of old, or in your Covent

Garden, as in any place that an election guinea has found its way

to.--I am, etc."

[76] I am tasteless enough to prefer this to Garrick between Tragedy

and Comedy. From Hogarth the hint was indisputably taken; but

exquisite as is the face of Thalia, the countenance of the actor,

from the contention of two passions, has assumed a kind of idiotic

stare, of which our honest farmer has not an iota. In the true spirit

of Falstaff, he says, or seems to say, "D'ye think I do not know ye?

Ha! ha! ha! he! he! he!!"

[77] Swift boasted that he made it a rule never to give his voice

for the appointment of any man to any situation for which that man

was not better qualified than his opponent. Being once applied to

for his interest in the recommendation of a curate, because he was

a very good sort of man, though a very vile preacher, he said he

would willingly, if in his power, recommend him to be a bishop,

because that was a business in which preaching was not wanted, but

in a curate it was wanted every week. Being once asked by one of his

parishioners which of two candidates he would advise him to vote for

as a Parliament man, in a warmly contested Irish election, Swift

desired he would first consider what was the business of a Parliament

man; and secondly, which of the parties was best qualified for that

business; and then he would want no advice. If your vote, added he,

could make a lord or a duke, as they are people who need not do any

business at all, you might toss up a halfpenny, and vote for the man

who came up heads.

[78] By a letter we see out of his pocket, this appears to be Doctor

Shebbeare, who was put on the pillory, and confined in prison;

not for writing in the cause of his country, but for printing and

publishing the sixth letter to the people of England, in which

he most impudently and audaciously abuses George the First and

the present royal family. The Doctor frequently said in a public

coffeehouse, that he would have a pillory or a pension. In each of

these points he was gratified; Lord Mansfield complimented him with

the first, and Lord Bute rewarded him with the second. The honour he

enjoyed long ago, the emolument he died in the receipt of a very few

years since.

[79] The late Doctor Barrowby persuaded a dying man, that being much

better he might venture with him in his chariot to the hustings in

Covent Garden, to poll for Sir George Vandeput. The unhappy voter

took his physician's advice, and in less than an hour after his

return--expired.

[80] This sagacious-looking gentleman is said to be intended as a

portraiture of the late Bub Doddington, afterwards Lord Melcombe.

[81] It has been thought that this carries some allusion to a

circumstance which happened at the contested Oxfordshire election

in 1754, when an outrageous mob, in the old interest, surrounded a

post-chaise and attempted to throw it into the river; but Captain

T----, who was in the carriage, shot a chimney-sweeper that was a

ringleader in the assault, and his followers dispersed.

[82] About the year 1740, when party disputes ran very high, a

gentleman of superior talents and undeviating integrity offered

himself as a candidate for a town in the West of England. The first

person whose vote he solicited asked him if he was a Whig or a Tory?

"Neither," was the reply; "I profess myself a moderate man, and when

administration act right, will vote with them,--when wrong, against

them." "And be these really thy principles!" said the elector; "be

these really thy principles! Then thou shalt not have my vote; but

I'll give thee a piece of advice. Thou seest my door; it leads into

the street, the right-hand side of which is for the Tories, the left

for the Whigs; and for a cold-blooded moderate man like thee, there

is the kennel, and in it I advise thee to walk, for thee be'st not

decided enough for any other situation."

[83] This must indisputably be considered as the lawyer's mansion,

not merely because it has a better appearance than any house we have

seen in the foregoing prints, but because a parchment label, which

hangs out of an upper window where a clerk is writing, is inscribed

"Indintur." Had the artist thought it worth while to have consulted

Master Henry Dilworth, or any other eminent schoolmaster, this

orthography had been corrected.

[84] When many of those gentleman who had been very active in the

Revolution, and materially contributed to the success of our great

deliverer, applied to a nobleman high in office for the first places

in the State, he answered their requests by referring them to the

Roman history: "There," says he, "you will find that geese twice

saved the Capitol; but I never heard that those geese were made

Consuls."

[85] "Vermin" is a coarse phrase, but I think in a degree

appropriate. How similar are the effects attendant on a swarm of

pettifogging lawyers settling in a country town, to those resulting

from a swarm of noxious and destructive insects settling in a garden!

[86] A nobleman, whose name it is not necessary to record, was so

struck with the wit of this motto, that he had it inscribed upon a

common eight-day clock.

