CHAPTER IV

THE ACTRESS'S STORY

The next morning, as soon as it was light, the horses were put in again,

and the theatre party proceeded on their way. Rosalie's mother seemed much

better; the country air and country quiet had, for a time, restored to her

much of her former strength. She was able, with Rosalie's help, to dress

herself and to sit on one of the boxes beside her bed, resting her head

against the pillows, and gazing out at the green fields and clear blue sky.

The sweet fresh breezes came in at the open door, and fanned her careworn

face and the face of the child who sat beside her.

'Rosalie,' said her mother suddenly, 'would you like to hear about the time

when your mother was a little girl?'

'Yes, mammie dear,' said Rosalie, nestling up to her side; 'I know nothing

at all about it.'

'No, Rosalie,' said her mother; 'it's the beginning of a very sad story,

and I did not like my little girl to know about it; but I sometimes think I

sha'n't be long with you, and I had rather tell it to you myself than have

any one else tell it. And you're getting a great girl now, Rosalie; you

will be able to understand many things you could not have understood

before. And there have been things the last few days which have brought it

all back to me, and made me think of it by day and dream of it by night.'

'Please tell me, mammie dear,' said Rosalie, as her mother stopped

speaking.

'Would you like to hear it now?' said the poor woman, with a sigh, as if

she hardly liked to begin.

'Please, mammie dear,' said Rosalie.

'Then draw closer to me, child, for I don't want Toby to hear; and, mind,

you must never speak of what I'm going to tell you before your

father--_never_; promise me, Rosalie,' she said earnestly.

'No, never, mammie dear,' said little Rosalie.

Then there was silence for a minute or two afterwards--no sound to be heard

but the cracking of Toby's whip and the rumbling of the waggons behind.

'Aren't you going to begin, mammie?' said Rosalie at length.

'I almost wish I hadn't promised to tell you, child,' said her mother

hurriedly; 'it cuts me up so to think of it; but never mind, you ought to

know, and you will know some day, so I had better tell you myself. Rosalie,

your mother was born a lady.

'Yes,' said the poor woman, as the child did not speak;

'I was never born to this life of misery, I brought myself to it. I chose

it,' she said bitterly; 'and I'm only getting the harvest of what I sowed

myself.'

When she had said this, she turned deadly pale, and shivered from head to

foot. Rosalie crept still closer to her, and put her little warm hand in

her mother's cold one. Then the poor woman by a strong effort controlled

herself, and she went on.

'So now, darling, I'll tell you all about it, just as if I was talking

about some one else; I'll forget it is myself, or I shall never be able to

tell it. I'll try and fancy I'm on the stage, and talking about the sorrows

and troubles of some one I never knew, and never cared for, and of whom I

shall never think again when my part is over.

'I was born in a country village, hundreds of miles from here, in the south

of England. My father was the squire of the place. We lived in a large

mansion, which was built half way up the side of a wooded hill, and an

avenue of beautiful old trees led up to the house. There was a large

conservatory at one side of it, filled with the rarest flowers, and in a

shady corner of the grounds my mother had a kind of grotto, filled with

lovely ferns, through which a clear stream of water was ever flowing. This

fernery was my mother's great delight, and here she spent much of her time.

She was a very worldly woman; she took very little notice of her children;

and when she was not in the garden, she was generally lying on the sofa in

the drawing-room, reading novels, which she procured from a London library.

'My father was a very different man; he was fond of quiet, and fond of his

children; but he was obliged to be often from home, so that we did not see

as much of him as we should otherwise have done.

'I had one brother and one sister. My brother was much older than we were;

there had been several children between us, who had died in their infancy,

so that he was in the sixth form of a large public school whilst we were

children in the nursery.

'My sister Lucy was a year younger than I was. She was such a pretty child,

and had a very sweet disposition. When we were children we got on very well

together, and shared every pleasure and every grief. My father bought us a

little white pony, and on this we used to ride in turns about the park when

we were quite small children, our old nurse following, to see that no harm

came to us.

'She was a very good old woman; she taught us to say our prayers night and

morning, and on Sundays she used to sit with us under a tree in the park,

and show us Scripture pictures, and tell us stories out of the Bible. There

was one picture of a shepherd very like that, Rosalie; it came back to my

mind the other day, when that old man gave it to you, only in mine the

shepherd was just drawing the lamb out of a deep miry pit, into which it

had fallen, and the text underneath it was this: "The Son of Man is come to

seek and to save that which is lost." We used to learn these texts, and

repeat them to our nurse when we looked at the pictures; and then, if we

had said them correctly, she used to let us carry our tea into the park and

eat it under the tree. And after tea we used to sing one of our little

hymns and say our prayers, and then she took us in and put us to bed. I

have often thought of those quiet, happy Sundays when I have been listening

to the noise and racket of the fair.

'I thought a great deal at the time about what our nurse told us. I

remember one Sunday she had been reading to us about the Judgment Day, and

how God would read out of a book all the wrong things we had done. And that

same afternoon there was a great thunderstorm; the lightning flashed in at

the window, and the thunder rolled overhead. It made me think of what nurse

had said, and of the Judgment Day. And then I knelt down, and prayed that

God would take care of me, and not let the lightning kill me. I crept

behind the sofa in the large drawing-room, and trembled lest the books

should be opened, and all my sins read out; and I asked God to keep them

shut a little longer.

