PART V

WINTER

We, whom God sets a task,

Striving, who ne’er attain,

We are the curst!--who ask

Death, and still ask in vain.

We, whom God sets a task.

I

_In the silence of his room. After many days_:

All, all are shadows. All must pass

As writing in the sand or sea:

Reflections in a looking-glass

Are not less permanent than we.

The days that mold us--what are they?

That break us on their whirling wheel?

What but the potters! we the clay

They fashion and yet leave unreal.

Linked through the ages, one and all,

In long anthropomorphous chain,

The human and the animal

Inseparably must remain.

Within us still the monstrous shape

That shrieked in air and howled in slime,

What are we?--partly man and ape--

The tools of fate, the toys of time!

II

_The bitterness of his bereavement speaks in him_:

Vased in her bedroom window, white

As her glad girlhood, never lost,

I smelt the roses--and the night

Outside was fog and frost.

What though I claimed her dying there!

God nor one angel understood

Nor cared, who from sweet feet to hair

Had changed to snow her blood.

She had been mine so long, so long!

Our harp of life was one in word--

Why did death thrust his hand among

The chords and break one chord!

What lily lilier than her face!

More virgin than her lips I kissed!

When morn, like God, with gold and grace,

Broke massed in mist! broke massed in mist!

III

_Her dead face seems to rise up before him_:

The face that I said farewell to,

Pillowed a flower on flowers,

Comes back, with its eyes to tell to

My soul what my heart should quell to

Calm, that is mine at hours.

Dear, is your soul still daggered

There by something amiss?

Love--is _he_ ever laggard?

Hope--is _her_ face still haggard?

Tell me what it is!

You, who are done with to-morrow!

Done with these worldly skies!

Done with our pain and sorrow!

Done with the griefs we borrow!

Joys that are born of sighs!

Must we say “gone forever?”

Or will it all come true?

Does mine touch your thought ever?

And, over the doubts that sever,

Rise to the fact that ’s you?

Love, in my flesh so fearful,

Medicine me this pain!--

Love, with the eyes so tearful,

How can my soul be cheerful,

Seeing its joy is slain!...

Gone!--’t was only a vision!--

Gone! like a thought, a gleam!--

Such to our indecision

Utter no empty mission;--

Truth is in all we dream!

IV

_He sinks into deep thought_:

There are shadows that compel us,

There are powers that control:

More than substance these can tell us,

Speaking to the human soul.

In the moonlight, when it glistened

On my window, white of glow,

Once I woke and, leaning, listened

To a voice that sang below.

Full of gladness, full of yearning,

Strange with dreamy melody,

Like a bird whose heart was burning,

Wildly sweet it sang to me.

I arose; and by the starlight,

Pale beneath the summer sky,

There I saw it, full of far light,--

My dead joy go singing by.

In the darkness, when the glimmer

Of the storm was on the pane,

Once I sat and heard a dimmer

Voice lamenting in the rain.

Full of parting and unspoken

Heartbreak, faint with agony,

Like a bird whose heart was broken,

Moaning low it cried to me.

I arose; and in the darkness,

Wan beneath the winter sky,

There I saw it, cold to starkness,--

My dead love go wailing by.

V

_He arouses from his abstraction, buries his face in his hands and

thinks_:

So long it seems since last I saw her face,

So long ago it seems,

Like some sad soul in unconjectured space,

Still seeking happiness through perished grace

And unrealities, a little while

Illusions lead me, ending in the smile

Of Death, triumphant in a thorny place,

Among Love’s ruined roses and dead dreams.

Since she is gone, no more I feel the light,--

Since she has left all dark,--

Cleave, with its revelation, all the night.

I wander blindly, on a crumbling height,

Among the fragments and the wrecks and stones

Of Life, where Hope, amid Life’s skulls and bones,

With weary face, disheartened, wild and white,

Trims her pale lamp with its expiring spark.

Now she is dead, the Soul, naught can o’erawe,--

Now she is gone from me,--

Questions God’s justice that seems full of flaw,

As is His world, where misery is law,

And all men fools, too willing to be slaves.--

My House of Faith, built up on dust of graves,

The wind of doubt sweeps down as made of straw,

And all is night and I no longer see.

VI

_He looks from his window toward the sombre west_:

Ridged and bleak the gray, forsaken

Twilight at the night has guessed;

And no star of dusk has taken

Flame unshaken in the west.

All day long the woodlands, dying,

Moaned, and drippings as of grief

Rained from barren boughs with sighing

Death of flying twig and leaf.

Ah, to live a life unbroken

Of the flings and scorns of fate!

Like that tree, with branches oaken,

Strength’s unspoken intimate.--

Who can say that we have never

Lived the life of plants and trees?--

Not so wide the lines that sever

Us forever here from these.

Colors, odors, that are cherished,

Haply hint we once were flowers:

Memory alone has perished

In this garnished world that’s ours.

Music,--that all things expresses,

All for which we’ve sought and sinned,--

Haply in our treey tresses

Once was guesses of the wind.

But I dream!--The dusk, dark braiding

Locks that lack both moon and star,

Deepens; and, the darkness aiding,

Earth seems fading, faint and far.

And within me doubt keeps saying--

“What is wrong, and what is right?

Hear the cursing! hear the praying!

All are straying on in night.”

VII

_He turns from the window, takes up a book, and reads_:

The soul, like Earth, hath silences

Which speak not, yet are heard:

The voices mute of memories

Are louder than a word.

Theirs is a speech which is not speech;

A language that is bound

To soul-vibrations, vague, that reach

Deeper than any sound.

No words are theirs. They speak through things,

A visible utterance

Of thoughts--like those some sunset brings,

Or withered rose, perchance.

The heavens that once, in purple and flame,

Spake to two hearts as one,

In after years may speak the same

To one sad heart alone.

Through it the vanished face and eyes

Of her, the sweet and fair,

Of her the lost, again shall rise

To comfort his despair.

And so the love that led him long

From golden scene to scene,

Within the sunset is a tongue

That speaks of what has been.--

How loud it speaks of that dead day,

The rose whose bloom is fled!

Of her who died; who, clasped in clay,

Lies numbered with the dead.

The dead are dead; with them ’tis well

Within their narrow room;--

No memories haunt their hearts who dwell

Within the grave and tomb.

But what of those--the dead who live!

The living dead, whose lot

Is still to love--ah, God forgive!--

To live and love, forgot!

VIII

_The storm is heard sounding wildly outside with wind and hail_:

The night is wild with rain and sleet;

Each loose-warped casement claps or groans:

I hear the plangent woodland beat

The tempest with long blatant moans,

Like one who fears defeat.

And sitting here beyond the storm,

Alone within the lonely house,

It seems that some mesmeric charm

Holds all things--even the gnawing mouse

Has ceased its faint alarm.

And in the silence, stolen o’er

Familiar objects, lo, I fear--

I fear--that, opening yon door,

I ’ll find my dead self standing near,

With face that once I wore.

The stairway creaks with ghostly gusts:

The flue moans; all its gorgon throat

One wail of winds: ancestral dusts,--

Which yonder Indian war-gear coat

With gray, whose quiver rusts,--

Are shaken down.--Or, can it be,

That he who wore it in the dance,

Or battle, now fills shadowy

Its wampumed skins? and shakes his lance

And spectral plume at me?--

Mere fancy!--Yet those curtains toss

Mysteriously as if some dark

Hand moved them.--And I would not cross

The shadow there, that hearthstone’s spark,

A glow-worm sunk in moss.

Outside ’t were better!--Yes, I yearn

To walk the waste where sway and dip

Deep, dark December boughs--where burn

Some late last leaves, that drip and drip

No matter where you turn.

Where sodden soil, you scarce have trod,

Fills oozy footprints--but the blind

Night there, though like the frown of God,

Presents no fancies to the mind,

Like those that have o’erawed.--

The months I count: how long it seems

Since summer! summer, when with her,

When on her porch, in rainy gleams

We watched the flickering lightning stir

In heavens gray as dreams.

When all the west, a sheet of gold,

Flared,--like some Titan’s opened forge,--

With storm; revealing, manifold,

Vast peaks of clouds with crag and gorge,

Where thunder-torrents rolled.

Then came the wind: again, again

Storm lit the instant earth--and how

The forest rang with roaring rain!--

We could not read--where is it now?--

That tale of Charlemagne:

That old romance! that tale, which we

Were reading; till we heard the plunge

Of distant thunder sullenly,

And left to watch the lightning lunge,

And storm-winds toss each tree.

That summer!--How it built us there,

Of sorcery and necromance,

A mental-world, where all was fair;

A land like one great pearl, a-trance

With lilied light and air.

Where every flower was a thought;

And every bird, a melody;

And every fragrance, zephyr brought,

Was but the rainbowed drapery

Of some sweet dream long sought.

’Mid which we reared our heart’s high home,

Fair on the hills; with terraces,

Vine-hung and wooded, o’er the foam

Of undiscovered fairy seas,

All violet in the gloam.

O land of shadows! shadow-home,

Within my world of memories!

Around whose ruins sweeps the foam

Of sorrow’s immemorial seas,

To whose dark shores I come!

How long in your wrecked halls, alone

With ghosts of joys must I remain?

Between the unknown and the known,

Still hearing through the wind and rain

My lost love moan and moan.

IX

_He sits by the slowly dying fire. The storm is heard with increased

violence_:

Wild weather. The lash of the sleet

On the gusty casement, clapping--

The sound of the storm like a sheet

My soul and senses wrapping.

Wild weather. And how is she,

Now the rush of the rain falls serried

There on the turf and the tree

Of the place where she is buried?

Wild weather. How black and deep

Is the night where the mad winds scurry!--

Do I sleep? do I dream in my sleep

That I hear her footsteps hurry?

Hither they come like flowers--

And I see her raiment glisten,

Like the robes of one of the hours

Where the stars to the angels listen.

Before me, behold, how she stands!

With lips high thoughts have weighted,

With testifying hands,

And eyes with glory sated.

I have spoken and I have kneeled:

I have kissed her feet in wonder--

But, lo! her lips--they are sealed,

God-sealed, and will not sunder.

Though I sob, “Your stay was long!

You are come,--but your feet were laggard!--

With mansuetude and song

For the heart your death has daggered.”

Never a word replies,

Never, to all my weeping--

Only a sound of sighs,

And of raiment past me sweeping....

I wake; and a clock tolls three--

And the night and the storm beat serried

There on the turf and the tree

Of the place where she is buried.

RED LEAVES AND ROSES

I

And he had lived such loveless years

That suffering had made him wise;

And she had known no graver tears

Than those of girlhood’s eyes.

And he, perhaps, had loved before--

One, who had wedded, or had died;--

So life to him had been but poor

In love for which he sighed.

In years and heart she was so young

Love paused and beckoned at the gate,

And bade her hear his songs, unsung;

She laughed that “love must wait.”

He understood. She only knew

Love’s hair was faded, face was gray--

Nor saw the rose his autumn blew

There in her heedless way.

II

If he had come to her when May

Danced down the wildwood,--every way

Marked with white flow’rs, as if her gown

Had torn and fallen,--it might be

She had not met him with a frown,

Nor used his love so bitterly.

Or if he had but come when June

Set stars and roses to one tune,

And breathed in honeysuckle throats

Clove-honey of her spicy mouth,

His heart had found some loving notes

In hers to cheer his life’s long drouth.

He came when Fall made mad the sky,

And on the hills leapt like a cry

Of battle; when his youth was dead;

To _her_, the young, the wild, the white;

Whose symbol was the rose, blood-red,

And his the red leaf pinched with blight.