[87] The life of Andrew Marvel forms a fine contrast to the life

of a modern patriot. He was the son of a clergyman who resided

at Kingston-upon-Hull, in Yorkshire, at which town he was born

in the year 1624. His first appearance in public business was as

an assistant to John Milton, when that inspired poet was Latin

secretary to the Protector. A little before the Restoration he was

chosen representative for his native town, and afterwards re-elected

for the same place, and had a seat in that Parliament which began

at Westminster, May 8, 1661. In this station he discharged his

trust with the utmost fidelity, and always displayed a particular

regard for those by whom he was elected; for he regularly sent the

particulars of every proceeding in the House to the heads of the town

which he represented, and to these accounts always joined his own

opinion. This gained so much upon their affections, that they allowed

him an honourable pension during the whole time he sat in Parliament,

which was until his death. By his actions and writings he rendered

himself obnoxious to the ruling powers; notwithstanding which,

Charles the Second much delighted in his company. Having one evening

passed some hours with this good-humoured monarch, his Majesty next

morning sent Lord Treasurer Danby to find out his lodgings. Mr.

Marvel's apartments were up two pair of stairs, in a little court

in the Strand, where he was writing when the Lord Treasurer rather

abruptly opened the door. Surprised at so unexpected a visitor, Mr.

Marvel told his Lordship he believed he had mistaken his way. Lord

Danby replied, "Not, now I have found Mr. Marvel;" adding, "I come

with a message from his Majesty, who wishes to know what he can do to

serve you." "I know," replied Marvel, "the nature of courts too well

to lay myself under the obligation; for whoever is distinguished by

a prince's favours, is certainly expected to vote in his interest."

Lord Danby told him that his Majesty was sensible of his merits, and

on that account alone desired to know if there were any place at

Court which he would be pleased with. These offers, though urged with

the greatest earnestness, had no effect. He told the nobleman, that

to accept them with honour was impossible; because, added he, "I must

either be ungrateful to the King in voting against him, or false to

my country in giving in to the measures of the Court. The only favour

therefore which I beg of his Majesty is, that he will esteem me to be

as dutiful a subject as any he has; and more in his proper interest

by refusing these offers than if I had accepted them." The Lord

Danby, finding that no argument would prevail, told him that the King

had ordered him a thousand pounds, which he requested him to receive

as a token of royal favour. This last offer was rejected with the

same stedfastness as the first, though, soon after the Lord Treasurer

was gone, he was under the necessity of sending to a friend to borrow

a guinea. The greatest temptations of riches or honours could never

bribe him to depart from what he thought the interest of his country,

neither could the most imminent dangers deter him from pursuing it.

He died, not without strong suspicions of being poisoned, August the

16th, 1678, in the fifty-eighth year of his age, and was interred in

the Church of St. Giles' in the Fields. Highly to the honour of the

inhabitants of Kingston-upon-Hull, they in the year 1683 contributed

a sum of money for a monument to the memory of this best of men and

most incorruptible of senators; but the then minister of St. Giles'

forbade its being erected in that church, on account of the following

epitaph which was inscribed on it:--

"Near this place lieth the body of Andrew Marvel, Esq., a man so

endowed by nature, so improved by education, study, and travel;

so consummated by experience and learning, that joining the most

peculiar graces of wit with a singular penetration and strength

of judgment, and exercising all these in the whole course of his

life with unalterable steadiness in the ways of virtue, he became

the ornament and example of his age; beloved by good men, feared

by bad, admired by all, though imitated, alas, by few, and scarce

paralleled by any. But a tombstone can neither contain his character,

nor is marble necessary to transmit it to posterity; it is engraved

in the minds of this generation, and will be always legible in his

inimitable writings. Nevertheless, he having served near twenty years

successively in Parliament, and that with such wisdom, dexterity,

integrity, and courage as became a true patriot, the town of

Kingston-upon-Hull, from whence he was constantly returned to that

assembly, lamenting in his death the public loss, have erected this

monument of their grief and gratitude.

"Heu fragile humanum genus! Heu terrestria vana!

Heu quem spectatum continet urna virum!"

In Mr. Mason's animated _Ode to Independency_, the dignified virtue

of this truly patriotic character is described

"In thoughts that breathe, and words that burn."

[88] "Such were the words of the bards in the days of song, when the

king heard the music of harps, and the tales of other times."--_Songs

of Selma_, p. 302.

[89] In the early impressions it is spelt _Prusia_. It has been said

with great confidence, that after twenty-five were worked off, this

error in orthography was discovered and amended. I have seen at least

fifty, and think it probable that all which were subscribed for were

delivered before any alteration was made in the spelling.

[90] This word is explained in the _Slang Dictionary_ as a cant

expression for the threat of a blow.

