THE KING IN HIS BEAUTY

'Thou art fairer than the children of men; grace is poured into Thy

lips: therefore God hath blessed Thee forever. 3. Gird Thy sword

upon Thy thigh, O mighty one, Thy glory and Thy majesty. 4. And in

Thy majesty ride on prosperously, because of truth and meekness and

righteousness: and Thy right hand shall teach Thee terrible things.

5. Thine arrows are sharp; the peoples fall under Thee; they are in

the heart of the King's enemies. 6. Thy throne, O God, is for ever

and ever: a sceptre of equity is the sceptre of Thy kingdom. 7. Thou

hast loved righteousness, and hated wickedness: therefore God, Thy

God, hath anointed Thee with the oil of gladness above Thy fellows.'

--PSALM xlv. 2-7 (R.V.).

There is no doubt that this psalm was originally the marriage hymn of

some Jewish king. All attempts to settle who that was have failed, for

the very obvious reason that neither the history nor the character of

any of them correspond to the psalm. Its language is a world too wide

for the diminutive stature and stained virtues of the greatest and best

of them, and it is almost ludicrous to attempt to fit its glowing

sentences even to a Solomon. They all look like little David in Saul's

armour. So, then, we must admit one of two things. Either we have here a

piece of poetical exaggeration far beyond the limits of poetic license,

or 'a greater than Solomon is here.' Every Jewish king, by virtue of his

descent and of his office, was a living prophecy of the greatest of the

sons of David, the future King of Israel. And the Psalmist sees the

ideal Person who, as he knew, was one day to be real, shining through

the shadowy form of the earthly king, whose very limitations and

defects, no less than his excellences and his glories, forced the devout

Israelite to think of the coming King in whom 'the sure mercies'

promised to David should be facts at last. In plainer words, the psalm

celebrates Christ, not only although, but because, it had its origin and

partial application in a forgotten festival at the marriage of some

unknown king. It sees Him in the light of the Messianic hope, and so it

prophesies of Christ. My object is to study the features of this

portrait of the King, partly in order that we may better understand the

psalm, and partly in order that we may with the more reverence crown Him

as Lord of all.

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