He might have known, since youth was flown,

And autumn claimed him for its own;

And winter neared with snow, wild whirled,

His love to her would seem absurd;

To youth like hers; whose lip had curled

Yet heard him to his last sad word.

Then laughed and--well, his heart denied

The words he uttered then in pride;

And he remembered how the gray

Was his of autumn, ah! and hers,

The rose-hued colors of the May,

And May was all her universe.

And then he left her: and, like blood,

In her deep hair, the rose; whose bud

Was badge to her: while unto him,

His middle-age, must still remain

The red-leaf, withering at the rim,

As symbol of the all-in-vain.

III

“Such days as these,” she said, and bent

Among her marigolds, all dew,

And dripping zinnia stems, “were meant

For spring not autumn; days we knew

In childhood; _these_ endearing those;

Much dearer since they have grown old:

Days, once imperfect with the rose,

Now perfect with the marigold.”

“Such days as these,” he said, and gazed

Long with unlifted eyes that held

Sad autumn nights, “our hopes have raised

In futures that are mist-enspelled.

And so it is the fog blows in

Days dearer for the death they paint

With hues of life and joy,--as sin,

At death, puts off all earthly taint.”

IV

Like deeds of hearts that have not kept

Their riches, as a miser, when

Sad souls have asked, with eyes that wept,

Among the toiling tribes of men,

The summer days gave Earth sweet alms

In silver of white lilies, while

Each night, with healing, outstretched palms

Stood Christ-like with its starry smile.

Will she remember him when dull

Months drag their duller hours by?

With feet that crush the beautiful

And leave the beautiful to die?

Or never see? nor sit with lost

Dreams withered, ’mid hope’s empty husks,

And wait, heart-counting-up the cost

Of love’s illusions ’mid life’s dusks?

V

He is as one who, treading salty scurf

Of lonely sea-sands, hears the roaring rocks

Of some lost isle of misty crags and lochs;

Who sees no sea, but, through a world of surf,

Gray ghosts of gulls and screaming petrel flocks:

When, from the deep’s white ruin and wild wreck,

Above the fog, beneath the ghostly gull,

The iron ribs of some storm-shattered hull

Loom, packed with pirate treasure to the deck

A century rotten: feels his wealth replete,

When long-baulked ocean claims it; and one dull

Wave flings, derisive at despondent feet,

A skull, one doubloon rattling in the skull.

VI

And when full autumn sets the dahlia stems

On fire with flowers, and the chill dew turns

The maple trees, above geranium urns,

To Emir tents, and strings with flawless gems

The moon-flower and the wahoo-bush that burns;

Calmly she sees the year grow sad and strange,

And stands with one among the wilted walks

Of the old garden of the gray, old grange,

And feels no sorrow for the frost-maimed stalks

Since--though the wailing autumn to her talks--

Youth marks swift spring on life’s far mountain-range.

Or she will lean to her old harpsichord;

A youthful face beside her; and the glow

Of hickory on the hearth will balk the blow

Of blustering rain that beats the casement hard;

And sing of summer and so thwart the snow.

“Haply, some day, she yet may sit alone,”

He thinks, “within the shadow-saddened house,

When round the gables stormy echoes moan,

And in the closet gnaws the lonesome mouse;

And Memory come stealing down the stair

From dusty attics where is piled the Past--

Like so much rubbish that we hate to keep--

And turn the knob; and, framed in frosty hair,

A grave, forgotten face look in at last,

And she will know, and bow her head and weep.”

WILD THORN AND LILY

I

That night, returning to the farm, we rode

Before a storm. Uprolling from the west,

Incessant with distending fire, loomed

The multitudes of tempest: towering here

A shadowy Shasta, there a cloudy Hood,

Veined as with agonies, aurora-born,

Of torrent gold; resplendent heaven to heaven,

Far peak to peak, terrific spoke; the vast

Sierras of the storm, within which beat

The caverned thunder like a mighty stream:

Vibrating on, with rushing wind and flame,

Now th’ opening welkin shone, one livid sheet

Of instantaneous gold, a giant’s forge,

Wild-clanging; now, with streak on angled streak

Of momentary light, a labyrinth

Where shouting Darkness stalked with Titan torch:

Again the firmament hung hewn with fire

Whence leapt the thunder; and it seemed that hosts

Of Heaven rushed to war with blazing shields

And swords of splendor. And before the storm

We galloped, while the frantic trees above

Went wild with rain, through whose mad limbs and leaves

Splashed black the first big drops. On, on we drove,

And gained the gates, pillaring the avenue

Of ancient beech, at whose far, flickering end,

At last, beaconed the lights of home.

And she?

Was it the lightning that lent lividness

And terror to her countenance? or fear

Of her own heart? revulsion? memory?

Did deep regret, that, now the thing _was_ done,

That she was mine, a yearning to be free,

Away from me, assail her? or, the thought,

The knowledge, that she did not love the man

Whom she had wedded? knowing better now

That all her heart was Julien’s from the first,

And would be Julien’s until the end.

And did she now look backward on the past?

Or forward--on the barrier that the church

For all the future years had placed between

The possible and impossible? God knows!

Yet I had won her honestly with words

Love, only, uttered out of its soul’s truth;

Had won her--was it openly?--perhaps!--

Although engaged to Julien.--What else

Had led us to elopement?--Well, ’t was done!

The whole, mad, lovely, miserable affair

Of love and youthful folly. Being done

We must abide the reckoning. That is,

_I_ would; and she?--she saw her duty there

Beside her husband. And within myself,

When we alighted from the carriage, thus,--

Beneath the porch,--my mind resolved the thing:

“I am her husband now, and she my wife.

Less than her husband, I, much less a man,

Were I not able to regain and keep

The love she gave me, that she thinks is his,

That is not his. ’T is pity merely now

That makes her pensive. I am pensive, too,

For Julien, the poet and the friend;

The dreamer and the lover.--But all ’s fair

In love they say; and I,--well, willingly

I’ll bear the burthen of the blame of all.”

Scarce had we entered when high heaven oped

Vast gates of bronze and doors of booming brass

That dammed a deluge, and the deluge poured.--

I thought of him still; for I felt that she

Was thinking too of Julien and his moods,

That often swept his soul with storm like this,

Yet oftener with sunlight than with storm;

That soul of sun and tempest, ray and rain,

My school-friend Julien! whom once she won

To think she loved--I know not how. My play

Was open as the morning, and as fair.

His poverty and genius here, and here

My wealth and--platitude; and I had won.

But it was hard for him. I did not dream

That it would end so. And when Gwendolyn

Used every gentleness--and that is much--

I did not dream his poet’s temperament

Were so affected of a love affair,

A wrong or right; he, whose sole aim seemed song.

I did not dream he ’d take it desperately,

And end so tragically. Who ’d have thought

His character, although so sensitive,

Would fall into extremes of morbidness

And melancholy! Had it now been I,

Whose heart had lost in the great game of love,

None would have wondered; for I am of those

Whose vigorous iron does not bend, but break

At one decisive blow: _his_ should have sprung--

Or so I think, not broken as it had--

Elastic as fine-tempered steel that bends

And then resumes its usual usefulness.

A pale smile strained the corners of her mouth

When, from the porch, into the parlor’s blaze

I led her. And her mother met us there,

Her mother and her father. And I saw

The slow reflection of their happiness

Make glad her eyes, as their approval grew

From half-severe rebukes, that were well meant,

To open, glad avowal of their joy.

She had done well, and we were soon forgiven....

But I resumed _his_ letter when alone:

His letter written her three months before,

When all was over, and we two were one,

And well upon our way to Italy

For six sweet months of honeymoon. His word,

His letter, all of her, that came to me

At Venice, that I opened in mistake,

Amid a lot of papers sent from home.

She had not read, and never should while I

Had power to conceal until I ’d read.

I would not let the dead scrawl mar or soil

My late-won joy, my testament of love.

No! I would read it, afterwards destroy.

Thoughts made of music for a last farewell,

When he knew all and asked her to perpend

Expressions of past things her gift of love

Had given speech to in the happy days.

And so I read:--

II

“The rhyme is mine, but yours

The thought and all the music, springing from

The rareness of the love that dawned on me

A little while to make my sad life glad.

Should I regret the sunset it refused,

Since all my morn was richer than the world?

Or that my day should stride without a change

Of crimson, or of purple, or of gold,

Into the barren blackness where the moon

And all God’s stars lay dead? Should I complain,

Upbraid or censure or one moment curse,

_I_ with my morning? ’T is a memory

That stains the midnight now: one wild-rose ray

Laid like a finger pointing me the path

I follow, and I go rejoicingly.

Our love was very young (nor had it aged--

If we had lived long lifetimes--here in me),

When one day, strolling in the sun, you spoke

Words I perceived should hint a coming change:

I made three stanzas of the thought, you see:

But now ’t is like the sea-shell that suggests,

And still associates us with the sea

In its vague song and elfland workmanship.

Yet it has lost a something that it had

There by the far sand’s foaming; something rare,

A different beauty like an element:

I wonder on what life will do

When love is loser of all love;

When life still longs to love anew

And has not love enough:--

I ’ll turn my heart into a ray,

And wait--a day?

I wonder on what love will hold

When life is weary of all life;

And life and love have both grown old

With scars of sin and strife:--

I’ll change my soul into a flower,

And wait--an hour?

I wonder on why men forget

The life that love made laugh; and why

Weak women will remember yet

The life that love made sigh:--

I’ll sing my thought into a song,

And wait--how long?

III

“And once you questioned of our mocking-bird,

And of the German nightingale, and I

Knowing a sweeter bird than those sweet two,

Made fast associates of birds and brooks

And learned their numbers. Middle April made

The path of lilac leading to your porch

A rift of fallen Paradise; a blue

So full of fragrance that the birds that built

Among the lilacs thought that God was there,

And of God’s goodness they would sing and sing,

Till every throat seemed bursting with its song,

Note on wild note, diviner each than each.

And waiting by the gate, that reached the lane,

For you, who gave sweet eloquence to all,

The afternoon, the lilacs and the spring,

My heart was singing and it sang of you:

Two glow-worms are the jewels in

Her ears; and underneath her chin

A diamond like a firefly:

There is no starlight in the sky

When Gwendolyn stands in the maze

Of woodbine, near the portico;

For all the stars are in her gaze,

The night and stars I know.

A clinging dream of mist the lawn

She wears; and like a bit of dawn

Her fan with one red jewel pinned:

Among the boughs there breathes no wind

When Gwendolyn comes down the path

Of lilacs from the portico;

For all the breeze her coming hath,

The beam and breeze I know.

Two locust-blooms her hands; and slips

Of eglantine her cheeks and lips;

Her hair, a hyacinth of gloom:

The balmy buds give no perfume

When Gwendolyn draws near to me,

The gate beyond the portico;

For all aroma sweet is she,

All fragrance that I know.

Life, love, and faith are in her face,

And in her presence all their grace:

And my religion is a word,

A wish of hers. No mocking-bird,

When Gwendolyn laughs near, dare float

One bubble from the portico;

For all of song is in her throat,

All music that I know.

IV

“The mocking-bird! and then weird fancy filled

My soul with vision, and I saw a song

Pursue a bird that was no bird--a voice

Concealed in dim expressions of the spring,--

Who sits among the forests and the fields,

With dark-blue eyes smiling to life the flowers,--

Where we strolled happy as the April hills:

A sunbeam, all the day that fell

Upon the fountain,--

Like laughter gurgling in the dell

Below the mountain,--

Drank, with its sparkle, one by one,

The water-words that, in the sun,

Made melody,--the sun-rays tell,--

That never yet was done.