[91] The fifer is designed for the portrait of a young lad who was

much noticed by the late William Duke of Cumberland; and who, from

the propriety of his conduct, was first rewarded with a halberd, and

afterwards promoted to a pair of colours.

[92] This is said to be the portrait of a fellow known by the name

of Jockey James, a most frequent attendant on the nursery for

bruising, under the management of the mighty Broughton. Jockey had

a son who rendered himself eminent by boxing with Smallwood, and

many other athletic pugilists. The French pieman, grenadier, and

chimney-sweeper, are also taken from the life, and said, by those

who recollect their persons, to be very faithful resemblances of the

persons intended.

[93] This gentleman displays the great difference between _an_

officer, and _a officer_: he comes under the latter description.

[94] This is Mr. Thornton's remark, and rather too severe. Lord North

once declared in the House of Commons that he saw no harm in the

officers of the Guards. "They have nothing to do," added he, "but

walk in the park, kiss the nursery-maids, and drink the children's

milk."

[95] This figure is introduced in the very curious print of

"Enthusiasm Delineated," and in the eleventh print of "Industry and

Idleness," and was designed as a portrait of Mother Douglass of the

Piazza.

[96] Lavater's character of this people is not exactly similar to

Hogarth's delineation; it is, however, curious: "The form of a

Frenchman is different from that of all other nations, and difficult

to describe in words. No other man has so little of the firm or

deep traits, or so much motion. He is all appearance, all gesture;

therefore the first impression seldom deceives, but declares who and

what he is. His imagination is incapable of high flights; and the

sublime in all arts is to him offence. Hence his dislike of whatever

is antique in art or literature, his deafness to true music, his

blindness to the highest beauties of painting. His last most striking

trait is, that he is astonished at everything, and cannot imagine how

it is possible men should be any other than they are at Paris."

[97] Among the number of ingenious allusions which the seekers of

Hogarth's meanings have pointed out, I have never heard it remarked

that the standard waves immediately over this under-sized hero, who

is consequently _under the standard_!

[98] Let not the reader imagine that this quotation alludes to

the Duke's ponderous equestrian statue in Cavendish Square. That

glittering monument of burnished brass bears no very striking

resemblance to either an angel or a fiery Pegasus. It must, however,

be considered as a monument of the taste, vanity, and gratitude of

Colonel Salter.

[99] Grotesque delineations have more influence upon the populace

than the philosopher is apt to imagine. Sir Robert Walpole inspected

every political print and political ballad that was published,

and said that from these vulgar effusions he could form a certain

judgment of the genuine spirit and local prejudices which actuated

the multitude.

[100] Election is, I believe, in its general sense, the act of

choosing. We see by the application of the word in this book, it was

not then confined to choosing a member of Parliament, but applied

indiscriminately to either bird or beast.

[101] This is mere conjecture; but from Jackson the humpbacked

jockey, and some other sedate personages who were present, I think it

is more likely to be designed for that place than any other.

[102] A man of rank with these plebeian propensities might in the

year 1759 be considered as a phenomenon: in this age of elegant

accomplishment and universal refinement, the thing is common. We

now see men of family and fortune ambitious of becoming umpires in

battles between Big Ben and the Ruffian!

[103] The "March to Finchley."

[104] When Garrick first came on the stage, and one very sultry

evening in the month of May performed the character of Lear, he in

the first four acts received the customary tribute of applause. At

the conclusion of the fifth, when he wept over the body of Cordelia,

every eye caught the soft infection--the big round tear ran down

every cheek. At this interesting moment, to the astonishment of

all present, his face assumed a new character, and his whole frame

appeared agitated by a new passion: it was not tragic, for he was

evidently endeavouring to suppress a laugh. In a few seconds the

attendant nobles appeared to be affected in the same manner; and

the beauteous Cordelia, who was reclined upon a crimson couch,

opening her eyes to see what occasioned the interruption, leapt

from her sofa, and with the majesty of England, the gallant Albany,

and tough old Kent, ran laughing off the stage. The audience could

not account for this strange termination of a tragedy in any other

way than by supposing the _dramatis personæ_ were seized with a

sudden frenzy; but their risibility had a different source. A fat

Whitechapel butcher, seated on the centre of the front bench in the

pit, was accompanied by his mastiff, who being accustomed to sit on

the same seat with his master at home, naturally thought he might

enjoy the like privilege here. The butcher sat very back, and the

quadruped finding a fair opening, got upon the bench, and fixing his

fore-paws on the rail of the orchestra, peered at the performers

with as upright a head and as grave an air as the most sagacious

critic of his day. Our corpulent slaughter-man was made of melting

stuff, and not being accustomed to a playhouse heat, found himself

much oppressed by the weight of a large and well-powdered Sunday

peruke, which, for the gratification of cooling and wiping his head,

he pulled off, and placed on the head of his mastiff. The dog being

in so conspicuous, so obtrusive a situation, caught the eye of Mr.

