XVII

"We must get at the girl herself," declared Eudoxia,--"that is, if it

isn't too late, if she isn't utterly infatuated with him."

"I don't think I've heard as much as _that_ said," replied Virgilia. She

knew of but one young woman who might justly go to such a length. "What

shall you do first? Shall you ask her to pour tea?"

"No need, yet, of going as far as that. Can't you get together a little

party and give her a sort of lunch out at the Whip and Spur? Then one of

us, I suppose, might call on her mother--if she's got one."

"Whatever you suggest," said Virgilia, with a suppressed sob. "You may

think I'm a perpetual fount of ideas, but I'm not." The Grindstone's

rejection of her second scheme had hurt her cruelly. She put her

handkerchief to her eyes--as if she had become, instead, a fount of

tears.

And as such she next appeared to Dill. "I felt so sure, dear Daff, that

we could put it through," she mourned. "And now--and now----"

Daffingdon drew her discouraged head down against his shoulder, in his

most noble and manful mode. "Let the lions take us, if they will," he

seemed to say, casting his eyes around the arena.

Little O'Grady came over, bearing a martyr's palm. The universal sadness

was reflected in his face. Little Frankie Adams was to go along wearing

his old shoes, and Kitty Gowan, who had been figuring on a belated winter

suit, had tearfully thrown a handful of samples in the fire and put the

fond notion aside.

Little O'Grady wiped a sympathetic eye. "Oh, Daff, I'm so sorry for you;

just at the time, too, when----" He dared not proceed, awed by Dill's

protesting pathos. "Come, now," he ventured presently, "why shouldn't we

let Ignace in on this? He's so inventive; he's so full of ideas----"

Daffingdon recalled the sensuous Oriental masterpiece at the club and saw

no reason why the possessor of such a particular talent could be expected

to succeed in a bank. He shook his head; no member of another sect--no

heretical Viennese--should share his martyrdom with him. This left

Prochnow free to rush upon the lions on his own account. Little O'Grady,

returning to the Rabbit-Hutch, found his neighbour's loins fully girded

for the task--the fine frenzy of inspiration had already turned the place

upside down.

"That's right, Ignace!" he called from the threshold; "sail in. What is

the plan this time?" he asked, tiptoeing along over the scattered sheets

that littered the floor.

Prochnow ran his nervous fingers through his wild black forelock, and

cast on Little O'Grady a piercing, inspirational glance from a pair of

glittering eyes.

"The two great modern forces," he pronounced, "are Science and Democracy.

I shall show how each has contributed to the progress of society. Science

shall have the six lunettes on the right and Democracy the six on the

left."

"H'm," said Little O'Grady; "an allegory?"

"Precisely. No better basis for a grand monumental work."

"Well, Ignace," declared Little O'Grady, "you'll put it through if

anybody can!"

He hurried back to his own room, shrugged himself into his

plaster-flecked blouse of robin's-egg blue, threw "The First Issue of

Wild-Cat Currency" (a group of frontier financiers in chokers and high

beaver hats) back into the clay-box, and began at once on a bold relief

of "Science and Democracy Opening the Way for the Car of Progress."

"Science," he explained to Prochnow, next day, "will be clearing the air

of the bats of ignorance, and Democracy will be clearing the ground of

the imps of aristocracy--or maybe they'll be demons. And between the two,

right in the middle, of course, the Car of Progress will advance in very

low relief. I haven't quite got it all where it will pull together yet,

and I can see the foreshortening of the horses will be something

terrible; but I'm pretty sure I shall find some way out within a week or

so. Let me tell you one thing, though, about your own job, Ignace. Your

allegory will go down easier if----Say, you wouldn't take Hill's hints,

would you?"

"No," said Prochnow, with the loftiest contempt.

"It will go down easier, I say, if you'll just work in some portraits of

our Nine Worthies. Ghirlandajo did that racket, for instance; so did

Holbein. So did plenty of others. Wouldn't Andrew P. Hill's chin-beard

come in great on Fortitude? And if you've got any gratitude in your

composition, Roscoe Orlando ought to go in as Prosperity. Give him two

cornucopias, instead of one, to balance those side-whiskers----"

"Hush!" called Prochnow reprovingly. He never jested about his patrons

and he never made facetious observations about art.

"Well, don't get mad," said Little O'Grady, slightly abashed. "I'm doing

just that thing with Simon Rosenberg; he's going to be my archdemon of

aristocracy."

Prochnow remained smilelessly severe; and Little O'Grady, after one or

two more feeble efforts to save his "face," slunk away--vastly impressed,

as he never failed to be when he met the rare person that could put him

down.

"What makes Ignace so grouchy to-day, I wonder?" he muttered, as he

returned to the Car of Progress.

Prochnow soon forgot this interruption and jumped back into his work with

redoubled vigour. He took a serious view of himself, of his art, of

things in general; above all, he took a serious view of his immediate

future and of the place that Preciosa McNulty might come to have in it.

Little O'Grady, an easygoing bachelor, everybody's friend, and too much

the champion of the whole gentler sex to set any one of its members apart

from all the rest, might indulge in such jestings about his own life and

his own work as he saw fit. But for himself, a man of the warmest and

highest ambitions, yet with the most restricted means for realizing them,

play by the roadside was quite out of the question.

Under the Skylights · 第 51 / 76 题