A moon-ray, that had gone astray

’Mid wildwood alleys,

Where Echo haunts the forest way

Among the valleys,

The livelong night upon the rocks

Slept, hid among girl Echo’s locks,

And stole her voice,--the moonbeams say,--

That mocks and only mocks.

A shadow, that had made its seat

Amid the roses

And thorns--the bitter and the sweet

That life discloses--

Mixed with the rose-balm and the dew

And crimson thorns that pierced it through,

Until its soul,--the shades repeat,--

Was portion of them, too.

A Fairy found the beam of gold,

And ray of glitter;

The shadow, whose dim soul did hold

Both sweet and bitter;

And made a bird, that haunts the morn

And night; that flits from flower to thorn,

A voice of laughter,--it is told,--

Love, mockery, and scorn.

V

“Among the white haw-blossoms, where the creek

Droned under drifts of dogwood and of haw,

The red-bird, like a crimson blossom blown

Against the snow-white bosom of the Spring,

The chaste confusion of her lawny breast,

Sang on, prophetic of serener days,

As confident as June’s completer hours.

And I stood listening like a hind, who hears

A wood-nymph breathing in a forest flute

Among gray beech-trees of myth-haunted ways:

And when it ceased, the memory of the air

Blew like a syrinx in my brain: I made

A lyric of the notes that men might know:

He flies with flirt and fluting--

As flies a falling star

From flaming star-beds shooting shooting--

From where the roses are.

Wings past and sings; and seven

Notes, sweet as fragrance is,--

That turn to sylphs in heaven,--

Float round him full of bliss.

He sings; each burning feather

Thrills, throbbing at his throat;

A song of glow-worm weather,

And of a firefly boat:

Of Elfland and a princess

Who, born of a perfume,

His music lulls,--where winces

That rose’s cradled bloom.

No bird is half so airy,

No bird of dusk or dawn,

O masking King of Fairy!

O red-crowned Oberon.

VI

“Alas! the nightingale I never heard.

Yet I, remembering how your voice would thrill

Me with exalted expectation, felt

The passion-throated nightingale would win

Into my soul in some wild way like this,

With reminiscences of dusks long dead,

Presentiments of nights, that mate the flowers

And the prompt stars, and marry them with song.

Of such,--love whispered me when deep in dreams,--

I made my nightingale. It is a voice

Heard in the April of our year of love:

Between the stars and roses

There lies a path no man may see,

Where every breeze that blows is

A wandering melody;

Down which each bright star gazes

Upon each rose that raises

Its face up lovingly,

As if with prayers and praises.

The star and rose are wiser

Than all but love beneath the skies;

No hoard of any miser

Is rich as these are wise:

No bee may reach or rifle,

No mist may cloud or stifle

Their love that never dies,

That knows nor trick nor trifle.

There is a bird that carries

Love-messages; and comes and goes

Between each star that tarries,

And every rose that blows:

A bird that can not tire,

Whose throat ’s a throbbing lyre,

Whose song is now a rose,

And now a starry fire.

VII

“O May-time woods! O May-time lanes and hours!

And stars, that knew how often there at night

Beside the path, where woodbine odors blew

Between the drowsy eyelids of the dusk,--

When, like a great, white, pearly moth, the moon

Hung, silvering long windows of your room,--

I stood among the shrubs! The dark house slept.

I watched and waited for--I know not what--

Some tremor of your gown: a velvet leaf’s

Unfolding to caresses of the spring:

A rustle of your footsteps: or the dew

That softly rolled, a syllable of love,

In sweet avowal, from a rose’s lips

Of odorous scarlet: or the whispered word

Of something lovelier than new leaf or rose--

The word young lips half murmur in a dream:

Serene with sleep, light visions load her eyes;

And underneath her window blooms a quince.

The night is a sultana who doth rise

In slippered caution, to admit a prince,

Love, who her eunuchs and her lord defies.

Are these her dreams? or is it that the breeze

Pelts me with petals of the quince, and lifts

The Balm-of-Gilead buds? and seems to squeeze

Aroma on aroma through sweet rifts

Of Eden, dripping from the rainy trees?

Along the path the buckeye trees begin

To heap their hills of blossoms.--Oh, that they

Were Romeo ladders, whereby I might win

Her chamber’s sanctity,--where love must pray

And guard her soul!--so stainless of all sin!

There might I see the balsam scent erase

Its sweet intrusion; and the starry night

Conclude majestic pomp; the virgin grace

Of every bud abashed before the white,

Pure passion-flower of her sleeping face.

VIII

“And once, in early May, a sparrow sang

Among the garden bushes; and you asked

If the suave song stayed knocking at my heart.

I smiled some answer, and, behold, that night

Found that my heart had locked this fancy in:

Rain, rain, and a ribbon of song

Uncurled where the blossoms are sprinkled;

The song-sparrow sings, and I long

For, the silver-sweet throat, that has tinkled,

To sing in the bloom and the rain,

Sing again, and again, and again,

Under my window-pane.

Rain, rain, and the trickling tips

Of the million pink blooms of the quinces;

And I hear the song rill from the lips,

The lute-haunted lips of my princess:

O love! in the rain and the bloom,

Sing again in the pelting perfume,

Sweetheart, under my room.

Rain, rain, and the dripping of drops

From cups of the blossoms they load, or

Tilt over with tipsiest tops:

And eyes as of sun-beam and odor,

There, under the bloom-blowing tree--

A face like a flower to see,

Love is looking at me.

IX

“Once in the village I had heard a song,

A melody which I wrote down for you,

And which you sang. But, there among your hills,

The dawns and sunsets and the serious stars

Made trite its thought and words, that seemed as stale

As musty parlors of the commonplace.

I changed its words, and here and there its thought,

But, though you praised, you never sang it more,

And so I knew, like some poor poet, it

Had fallen on disfavor, God knows why,

With its high patron. Thus its metre ran:

Look, happy eyes, and let me know

The timid flower her love hath cherished

Fades not before the fruit shall show,

Seen in the clear truth of your glow

Where naught of love hath perished.

Lift, happy lips, and let me take

The sacred secret of her spirit

To mine in kisses, that shall make

Mute marriage of our souls, and wake

The heart’s sweet silence near it.

X

“And so I wrote another filled with birds,

Deliberate twilight and eve’s punctual star;

And made the music of that song obey

The metre of my own and melody:

Only to hear that you love me,

Only to feel it is true;

Stars and the gloaming above me,

I in the gloaming with you.

Staining through violet fire,

A sunset of poppy and gold,

Red as a heart with desire,

Rich with a secret untold.

Deep where the shadows are doubled,

Deep where the blossoms are long,

Listen!--deep love in the bubbled

Breath of a mocking-bird’s song.

You, who have made them the dearer,

Drawing them near from afar!--

Stars and the heaven the nearer,

Sweet, through the joy that you are.

XI

“Confronted with the certainty that I

Had no approval for my love from you,

No visible sign, but my own prompting hope’s,

Conforming with my heart’s one wild desire,

Who had not dreaded disappointment there!

The shadow of a heart’s unformed denial,

That should take form and soon confirm the doubt:

The doubt that would content itself with this:

If I might hold her by the hand,--

Her hands so full of soothing peace!--

Her heart would hear and understand

My heart’s demand,

And all her idling cease.

If she would let my eyes look in

Her eyes, whose deeps are full of truth,

Her soul might see how mine would win

Her, without sin,

In all her happy youth.

If I might kiss her mouth, and lead

The kiss up to her eyes and hair,

There is no prayer that so could plead,--

And find sure heed,--

My love’s divine despair.

XII

“And, uninstructed, smiled and wrote ‘despair,’

Enamoured, yet fearful of the shade that should

Some day come stealing through my silent door

To sit unbidden through the lonely hours.--

I cast the shudder off, and in the fields

Found hope again, and beauty born of dreams:

For it was summer, and all living things,

The common flowers and the birds and bees,

Became interpreters of love for me:

Say that he can not tell her how he loves her--

Words, for such adoration, often fail,--

When but a bow of ribbon, glove that gloves her,

Clothes her fair femininity in mail.

So many ways and wisdoms to express what

To th’ language of devotion is denied;

Ambassadors to make the maiden guess what

Before her heart’s high fortress long has sighed.

A bird to sing his secret--she’ll perpend him:

A bee to bid her soul to hear and see:

A blossom, like a sweet appeal, to bend him,

Before her there, upon a worshiping knee.

XIII

“So was my love confessed to you. I thought

You loved me as love led me to believe:

And so, no matter where I, dreaming, went

Among the hills, the woods, and quiet fields,

All had a poetry so intimate,

So happy and so ready that, for me,

’Twas but to stoop and gather as I went,

As one goes reaching roses in the June.

Three withered wild ones that I gathered then

I send you now. Their scent and bloom are dust:

1

What wild-flower shows perfection

Such as thy face, no blemish mars?

I leave to the selection

Of all the wild-flower stars:

To every wildwood bloom that blows,

Wild phlox, wild daisy, and wild rose.

What cascade hath suspicion

O’ the marvel that thy whiteness is?

I leave to the decision

Of each proclaiming breeze:

To winds that kiss the buds awake,

And roll the ripple on the lake.

What bird can sing the naming

Of all the music that thou art?

I leave to the proclaiming

Of that within my heart:

My heart, wherein, the whole day long,

Sits adoration rapt in song.

2

What witch then hast thou met,

Who wrought this amulet?

This charm, that makes each look, love,

Of thine a rose;

Thy face an open book, love,

Where beauty gleams and glows,

And thought to music set.

What fairy of the wood,

To whom thou once wast good,

Gave thee this gift?--Thy words, love,

Should be pure gold;

And all thy songs as bird’s, love,

Sweet as the Mays of old

With youth and love imbued.

What elfin of the glade

This white enchantment made,

That filled thee with the essence

Of all the Junes?

That made thy soul, thy presence,

Like to the moon’s

Above a far cascade.

What wizard of the cave

Hath made my heart thy slave?

That dreams of thee when sleeping,

And, when awake,

My anxious spirit keeping

’Neath spells I can not break,

Sweet spells, whence naught can save.

3

Dear, (though given conclusion to),

Songs,--no memory surrenders,--

Still their music breathe in you;

Silence meditation renders

Audible with notes it knew.

Sweet, when all the flowers are dead,

Perfumes,--that the heart remembers

Made of them a marriage-bed,--

Shall not fail me in December’s

Gloom, but from your face be shed.

Dear, when night denies a star,

Darkness will not suffer, seeing

Song and fragrance are not far;

Starlight of the summer being

In the loveliness you are.

XIV

“Revealing distant vistas where I thought

I saw your love stand as ’mid lily blooms,

Long, angel goblets molded out of stars,

Pouring aroma at your feet: and life

Took fire with thoughts your soul must help you read:

A song; and songs (who does not know?)

Reveal no music but is thine.

Thou singest, and the waters flow,

The breezes blow,

The sunbeams shine,

And all the earth grows young, divine.

Low laughter; and I look away;

Whate’er the time of year, I dream

I walk beneath sweet skies of May

On ways where play

Both gloom and gleam,

And hear a bird and forest stream.

A thought; and straight it seems to me,

However dark, the stars arise,

And rain down memories of thee,--

As, it may be,

From Paradise

One feels an angel-lover’s eyes.

XV

“But is it well to tell you what I felt

When I beheld no change beyond the moods

That gloomed or glistened in your raven eyes?

When I sat singing ’neath one steadfast star

Of morning with no phantoms of strange fears

To slay the look or word that helped me sing:

When song came easier than come buds in spring,

That make the barren boughs one pomp of pearls:

Oh, let the happy day go past,

And let the night be short or long,

When life and love are one at last,

And hearts are full of song,

’Tis sweet midsummer of the dream,

And all the dreams thou hast

Are truer than they seem.