Garrick and the other performers. A mastiff in a churchwarden's

wig (for the butcher was a parish officer) was too much: it would

have provoked laughter in Lear himself, at the moment he was most

distressed; no wonder, then, that it had such an effect on his

representative.

[105] In the second canto of a poem entitled _The Gamblers_, are the

following notes:--

"By the cockpit laws, the man who cannot or who will not pay his

debts of honour, is liable to exaltation in a basket."

"Stephen's exaltation in a basket, and his there continuing to bet

though unable to pay, is taken from a scene in one of Hogarth's

prints, humorously setting forth that there are men whom a passion

for gaming does not forsake, even in the very hour that they stand

proclaimed insolvents."

[106] Frequently called Deptford Nan, and sometimes dignified with a

title--Duchess of Deptford! She was a famous cock-feeder, well known

at Newmarket, and did the honours of the gentlemen's ordinary at

Northampton, while a bachelor presided at the table appropriated to

the ladies.

[107] A small print published in the year 1732, of which there are

three copies.

[108] I have inserted the name of Gay on the authority of Mr.

Nichols' _Anecdotes_, in page 177 of which is the following remark

from a correspondent:--

"That Pope was silent on the merits of Hogarth (as one of your

readers has observed) should excite little astonishment, as our

artist's print on the South Sea exhibits the translator of Homer in

no very flattering point of view. He is represented with one of his

hands in the pocket of a fat personage, who wears a horn-book at his

girdle. For whom this figure was designed is doubtful; perhaps it was

meant for Gay, who was a fat man, and a loser in the scheme, etc.

The horn-book he wears at his girdle perhaps refers to the fables he

wrote for the Duke of Cumberland. The conclusion to the inscription

under this plate--'Guess at the rest, you'll find out more'--seems

also to imply a consciousness of such personal satire as it was not

prudent to explain."

The conjecture that this is designed for Gay is fair, but I think not

quite conclusive. Hogarth would not have represented the translator

of Homer diving into the coat pocket of a brother bard for coin, and

Gay could not be robbed of anything else. May not the label with

A--B--, etc., be intended to point out Arbuthnot: he also was a fat

man, and so careless of fame, that he suffered Pope, and some other

eminent contemporary authors, to plunder him of the best part of his

writings, which they afterwards modestly published as their own;

_vide_ a very large portion of _Martinus Scriblerus_, particularly

Pope's own edition, published in 1742.

Pope is again introduced in a print published about the year 1728,

entitled "Rich's Glory, or The Triumphant Entry into Covent Garden,"

improperly said to be the production of Hogarth.

[109] This satire is wound up with a well-turned apology for the

folly, but even here a dart must be hurled at the Duke.--The dart

recoils, and returns to him who threw it; for although his Grace was

vainly ostentatious, and absurdly extravagant, he was kind-hearted

and beneficent to a fault:--

"Yet hence the poor are cloth'd, the hungry fed:

Health to himself, and to his infants bread,

The lab'rer bears: what his hard heart denies,

His charitable vanity supplies.

Another age shall see the golden ear

Embrown the slope, and nod on the parterre;

Deep harvests bury all his pride has plann'd,

And laughing Ceres re-assume the land."

It is a singular circumstance that the prophecy in the last four

lines (for a prophecy it must be called) should be fulfilled, I had

almost said in the poet's lifetime. A very few years after his death,

when Hallet the upholsterer purchased Canons, the park was ploughed

up and sown with corn.

I have somewhere seen an epigram, written soon after the publication

of this epistle:--

"What Chandos builds let Pope no more deride,

Because he took not Nature for his guide,

Since, mighty Bard--in thy own form we see

That nature may mistake, as well as he."

[110] We have amateurs of boxing, and why not of cock-fighting?

[111] This noble diversion may with more propriety be called royal

in India than in England, for it is not peculiar to Great Britain,

neither is it confined within the narrow boundaries of Europe. In

a picture which Mr. Zoffani designed from nature, he has exhibited

the Nabob of Oude, and a crowd of his courtiers, dressed in their

robes of state surrounding a cockpit. The Asiatic Sovereign, his

brother, and his attendants, display as much eagerness for gain, and

rapacity of physiognomy, as is to be seen in the most notorious of

our Newmarket gamblers.

