CHAPTER V

"FOUR WOMEN CRUCIFIED"

Veronique was left alone on Coffin Island. Until the sun sank among the

clouds that seemed, on the horizon, to rest upon the sea, she did not

move, but sat huddled against the window, with her head buried in her

two arms resting on the sill.

The dread reality passed through the darkness of her mind like pictures

which she strove not to see, but which at times became so clearly

defined that she imagined herself to be living through those atrocious

scenes again.

Still she sought no explanation of all this and formed no theories as to

all the motives which might have thrown a light upon the tragedy. She

admitted the madness of Francois and of Stephane Maroux, being unable to

suppose any other reasons for such actions as theirs. And, believing the

two murderers to be mad, she did not even try to attribute to them any

projects or definite wishes.

Moreover, Honorine's madness, of which she had, so to speak, observed

the outbreak, impelled her to look upon all that had happened as

provoked by a sort of mental upset to which all the people of Sarek had

fallen victims. She herself at moments felt that her brain was reeling,

that her ideas were fading away in a mist, that invisible ghosts were

hovering around her.

She dozed off into a sleep which was haunted by these images and in

which she felt so wretched that she began to sob. Also it seemed to her

that she could hear a slight noise which, in her benumbed wits, assumed

a hostile significance. Enemies were approaching. She opened her eyes.

A couple of yards in front of her, sitting upon its haunches, was a

queer animal, covered with long mud-coloured hair and holding its

fore-paws folded like a pair of arms.

It was a dog; and she at once remembered Francois' dog, of which

Honorine had spoken as a dear, devoted, comical creature. She even

remembered his name, All's-Well.

As she uttered this name in an undertone, she felt an angry impulse and

was almost driving away the animal endowed with such an ironical

nickname. All's-Well! And she thought of all the victims of the horrible

nightmare, of all the dead people of Sarek, of her murdered father, of

Honorine killing herself, of Francois going mad. All's-Well, forsooth!

Meanwhile the dog did not stir. He was sitting up as Honorine had

described, with his head a little on one side, one eye closed, the

corners of his mouth drawn back to his ears and his arms crossed in

front of him; and there was really something very like a smile flitting

over his face.

Veronique now remembered: this was the manner in which All's-Well

displayed his sympathy for those in trouble. All's-Well could not bear

the sight of tears. When people wept, he sat up until they in their turn

smiled and petted him.

Veronique did not smile, but she pressed him against her and said:

"No, my poor dog, all's not well; on the contrary, all's as bad as it

can be. No matter: we must live, mustn't we, and we mustn't go mad

ourselves like the others?"

The necessities of life obliged her to act. She went down to the

kitchen, found some food and gave the dog a good share of it. Then she

went upstairs again.

Night had fallen. She opened, on the first floor, the door of a bedroom

which at ordinary times must have been unoccupied. She was weighed down

with an immense fatigue, caused by all the efforts and violent emotions

which she had undergone. She fell asleep almost at once. All's Well lay

awake at the foot of her bed.

Next morning she woke late, with a curious feeling of peace and

security. It seemed to her that her present life was somehow connected

with her calm and placid life at Besancon. The few days of horror which

she had passed fell away from her like distant events whose return she

had no need to fear. The men and women who had gone under in the great

horror became to her mind almost like strangers whom one has met and

does not expect to see again. Her heart ceased bleeding. Her sorrow for

them did not reach the depths of her soul.

It was due to the unforeseen and undisturbed rest, the consoling

solitude. And all this seemed to her so pleasant that, when a steamer

came and anchored on the spot of the disaster, she made no signal. No

doubt yesterday, from the mainland, they had seen the flash of the

explosions and heard the report of the shots. Veronique remained

motionless.

She saw a boat put off from the steamer and supposed that they were

going to land and explore the village. But not only did she dread an

enquiry in which her son might be involved: she herself did not wish to

be found, to be questioned, to have her name, her identity, her story

discovered and to be brought back into the infernal circle from which

she had escaped. She preferred to wait a week or two, to wait until

chance brought within hailing-distance of the island some fishing-boat

which could pick her up.

