XXXIX

A vision of majestic buildings, vast, stately and gigantic!----of

streets crowded with men and women in white and coloured garments

adorned with jewels,--of flowers that grew on the roofs of palaces and

swung from terrace to terrace in loops and garlands of fantastic

bloom,--of trees, broad-branched and fully leafed,--of marble

embankments overlooking the river,--of lotus-lilies growing thickly

below, by the water's edge,--of music that echoed in silver and brazen

twangings from the shelter of shady gardens and covered

balconies,--every beautiful detail rose before me more distinctly than

an ivory carving mounted on an ebony shield. Just opposite where I stood

or seemed to stand, on the deck of a vessel in the busy harbour, a wide

avenue extended, opening up into huge squares embellished with strange

figures of granite gods and animals,--I saw the sparkling spray of many

fountains in the moonlight, and heard the low persistent hum of the

restless human multitudes that thronged the place as thickly as bees

clustered in a hive. To the left of the scene I could discern a huge

bronze gate guarded by sphinxes; there was a garden beyond it, and from

that depth of shade a girl's voice, singing a strange wild melody, came

floating towards me on the breeze. Meanwhile the marching music I had

first of all caught the echo of, sounded nearer and nearer,--and

presently I perceived a great crowd approaching with lighted torches and

garlands of flowers. Soon I saw a band of priests in brilliant robes

that literally blazed with sun-like gems,--they were moving towards the

river, and with them came young boys and little children, while on

either side, maidens white-veiled and rose-wreathed, paced demurely,

swinging silver censers to and fro. After the priestly procession walked

a regal figure between ranks of slaves and attendants,--I knew it for

the King of this 'City Beautiful,' and was almost moved to join in the

thundering acclamations which greeted his progress. And that snowy

palanquin, carried by lily-crowned girls, that followed his train,--who

occupied it? ... what gem of his land was thus tenderly enshrined? I was

consumed by an extraordinary longing to know this,--I watched the white

burden coming nearer to my point of vantage,--I saw the priests arrange

themselves in a semi-circle on the river-embankment, the King in their

midst, and the surging shouting multitude around,--then came the brazen

clangour of many bells, intermixed with the rolling of drums and the

shrilling sound of reed-pipes lightly blown upon,--and, amid the blaze

of the flaring torches, the White Palanquin was set down upon the

ground. A woman, clad in some silvery glistening tissue, stepped forth

from it like a sylph from the foam of the sea, but----she was veiled,--I

could not discern so much as the outline of her features,--and the keen

disappointment of this was a positive torture to me. If I could but see

her, I thought, I should know something I had never hitherto guessed!

"Lift, oh lift the shrouding veil, Spirit of the City Beautiful!" I

inwardly prayed--"For I feel I shall read in your eyes the secret of

happiness!"

But the veil was not withdrawn, ... the music made barbaric clamour in

my ears, ... the blaze of strong light and colour blinded me, ... and I

felt myself reeling into a dark chaos, where as I imagined, I chased the

moon, as she flew before me on silver wings,--then ... the sound of a

rich baritone trolling out a light song from a familiar modern _opera

bouffe_ confused and startled me,----and in another second I found

myself staring wildly at Lucio, who, lying easily back in his

deck-chair, was carolling joyously to the silent night and the blank

expanse of sandy shore, in front of which our dahabeah rested

motionless. With a cry I flung myself upon him.

"Where is she?" I exclaimed--"_Who_ is she?"

He looked at me without replying, and smiling quizzically, released

himself from my sudden grasp. I drew back shuddering and bewildered.

"I saw it all!" I murmured--"The city--the priests,--the people--the

King!----all but Her face! Why was that hidden from me!"

And actual tears rose to my eyes involuntarily,--Lucio surveyed me with

evident amusement.

"What a 'find' you would be to a first-class 'spiritual' impostor

playing his tricks in cultured and easily-gulled London society!" he

observed--"You seem most powerfully impressed by a passing vision!"

"Do you mean to tell me," I said earnestly "that what I saw just now was

the mere thought of your brain conveyed to mine?"

"Precisely!" he responded--"I know what the 'City Beautiful' was like,

and I was able to draw it for you on the canvas of my memory and present

it as a complete picture to your inward sight. For you _have_ an inward

sight,--though like most people, you live unconscious of that neglected

faculty."

"But--who was She?" I repeated obstinately.

"'She' was, I presume, the King's favourite. If she kept her face hidden

from you as you complain, I am sorry!--but I assure you it was not my

fault! Get to bed, Geoffrey,--you look dazed. You take visions

badly,--yet they are better than realities, believe me!"