And once I dreamt in autumn of

Death with cadaverous eyes that gazed

From out a shadow.... It was love

Whose deathless eyes were raised

From the deep darkness that unrolled

Wild splendor; and, amazed,

Thy soul I did behold.

And then it seemed that some one said,

The dead are nearer than dost know.

And when they tell thee love is dead,--

Although it seems ’t is so,--

Still shalt thou feel in every beat

And heart-throb of thy woe

Love breathing, bitter-sweet.

XVI

“One evening when I came to talk with you,

Impatience hurt me in your brief replies.

And I who had refused,--because we dread

Approaching horror of our lives made maimed,--

The inevitable, could not help but see

Some change in you to’ards me.--That night I dreamed

I wandered ’mid old ruins, where the snake

And scorpion crawled in poison-spotted heat;

Plague-bloated bulks of hideous vine and root

Wrapped fallen fanes; and bristling cacti bloomed

Blood-red and death-white on forgotten tombs.

And from my soul went forth a bitter cry

That pierced the silence that was packed with death

And pale presentiment. And so I went,

A white flame beckoning before my face,

And in my ears sounds of primordial seas

That boasted preadamic gods and men:

A flame before me and, beyond, a voice:

But, lo, the white flame when I reached for it

Became thin ashes like a dead man’s dust;

And when I thought I should behold the sea,

Stagnation, turned to filth and rottenness,

Rolled out a swamp: the voice became a stench.

If we should pray together now

For sunshine and for rain,

And thou shouldst get fair weather now,

And I the clouds again,

Would ray and rain keep single,

Or for the rainbow mingle?

Dear, if this should be made to me,

That I had asked for light,

And God had given shade to me,

And all to thee that’s bright,

Wouldst thou go by with scorning,

Refusing darkness morning?

If all my life were winter, love,

And all thy life were spring,

And mine with frost should splinter, love,

While thine with birds should sing,

Wouldst thou walk past and glitter,

Forgetful mine is bitter?

XVII

“Still on the anguish of a dying hope

An infant hope was nourished; all in vain.

For, at the last, although we parted friends,

The friendship lay like sickness on my soul,

That saw all gladness perish from the world

With loss of thee; and, ’mid the future years,

Love building high a sepulchre for hope.

Ah, could you learn forgetfulness,

And teach my heart how to forget;

And I unlearn all fretfulness,

And teach your soul that still will fret;

The mornings of the world would burn

Before us and we would not turn,

For we would not regret.

Did you but know what sorrow keeps,

That drives the joy of life away,

And I what each to-morrow keeps

For us until it is to-day;

No grief or change would then surprise

Our lives with what our lives were wise,

And nothing could betray.

If you could be interior to

My dreams that are all love’s desire;

And I could be superior to

Myself and such in you inspire;

Long stairways would the years unroll

To lift us upward, soul to soul,

To what celestial fire!

XVIII

“There came no words of comfort from your lips.

Not that I asked for pity! that had been

As fire unto the scalded or dry bread

Unto the famished fallen ’mid the sands!

But all your actions said that I was wrong,

But how, I know not and have ceased to care;

Still standing like one stricken blind at noon,

Who gropes and fumbles, feeling all grow strange

That once was so familiar; cursing God

Who locks him in with darkness and despair.--

Your judgment had been juster had it had

A lesser love than mine to judge.--O love,

Where lay the justice of thy judge in this?--

‘If thou hadst praised thy God as long

As thou hast praised a woman’s eyes,

Perhaps thou hadst not suffered wrong,

As now, and sat with sighs:

But, through thy prayer and praise made strong,

Perhaps thou hadst grown wise.

‘If thou hadst bade thy God be more

Than I, thy life had not been sad;

His love to thee had not been poor

As mine. But thou wast mad,

And cam’st, a beggar, to my door,

And had more than I had.

‘If thou hadst taught me how to love,

Nor played with love as monarchs play,

My heart had learned right soon enough,

From thine, love’s lowlier way.

But all thy love stood far above,

Nor touched my soul to sway.’

XIX

“Thus did you write me, or in words like these,

When all was over and your heart was led,

Through pity, haply, thus to justify

Yourself, that needed not to justify,

Since all your reason lay in four small words,

Enough to wreck my world and all my life,

_You did not love_: what more is there to tell?--

Yet, haply, it was this: One soul, that still

Demanded more than it could well return;

And, searching inward, yet could never pierce

Beyond its superficiality.

You did not know; yet I had felt in me

The rich fulfillment of a rare accord,

And could not, though the longing lay like song

And music on me, win your soul’s response.

Were it well, lifting me

Eyes that give heed,

Down in your soul to see

Thought, the affinity

Of act and deed?

Knowing what naught may tell

Of heart and soul:

Yet were the knowledge whole,

And were it well?

Were it well, giving true

Love all enough,

Still to discover new

Depths of true love for you,

Infinite love?

Feeling what naught may tell

Of heart and soul:

Yet were the knowledge whole,

And were it well?

XX

“What else but, laboring for some good, to lift

Ourselves above the despotism of self,

All egoism strangling strength and hope,

To work and work, and, in the love of work,

Which takes the place, in some, of love’s real self,

To quench the flame that eats into the heart?

Art, our intensest and our truest love,

Immaculateness that has never led

One of her lovers wrong, his love all soul!

I followed beauty, and my ardor prayed

Your memory would, feature and form and face,

Be blotted out within me; rise no more

To mar the labor that I owed to Art.

I prayed, yea, to forget you, you I loved:

I prayed; and, see!--how Heaven answered me:

I have no song to tell thee

The love that I would sing;

The song that should enspell thee

With words, and so compel thee

That thou, with love, must wing

Into my life to-morrow--

For all my songs are sorrow.

My strength is not a giant

To hold thee with strong hands,

To make thee less defiant;

Thy spirit more compliant

With all my love demands:

Alas! my love is meekness,

And all my strength is weakness.

What hope have I to hover--

When wings refuse to rise--

Within thy heart’s close cover,

And there to play the lover,

Concealed from mortal eyes?

What hope! to give me boldness,

When all thy looks are coldness?

XXI

“I prayed; and for a time felt strong as strength,

And held both hands out to the loveliness

That lured in the ideal. And I felt

Compelling power upon me that would lift

My face to heaven, now, to see the stars,

Now bend it back to earth to see the flowers.

I learned long lessons ’twixt a look and look:

Breezes and linden blooms,

Sunshine and showers;

Rain, that the May perfumes,

Cupped in the flowers:

Clouds and the leaves that patter

Raindrops that glint and glare--

Or be they gems that scatter?

Sapphires the sylphides shake,

When their loose fillets break,

Out of their radiant hair?

Now is my heart a lute!

Now doth it pinion

Song in love’s swift pursuit

In thought’s dominion!

Dreaming of all thou meanest,

Thou, with uneager eyes,

Nature! of worlds thou queenest,

Whither thy mother hand

Draws us from land to land,

Far from the worldly wise!

XXII

“Thus would I scatter grain around my life,

Gold grain of song, to lure them down to me,

Cloud-colored doves of peace to fill my soul,

And find them turn to ravens while they flew,

Black ravens of despair that would not out.

The old, dull, helpless aching at the heart,

As if some scar had turned a wound again.

While idle grief stared at the brutal past,

Which held a loss that made the past more rich

Than all Earth’s arts: that marveled how it came

Such puny folly should usurp love’s high

Proud pedestal of life that held your form,

In Parian, sculptured by the hands of thought.

And oft I shook myself,--for nightmares weighed

Each sense,--and seemed to wake; yet evermore

Beheld a death’s-head grinning at my eyes.

So when the opening of the door doth thrill

My soul with sudden knowledge death is come,

Let me forget you or remember still,

It will not matter then that life went ill,

When death bends to me and my lips are dumb.

Then I shall not remember: and shall leave

No memory behind me, and no trace

Of aught my life accomplished. Let none grieve.

There is no heart my passing will bereave;

And there are thousands who can fill my place.

Who knocks?--The night camps on each hill and heath:

And round my door are minions of the night:

And like a weapon, riven from its sheath,

The wind sweeps, and the tempest grinds its teeth

Around me and my wild, hand-hollowed light.

Who knocks?--the door is open!--And I see

The Darkness threatening, with distorted fists

Of cloudy terror, Courage on her knee:

Shine far, O candle! for it so may be

Love is bewildered in the night and mists.--

No wandering wisp art thou, that haunts the rain

With pallid flicker, fading as it flies!--

The door is open!--Will he knock again?--

The door is open!--Shall it be in vain?--

Come in! delay not! thou, whose ways are wise!

Who knocked has entered: let the darkness pass,

The door be closed!--Now morning lights shall thrust

It open; and the sunlight shine and mass

Its splendor here where once but darkness was,

And in its rays--motes and a little dust.”

* * * * *

XXIII

And I had read, read to the bitter end;

Half hearing lone surmises of the rain

And trouble of the wind. At last I rose

And went to Gwendolyn. She did not know

The kiss I gave her had a shudder in it;

Nor how the form of Julien rose between

Me and her lips, a blood-stain o’er his heart.

THE IDYLL OF THE STANDING-STONE

I

She knows its windings and its crooks;

The wildflowers of its lovely woods;

The crowfoot’s golden sisterhoods,

That crowd its sunny nooks:

The iris, whose blue blossoms seem

Mab’s bonnets; and, each leaf a-gleam,

The trillium’s fairy-books.

He knows its shallows and its pools,

Its stair-like beds of rock that go,

Foaming, with waterfall and flow,

Where dart the minnow schools;

Its grassy banks that herons haunt,

Or where the woodcock call; and gaunt

The mushrooms lift their stools.

She seeks the columbine and phlox,

The bluebell, where the bushes fill

The old stones of the ruined mill;

She wades among the rocks:

Her feet are rose-pearl in the stream;

Her eyes are bluet-blue; a beam

Lies on her nut-brown locks.

He comes with fishing-reel and line

To angle in the darker deeps,

Where the reflected forest sleeps

Of sycamore and pine:

And now and then a shadow swoops

Above him of a hawk that stoops

From skies as clear as wine.

And will he see, if they should meet,

That she is fairer than each flower

Her apron fills? and in that hour

Feel life less incomplete?...

He stops below: she walks above--

The brook floats down, as white as love,

One blossom to his feet.

And she?--should she behold the tan

Of manly face and honest eyes,

Would all her soul idealize

Him? make him more than man?...

She dropped one blossom when she heard

Soft whistling--was it man or bird,

Whose notes so sweetly ran?

[Illustration:

Where the woodcock call Page 161

_The Idyll of the Standing-Stone_]

They knew before they came to meet;

For some divulging influence

Had touched them thro’ the starry lens

God holds to bring in beat

Two hearts--her heart one haunting wish,

And his--forgetful of the fish,

Her flower at his feet.

II

The sassafras twigs had just lit up

The yellow stars of their fragrant candles,

And the dogwood brimmed each blossom-cup

With spring to its brown-tipped handles;

When down the orchard, ’mid apple blooms--

Say, ho, the hum o’ the honey-bee!--

A glimpse of Spring in the sprinkled glooms?

Or only a girl? with the warm perfumes

Blown round her breezily.

The maple, as red as the delicate flush

Of an afterglow, was airy crimson;

And the haw-tree, white in the wing-whipped hush,

Gleamed cool as a cloud that the moonlight dims on;

And under the oak, whose branches strung--

Say, heigh, the rap o’ the sapsuckér!--

Gray buds in tassels that sweetly swung,

They stood and listened a bird that sung,

As glad as the heart in her.