[112] Throwing at cocks on this day is, I hope and believe, a less

prevalent custom than it once was. Our ancestors must have formed

strange notions of the duties that were acceptable to the Deity on

commencement of Lent, when they set apart the eve as a proper time

for the martyrdom of this inoffensive animal.

[113]

"Wilt thou draw near the nature of the gods,

Draw near them then in being merciful;

Sweet mercy is nobility's true badge."

[114] "A beautiful Diana, with her trussed-up robes, the crescent

alone wanting, stands on the high altar to receive homage in the

character of St. Agnes, in a pretty church dedicated to her (_fuor

della Porte_), where it is supposed she suffered martyrdom: and why?

Why, for not venerating that very goddess Diana, and for refusing to

walk in her procession at the new moons, like a good Christian girl.

Such contradictions put one from oneself, as Shakspeare says."--Mrs.

Piozzi's _Letters_.

[115] A catalogue of the massacres, slaughters, and assassinations

which have taken place for little differences of opinion, would fill

a library. Superstition has been the general cause of man destroying

man.

[116] The infatuation of the lower order of the people during the

drawing of a lottery is hardly to be conceived. They cannot consult

Virgil, but they consult every star in the firmament, and every male

and female astrologer in the parish, to find out lucky numbers.

Figures chalked on the wall, and dreams, have great credit; and much

respect is paid to the year of their birth, a husband's or wife's

death, etc. etc. The destructive consequences of this thirst for

divination it is not necessary to enumerate,--they are recorded in

the annals of Bethlehem Hospital and the Newgate Calendar.

[117] A field preacher in one of the provinces, from the strength of

his lungs and length of his extemporary harangues, being for some

months attended by a more numerous congregation than the parson of

the parish, began to think himself the more orthodox man. Fraught

with this idea, he one Sunday evening went to the vestry-room, waited

until the service concluded, and then very rudely attacked the

clergyman, telling him he came to convince him, to confound him, and

to convert him by the word! This was followed by the recital of a

thousand texts from various parts of the Holy Scriptures, so combined

as to prove whatever he wished; and concluded by, "This is all from

the Bible, and by the Bible I desires to abide.--Answer me by the

same book." The clergyman being a man of some humour, after hearing

him with much patience, very coolly asked this labourer in the

vineyard if he recollected a text in the book of Kings, where it is

written, "Then Ahithophel set his house in order, and went and hanged

himself." "Certainly," replied the man, "I know it to be scripture."

"Good," added the divine; "examine the Gospel of St. Luke, and you

will find it written, 'Go and do thou likewise.' This I earnestly

recommend, and so farewell."

[118] "Some witches, examined and executed at Mohra, in Sweden, in

1670, confessed that the devil gives them a beast about the bigness

and shape of a young cat, which they call a carrier, etc."--Glanville

_On Witches_, p. 494.

"For their being sucked by their familiar, we know so little of

the nature of demons and spirits, that it is no wonder we cannot

certainly divine the reason of so strange an action. And yet we

may conjecture at some things that may render it less improbable.

For some have thought that the Genii (whom both the Platonic and

Christian antiquity thought embodied) are re-created by the reeks and

vapours of human blood, and the spirits that proceed from them: which

supposal (if we grant them bodies) is not unlikely, everything being

refreshed and nourished by its like. And that they are not perfectly

abstracted from all body and matter; besides the reverence we owe

to the wisest antiquity, there are several considerable arguments

I could allege to render it probable: which things supposed, the

devil's suckling the sorceress is no great wonder, nor difficult to

be accounted for. Or perhaps this may be only a diabolical sacrament

and ceremony to confirm the hellish covenant."--_Glanville_, p. 10.

In the above, and any future quotations I may find it necessary to

make from this great and sagacious author, I beg it may be observed

that I quote from the fourth edition, published in 1726.

[119] Master Lilly remarketh that angels (and he must unquestionably

mean to include fallen angels) very rarely speak unto any

one; but when they do, it is like the Irish--very much in the

throat.--_Lilly's Life_, p. 88.

[120] Curses are not peculiar to one church; John Boys, D.D., Dean of

Canterbury, 1629, educated at Clare Hall, in Cambridge, was famous

for his postils in defence of our liturgy, and was also much esteemed

for his good life. He gained great applause by turning the Lord's

Prayer into the following execration, when he preached at Paul's

Cross:--"Our Pope which art in Rome, cursed be thy name; perish may

thy kingdom; hindered may thy will be, as it is in heaven, so in

earth. Give us this day our cup in the Lord's Supper, and remit our

monies which we have given for thy indulgences, as we send them back

unto thee; and lead us not into heresy, but free us from misery, for

thine is the infernal pitch and sulphur, for ever and ever. Amen."

