XIX

Prochnow spent the whole day working for Preciosa, oblivious of

Virgilia's snares or of the debut of Robin Morrell. He heaved history,

tradition, legend, mythology into the furnace, worked the bellows with

indefatigable hand, blew his brains to a white heat and kept them there,

and dropped down at dusk with his project complete. He had outlined two

or three of his cartoons as well, and had even dashed out, on a small

scale, the colour-scheme of the one that made the most immediate appeal.

Little O'Grady, who had had all the trouble he anticipated with the

chariot of Progress--and a good deal more--came in for a cup of

Prochnow's potent, bewitching coffee.

"Ignace!" he cried, wiping his clay-encrusted hands on the blue blouse,

"you beat us all! You'll run away ahead of any one of us! Only, you'll

kill yourself doing it!"

"My first great chance," replied Prochnow. "I mustn't let it slip by."

Within a few days this third scheme was brought into intelligible shape

and sent off in pursuit of the scattered sons of finance. "It's a dead

go!" cried Little O'Grady; "this time we get 'em sure!" His confidence

was the light from the blazing furnace, just as Prochnow's intensity was

its heat. When each believed so fully in himself and in the other how

could the thought of failure intrude?

"Ignace," said Little O'Grady, "this time they'll treat us right. You

must take a better room than you have here. You must move downstairs,

where people can find you, and where you will be able to let them in when

they do. Ladies, now--how could you possibly receive them in such

quarters as these?"

Prochnow easily allowed himself to be persuaded. He was already beginning

to see about how the cat jumped and to understand how much depended upon

the gentle patronage of the luminaries of society. There was one little

star, surely, whose light he should be glad to focus on himself once

more--nor be indebted to another's kindness for the privilege. He had

indeed ventured to call on Preciosa once or twice at her own home--in

particular there was the evening on which, defying niggardly Fortune, he

had invited her to the theatre, her passion; but Euphrosyne McNulty had

not seemed fully able to understand him. She appeared to view him as a

sort of unclassifiable young artisan and to find slight justification for

his presence. She had other ideas for her daughter.

"Come, make a stagger," said Little O'Grady encouragingly. "Take that

other big room down there next to Gowan's. I'll cough up a few for you,

and I'll let you have all the traps of mine you need. Take the Aztec jars

and both the priceless Navajos that I have clung to through all my days

of misery and privation."

Prochnow made the move. Preciosa was among his first callers. His studio

came to little compared with Dill's, and to little more compared with

Gowan's; but the jars and the blankets did their part, the mandolin and

the coffee-pot theirs; the portfolios were broken open to decorate the

walls, and,----

"You'll do," said Little O'Grady.

Preciosa's back missed the tall mahogany chair with the brass rosettes.

"We've loaned it to Gowan," explained Little O'Grady; "we're helping him

out on a portrait."

Preciosa's feet missed the thick-piled Persian rug. "It was getting full

of moths and dust," said Little O'Grady. "We've given it to some poor

chaps upstairs for a coverlet."

"Are they very destitute?" asked Preciosa tenderly.

"Turrible," replied Little O'Grady. "There's one sufferer up there who's

just about cleaned out--nothing left but his bed and one chair. He's

eating his mattress. It'll last a week longer."

Preciosa leaned back luxuriously on the wood-box, which was covered by

one of the blankets, and tapped her delicate little foot on the other,

spread over the floor. How fortunate that Ignace was spared all these

privations!

Prochnow himself could not feel that he was poor. _She_ was here; his

drawings were with the bank; his Odalisque was at the club; and his Fall

of Madame Lucifer, in a bright new frame, adorned the chaste walls of

Roscoe Orlando Gibbons. The future was bright with promise. He dared to

speak now. He would. He did.

As soon as Little O'Grady had the grace to make a move toward departure,

Prochnow hastened it on. O'Grady went upstairs to banish one or two more

obstacles from the way of the Car of Progress, and Prochnow took Preciosa

over to the Academy to see the Winter Exhibition.

Preciosa, as has already been said, was not a girl of many ideas; yet a

single one, detached, isolated, and presented to her with some ardour and

directness, was easily within her grasp. The idea was now presented, and

Preciosa forgot all about the pictures. For surely he who offered it was

a most complete and admirable mechanism; the pulse of his heart, the beat

of his brain, the flash of his eye, the tremor of his masterful

hands--all these now worked in fullest harmony and told her here was a

man. Preciosa, never inclined to make too much of worldly considerations,

now set them aside altogether. Any idea of mere lucre slipped from her

mind, and if she thought at all of a mother's strained social ambitions

for a favourite child, it was but to feel with a wilful joy that she was

extricating herself from the selfish grasp of Virgilia Jeffreys. Her own

humble and obscure origin stirred within her,--her, the granddaughter of

peasants who had trotted their bogs,--and she gave no heed to her lover's

gentility or lack of it, in her unconscious tendency, even her active

willingness, to "revert."

Prochnow felt the utmost confidence in his own powers, in his future, in

the great scheme now under the scrutiny of the Grindstone. He glanced

round the walls of the gallery, and here and there a canvas due to one

hand or another that had co-operated in the rival scheme came to his

view. He made silent, acidulous comments on certain manifestations of

mediocrity placed there by men so much better quartered, better known,

better circumstanced than himself. "Never mind," he said; "next year _I_

shall be here, and then the difference will be seen by everybody." Well

might the director welcome work from one who had distanced all others in

a fair race and who unaided had brought to a triumphal issue the greatest

piece of monumental decoration the town had ever known. And this little

thing close by his side, panting, palpitating, flushing divinely, had

helped him to conquer his success.

"It will be your triumph, too!" he told her.

"Mine?" she asked, in self-depreciation. "Why, I have not made you a

single suggestion." Too truly she was no Virgilia Jeffreys.

"You have had a hand in every drawing," he insisted warmly. "You have

moved the crayon over every sheet. The whole work is full of you--it is

You yourself."

Preciosa accepted this full, round declaration with easy passivity; she

was not clever, only happy. If he thought thus, and felt thus--why, that

was enough. He was a strong young man--let him have his way. It all fell

in with his "handling" of the whole situation. Little enough had he

depended upon soft seduction, upon gallantry, upon flattery; still less

had he tried to wheedle, to propitiate. He had grasped her with an

intent, smileless severity, and he was not to be opposed. His words, like

his works, were full of sweep and decision, and empty of all light

humours, and they lifted her up and carried her away.

"Yes," she said, "it will be my triumph too." And she seemed to have said

the words he wished to hear.

Under the Skylights · 第 53 / 76 题