Yellow the bloom of the rattle-weed,

And white the bloom of the plum and cherry;

And red as a stain the red-bud’s brede,

And clover the color of sherry:

And a wren sings there in the orchard drift,--

And, ho! the dew from the web that slips!--

And a thrush sings there in the woodland rift,

Where he to his face her face doth lift,

Her face with the willing lips.

For a while they sat on the moss and grass,

Where the forest bloomed a great wild garden;--

Then the beam from the hollow--it seemed to pass,

And the ray on the hills to harden,

When she rose to go, and his joy fell flat;--

And, heigh, the wasp i’ the pawpaw bell!--

As she waved her hand--why, it seemed at that

’Twas Spring’s own self he was gazing at,

And the life of his life as well.

III

The teasel and the horsemint spread

The hillsides, as with sunset sown,

Blooming along the Standing-Stone

That ripples in its rocky bed:

There are no treasuries that hold

Gold yellower than the marigold

That crowds its mouth and head.

’T is harvest-time: a mower stands

Among the morning wheat and whets

His scythe, and for a space forgets

The labor of the ripening lands;

Then bends, and through the dewy grain

His long scythe hisses, and again

He swings it in his hands.

And she beholds him where he mows

On acres whence the water sends

Faint music of reflecting bends

And falls that interblend with flows:

She stands among the old bee-gums,--

Where all the apiary hums,--

Like some sweet bramble-rose.

She hears him whistling as he leans,

And, reaping, sweeps the ripe wheat by;

She sighs and smiles and knows not why:--

These are but simple country scenes:

He whets his scythe again, and sees

Her smiling near the hives of bees

Beneath the flowering beans.

The peacock-purple lizard creeps

Along the rail; and deep the drone

Of insects makes the country lone

With summer where the water sleeps:

She hears him singing as he swings

His scythe; he thinks of other things--

Not toil, and, singing, reaps.

IV

Into the woods they went again,

Over the wind-blown oats;

Out of the acres of golden grain,

In where the light was a violet stain,

In where the lilies’ throats

Were brimmed with the summer rain.

Hung on a bough a reaper’s hook,

Over the wind-blown oats;

A girl’s glad laugh and a girl’s glad look,

And the hush and ripple of tree and brook,

And a wild bird’s silvery notes,

And a kiss that a strong man took.

Out of the woods the lovers went,

Over the wind-waved wheat;

She with a face, where love was blent,

Like to an open testament;

He, from his head to feet,

Dazed with his hope that was eloquent.

Here how oft had they come to tryst,

Over the wind-waved wheat!

Here how oft had they laughed and kissed!

Talked and tarried where no one wist,

Here where the woods are sweet,

Dim and deep as a dewy mist.

V

Her pearls are blossoms-of-the-vale,

Her only diamonds are the dews;

Such jewels never can grow stale,

Nor any value lose.

Among the millet beards she stands:

The languid wind lolls everywhere:

There are wild roses in her hands,

One wild rose in her hair.

To-morrow, where the shade is warm,

Among the unmown wheat she’ll stop,

And from one daisy-loaded arm

One ox-eyed daisy drop.

She’ll meet his brown eyes, true and brave,

With blue eyes, false yet dreamy sweet:

He is her lover and her slave,

Who mows among the wheat.

* * * * *

When buds broke on the apple trees

She wore an apple-blossom dress,

And laughed with him across the leas,

And love was all a guess.

When goose-plums ripened in the rain,

Plum-colored was her gown of red;

He kissed her in the creek-road lane--

She was his life, he said.

When apples thumped the droughty land,

A russet color was her gown:

Another came, and--won her hand?--

Nay! carried off to town....

When grapes hung purple in the hot,

None missed her and her simple dress,

Save one, whom, haply, she forgot,

Who loved her none the less.

When snow made white each harvest sheaf,

He sought her out amid her show;

Her rubies, redder than the leaf

That autumn forests sow.

Not one regret her shame reveals;

She smiles at him, then puts him by;

He pleads; and she? she merely steels

Her heart and--lives her lie.

VI

And he returned when poppies strewed

Their golden blots o’er moss and leaf,--

Blond little Esaus of the wood,

So fair of face, of life so brief.--

Did he forget?--Not he, in truth!--

“No month,” he thought, “holds so much grace,

No month of spring, such grace and youth,

As the sweet April of her face.”

In fall the frail gerardia

Hung hints of sunset and of dawn

On root and rock, as if to draw

Her lips, remind him of one gone:--

Of one unworthy, in pursuit

Of butterflies, who does not dream

A flower, broken by her foot,

Sweeps, helpless, with her down the stream.

SOME SUMMER DAYS

I

If you had seen her waiting there

Among the tiger-lily blooms,--

That sowed their jewels everywhere

Among the woodland gleams and glooms,--

You had confessed her very fair,

And sweeter than the wood’s perfumes.

A country girl with bare brown feet,

She waits, while day slopes down the deeps:

The afternoon is dead with heat,

And all the weary shadow sleeps

Like toil, arm-pillowed in the wheat,

Beside the scythe with which he reaps.

There is no sound more distant than

The cow-bell on the vine-hung hill;

No nearer than the locust’s span

Of noise that makes the silence shrill:

And now there comes a sun-browned man

Through tiger-lilies of the rill.

Long will they talk: till, in the end,

The clear west glows, the east grows pale;

Until the glow and pallor blend

Like moonlight on a shifting sail;

And then he ’ll clasp her; she will bend

Her head, consenting. Day will fail:

The west will flame, then fade away

Through heavy orange, rose, and red,

And leave the heavens violet gray

Above a gypsy-lily bed:

Then they will go; and he will say

Such words to her as none has said.

A million stars the night will win

Above them; and one firefly

Pulse like a tangled starbeam in

The cedar dark against the sky:

Then he will lift her dimpled chin

And take the kiss she ’ll not deny.

And when the moon, like the great book

Of Judgment, golden with the light

Of God, lies open o’er yon nook

Of darkest wood and wildest height,

Together they will cross the brook

And reach the gate and kiss good night.

II

And now he wipes his hand along

The beaded fire of his brow

Hard toil has heated; and the strong

Face flushes fuller health as now

He fills his hay-fork to the prong,

And, tossing it, again doth bow.

And now he rests, and looks away

Across the sun-fierce hills and meads

No rolling cloud has cooled to-day;

And from his face the brawny beads

Drip; and he marks the heaps of hay,

The fields of corn, the fields of weeds.

At last he sees the tempest build

Black battlements along the west,

Black breastworks that are thunder filled;

And bares his brow; and on his chest

The sweat of toil is cooled; and stilled

The pulse of toil within his breast.

A strong wind brings the odorous death

Of far hay-meadows, and the scent

Is good within his nostrils’ breath:

The mighty trees are bowed, that leant

For no man, as when Power saith

“Bow down!” and stalwart men are bent.

He laughs, long-gazing as he goes

Along the elder-sweetened lane:

He feels the storm wind as it blows

Across the sheaves of golden grain,

And stops to pull one bramble-rose,

And watch the swiftly coming rain.

And there, ’mid locust trees, the farm

Dreams in a martin-haunted place:

He marks the far-off streaks of storm

That, driven of the thunder, race:

He sees his child upon her arm,

And in the door his wife’s fair face.

III

Below the sunset’s range of rose,

Below the heaven’s bending blue,

Down woodways where the balsam blows,

And milkweed tufts hang, gray of hue,

A Jersey heifer stops and lows--

The cows come home by one, by two.

There is no star yet: but the smell

Of hay and pennyroyal mix

With herb-aromas of the dell;

And the root-hidden cricket clicks:

Among the ironweeds a bell

Clangs near the rail-fenced clover-ricks.

She waits upon the slope beside

The windlassed well the plum-trees shade,

The well-curb that the goose-plums hide;

Her light hand on the bucket laid,

Unbonneted she waits, glad-eyed,

Her dress as simple as her braid.

She sees fawn-colored backs among

The sumacs now; a tossing horn;

A clashing bell of brass that rung:

Long shadows lean upon the corn,

And all the day dies scarlet-stung,

The cloud in it a rosy thorn.

Below the pleasant moon, that tips

The tree-tops of the hillside, fly

The evening bats; the twilight slips

Some fireflies like spangles by;

She meets him, and their happy lips

Touch; and one star leaps in the sky.

He takes her bucket, and they speak

Of married hopes while in the grass

The plum lies glowing as her cheek;

The patient cows look back or pass;

And in the west one golden streak

Burns like a great cathedral glass.

IV

The skies are amber, blue, and green

Before the coming of the sun;

And all the deep hills sleep, serene

As if enchanted; every one

Is ribbed with morning mists that lean

On woods through which vague whispers run.

Birds wake: and on the vine-hung knobs,

Above the brook, a twittering

Confuses songs; one warbler robs

Another of its note; a wing

Beats by; and now a wild throat throbs

Triumphant; all the woodlands sing.

The sun is up: the hills are heaped

With instant splendor; and the vales

Surprised with shimmers that are steeped

In purple where the thin mist trails;

The water-fall, the rock it leaped,

Are burning gold that foams and fails.

He drives his horses to the plow

Along the vineyard slopes, where bask

Dew-heavy grapes, half-ripened now,

In sun-shot shafts of shade: no mask

Of joy he wears; his face and brow

Glow as he enters on his task.

Before him, soaring through the mist,

The gray hawk wildly wings and screams;

Its dewy back gleams, sunbeam-kissed,

Above the wood that drips and dreams;

He guides the plow with one strong fist;

The soil rolls back in level seams.

Packed to the right the sassafras

Lifts leafy walls of spice that shade

The blackberries, whose tendrils mass

Big berries in the coolness made;

And drop their ripeness on the grass

Where trumpet-flowers fall and fade.

White on the left the fence and trees

That mark the garden; and the smoke,

Uncurling in the early breeze,

Tells of the roof beneath the oak;

He turns his team, and, turning, sees

The damp, dark soil his coulter broke.

Bees hum; and o’er the berries poise

Lean-bodied wasps; loud blackbirds turn

Following the plow: there is a noise

Of insect wings that buzz and burn;--

And now he hears his wife’s low voice,

The song she sings to help her churn.

V

There are no clouds that drift around

The moon’s pearl-kindled crystal, (white

As some sky-summoned spirit wound

In raiment lit with limbs of light),

That have not softened like the sound

Of harps when Heaven forgets to smite.

The vales are deeper than the dark,

And darker than the vales the woods

That shadowy hill and meadow mark

With broad, blurred lines, whereover broods

Deep calm; and now a fox-hound’s bark

Upon the quietude intrudes.

And though the night is never still,

Yet what we name its noises makes

Its silence:--now a whippoorwill;

A frog, whose hoarser tremor breaks

The hush; then insect sounds that fill

The night; an owl that hoots and wakes.

They lean against the gate that leads

Into the lane that lies between

The yard and orchard; flowers and weeds

Smell sweeter than the odors keen

That day distils from hotness; beads

Of dew make cool the gray and green.

Their infant sleeps. They feel the peace

Of something done that God has blessed,

Still as the pulse that will not cease

There in the cloud that lights the west:

The peace of love that shall increase

While soul to soul still gives its best.

AN EPIC OF SOUTH-FORK

I

The wild brook gleams on the sand and ripples

Over the rocks of the riffle; brimming

Under the elms like a nymph who dripples,

Dips and glimmers and shines in swimming:

Under the linns and the ash-trees lodging,

Loops of the limpid waters lie,

Shaken of schools of the minnows, dodging

The glancing wings of the dragon-fly.