[121] "Several of the female devotees have waxen images in their

hands. Master Glanville observeth that the devil frequently bringeth

unto witches a waxen picture, which they, having christened it by

the name of the person they wish to torment, thrust pins into;

using these words as they perform their ceremonies, _Thout tout,

a tout, tout, throughout and about.--Rentum, tormentum, etc.

etc._"--_Glanville_, p. 297.

How wonderful has Shakspeare appropriated these idle tales in his

tragedy of _Macbeth_! He did not build upon the fables of Greece

and Rome; but leaving the mob of heathen deities to range over the

classic ground which gave them birth, leaving those writers who draw

all their supplies from the fountain of antiquity to take their

copious draughts unmolested, he adopted the creed of his own nation,

and on the dim legends of superstition, and oral traditions of

credulity, raised a superstructure which has stood the test of ages,

become more admired as it has been more minutely examined, and is now

gazed at with an almost idolatrous veneration.

[122] The influence of these men is astonishing. They have the mind,

body, and outward estate of their proselytes under their absolute

direction; all their assertions are considered as prophecies, and

every request has the force of a command.

Men seem to have a natural tendency to a belief in divination; and

we have many instances where the commanders of armies have made

great use of this easy faith. When Cromwell was in Scotland, a

soldier stood with Lilly's _Almanac_ in his hand, and as the troops

passed him, roared out, "Lo! hear what Lilly saith: you are promised

victory! Fight it out, brave boys; and when you have conquered--read

the month's prediction."

[123] Whosoever wisheth to know more of this Surrey Semiramis and her

brood of rabbits, may consult the _Memoirs of M. St. Andre_, and some

twelve or fifteen ingenious pamphlets, published about the year 1726,

at which time a number of surgeons subscribed a guinea each to Mr.

Hogarth, for a print from a whimsical design he had previously made

on this very philosophical subject.

[124] The figure is, I believe, intended for the boy of Bilson,

who, with an ostrich-like appetite, swallowed as many tenpenny

nails as would have furnished a petty ironmonger's shop. This young

gentleman, who in his day deceived a whole county, was only thirteen

years of age. His extraordinary fits, agitations, and the surprising

distempers with which he seemed to be afflicted, induced those who

saw him to believe he was bewitched, and possessed with a devil.

During the time he was in fits, he appeared both deaf and blind;

writhing, groaning, and panting; and although often pinched, pricked

with needles, tickled, severely whipped, and otherwise corrected,

never seemed sensible of what was done to him. When he was thought

to be out of his fits, he digested nothing that was given him for

nourishment, but would often astonish those present by bringing up

thread, straw, crooked pins, nails, needles, etc. At this period

his throat swelled, his tongue grew rigid, and he appeared to be

incapable of speaking.

This juvenile impostor accused a poor honest industrious old woman

of witchcraft, and asserted that she had bewitched him. By his

artful behaviour when she was brought into the room where he was, he

raised in the minds of those about him a strong presumption of his

accusations being founded. Under these impressions, the woman was

tried at Stafford assizes, but the jury had sense enough to acquit

her. By the judge's recommendation, the boy was committed to the care

of the Bishop of Lichfield and Coventry, who happened to be present

in court. His Grace took him to his palace at Eccleshall, and there,

having the previous advice of several physicians, intended to try the

effect of severity; but being in the meantime informed that the boy

always fell into violent agitations upon hearing that verse of St.

John's Gospel, "In the beginning was the Word," etc., resolved to try

another experiment. Assuming a grave and austere countenance, he thus

addressed him:--

"Boy, it is either thou thyself or the devil that abhorrest these

words of the Gospel; and if it be the devil, there is no doubt of his

understanding all languages, so that he cannot but know and show his

abhorrence when I recite the same sentence out of the Gospel in the

Greek text; but if it be thyself, then thou art an execrable wretch,

who playest the devil's part in loathing that portion of the Gospel

of Christ, which above all other scripture doth express the admirable

union of the Godhead in one Christ and Saviour, which union is the

arch pillar of man's salvation. Wherefore look unto thyself, for now

thou art to be put unto trial, and mark diligently whether it be

the same scripture which shall be read unto thee out of the Greek

Testament, at the reading whereof in the English tongue thou dost

seem to be so much troubled and tormented."