Somehow I could not answer him. I left him abruptly and went below to

try and sleep, but my thoughts were all cruelly confused, and I began to

be more than ever overwhelmed with a sense of deepening terror,--a

feeling that I was being commanded, controlled and, as it were, driven

along by a force that had in it something unearthly. It was a most

distressing sensation,--it made me shrink at times, from the look of

Lucio's eyes,--now and then indeed I almost cowered before him, so

increasingly great was the indefinable dread I had of his presence. It

was not so much the strange vision of the 'City Beautiful' that had

inspired this in me,--for after all, that was only a trick of hypnotism,

as he had said, and as I was content to argue it with myself,--but it

was his whole manner that suddenly began to impress me as it had never

impressed me before. If any change was slowly taking place in my

sentiments towards him, so surely it seemed was he changing equally

towards me. His imperious ways were more imperial,--his sarcasm more

sarcastic,--his contempt for mankind more openly displayed and more

frequently pronounced. Yet I admired him as much as ever,--I delighted

in his conversation, whether it were witty, philosophical or cynical,--I

could not imagine myself without his company. Nevertheless the gloom on

my mind deepened,--our Nile trip became infinitely wearisome to me, so

much so, that almost before we had got half-way on our journey up the

river, I longed to turn back again and wished the voyage at an end. An

incident that occurred at Luxor was more than sufficient to strengthen

this desire. We had stayed there for several days exploring the district

and visiting the ruins of Thebes and Karnac, where they were busy

excavating tombs. One afternoon they brought to light a red granite

sarcophagus intact,--in it was a richly painted coffin which was opened

in our presence, and was found to contain the elaborately adorned mummy

of a woman. Lucio proved himself an apt reader of hieroglyphs, and he

translated in brief, and with glib accuracy the history of the corpse as

it was pictured inside the sepulchral shell.

"A dancer at the court of Queen Amenartes;" he announced for the benefit

of several interested spectators who with myself, stood round the

sarcophagus--"Who because of her many sins, and secret guilt which made

her life unbearable, and her days full of corruption, died of poison

administered by her own hand, according to the King's command, and in

presence of the executioners of law. Such is the lady's

story,--condensed;--there are a good many other details of course. She

appears to have been only in her twentieth year. Well!" and he smiled as

he looked round upon his little audience,--"We may congratulate

ourselves on having progressed since the days of these over-strict

ancient Egyptians! The sins of dancers are not, with us, taken _au grand

serieux_! Shall we see what she is like?"

No objection was raised by the authorities concerned in the

discoveries,--and I, who had never witnessed the unrolling of a mummy

before, watched the process with great interest and curiosity. As one by

one of the scented wrappings were removed, a long tress of nut-brown

hair became visible,--then, those who were engaged in the task, used

more extreme and delicate precaution, Lucio himself assisting them to

uncover the face. As this was done, a kind of sick horror stole over

me,--brown and stiff as parchment though the features were, their

contour was recognisable,--and when the whole countenance was exposed to

view I could almost have shrieked aloud the name of '_Sibyl!_' For it

was like her!--dreadfully like!--and as the faint, half-aromatic

half-putrid odours of the unrolled cerements crept towards me on the

air, I reeled back giddily and covered my eyes. Irresistibly I was

reminded of the subtle French perfume exhaled from Sibyl's garments when

I found her dead,--that, and this sickly effluvia were similar! A man

standing near me saw me swerve as though about to fall, and caught me on

his arm.

"The sun is too strong for you I fear?" he said kindly--"This climate

does not suit everybody."

I forced a smile and murmured something about a passing touch of

vertigo,--then, recovering myself I gazed fearfully at Lucio, who was

studying the mummy attentively with a curious smile. Presently stooping

over the coffin he took out of it a piece of finely wrought gold in the

shape of a medallion.

"This, I imagine must be the fair dancer's portrait,"--he said, holding

it up to the view of all the eager and exclaiming spectators--"Quite a

treasure-trove! An admirable piece of ancient workmanship, besides

being the picture of a very lovely woman. Do you not think so,

Geoffrey?"

He handed me the medallion,--and I examined it with deadly and

fascinated interest,--the face was exquisitely beautiful,--but assuredly

it was the face of Sibyl!

I never remember how I lived through the rest of that day. At night, as

soon as I had an opportunity of speaking to Rimânez alone, I asked him ...

"Did you see,----did you not recognize? ..."

"That the dead Egyptian dancer resembled your late wife?" he quietly

continued--"Yes,--I noticed it at once. But that should not affect you.

History repeats itself,--why should not lovely women repeat themselves?

Beauty always has its double somewhere, either in the past or future."