Lower, the loops are lines of laughter

Over the stones and the crystal gravel;

Afar they gloom, like a face seen after

Mirth, where the waters slowly travel;

Shadowy slow where the Fork is shaken

Of the dropping bark of the sycamore,

Where the water-snake, that the footsteps waken,

Slides like a crooked root from shore.

Peace of the forest; and silence, dimmer

Than dreams. And now a wing that winnows

The willow leaves, with their shadows slimmer

In the shallow there than a school of minnows:

Calm of the creek; and a huge tree twisted,

Ringed, and turned to a tree of pearl;

A gray-eyed man, who is farmer-fisted,

And a dark-eyed, sinewy country girl.

The brow of the man is gnarled and wrinkled

With the weight of the words that have just been spoken;

And the girl has smiled and her eyes have twinkled,

Though the bonds and the bands of their love lie broken:

She smiles, nor knows how the days have knotted

Her to the heart of the man who says:

“Let us follow the paths that we think allotted.

I will go my ways and you your ways.

“And the man between us is your decision.

Worse or better he is your lover.--

Shall I say he ’s worse since the sweet Elysian

Prize he wins where I discover

Only the hell of the luckless chooser?--

Shall I say he ’s better than I, or more,

Since he is winner and I am loser,

His life ’s made rich and mine made poor?”

“I tell you now as I oft and ever

Have told,” she answered, the laughter dying

Down in her eyes, “that his arms have never

Held me!--no!--but you think me lying,

And you are wrong. And I think it better

To part forever than still to dwell

With the sad distrust, like an evil tetter,

On our lives forever, and so farewell.”

And she turned away; and he watched her going,

The girlish pride in her eyes a-smoulder:

He saw her go, and his lips were glowing

Fever that parched. And he stood, one shoulder

Slouched to the tree; and he saw her stooping,

There by the bank, with a reckless foot;

Straighten; and tear from her breast his drooping

Lilies and fasten the pleurisy-root.

With its orange fire he saw her passing

On and on; and the blood beat, burning

His brain to madness; and seemingly massing

The weight of the world on his heart in yearning ...

Butterflies swarmed in the moist sand-alleys;

A fairy fleet of Ionian sails

They seemed with their wings, or of pirate galleys,

Maroon and yellow, for Elfland gales.

He watched her going; and harder, thicker

The pulse of his breath and his heart’s hard throbbing.--

How should he know that her heart was sicker?

How should he know that her soul was sobbing?--

She never looked back: and he saw her vanish

In swirls of the startled butterflies,

Like a storm of flowers; and he could not banish

The thought he had lost his all through lies.

II

He heard the cocks crow out the lonely hours.

How long the night! how far away the dawn!

It seemed long months since he had seen the flowers,

The leaves, the sunlight, and the bee-hived lawn;

Had heard the thrush flute in the tangled showers.

His burning eyes ached, staring at the black

Stolidity of midnight. Would God send

No cool relief unto his mind,--a rack

Of inquisition,--tortures to unbend,

That stretched him forward and now strained him back?

Incomprehensible and undivulged,

The thought that took him back, retraced their walks,

Through woods, on which the sudden perfumes bulged,

The bird-songs and the brilliant-blossomed stalks;

And all the freedom which their talk indulged.

Oh, strong appeal! And he would almost yield;

When, firmly forward, he could feel her fault

Oppose the error of a rock-like shield,

And to resisting phalanxes cry halt--

And, lo! bright cohorts broken on the field.

O mulct of morning! to the despot night

Count down unminted gold, and let the day

Walk free from dungeons of the dark; delight

Herself on mountains of the violet ray,

Clad in white maidenhood and morning white!

A melancholy coast, plunged deep in dream

And death and silence, stretched the drowsy dark,

Wherein he heard a round-eyed screech-owl scream,

In lamentation, and a watch-dog bark,

Vague as oblivion, lost in night’s deep stream.

And then hope moved him to divide the blinds

To see if those bright sparkles were a star’s,

Or but his feverish eyelids, which the mind’s

Commotion weighed.--No hint of morning bars

With glimmer heaven’s swart tapestry he finds.

So he remained, impatient, till the first

Exploring crevices of Aztec morn,

Dim cracks of treasure, Eldorados burst:

Then could he face his cowardice and scorn

His jealousy that thus his life had cursed.

Love knew no barriers now. And where he went

Each woodland path was musical with birds;

Each flow’r was richer, more divine of scent;

For love sought love with such expressive words

That dawn’s delivery was less eloquent.

III

Who is it hunts with his dog

There where the heron is flying

Gray through the feathering fog

Over the Fork, where is lying,

Bridge-like, a butternut log,

There where the horsemint is drying?

Who is it hunts in the brush,

Under the linns and the beeches,

Here where the water-falls rush,

Dark, where the noon never reaches?

Here where the Fork is one crush

Of flags with a bloom like the peach’s?

He is handsome and supple and tall,

Blond-haired and vigorous-chested,

Blue-eyed as the bud by the fall

Where he listens,--his rifle half rested,

Half leaned on the crumbling stone wall,--

Whose briers he lately has breasted.

He waits; and the sun on the dew

Of the cedars and leaves of the bushes

Strikes glittering frostiness through ...

If a covey of partridges flushes

What good will a Winchester do,

Or the dog to his feet that he crushes?

Then a man breaks strong through the weeds

Where the buck-bushes toss and the spires

Of the white-blossomed cohosh; ’mid reeds

Wild-carrots, and trammelling briers:

It is he! to his loved one who speeds--

And the man in the bushes--he fires....

From leaves of the wind-shaken wood

The dew of the dawn is still falling:

He is gone from the place where he stood,

Just there where the black crow is calling:

There is blood on the weeds: is it blood

On the face of the man who is crawling?

Red blood or a smudge of the dawn?--

Now he lies with his gray eyes wide, staring,

Stiff, still at the sun: he has drawn

His limbs in a heap: and the faring

Bee-martins light near or pass on,

Not one of them knowing or caring.

It is noon: and the wood-dove is deep

In the calm of its cooing: and over

The tops of the forest trees sweep

The shadows of buzzards that hover:

Wide-winged they sail on as asleep:

And the bob-white is whistling from cover.

It is dusk: and the heat, that made wilt

The leaves and the wildflowers’ faces,

Gives place to the dew-drops that tilt

With coolness the weeds where are traces

Of horror and darkness and guilt,

That nothing can wash from those places.

It is night: and the hoot-owlet mocks

The dove of the day with wild weeping,

The Fork is scarce heard on its rocks

Where the man is so quietly sleeping:

Through the woods snaps the bark of a fox;

The lightning is fitfully leaping.

IV

All day, ’twixt hope and fear,

She waited at the gate,

Looking for him, more dear

Now that he made her wait:

Day went and night draws near:

Stormy it grows and late.

Still, still she waits: great limbs

The winds rend from the ridge;

Each swollen shallow swims

Head-deep below the bridge;

The drift, that breaks and brims

Swirls lighter than the midge.

The night grows wildly gray

With lightning-litten rain;

The forests sound and sway,

An oak is rent in twain;

The thunder rolls away

Like some vast bolt and chain.

The Fork is whirling wreck

Of field and farm and wood;

And many a foaming fleck

Drives where the rock-fence stood;--

A torrent sweeps break-neck

Above the washed-out blood.

Night deepens: still she waits

Expectant in despair:

The Fork has reached the gates,

The wood’s wreck everywhere.

But when the storm abates,

She thinks, he will be there.

She sees the lightning rush

Its blazing hells above;

She hears the thunder crush

Heaven as if earthquake-clove--

Loud in the tempest’s hush

She calls with all her love.

He comes, she feels; and stands

The rushing waters o’er

Her feet, and on her hands

And hair the wild down-pour,

The lightnings are wild brands

To light him to her door.

Night deepens: but she knows

God will not fail to send

Her love to soothe her woes,

And one day’s errors mend.--

The wild stream foams and flows

Booming in fall and bend.

Again the lightnings light

The night like some wild torch;

The waters foam and fight;

And one uprooted larch

Sweeps down, with something white

Wedged in it, by her porch.

She stoops: the lurid rain

Beats on her back and head--

Ay! he hath come again!

With livid lips once red!

A bullet in his brain

The night hath brought him--dead!

A NIELLO

I

It is not early spring and yet

Of bloodroot blooms along the stream,

And blotted banks of violet,

My heart will dream.

Is it because the wind-flower apes

The beauty that was once her brow,

That the white thought of it still shapes

The April now?

Because the wild-rose learned its blush

From her fresh cheeks of maidenhood,

Their thought makes June of barren brush

And empty wood?

And then I think how young she died--

Straight, barren death stalks down the trees,

The hard-eyed hours by his side

That kill and freeze.

II

When orchards are in bloom again

My heart will bound, my blood will beat,

To hear the red-bird so repeat,

On boughs of rosy stain,

His blithe, loud song,--like some far strain

From out the past,--among the bloom,--

(Where bee, and wasp, and hornet boom)--

Fresh, redolent with rain.

When orchards are in bloom once more,

Invasions of lost dreams will draw

My feet, like some insistent law,

Through blossoms to her door:

In dreams I’ll ask her, as before,

To let me help her at the well;

And fill her pail; and long to tell

My love as once of yore.

I shall not speak until we quit

The farm-gate, leading to the lane

And orchard, all in bloom again,

’Mid which the wood-doves sit

And coo; and through whose blossoms flit

The cat-birds crying while they fly:

Then tenderly I’ll speak, and try

To tell her all of it.

And in my dream again she’ll place

Her hand in mine, as oft before,--

When orchards are in bloom once more,--

With all her old-time grace:

And we will tarry till a trace

Of sunset dyes the heav’ns; and then--

We’ll part, and, parting, I again

Will bend and kiss her face.

And homeward, dreaming, I will go

Along the cricket-chirring ways,

While sunset, like one crimson blaze

Of blossoms, lingers low:

And my lost youth again I’ll know,

And all her love, when spring is here--

Hers! hers! now dead this many a year

Whose love still haunts me so.

III

I would not die when Springtime lifts

The white world to her maiden mouth,

And heaps its cradle with gay gifts,

Breeze-blown from out the singing South:

Too full of life and loves that cling,

Too heedless of all mortal woe,

The young, unsympathetic Spring,

That death should never know.

I would not die when Summer shakes

Her daisied locks below her hips,

And, naked as a star that takes

A cloud, into the silence slips.

Too rich is Summer; poor in needs;

Wrapped in her own warm loveliness

Her pomp goes by, and never heeds

If one be more or less.

But I would die when Autumn goes,

The sad rain dripping from her hair,

Through forests where the wild wind blows

Death and the red wreck everywhere:

Sweet as love’s last farewells and tears

’T would be to die, when heavens are gray,

In the old autumn of my years,

Like a dead leaf borne far away.

DEEP IN THE FOREST

I

SPRING ON THE HILLS

Ah, shall I follow, on the hills,

The Spring, as wild wings follow?

Where wild-plum trees make wan the hills,

Crab-apple trees the hollow,

Haunts of the bee and swallow?

In red-bud brakes and flowery

Acclivities of berry;

In dogwood dingles, showery

With dew, where wrens make merry?

Or drifts of swarming cherry?

In valleys of wild-strawberries,

And of the clumped May-apple;

Or cloud-like trees of hawberries,

With which the south-winds grapple,

That brook and pathway dapple?

With eyes of far forgetfulness,--

Like some white wood-thing’s daughter,

Whose feet are bee-like fretfulness,--

To see her run like water

Through boughs that slipped or caught her.

O Spring, to seek, yet find you not,

To search and still continue;

To glimpse, to touch, but bind you not,

To lose and then to win you,

All sweet evasion in you.