This experiment succeeded, for neither the boy nor the devil

understood the Greek version.

[125] It was deemed an approved remedy for witchcraft, to put a small

wax model of any one under this baneful influence into a quart bottle

with water, cork it up to confine the spirit, and place it before the

fire. Notwithstanding all these precautions, the spirit sometimes

forced the cork, and cast the contents of the bottle a considerable

height.

[126] Of the writings of this paragon of English monarchs--so wise

that he was called the Solomon of Great Britain--it has been truly

said, "They are to be found in chandlers' shops even unto this day."

[127] A very grave historian relates, that the ghost of Sir George

Villiers appeared to one who had been his servant, charging him to

inform his son of the plan laid to destroy him! The servant obeyed

his instructions, and informed his Grace, but the Duke wanted

faith--was negligent--and was assassinated: though it does not seem

probable that the crazed enthusiast who committed the murder had

sufficient coherence of mind to lay any regular plan.

[128] Drelincourt's _Defence against the Fears of Death_ is well

written; and in the confidence that a translation would sell, the

bookseller struck off a very large impression. They lay undisturbed

in his warehouse until Daniel Defoe added this ridiculous narrative,

which carried the book through one-and-twenty editions.

[129] This drummer was in the early part of his life a trooper in

Cromwell's army; and as almost all this regiment of saints considered

themselves in St. Paul's dragoons, our drummer occasionally

preached, exhorted, and expounded. When the Parliamentary army

was disbanded, or put under other commanders, the manners of the

people had a sudden and violent change; extreme strictness was

succeeded by universal dissipation, and the whole nation displayed

their abhorrence of their late rulers, and loyalty to their new

sovereign, by general licentiousness. A drum beat to a psalm tune

would no longer attract an audience; but still it was a favourite

instrument, and our heroic trooper, being free from military

engagements, drummed his way through the kingdom with a forged pass.

Happening to beat up in the neighbourhood of Tedworth, he attracted

the notice of a Mr. Mompesson, who seized the martial instrument,

and punished the bearer. From that time his ears were assailed by a

perpetual drumming, and his house for two or three years haunted by

apparitions. It attracted the notice of several of the neighbouring

clergy, and his Majesty Charles the Second, wishing to be satisfied

about every particular, sent down a number of persons to converse

with this noisy spirit; but during the time they stayed no spirit

appeared, neither was the sound of a drum heard. Notwithstanding

this, poor dub-a-dub was tried at Salisbury assizes, found guilty of

being a wizard, and luckily escaped with only transportation for life.

Upon this story was founded Addison's play of _The Drummer, or

the Haunted House_, which has too much good sense to be generally

relished at the theatres.

The Cock Lane ghost was engaged in scratching and hammering a very

short time before the plate was published. This ridiculous imposture

attracted the notice of many respectable characters. That one man,

whose writings are a mirror of truth and philosophy, and whose life

was an honour to human nature, should be so far under the influence

of superstition as to attend this nocturnal nonsense, draws a pitying

sigh.

[130] On the late John Wesley's particular opinions I do not presume

to make any comment; but his zealous and unremitting exertions in

what he deemed a good cause, added to the primitive simplicity of his

manners, entitled him to high respect.

Mr. Glanville was the patriarch of witchcraft, and therefore a very

proper high priest in the temple of credulity. As his book gained

him a good benefice, and as a number of his proselytes consider

_Sadducismus Triumphatus_ entitled to equal credence with holy writ,

I have subjoined a few extracts for the edification of those who may

not think the volume from which they are taken worth perusal. It

abounds with examples of barbarity, flowing from a blind and bigoted

credulity, at which human nature shudders.

A relation of the strange witchcraft, discovered in the village of

Mohra, in Swedeland, about the year 1670:--

"The news of this witchcraft coming to the king's ear, his Majesty

was pleased to appoint commissioners, some of the clergy and some of

the laity, to make a journey to the town above mentioned to examine

the whole business. The commissioners met on the 12th of August at

the parson's house, and to them the minister and several people

of fashion complained, with tears in their eyes, of the miserable

condition they were in, and therefore begged of them to think of some

way whereby they might be delivered from that calamity. They gave the

commissioners very strange instances of the devil's tyranny among

them: how, by the help of witches, he had drawn some hundreds of

children to him, and made them subject to his power; how he hath been

seen to go in a visible shape through the country, and appeared daily

to the people; how he had wrought upon the poorer sort, by presenting

them with meat and drink, and this way allured them to himself;

with other circumstances to be mentioned hereafter. They therefore

begged of the Lords Commissioners to root out this hellish crew, that

they might regain their former rest and quietness; and the rather,

because the children, which used to be carried away in the country

or district of Esdaile, since some witches had been burnt there,

remained unmolested.