I said no more,--but next morning I was very ill,--so ill that I could

not rise from my bed, and passed the hours in restless moaning and

irritable pain that was not so much physical as mental. There was a

physician resident at the hotel at Luxor, and Lucio, always showing

himself particularly considerate for my personal comfort, sent for him

at once. He felt my pulse, shook his head, and after much dubious

pondering, advised my leaving Egypt immediately. I heard his mandate

given with a joy I could scarcely conceal. The yearning I had to get

quickly away from this 'land of the old gods' was intense and

feverish,--I loathed the vast and awful desert silences, where the

Sphinx frowns contempt on the puny littleness of mankind,--where the

opened tombs and coffins expose once more to the light of day, faces

that are the very semblances of those we ourselves have known and loved

in our time,--and where painted history tells us of just such things as

our modern newspapers chronicle, albeit in different form. Rimânez was

ready and willing to carry out the doctor's orders,--and arranged our

return to Cairo and from thence to Alexandria, with such expedition as

left me nothing to desire, and filled me with gratitude for his apparent

sympathy. In as short a time as abundance of cash could make possible,

we had rejoined 'The Flame,' and were _en route_, as I thought, for

France or England. We had not absolutely settled our destination, having

some idea of coasting along the Riviera,--but my old confidence in

Rimânez being now almost restored, I left this to him for decision,

sufficiently satisfied in myself that I had not been destined to leave

my bones in terror-haunted Egypt. And it was not till I had been about a

week or ten days on board, and had made good progress in the recovery of

my health, that the beginning of the end of this never-to-be-forgotten

voyage was foreshadowed to me in such terrific fashion as nearly plunged

me into the darkness of death,--or rather let me now say, (having

learned my bitter lesson thoroughly) into the fell brilliancy of that

Life beyond the tomb which we refuse to recognise or realize till we are

whirled into its glorious or awful vortex!

One evening, after a bright day of swift and enjoyable sailing over a

smooth and sunlit sea, I retired to rest in my cabin, feeling almost

happy. My mind was perfectly tranquil,--my trust in my friend Lucio was

again re-established,--and I may add, so was my old arrogant and

confident trust in myself. My access to fortune had not, so far, brought

me either much joy or distinction,--but it was not too late for me yet

to pluck the golden apples of Hesperides. The various troubles I had

endured, though of such recent occurrence, began to assume a blurred

indistinctness in my mind, as of things long past and done with,--I

considered the strength of my financial position again with

satisfaction, to the extent of contemplating a second marriage--and that

marriage with--Mavis Clare! No other woman should be my wife, I mentally

swore,--she, and she only should be mine! I foresaw no difficulties in

the way,--and full of pleasant dreams and self-delusions I settled

myself in my berth, and dropped easily off to sleep. About midnight I

awoke, vaguely terrified, to see the cabin full of a strong red light

and fierce glare. My first dazed impression was that the yacht was on

fire,--the next instant I became paralysed and dumb with horror. Sibyl

stood before me! ... Sibyl, a wild, strange, tortured writhing figure,

half nude, waving beckoning arms, and making desperate gestures,--her

face was as I had seen it last in death, livid and hideous, ... her

eyes blazed mingled menace, despair, and warning upon me! Round her a

living wreath of flame coiled upwards like a twisted snake, ... her lips

moved as though she strove to speak, but no sound came from them,----and

while I yet looked at her, she vanished! I must have lost consciousness

then,--for when I awoke it was broad day. But this ghastly visitation

was only the first of many such,--and at last, _every night_ I saw her

thus, sheeted in flame, till I grew well-nigh mad with fear and misery.

My torment was indescribable,--yet I said nothing to Lucio, who watched

me, as I imagined, narrowly,--I took sleeping-draughts in the hope to

procure unbroken rest, but in vain,--always I woke at one particular

moment, and always I had to face this fiery phantom of my dead wife,

with despair in her eyes and an unuttered warning on her lips. This was

not all. One day in the full sunlight of a quiet afternoon, I entered

the saloon of the yacht alone, and started back amazed to see my old

friend John Carrington seated at the table, pen in hand, casting up

accounts. He bent over his papers closely,--his face was furrowed and

very pale,--but so life-like was he, so seemingly substantial that I

called him by name, whereat he looked up,--smiled drearily, and was

gone! Trembling in every limb I realized that here was another spectral

terror added to the burden of my days; and sitting down, I tried to

rally my scattered forces and reason out what was best to be done. There

was no doubt I was very ill;--these phantoms were the warning of

brain-disease. I must endeavour, I thought, to keep myself well under

control till I got to England,--there I determined to consult the best

physicians, and put myself under their care till I was thoroughly

restored.

"Meanwhile"--I muttered to myself--"I will say nothing, ... not even to

Lucio. He would only smile, ... and I should hate him! ..."

I broke off, wondering at this. For was it possible I should ever hate

him? Surely not!

That night by way of a change, I slept in a hammock on deck, hoping to

dispel midnight illusions by resting in the open air. But my sufferings

were only intensified. I woke as usual, ... to see, not only Sibyl, but

also to my deadly fear, the Three Phantoms that had appeared to me in my

room in London on the evening of Viscount Lynton's suicide. There they

were,--the same, the very same!--only this time all their livid faces

were lifted and turned towards me, and though their lips never moved,

the word 'Misery!' seemed uttered, for I heard it tolling like a funeral

bell on the air and across the sea! ... And Sibyl, with her face of death

in the coils of a silent flame, ... Sibyl smiled at me!----a smile of

torture and remorse! ... God!--I could endure it no longer! Leaping from

my hammock, I ran towards the vessel's edge, ... one plunge into the

cool waves, ... ha!--there stood Amiel, with his impenetrable dark face

and ferret eyes!

"Can I assist you sir?" he inquired deferentially.

The Sorrows of Satan or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance · 第 111 / 118 题