In pearly, peach-blush distances

You gleam; the woods are braided

Of myths, of dream-existences;--

There, where the brook is shaded,

Some splendor surely faded.

O presence, like the primrose’s,

Once more I feel your power!

In rainy scents of dim roses

I breathe you for an hour,

Elusive as a flower.

II

THE WOOD SPIRIT

Ah me! I still remember

How flushed, before the shower,

The dusk was; like a scarlet rose,

Or blood-red poppy-flower.

Now heaven is starred; the moonlight

Lays blurs upon the grain--

You may not know it from white frost,

The moonlight on the rain.

And all the forest utters

A restless moan in rest,

For all the deep, dark shadow lies

Like iron on its breast.

I mark the moveless shadow,

I mark the unreaped corn,

Then something whispers overhead,

“Come to me, mortal-born.”

I sit alone and listen;

The low leaves sound and sigh;

The dew drips from the bearded grain,

A mist slips from the sky.--

I hear her whisper, whisper,

And breathe in some dim place;

Her feet are easier than the dew,

And than the mist her face.

I may not clasp her ever,

This spirit made for song,

Who dwelleth in the young, young oak

The old, old oaks among.

Her limbs are molded moonlight;

Her breasts are silver moons:

She glimmers and she glitters where

The purple shadow swoons.

And since she knows I love her,

She says my soul has died,

And laughs and mocks me in the mist

That haunts the forest-side.

When winds run mad in woodlands

And all the great boughs swing,

I see her wild hair blow and blow

Black as a raven’s wing.

When winds are tamed and tethered

And stars are keen as frost,

I search and seek within the wood,

There where my soul was lost.

I seek her, and she flies me;

I follow; and the whole

Dim woodland echoes with her voice,

Soft calling to my soul.

III

OWL ROOST

The slope is a mass of vines:

If you walk in the daylight there,

A gleam as of twilight shines

Through the vines massed everywhere:

Each trunk, that a creeper twines,

Is a column, strong to bear

The dome of its leaves that wave,

Cathedral-dim and grave.

Black moss makes silent the feet:

And, above, the fox-grapes lace

So thick that the noonday heat

Is chill as a murdered face:

And the winds for miles repeat

The fugue of a rolling bass:

The deep leaves twinkle and turn

But over no flower or fern.

An angular spider weaves

Great webs between the trees,

Webs that are witches’ sieves:

And honey-and bumblebees

Go droning among the leaves,

Like the fairies’ oboës:

At dark the owlets croon

To the stars and the sickle-moon.

At dark I will not go

There where the branches sigh;

Where naught but the glow-worms glow,

Each one like a demon’s eye:

O’er which, like a battle-bow,

With an arrow that it lets fly,

The new-moon and one star

Hang and glimmer afar.

At dawn, if my mood be dim,

And the day be a cloudless one,

There where the sad winds hymn

I ’ll walk, but its shade will shun;

Its shade, where I feel the grim

Horror of something done

Here in the years long past,

That the place conceals to the last.

IV

MOSS AND FERN

Where rise the brakes of bramble there,

Wrapped with the trailing rose,

Through cane where waters ramble, there

Where deep the green cress grows,

Who knows?

Perhaps, unseen of eyes of man,

Hides Pan.

Perhaps the creek, whose pebbles make

A foothold for the mint,

May bear,--where soft its trebles make

Confession,--some vague hint--

(The print,

Goat-hoofed, of one who lightly ran)--

Of Pan.

Where, in the hollow of the hills

Ferns deepen to the knees,

What sounds are those above the hills,

And now among the trees?--

No breeze!--

The syrinx, haply, none may scan,

Of Pan.

In woods where waters break upon

The hush like some soft word;

Where sun-shot shadows shake upon

The moss, who has not heard--

No bird!--

The flute, as breezy as a fan,

Of Pan?

Far in, where mosses lay for us

Still carpets, cool and plush;

Where bloom and branch and ray for us

Swoon in the noonday flush,

The hush

May sound the satyr hoof a span

Of Pan.

In woods where thrushes sing to us,

And brooks dance sparkling heels;

Where wild aromas cling to us,

And all our worship kneels,--

Who steals

Upon us, haunch and face of tan,

But Pan?

V

WOODLAND WATERS

Through leaves of the nodding trees,

Where blossoms sway in the breeze,

Pink bag-pipes made for the bees,

Whose slogan is droning and drawling:

Where the columbine scatters its bells,

And the wild bleeding-heart its shells,

O’er mosses and rocks of the dells

The brook of the forest is falling.

You can hear it under the hill

When the wind in the wood is still,

And, strokes of a fairy drill,

Sounds the bill of the yellow-hammer:

By the solomon’s-seal it slips,

Cohosh and the grass that drips--

Like the words of an Undine’s lips,

Is the sound of its falls that stammer.

I lie in the woods: and the scent

Of the honeysuckle is blent

With the sound: and a Sultan’s tent

Is my dream, with the East enmeshéd:--

A slave-girl sings; and I hear

The languor of lute-strings near,

And a dancing-girl of Cashmere

In the harem of good Er Reshid.

From ripples of Irak lace

She flashes the amorous grace

Of her naked limbs and her face,

While her golden anklets tinkle:

Then over mosaic floors

Open seraglio doors

Of cedar: by twos, by fours,--

Like stars that tremble and twinkle,--

While the dulcimers sing, unseen,

The handmaids come of the Queen

’Neath silvern lamps, one sheen

Of jewels of Afrite treasure:

And I see the Arabia rise

Of the Nights that were rich and wise,

Beautiful, dark, in the eyes

Of Zubeideh, the Queen of Pleasure.

VI

THE THORN-TREE

The night is sad with silver and the day is glad with gold,

And the woodland silence listens to a legend never old,

Of the Lady of the Fountain, whom the fairy people know,

With her limbs of samite whiteness and her hair of golden glow,

Whom the boyish South-wind seeks for and the girlish-stepping rain,

Whom the sleepy leaves still whisper men shall never see again;

She whose Vivien charms were mistress of the magic Merlin knew,

That could change the dew to glow-worms and the glow-worms into dew.

There’s a thorn-tree in the forest, and the fairies know the tree,

With its branches gnarled and wrinkled as a face with sorcery;

But the May-time brings it clusters of a rainy fragrant white,

Like the bloom-bright brows of beauty or a hand of lifted light.

And all day the silence whispers to the sun-ray of the morn

How the bloom is lovely Vivien and how Merlin is the thorn:

How she won the doting wizard with her naked loveliness

Till he told her demon secrets that but made his magic less.

How she charmed him and enchanted in the thorn-tree’s thorns to lie

Forever with his passion that should never dim or die:

And with wicked laughter looking on this thing that she had done,

Like a visible aroma lingered sparkling in the sun;

How she stooped to kiss the pathos of an elf-lock of his beard,

All in mockery, at parting, and mock pity of his weird:

But her magic had forgotten that “who bends to give a kiss

Will bring down the curse upon them of the person whose it is”:

So the silence tells the secret.--And at night the fairies see

How the tossing bloom is Vivien, who is struggling to be free,

In the thorny arms of Merlin, who, forever, is the tree.

VII

THE HAMADRYAD

She stood among the longest ferns

The valley held; and in her hand

One blossom like the light that burns,

Vermilion, o’er a sunset land;

And round her hair a twisted band

Of pink-pierced mountain-laurel blooms:

And darker than dark pools, that stand

Below the star-communing glooms,

Her eyes beneath her hair’s perfumes.

I saw the moon-pearl sandals on

Her flower-white feet, that seemed too chaste

To tread pure gold: and, like the dawn

On splendid peaks that lord a waste

Of solitude lost gods have graced,

Her face: she stood there, faultless-hipped,

Bound with the cestused silver,--chased

With acorn-cup and crown, and tipped

With oak-leaves,--whence her chiton slipped.

Limbs that the gods call loveliness!--

The grace and glory of all Greece

Wrought in one marble form were less

Than her perfection!--’Mid the trees

I saw her; and time seemed to cease

For me--And, lo! I lived my old

Greek life again of classic ease,

Barbarian as the myths that rolled

Me back into the Age of Gold.

WRECKAGE

I

Love and the drift of many dreams,

Under the moon of a Florida night,

Over the beach with its silvery seams

White as a sail is white.

Love that entered into two lives

Out of the dreams that the nights have borne,

Over the waves where the vapor drives,

Mists that the stars have torn.

Love that welded two hearts and hands

There by the sea, ’neath the shell-white moon,

Like to the stars and the mists and the sands

Setting two lives in tune.

Nights of love that one still keeps

Sacred;--nights, that the faith of one

Heartened there in the treacherous deeps,

Under a tropic sun.

II

Parting he said to her: “Let us be true to them,--

All of our dreams, of the night, of the morning:

What is our present, its hope, but a clew to them?

What is our past but a dream and a warning?

Have you considered the life that regretfully

Foldeth weak arms to the fate it might master?--

Had I been true to my dreams, never fretfully

Halted, my future and joy had been faster.”

They had come down to the ocean that, bellowing,

Boiled on the sand and the shells that were broken;

All of the summer was fading and yellowing;

Now they must part and their vows had been spoken.

It had befallen that heaven was lowering;

Over the sea, like the wraith of a wrecker,

Clamored the gull; and the mist in the showering

East seemed the ghost of a lofty three-decker.

Infinite foam; and the boom of the hollowing

Breakers that buried the rocks to their shoulders;

Battle and boast of the deep in the wallowing

World of the waves where the red sunset smoulders.

Long was the leap of the foam on the thunderous

Beach; and each end of the beach was a flying

Fog of the spray: and she said, “Let it sunder us!

Still we will love, for love is undying!”

Yet, if it comes to the thing he has said to her?--

Wreckage and death?--the love she has given

Turned into sorrow?--Oh, that was a dread to her!

He, like a weed, by the waters far driven!

Weeping, her bosom with shudders was shaken as

She for a moment hard clung to her sailor,

Kissed him and--parted. His boat had been taken; as

Paler it grew the woman grew paler.

III

All day the rain drove, falling

Upon the sombre sea;

All day, his wet sail hauling,

The sailor tacked a-lea;

And through the wild rain calling,

What was it?--was it he?

At dusk the gull clanged, drifting

Above the boiling brine;

And, through the wan west sifting,

Streamed one red sunset line;

And in its wild light shifting,

His far sail seemed to shine.

All night the wind wailed, sighing

Along the wreck-strewn coast;

All night the surf, defying,

Rolled thunder in and boast;

All night she heard a crying--

The sea? or some lost ghost?

IV

The balm of the night and the glory,

The music and scent of the sea,

Are as song to her heart or a story

Of the never-to-be.

The stars and the night and the whiteness

Of foam on the stretch of the sand;

Faint foam that is tossed, like the brightness

Of a mermaiden’s hand.

No sail on the ocean; no sailor

On shore, and the winds all asleep;

And her face in the starlight far paler

Than women who weep.

A mist on the deep; and the ghostly

White moon in the deep of the night;

And a light that is neither; that mostly

Is shadow not light.

No sea-gull, that vanished with gleaming

Of wings, in the swing of the spray;

Perhaps it was only her dreaming,

Or merely a ray

Of moonlight; the glimmering essence

Of all that is grayest and dim--

But never his face, or his presence

That dripped in each limb.

And she cried through the night, “Let perish!

O God, let me die of despair!

If he whom I love, whom I cherish,

Is weltering there!”

She seemed but a sea-mist made woman,

And he but a sound of the sea

Made man where nothing was human,

And never would be.