But no one came to the Priory. The steamer put off; and nothing

disturbed her isolation.

And so she remained for three days. Fate seemed to have reconsidered its

intention of making fresh assaults upon her. She was alone and her own

mistress. All's Well, whose company had done her a world of good,

disappeared.

The Priory domain occupied the whole end of the island, on the site of a

Benedictine abbey, which had been abandoned in the fifteenth century and

gradually fallen into ruin and decay.

The house, built in the eighteenth century by a wealthy Breton

ship-owner out of the materials of the old abbey and the stones of the

chapel, was in no way interesting either outside or in. Veronique, for

that matter, did not dare to enter any of the rooms. The memory of her

father and son checked her before the closed doors.

But, on the second day, in the bright spring sunshine, she explored the

park. It extended to the point of the island and, like the sward in

front of the house, was studded with ruins and covered with ivy. She

noticed that all the paths ran towards a steep promontory crowned with a

clump of enormous oaks. When she reached the spot, she found that these

oaks stood round a crescent-shaped clearing which was open to the sea.

In the centre of the clearing was a cromlech with a rather short, oval

table upheld by two supports of rock, which were almost square. The spot

possessed an impressive magnificence and commanded a boundless view.

"The Fairies' Dolmen, of which Honorine spoke," thought Veronique. "I

cannot be far from the Calvary and Maguennoc's flowers."

She walked round the megalith. The inner surface of the two uprights

bore a few illegible engraved signs. But the two outer surfaces facing

the sea formed as it were two smooth slabs prepared to receive an

inscription; and here she saw something that caused her to shudder with

anguish. On the right, deeply encrusted, was an unskilful, primitive

drawing of four crosses with four female figures writhing upon them. On

the left was a column of lines of writing, whose characters,

inadequately carved in the stone, had been almost obliterated by the

weather, or perhaps even deliberately effaced by human hands. A few

words remained, however, the very words which Veronique had read on the

drawing which she found beside Maguennoc's corpse:

"Four women crucified . . . . Thirty coffins . . . . The God-Stone which

gives life or death."

Veronique moved away, staggering. The mystery was once more before her,

as everywhere in the island, and she was determined to escape from it

until the moment when she could leave Sarek altogether.

She took a path which started from the clearing and led past the last

oak on the right. This oak appeared to have been struck by lightning,

for all that remained of it was the trunk and a few dead branches.

Farther on, she went down some stone steps, crossed a little meadow in

which stood four rows of menhirs and stopped suddenly with a stifled

cry, a cry of admiration and amazement, before the sight that presented

itself to her eyes.

"Maguennoc's flowers," she whispered.

The last two menhirs of the central alley which she was following stood

like the posts of a door that opened upon the most glorious spectacle, a

rectangular space, fifty yards long at most, which was reached by a

short descending flight of steps and bordered by two rows of menhirs all

of the same height and placed at accurately measured intervals, like the

columns of a temple. The nave and side-aisles of this temple were paved

with wide, irregular, broken granite flag-stones, which the grass,

growing in the cracks, marked with patterns similar to those of the lead

which frames the pieces of a stained-glass window.

In the middle was a small bed of flowers thronging around an ancient

stone crucifix. But such flowers! Flowers which the wildest imagination

or fancy never conceived, dream-flowers, miraculous flowers, flowers out

of all proportion to ordinary flowers!

Veronique recognized all of them; and yet she stood dumbfounded at their

size and splendour. There were flowers of many varieties, but few of

each variety. It was like a nosegay made to contain every colour, every

perfume and every beauty that flowers can possess.

And the strangest thing was that these flowers, which do not usually

bloom at the same time and which open in successive months, were all

growing and blossoming together! On one and the same day, these flowers,

all perennial flowers whose time does not last much more than two or

three weeks, were blooming and multiplying, full and heavy, vivid,

sumptuous, proudly borne on their sturdy stems.