"Examination being made, there were discovered no less

than three-score and ten witches in the village aforesaid;

three-and-twenty of which, freely confessing their crimes, were

condemned to die; the rest, one pretending she was with child, and

the others denying, and pleading not guilty, were sent to Faluna,

where most of them were afterwards executed.

"Fifteen children, which likewise confessed they were engaged in

this witchery, died as the rest; six-and-thirty of them, between

nine and sixteen years, who had been less guilty, were forced to

run the gauntlet: twenty more, who had no great inclination, yet

had been seduced to these hellish enterprises, because they were

very young, were condemned to be lashed with rods upon their hands

for three Sundays together, at the church door; and the aforesaid

six-and-thirty were also doomed to be lashed this way once a week

for a whole year together. The number of seduced children was

about three hundred, etc. The above narrative is taken out of

the public register, where all this, with more circumstances, is

related."--_Glanville_, p. 494.

"At Stockholm, in the year 1676, a young woman accused her mother of

being a witch, and swore positively that she had carried her away at

night; whereupon both the judges and ministers of the town exhorted

the old woman to confession and repentance. But she stiffly denied

the allegations, pleaded innocence; and though they burnt another

witch before her face, and lighted the fire she was to burn in before

her, yet she still justified herself, and continued to do so till

the last; and remaining obstinate, was burnt. A fortnight or three

weeks after, her daughter, who had accused her, came to the judges

in open court (weeping and howling), confessed that she had accused

her mother falsely, out of a spleen she had against her for not

gratifying her in a thing she desired, and had charged her with a

crime of which she was perfectly innocent. Hereupon the judges gave

orders for _her_ immediate execution."--Horneck's _Introduction to a

Narrative of Witchcraft, etc._--_Glanville_, p. 481.

These are the horrid effects of credulity. For the dreadful

devastations made among the human race by superstition, we may read

the history of the Inquisition. Among myriads of examples, I was much

struck by the following:--

"Along with the Jews that were to be burnt at an _auto-da-fe_,

there was a girl not seventeen years of age, who, standing on that

side where the queen sat, petitioned for mercy. She was wonderfully

pretty; and looking at the queen, while her eyes streamed with tears,

in a most pathetic tone of voice exclaimed, 'Will not the presence

of my sovereign make an alteration in my fate? Consider how short a

period I have lived, and that I suffer for adherence to a religion

which I imbibed with my mother's milk. Mercy! mercy! mercy!' The

queen turned away her eyes,--was evidently moved by compassion,

but--durst not ask the holy fathers for even a respite."--_M.

d'Aunoy_, p. 66.

What unlimited power! A queen dares not intercede for the pardon of

a young girl, guilty of no other crime than adhering to the faith of

her ancestors!

One of the most shocking circumstances that attend these consecrated

murders, is the indulgences which the Roman pontiffs have attached

to the executioners. Those who lead the poor condemned wretches to

the fire, and throw them into the flames, gain indulgences for one

hundred years. They who content themselves with only seeing them

executed, obtain fifty. What horror! The most detestable crimes, the

most unnatural cruelties, are made a means of obtaining pardons from

the God of mercy!

[131] Whitfield's _Hymns_, p. 130.

[132] See Mr. Burke's pamphlet on the French Revolution.

[133] This is a fair representation of what the Guards were then. The

highly-disciplined troop commanded by his Royal Highness of York defy

satire.

[134] See John Wilkes' history of the man after God's own heart.

[135] Hogarth seems to have thought that Mr. Pitt wished to be a

perpetual dictator; and, in truth, the Secretary's own assertion in

some degree justified the supposition: "He would not be responsible

for measures which he was no longer allowed to guide." Whether the

artist was right or wrong in his opinion, I do not presume to assert:

I have endeavoured to describe characters as he has delineated them;

but with respect to this great man, the safest way will be to quote

his contemporaries. I have subjoined two portraits, drawn in his

own day; let the reader adopt that which pleases him best. They

prove how difficult it is to ascertain what were the abilities of a

statesman from any accounts given during his life. One party assert

that Mr. Pitt unites, with the eloquence of Cicero and the force of

Demosthenes, the conciseness of Sallust and the polished periods of

Isocrates! Another,--but to extract a part is not doing justice to

the writers.

Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 2 (of 3) · 第 136 / 202 题