TWELFTH NIGHT; OR, WHAT YOU WILL

Sebastian and his sister Viola, a young gentleman and lady of

Messaline, were twins, and (which was accounted a great wonder)

from their birth they so much resembled each other that, but for

the difference in their dress, they could not be known apart.

They were both born in one hour, and in one hour they were both

in danger of perishing, for they were shipwrecked on the coast of

Illyria, as they were making a sea-voyage together. The ship on

board of which they were split on a rock in a violent storm, and

a very small number of the ship’s company escaped with their

lives. The captain of the vessel, with a few of the sailors that

were saved, got to land in a small boat, and with them they

brought Viola safe on shore, where she, poor lady, instead of

rejoicing at her own deliverance, began to lament her brother’s

loss; but the captain comforted her with the assurance that he

had seen her brother, when the ship split, fasten himself to a

strong mast, on which, as long as he could see anything of him

for the distance, he perceived him borne up above the waves.

Viola was much consoled by the hope this account gave her, and

now considered bow she was to dispose of herself in a strange

country, so far from home; and she asked the captain if he knew

anything of Illyria.

“Aye, very well, madam,” replied the captain, “for I was born not

three hours’ travel from this place.”

“Who governs here?” said Viola. The captain told her Illyria was

governed by Orsino, a duke noble in nature as well as dignity.

Viola said, she had heard her father speak of Orsino, and that he

was unmarried then.

“And he is so now,” said the captain; “or was so very late for,

but a month ago, I went from here, and then it was the general

talk (as you know what great ones do, the people will prattle of)

that Orsino sought the love of fair Olivia, a virtuous maid, the

daughter of a count who died twelve months ago, leaving Olivia to

the protection of her brother, who shortly after died also; and

for the love of this dear brother, they say, she has abjured the

sight and company of men.”

Viola, who was herself in such a sad affliction for her brother’s

loss, wished she could live with this lady who so tenderly

mourned a brother’s death. She asked the captain if be could

introduce her to Olivia, saying she would willingly serve this

lady. But he replied this would be a hard thing to accomplish,

because the Lady Olivia would admit no person into her house

since her brother’s death, not even the duke himself. Then Viola

formed another project in her mind, which was, in a man’s habit,

to serve the Duke Orsino as a page. It was a strange fancy in a

young lady to put on male attire and pass for a boy; but the

forlorn and unprotected state of Viola, who was young and of

uncommon beauty, alone, and in a foreign land, must plead her

excuse.

She having observed a fair behavior in the captain, and that he

showed a friendly concern for her welfare, intrusted him with her

design, and he readily engaged to assist her. Viola gave him

money and directed him to furnish her with suitable apparel,

ordering her clothes to be made of the same color and in the same

fashion her brother Sebastian used to wear, and when she was

dressed in her manly garb she looked so exactly like her brother

that some strange errors happened by means of their being

mistaken for each other, for, as will afterward appear, Sebastian

was also saved.

Viola’s good friend, the captain, when he had transformed this

pretty lady into a gentleman, having some interest at court, got

her presented to Orsino under the feigned name of Cesario. The

duke was wonderfully pleased with the address and graceful

deportment of this handsome youth, and made Cesario one of his

pages, that being the office Viola wished to obtain; and she so

well fulfilled the duties of her new station, and showed such a

ready observance and faithful attachment to her lord, that she

soon became his most favored attendant. To Cesario Orsino

confided the whole history of his love for the lady Olivia. To

Cesario he told the long and unsuccessful suit he had made to one

who, rejecting his long services and despising his person,

refused to admit him to her presence; and for the love of this

lady who had so unkindly treated him the noble Orsino, forsaking

the sports of the field and all manly exercises in which he

used to delight, passed his hours in ignoble sloth, listening to

the effeminate sounds of soft music, gentle airs, and passionate

love-songs; and neglecting the company of the wise and learned

lords with whom he used to associate, he was now all day long

conversing with young Cesario. Unmeet companion no doubt his

grave courtiers thought Cesario was for their once noble master,

the great Duke Orsino.

