I let the satire pass.

"Listen, my friend," I said earnestly--"You know I have been busy for

the last fortnight correcting the proofs of my book for the press,--do

you not?"

He nodded with a smiling air.

"Well I have arrived almost at the end of my work and I have come to the

conclusion that the book is not Me,--it is not a reflex of my feelings

at all,--and I cannot understand how I came to write it."

"You find it stupid perhaps?" said Lucio sympathetically.

"No," I answered with a touch of indignation--"I do not find it stupid."

"Dull then?"

"No,--it is not dull."

"Melodramatic?"

"No,--not melodramatic."

"Well, my good fellow, if it is not dull or stupid or melodramatic, what

is it!" he exclaimed merrily--"It must be something!"

"Yes,--it is this,--it is beyond me altogether." And I spoke with some

bitterness. "Quite beyond me. I could not write it now,--I wonder I

could write it then. Lucio, I daresay I am talking foolishly,--but it

seems to me I must have been on some higher altitude of thought when I

wrote the book,--a height from which I have since fallen."

"I'm sorry to hear this," he answered, with twinkling eyes--"From what

you say it appears to me you have been guilty of literary sublimity. Oh

bad, very bad! Nothing can be worse. To write sublimely is a grievous

sin, and one which critics never forgive. I'm really grieved for you, my

friend--I never thought your case was quite so desperate."

The Sorrows of Satan or, The Strange Experience of One Geoffrey Tempest, Millionaire: A Romance · 第 25 / 118 题