There were spiderworts, there were ranunculi, tiger-lilies, columbines,

blood-red potentillas, irises of a brighter violet than a bishop's

cassock. There were larkspurs, phlox, fuchsias, monk's-hoods,

montbretias. And, above all this, to Veronique's intense emotion, above

the dazzling flower-bed, standing a little higher in a narrow border

around the pedestal of the crucifix, with all their blue, white and

violet clusters seeming to lift themselves so as to touch the Saviour's

very form, were veronicas!

She was faint with emotion. As she came nearer, she had read on a little

label fastened to the pedestal these two words.

"Mother's flowers."

* * * * *

Veronique did not believe in miracles. She was obliged to admit that the

flowers were wonderful, beyond all comparison with the flowers of our

climes. But she refused to think that this anomaly was not to be

explained except by supernatural causes or by magic recipes of which

Maguennoc held the secret. No, there was some reason, perhaps a very

simple one, of which events would afford a full explanation.

Meanwhile, amid the beautiful pagan setting, in the very centre of the

miracle which it seemed to have wrought by its presence, the figure of

Christ Crucified rose from the mass of flowers which offered Him their

colours and their perfumes. Veronique knelt and prayed.

Next day and the day after, she returned to the Calvary of the Flowers.

Here the mystery that surrounded her on every side had manifested itself

in the most charming fashion; and her son played a part in it that

enabled Veronique to think of him, before her own flowers, without

hatred or despair.

But, on the fifth day, she perceived that her provisions were becoming

exhausted; and in the middle of the afternoon she went down to the

village.

There she noticed that most of the houses had been left open, so certain

had their owners been, on leaving, of coming back again and taking what

they needed in a second trip.

Sick at heart, she dared not cross the thresholds. There were geraniums

on the window-ledges. Tall clocks with brass pendulums were ticking off

the time in the empty rooms. She moved away.

In a shed near the quay, however, she saw the sacks and boxes which

Honorine had brought with her in the motor-boat.

"Well," she thought, "I shan't starve. There's enough to last me for

weeks; and by that time . . ."

She filled a basket with chocolate, biscuits, a few tins of preserved

meat, rice and matches; and she was on the point of returning to the

Priory, when it occurred to her that she would continue her walk to the

other end of the island. She would fetch her basket on the way back.

A shady road climbed upwards on the right. The landscape seemed to be

the same: the same flat stretches of moorland, without ploughed fields

or pastures; the same clumps of ancient oaks. The island also became

narrower, with no obstacle to block the view of the sea on either side

or of the Penmarch headland in the distance.

There was also a hedge which ran from one cliff to the other and which

served to enclose a property, a shabby property, with a straggling,

dilapidated, tumbledown house upon it, some out-houses with patched

roofs and a dirty, badly-kept yard, full of scrap-iron and stacks of

firewood.

Veronique was already retracing her steps, when she stopped in alarm and

surprise. It seemed to her that she heard some one moan. She listened,

striving to plumb the vast silence, and once again the same sound, but

this time more distinctly, reached her ears; and there were others:

cries of pain, cries for help, women's cries. Then had not all the

inhabitants taken to flight? She had a feeling of joy mingled with some

sorrow, to know that she was not alone in Sarek, and of fear also, at

the thought that events would perhaps drag her back again into the fatal

cycle of death and horror.

So far as Veronique was able to judge, the noise came not from the

house, but from the buildings on the right of the yard. This yard was

closed with a simple gate which she had only to push and which opened

with the creaking sound of wood upon wood.

The cries in the out-house at once increased in number. The people

inside had no doubt heard Veronique approach. She hastened her steps.

Though the roof of the out-buildings was gone in places, the walls were

thick and solid, with old arched doors strengthened with iron bars.

There was a knocking against one of these doors from the inside, while

the cries became more urgent:

"Help! Help!"

But there was a dispute; and another, less strident voice grated:

"Be quiet, Clemence, can't you? It may be them!"

"No, no, Gertrude, it's not! I don't hear them! . . . Open the door,

will you? The key ought to be there."

