[Illustration: THIS SUMMER HOUSE IN RUINS HAS BEEN USED FOR NEARLY A

HUNDRED YEARS AS A MAUSOLEUM.]

Another well-known case of eccentric burial is that of the Rev.

Langton Freeman, of Whilton, Northamptonshire. This gentleman, by his

will, dated September 16, 1783, left the following singular directions

for his interment. Five days after death his body was to be wrapped in

a strong, double winding-sheet, and to be conveyed to a summer-house

in his garden, where it was to be laid in the bed he had slept in

during life. This being carried out, the doors and windows of the

fragile mausoleum were to be locked up and bolted, and the building

planted around with evergreen plants, and fenced off with oak pales,

painted a dark blue colour.

His wishes were fulfilled to the letter, and only twenty years ago,

when the property, owing to litigation, was without a rightful owner,

and consequently much neglected, it was said that the remains in the

derelict summer-house were plainly visible. The body is still there,

but a large stone slab has been placed over the remains in the

bedstead, as some time ago several vandals forced their way in and

disturbed them. There is now some talk of removing the bones to the

churchyard.

Before railroads swept away the mail-coaches, the coachmen on the

London and York stage, as they clattered through Stevenage, used to

point out the barn containing within its rafters the body of a farmer

named Trigg. This worthy, who died in 1805, ordered that his remains,

in a leaden coffin, should rest in this curious position for a period

of thirty years. As a considerable sum of money depended upon the

fulfilment of this caprice, the heirs were careful to see that it was

duly carried out.

[Illustration: CHURCH TOWER AT PINNER WITH A PROJECTING COFFIN.]

Another and somewhat similar case may be seen in Pinner churchyard at

the present day, where a mausoleum, raised on arches above the ground,

has a stone coffin inserted through it, one end of which--utilised as

a tablet for the inscription--projects through. The story goes that

the descendants of the occupant, a Scotch merchant named Loudoun, who

died in 1804, enjoy a large property so long as it remains in this

position, plainly above ground. There are even gratings at the foot of

the edifice, probably in order to prove that there is no deception.

Sepulchral vagaries--of far commoner occurrence than might generally

be supposed--vary considerably both in character and degree. Some are

whimsical and fantastical in the extreme; others apparently consist

only in shunning the usual and appointed places of interment, while

the peculiarity of others appears, not in the place, but in the mode

of burial. In the majority of instances where outlandish places have

been chosen for sepulture, the individuals who selected them have been

marked by some peculiarities worthy of observation.

For instance, Baskerville, the celebrated printer, whose infidel

opinions shocked even the hardened Wilkes, directed that his body

should be buried in a tomb of masonry on the site of an old windmill

in the garden of his Birmingham residence. This direction proceeded

from some curious disbelief in the "Revelation," but his wish was duly

carried out on his death in 1775.

More extraordinary still is the case of Major Peter Labellere, the

religious fanatic, who, in the year 1800, was interred upon the summit

of Box Hill as follows:--The place appointed to receive his remains

was about ten feet deep, more in the form of a well than a grave. The

coffin was let down and placed on its head, with the feet upright, in

that situation. The eccentric Major was firmly convinced that at the

resurrection the world will be turned topsy-turvy, and he took this

precaution in order that he might then find himself on his feet!

But queer burials are things of the past. For county councils and

parish councils now prevent these eccentric interments in cellars,

haylofts, and summer-houses.

OUR MONTHLY GALLERY OF BEAUTIFUL AND INTERESTING PICTURES.

[Illustration: ONE OF GREUZE'S MASTERPIECES.

(Now in the National Gallery.)

_By permission of the Autotype Co., London_]

[Illustration: TIME TO GET UP!

_From the Painting by A. J. Elsley._

_By Permission of Venn. Frost and Reed, Bristol,

Publishers of the large Engraving_

]

[Illustration: THE SON AND HEIR.

_From the painting by L. Schmutzler._

_By permission of S. Hildesheimer & Co., London and Manchester_

]

[Illustration: A PUSHING FAMILY.

_From the Painting by G. A. Holmes._

_By permission of Messrs. Hildesheimer & Co., London and Manchester_

]

[Illustration: TURNER'S GREAT WORK: THE FIGHTING TEMERAIRE.

(Now in the National Gallery.)

_By Permission of the Autotype Co., London_

]

[Illustration: GORDONS AND GREYS TO THE FRONT.

_From the Painting by Stanley Berkeley._

_By Permission of Hildesheimer & Co., London and Manchester_

]

[Illustration: THE NE'ER DO WELL'S RETURN.

_From the Painting by K. Schultheiss._

_By Permission of the Berlin Photographic Co._

]

TYPES OF WOMANLY BEAUTY.

[Illustration: COUNTESS OF ANNESLEY

_Lafayette, Photo_

MISS E. MATTHEWS

_Bassano, Photo_

MISS CLEMENTS

_Bassano, Photo_]

THE NEXT NUMBER WILL BE

The

Christmas . . .

Harmsworth.

IT WILL BE A

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Transcriber's Note:

- - signifies italic text. Some words appear both hyphenated and

unhyphenated. This is as printed in the various articles, by various

authors, or according to the meaning of the text.

There is some 17th century spelling in this book; there were no

spelling rules in the 17th century. There is also some dialect.

Line 236: 'oyxgen' corrected to 'oxygen'.

"Without iron, for instance, the blood could not carry oxygen,..."

The first part-sentence on page 359 has been removed, and added to the

last part-sentence on page 357, as the sentence had been interrupted

by a page of illustrations.

Page 371: 'illconception' is as printed. Pepys was writing in the 17th

century. There were no spelling rules until the second half of the

19th century.

The Harmsworth Magazine, Vol. 1, 1898-1899, No. 4 · 第 10 / 10 段