'And I remember another day, when I had told a lie, but would not own that

I had done so. Nurse would not let me sleep with Lucy, but moved my little

bed into her room, that I might lie still and think about my sin. It was a

strange room, and I could not sleep for some time, but I lay awake with my

eyes closed. When I opened them I saw one bright star shining in at the

closed window. It seemed to me like the eye of God watching me; I could not

get the thought out of my mind. I shut my eyes tightly, that I might not

see it; but I could not help opening them to see if it was still there. And

when nurse came up to bed, she found me weeping. I have often seen that

star since, Rosalie, looking in at the window of the caravan; and it always

reminds me of that night, and makes me think of that Eye.

'I had a very strong will, Rosalie, and even as a child I hated to be

controlled. If I set my heart upon anything, I wanted to have it at once,

and if I was opposed, I was very angry. I loved my dear old nurse; but when

we were about eight years old, she had to leave us to live with her mother,

and then I was completely unmanageable. My mother engaged a governess for

us, who was to teach us in a morning and take us out in the afternoon. She

was an indolent person, and she took very little trouble with us, and my

mother did not exert herself sufficiently to look after us, or to see what

we were doing. Thus we learnt very little, and got into idle and careless

habits. Our governess used to sit down in the park with a book, and we were

allowed to follow our own devices, and amuse ourselves as we pleased.

'When my brother Gerald came home, it was always a great cause of

excitement to us. We used to meet him at the station, and drive him home in

triumph. Then we always had holidays, and Miss Manders went away, and

Gerald used to amuse us with stories of his school friends, as we walked

with him through the park. He was a very fine-looking lad, and my mother

was very proud of him. She thought much more of him than of us, because he

was a boy, and was to be the heir to the property. She liked to drive out

with her handsome son, who was admired by every one who saw him, and

sometimes we were allowed to go with them. We were generally left outside

in the carriage, whilst mamma and Gerald called at the large houses of the

neighbourhood; and we used to jump out, as soon as they had disappeared

inside the house, and explore the different gardens, and plan how we would

lay out our grounds when we had houses of our own. But what's that,

Rosalie?--did the waggons stop?'

Rosalie ran to the door and looked out.

'Yes, mammie,' she said; 'my father's coming.'

'Then mind, not a word,' said her mother, in a hoarse whisper.

'Well,' said Augustus, entering the caravan in a theatrical manner, 'I

thought I might as well enjoy the felicity of the amiable society of my

lady and her daughter!'

This was said with a profound bow towards his wife and Rosalie.

'Glad to see you so much better, madam,' he continued. 'Rather singular,

isn't it, that your health and spirits have revived immediately we have

left the inspired scene of public action, or--to speak in plain terms--when

there's no work to do!'

'I think it's the fresh air, Augustus, that has done me good; there was

such a close, stifling smell from the fair, I felt worse directly we got

there.'

'It's to be hoped,' he said, with a disagreeable smile on his face, 'that

this resuscitation of the vital powers may be continued until we arrive at

Lesborough', but the probability is that the moment we arrive on the scene

of action, you will be seized with that most unpleasant of all maladies,

distaste to your work, and will be compelled once more to resume that most

interesting and pathetic occupation of playing the invalid!'

'Oh, Augustus, don't speak to me like that!' said the poor wife.

Augustus made no answer, but, taking a piece of paper from his pocket,

twisted it up, and, putting it into the fire, lighted a long pipe and began

to smoke. The fumes of the tobacco brought on his poor wife's cough, but he

took very little notice of her, except to ask her occasionally, between the

whiffs of his pipe, how long that melodious sound was to last. Then his

eyes fell upon Rosalie's picture, which was pinned to the side of the

caravan.

'Where did you get that from?' he inquired, turning to his wife.

'It's mine, father,' said little Rosalie; 'an old gentleman in the fair

gave it to me. Isn't it pretty?'

It will do for a child,' he said scornfully. 'Toby, what are you after?

You're creeping along; we shall never get there at this pace.'

'The horse is tired, master,' said Toby; 'he's had a long stretch these two

days.'

'Beat him, then,' said the cruel man; 'flog him well. Do you think I can

afford to waste time upon the road? The wild beasts are a mile ahead, at

the very least, and the marionettes will be there by this time. We shall

just arrive when all the people have spent their money, and are tired out.'

Now there was one subject of standing dispute between Toby and his master.

Toby was a kind-hearted lad, and hated to see the horses over-worked,

ill-fed, and badly used. He was always remonstrating with his master about

it, and thereby bringing down upon himself his master's wrath and abuse.

Augustus cared nothing for the comfort or welfare of those under him. To

get as much work as possible out of them, and to make as much gain by them

as he could, was all he thought of. They might be tired, or hungry, or

overburdened; what did it matter to him, so long as the end for which he

kept them was fulfilled? The same spirit which led him to treat his company

and his wife with severity and indifference, led him to ill-treat his

horses.

Toby resolutely refused to beat the poor tired horse, which was already

straining itself to its utmost, the additional weight of Augustus having

been very trying to it the last few miles.

When Augustus saw that Toby did not mean to obey him, he sprang to the door

of the caravan in a towering passion, seized the whip from Toby's hand, and

then beat the poor horse unmercifully, causing it to start from side to

side, till nearly everything in the caravan was thrown to the ground, and

Rosalie and her mother trembled with suppressed indignation and horror.

Then, with one last tremendous blow, aimed at Toby's head, Augustus threw

down the whip, and returned to his pipe.

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A Peep Behind the Scenes · 第 4 / 23 章