It is a dangerous matter for young maidens to be the confidantes

of handsome young dukes; which Viola too soon found, to her

sorrow, for all that Orsino told her he endured for Olivia she

presently perceived she suffered for the love of him, and much it

moved her wonder that Olivia could be so regardless of this her

peerless lord and master, whom she thought no one could behold

without the deepest admiration, and she ventured gently to hint

to Orsino, that it was a pity he should affect a lady who was so

blind to his worthy qualities; and she said:

“If a lady were to love you, my lord, as you love Olivia (and

perhaps there may be one who does), if you could not love her in

return) would you not tell her that you could not love, and must

she not be content with this answer?”

But Orsino would not admit of this reasoning, for he denied that

it was possible for any woman to love as he did. He said no

woman’s heart was big enough to hold so much love, and therefore

it was unfair to compare the love of any lady for him to his love

for Olivia. Now, though Viola had the utmost deference for the

duke’s opinions, she could not help thinking this was not quite

true, for she thought her heart had full as much love in it as

Orsino’s had; and she said:

“Ah, but I know, my lord.”

“What do you know, Cesario?” said Orsino.

“Too well I know,” replied Viola, “what love women may owe to

men. They are as true of heart as we are. My father had a

daughter loved a man, as I perhaps, were I a woman, should love

your lordship.”

“And what is her history?” said Orsino.

“A blank, my lord,” replied Viola. “She never told her love, but

let concealment, like a worm in the bud, feed on her damask

cheek. She pined in thought, and with a green and yellow

melancholy she sat like Patience on a monument, smiling at

Grief.”

The duke inquired if this lady died of her love, but to this

question Viola returned an evasive answer; as probably she had

feigned the story, to speak words expressive of the secret love

and silent grief she suffered for Orsino.

While they were talking, a gentleman entered whom the duke had

sent to Olivia, and he said, “So please you, my lord, I might not

be admitted to the lady, but by her handmaid she returned you

this answer: Until seven years hence the element itself shall not

behold her face; but like a cloistress she will walk veiled,

watering her chamber with her tears for the sad remembrance of

her dead brother.”

On hearing this the duke exclaimed, “Oh, she that has a heart of

this fine frame, to pay this debt of love to a dead brother, how

will she love when the rich golden shaft has touched her heart!”

And then he said to Viola: “You know, Cesario, I have told you

all the secrets of my heart; therefore, good youth, go to

Olivia’s house. Be not denied access; stand at her doors and tell

her there your fixed foot shall grow till you have audience.”

“And if I do speak to her, my lord, what then?” said Viola.

“Oh, then,” replied Orsino, “unfold to her the passion of my

love. Make a long discourse to her of my dear faith. It will well

become you to act my woes, for she will attend more to you than

to one of graver aspect.”

Away then went Viola; but not willingly did she undertake this

courtship, for she was to woo a lady to become a wife to him she

wished to marry; but, having undertaken the affair, she performed

it with fidelity, and Olivia soon heard that a youth was at her

door who insisted upon being admitted to her presence.

“I told him,” said the servant, “that you were sick. He said he

knew you were, and therefore he came to speak with you. I told

him that you were asleep. He seemed to have a foreknowledge of

that, too, and said that therefore he must speak with you. What

is to be said to him, lady? for he seems fortified against all

denial, and will speak with you, whether you will or no.”

Olivia, curious to see who this peremptory messenger might be,

desired be might be admitted, and, throwing her veil over her

face, she said she would once more hear Orsino’s embassy, not

doubting but that he came from the duke, by his importunity.

Viola, entering, put on the most manly air she could assume, and,

affecting the fine courtier language of great men’s pages, she

said to the veiled lady:

“Most radiant, exquisite, and matchless beauty, I pray you tell

me if you are the lady of the house; for I should be sorry to

cast away my speech upon another; for besides that it is

excellently well penned, I have taken great pains to learn it.”

“Whence come you, sir?” said Olivia.

“I can say little more than I have studied,” replied Viola, and

that question is out of my part.”

“Are you a comedian?” said Olivia.

“No,” replied Viola; “and yet I am not that which I play,”

meaning that she, being a woman, feigned herself to be a man. And

again she asked Olivia if she were the lady of the house.