V

Long he sailed the deep that glasses

The face of God and His majesty;

Passed the Horn and the Seas of Grasses,

Drifting aimlessly.

Time went by with its days that ever

Burden the hearts of those who be

Far away from their love; whom sever

Leagues of the shapeless sea.

Land at last, whose reefs rolled broken

Foam of the balked waves everywhere;

Land; one tangle of weeds and oaken

Wreck and of rocks laid bare.

Here and there the sand stretched livid

Leagues of famine, one blinding glare;

Crags, o’er which gaunt birds winged vivid,

Harsh in the earthquake air.

A little cloud in the sunset’s splendor;

A little cloud that the sunset stains:

Night, and a wisp of a moon that, slender,

Dreams of the hurricanes.

Winds that stride as with sounding sandals;

Winds that the tempest has loosed from chains:

Light that leaps like a spear he handles,

Shaking his thunder-manes.

Wrenching the world in wreck asunder,

Black rebellion of hell and night;

Wrath and roar of the rocks and thunder,

Flame and the winds that fight ...

Beating the drift and the hush together,

Waves and winds that the morn makes white;

Calm and peace of the tropic weather

After the typhoon’s might.

Clouds blow by and the storm’s forgotten.

Savage coasts where the sea-cow feeds.

Wash of weeds and the sea-weeds rotten.

And a dead face in the weeds.

None to know him or name him brother;

Only the savage in feathers and beads;

The South-Sea Islander, fitting another

Barb in the shaft he speeds.

Far away where the sea-gulls gather;

Far away where the evening falls,

Lone she stands where the wild waves lather,

Rolling the sea in walls.--

Who shall tell her, the lonely tryster?

Tell her of him on whom she calls?--

Suns that beat on his face and blister?

Stars? or the sea that crawls?

VI

She dreamed that there, beside the ocean sitting,

Alone she watched, when, at her feet, behold!

Between the foam-ridge and the sea-gull’s flitting,

His body rolled.

All was not as it was before they parted;

She dreamed he had remembered, she forgot;

He ’d said he would forget her, angry-hearted,

And yet could not.

And then it seemed that, had she known, she surely

Had given pity when she could not give

Her love to him, who loved her madly, purely,

And bade him live.

And then she dreamed she looked upon the slanted

Hulk of a wreck: and high above the wave,

Worn of the wind and of the cactus planted,

His nameless grave.

SIREN SANDS

I

The rhododendrons bloom and shake

Their petals wide and gleam and sway

Among palmettoes, by the lake,

Beyond the bay.

Shores where we watched the eve reveal

Her cloudy sanctuaries, while

The bay lay lavaed into steel

For mile on mile.

We watched the purple coast confuse

Soft outlines with the graying light;

And towards the gulf a vessel lose

Itself in night.

We saw the sea-gulls dip and soar;

The wild-fowl gather past the pier;

And from rich skies, as from God’s door,

Gold far and near.

Two foreign seamen passed and we

Heard mellow Spanish; like twin stars,

Where they lounged smoking, we could see

Their faint cigars.

Night; and the heavens stained and strewn

With stars the waters idealized,

Until their light the rising moon

Epitomized.

Morn; and the pine-wood balms awake;

Winds roll the dew-drop from the rose;

The wide lake burns; and, on the lake,

The ripple glows.

Far coasts detach deep purple from

The blue horizon, and the day

Beholds the sunburnt sailor come

And sail away.

The bird that slept at dusk, at dawn

Awakes again within the thorn.--

Sweet was the night to it, now gone;

And sweet is morn.

II

Through halls of columned scarlet,

Like some dark queen, the Dusk

Trails skirts of myrrh and musk,

Hung in each ear, a starlet

Gleams,--gems the clouds’ gaunt Jinn

Guard; and, beneath her chin,

The moon, an opal tusk.

There lies a ghostly glory

Upon the sea and sand;

A gleam, as of a hand,

Stretched from the realms of story,

Of rosy golden ray;

Pointing the world the way

To some far Fairyland.

As fades the west’s vermilion

Above the distant coasts,

The stars come out in hosts;

Within the night’s pavilion,

As flower speaks to flower,

Dim hour calls to hour,

Pale with the past’s sweet ghosts.

III

Music that melts through moonlight,

Faint on the summer breeze;

Fireflies, moonlight, and foaming

Susurrus of the seas.

Music that drifts like perfume,

And touches like a hand;

Dreams and stars and the ocean,

And we alone on the sand.

Glimmers and vague reflections,

And the white swirl of the foam;

Pale on the purple a vessel,

And a light that beckons home.

And I seem to see the music,

On a moonbeam bar that floats,

For the music is moonlight magic,

And the flies are its golden notes.

And I seem to hear one singing

Of a brown old coast and sea,

Of lives that were filled with passion,

And old-world tragedy.

And I hear the harsh reef’s calling

For a noble ship at sea,

And the winds of the ocean singing

A dirge for the dead to be.

Till it seems that I am the pilot,

And you are the mermaidén,

Who lures him on to the wrecking

And into her arms again.

_Song_

Over the hills where the winds are waking

All is lone as the soul of me;

Over the hills where the stars are shaking,

Breton hills by the sea.

These were with me to tell me often

How she pined in her Croisic home,

Winds that sing and the stars that soften

Over the miles of foam.

Fishers’ nets and the sailor faces;

Sad salt marshes and granite piers;

Brown, loud coast where the long foam races--

And a parting full of tears.

A gray sail’s ghost where the autumn lies on

Wraiths of the mist and the squall-blown rain;

Her dark girl eyes that search the horizon,

Grave with a haunting pain.

Stars may burn and the wild winds whistle

Over the rocks where the sea-gulls rave--

My heart is bleak as the wind-worn thistle

on her seaside grave.

IV

Sad as sad eyes that ache with tears

The stars of night shine through the leaves;

And shadowy as the Fates’ dim shears

The weft that twilight weaves.

The summer sunset marched long hosts

Of gold adown one golden peak,

That flamed and fell; and now gray ghosts

Of mist the far west streak.

They seem the shades of things that weep,

Wan things the heavens would conceal;

Blood-stained; that bear within them, deep,

Red wounds that will not heal.

Night comes, and with it storm, that slips

Wild angles of the jagged light:--

I feel the wild rain on my lips,--

A wild girl is the Night.

A moaning tremor sweeps the trees;

And all the stars are packed with death:--

She holds me by the neck and knees,

I feel her wild, wet breath.

Hell and its hags drive on the rain:--

Night holds me by the hair and pleads;

Her kisses fall like blows again;

My brow is dewed with beads.

The thunder plants wild beacons on

Each volleying height.--My soul seems blown

Far out to sea. The world is gone,

And night and I alone.

Tampa, Florida, February, 1893.

WAR-TIME SILHOUETTES.

I

THE BATTLE

The night had passed. The day had come,

Bright-born, into a cloudless sky:

We heard the rolling of the drum,

And saw the war-flags fly.

And noon had crowded upon morn

Ere Conflict shook her red locks far,

And blew her brazen battle-horn

Upon the hills of War.

Noon darkened into dusk--one blot

Of nightmare lit with hell-born suns;--

We heard the scream of shell and shot

And booming of the guns.

On batteries of belching grape

We saw the thundering cavalry

Hurl headlong,--iron shape on shape,--

With shout and bugle-cry.

When dusk had moaned and died, and night

Came on, wind-swept and wild with rain,

We slept, ’mid many a bivouac light,

And vast fields heaped with slain.

II

IN HOSPITAL

Wounded to death he lay and dreamed

The drums of battle beat afar,

And round the roaring trenches screamed

The hell of war.

Then woke; and, weeping, spoke one word

To the kind nurse who bent above;

Then in the whitewashed ward was heard

A song of love.

The song _she_ sang him when she gave

The portrait that he kissed; then sighed,

“Lay it beside me in the grave!”

And smiled and died.

III

THE SOLDIER’S RETURN

A brown wing beat the apple leaves and shook

Some blossoms on her hair. Then, note on note,

The bird’s wild music bubbled. In her book,

Her old romance, she seemed to read. No look

Betrayed the tumult in her trembling throat.

The thrush sang on. A dreamy wind came down

From one white cloud of afternoon and fanned

The dropping petals on her book and gown,

And touched her hair, whose braids of quiet brown

Gently she smoothed with one white jeweled hand.

Then, with her soul, it seemed, from feet to brow

She felt him coming: ’t was his heart, his breath

That stirred the blossom on the apple bough;

His step the wood-thrush warbled to. And now

Her cheek went crimson, now as white as death.

Then on the dappled page his shadow--yes,

Not unexpected, yet her haste assumed

Fright’s startle; and low laughter did confess

His presence there, soft with his soul’s caress

And happy manhood, where the rambo bloomed.

Quickly she rose and all her gladness sent

Wild welcome to him. Her his unhurt arm

Drew unresisted; and the soldier leant

Fond lips to hers. She wept. And so they went

Deep in the orchard towards the old brick farm.

IV

THE APPARITION

A day of drought, foreboding rain and wind,

As if stern heaven, feeling earth had sinned,

Frowned all its hatred. When the evening came,

Along the west, from bank on bank unthinned

Of clouds, the storm unfurled its oriflamme.

Then lightning signaled, and the thunder woke

Its monster drums, and all God’s torrents broke.--

She saw the wild night when the dark pane flashed;

Heard, where she stood, the disemboweled oak

Roar into fragments when the welkin crashed.

Long had she waited for a word. And, lo!

Anticipation still would not say “No:”

He has not written; he will come to her;

At dawn!--to-night!--Her heart hath told her so;

And so expectancy and love aver.

She seems to hear his fingers on the pane--

The glass is blurred, she can not see for rain:

Is _that_ his horse?--the wind is never still:

And _that_ his cloak?--ah, surely that is plain!--

A torn vine tossing at the window-sill.

She hurries forth to meet him; pale and wet,

She sees his face; the war-soiled epaulet;

A sabre-scar that bleeds from brow to cheek;

And now he smiles, and now their lips have met,

And now ... Dear heart, he fell at Cedar Creek!

V

WOUNDED

It was in August that they brought her news

Of his bad wounds; the leg that he must lose.

And August passed, and when October raised

Red rebel standards on the hills that blazed,

They brought a haggard wreck; she scarce knew whose,

Until they told her, standing stunned and dazed.

A shattered shadow of the stalwart lad,

The five-months husband, whom his country had

Enlisted, strong for war; returning this,

Whose broken countenance she feared to kiss,

While health’s remembrance stood beside him sad,

And grieved for that which was no longer his.

They brought him on a litter; and the day

Was bright and beautiful. It seemed that May

In woodland rambles had forgot her path

Of season, and, disrobing for a bath,

By the autumnal waters of some bay,

With her white nakedness had conquered Wrath.

Far otherwise she wished it: wind and rain;

The sky, one gray commiserative pain;

Sleet, and the stormy drift of frantic leaves;

To match the misery that each perceives

Aches in her hand-clutched bosom, and is plain

In eyes and mouth and all her form that grieves.

Theirs, a mute meeting of the lips; she stooped

And kissed him once: one long, dark side-lock drooped

And brushed against the bandage of his breast;

With feeble hands he held it and caressed;

Then all his happiness in one look grouped,

Saying, “Now I am home, I crave but rest.”

Once it was love! but then the battle killed

All that sweet nonsense of his youth, and filled

His heart with sterner passion.--Ah, well! peace

Must balm its pain with patience; whose surcease

Means reconcilement; e’en as God hath willed,

With war or peace who shapes His ends at ease.--

The Poems of Madison Cawein, Volume 2 (of 5) New world idylls and poems of love · 第 5 / 7 章