Olivia said she was; and then Viola, having more curiosity to see

her rival’s features than haste to deliver her master’s message,

said, “Good madam, let me see your face.” With this bold request

Olivia was not averse to comply, for this haughty beauty, whom

the Duke Orsino had loved so long in vain, at first sight

conceived a passion for the supposed page, the humble Cesario.

When Viola asked to see her face, Olivia said, “Have you any

commission from your lord and master to negotiate with my face?”

And then, forgetting her determination to go veiled for seven

long years, she drew aside her veil, saying: “But I will draw the

curtain and show the picture. Is it not well done?”

Viola replied: “It is beauty truly mixed; the red and white upon

your cheeks is by Nature’s own cunning hand laid on. You are the

most cruel lady living if you lead these graces to the grave and

leave the world no copy.”

“Oh, sir,” replied Olivia, “I will not be so cruel. The world may

have an inventory of my beauty. As, item, two lips, indifferent

red; item, two gray eyes with lids to them; one neck; one chin;

and so forth. Were you sent here to praise me?”

Viola replied, “I see what you are: you are too proud, but you

are fair. My lord and master loves you. Oh, such a love could but

be recompensed though you were crowned the queen of beauty; for

Orsino loves you with adoration and with tears, with groans that

thunder love, and sighs of fire.”

“Your lord,” said Olivia, “knows well my mind. I cannot love him;

yet I doubt not he is virtuous; I know him to be noble and of

high estate, of fresh and spotless youth. All voices proclaim him

learned, courteous, and valiant; yet I cannot love him. He might

have taken his answer long ago.”

“If I did love you as my master does,” said Viola, “I would make

me a willow cabin at your gates, and call upon your name. I would

write complaining sonnets on Olivia, and sing them in the dead of

the night. Your name should sound among the hills, and I would

make Echo, the babbling gossip of the air, cry out OLIVIA. Oh,

you should not rest between the elements of earth and air, but

you should pity me.”

“You might do much,” said Olivia. “What is your parentage?’”

Viola replied: “Above my fortunes, yet my state is well. I am a

gentleman.”

Olivia now reluctantly dismissed Viola, saying: “Go to your

master and tell him I cannot love him. Let him send no more,

‘unless perchance you come again to tell me how he takes it.”

And Viola departed, bidding the lady farewell by the name of Fair

Cruelty. When she was gone Olivia repeated the words, ABOVE MY

FORTUNES, YET MY STATE IS WELL. I AM A GENTLEMAN. And she said

aloud, “I will be sworn he is; his tongue, his face, his limbs,

action, and spirit plainly show he is a gentleman.” And then she

wished Cesario was the duke; and, perceiving the fast hold he had

taken on her affections, she blamed herself for her sudden love;

but the gentle blame which people lay upon their own faults has

no deep root, and presently the noble lady Olivia so far forgot

the inequality between, her fortunes and those of this seeming

page, as well as the maidenly reserve which is the chief ornament

of a lady’s character, that she resolved to court the love of

young Cesario, and sent a servant after him with a diamond ring,

under the pretense that he had left it with her as a present from

Orsino. She hoped by thus artfully making Cesario a present of

the ring she should give him some intimation of her design; and

truly it did make Viola suspect; for, knowing that Orsino had

sent no ring by her, she began to recollect that Olivia’s looks

and manner were expressive of admiration, and she presently

guessed her master’s mistress had fallen in love with her.

“Alas!” said she, “the poor lady might as well love a dream.

Disguise I see is wicked, for it has caused Olivia to breathe as

fruitless sighs for me as I do for Orsino.”

Viola returned to Orsino’s palace, and related to her lord the

ill success of the negotiation, repeating the command of Olivia

that the duke should trouble her no more. Yet still the duke

persisted in hoping that the gentle Cesario would in time be able

to persuade her to show some pity, and therefore he bade him he

should go to her again the next day. In the mean time, to pass

away the tedious interval, he commanded a song which he loved to

be sung; and he said:

“My good Cesario, when I heard that song last night, methought it

did relieve my passion much. Mark it, Cesario, it is old and

plain. The spinsters and the knitters when they sit in the sun,

and the young maids that weave their thread with bone, chant this

song. It is silly, yet I love it, for it tells of the innocence

of love in the old times.”

Tales from Shakespeare(#1286) · 第 19 / 25 题