Veronique, who was seeking for some means of entering, now saw a big key

in the lock. She turned it; and the door opened.

She at once recognized the sisters Archignat, half-dressed, gaunt,

evil-looking, witch-like. They were in a wash-house filled with

implements; and Veronique saw at the back, lying on some straw, a third

woman, who was bewailing her fate in an almost inaudible voice and who

was obviously the third sister.

At that moment, one of the first two collapsed from exhaustion; and the

other, whose eyes were bright with fever, seized Veronique by the arm

and began to gasp:

"Did you see them, tell me? . . . Are they there? . . . How is it they

didn't kill you? . . . They are the masters of Sarek since the others

went off . . . . And it's our turn next . . . . We've been locked in

here now for six days . . . . Listen, it was on the day when everybody

left. We three came here, to the wash-house, to fetch our linen, which

was drying. And then _they_ came . . . . We didn't hear them . . . . One

never does hear them . . . . And then, suddenly, the door was locked on

us . . . . A slam, a turn of the key . . . and the thing was done

. . . . We had bread, apples and best of all, brandy . . . . We didn't

do so badly . . . . Only, were they going to come back and kill us? Was

it our turn next? . . . Oh, my dear good lady, how we strained our ears!

And how we trembled with fear! . . . My eldest sister's gone crazy

. . . . Hark, you can hear her raving . . . . The other, Clemence, has

borne all she can . . . . And I . . . I . . . Gertrude . . ."

Gertrude had plenty of strength left, for she was twisting Veronique's

arm:

"And Correjou? He came back, didn't he, and went away again? Why didn't

anyone come to look for us? It would have been easy enough: everybody

knew where we were; and we called out at the least sound. So what does

it all mean?"

Veronique hesitated what to reply. Still, why should she conceal the

truth?

She replied:

"The two boats went down."

"What?"

"The two boats sank in view of Sarek. All on board were drowned. It was

opposite the Priory . . . after leaving the Devil's Passage."

Veronique said no more, so as to avoid mentioning the names of Francois

and his tutor or speaking of the part which these two had played. But

Clemence now sat up, with distorted features. She had been leaning

against the door and raised herself to her knees.

Gertrude murmured:

"And Honorine?"

"Honorine is dead."

"Dead!"

The two sisters both cried out at once. Then they were silent and looked

at each other. The same thought struck them both. They seemed to be

reflecting. Gertrude was moving her fingers as though counting. And the

terror on their two faces increased.

Speaking in a very low voice, as though choking with fear, Gertrude,

with her eyes fixed on Veronique, said:

"That's it . . . that's it . . . I've got the total . . . . Do you know

how many there were in the boats, without my sisters and me? Do you

know? Twenty . . . . Well, reckon it up: twenty . . . and Maguennoc, who

was the first to die . . . and M. Antoine, who died afterwards . . . and

little Francois and M. Stephane, who vanished, but who are dead too

. . . and Honorine and Marie Le Goff, both dead . . . . So reckon it up:

that makes twenty-six, twenty-six . . . The total's correct, isn't it?

. . . Now take twenty-six from thirty . . . . You understand, don't you?

The thirty coffins: they have to be filled . . . . So twenty-six from

thirty . . . leaves four, doesn't it?"

She could no longer speak; her tongue faltered. Nevertheless the

terrible syllables came from her mouth; and Veronique heard her

stammering:

"Eh? Do you understand? . . . That leaves four . . . us four . . . the

three sisters Archignat, who were kept behind and locked up . . . and

yourself . . . . So--do you follow me?--the three crosses--you know, the

'four women crucified'--the number's there . . . it's our four selves

. . . there's no one besides us on the island . . . four women . . . ."

Veronique had listened in silence. She broke out into a slight

perspiration.

She shrugged her shoulders, however:

"Well? And then? If there's no one except ourselves on the island, what

are you afraid of?"

"_Them_, of course! _Them!_"

Veronique lost her patience:

"But if everybody has gone!" she exclaimed.

Gertrude took fright:

"Speak low. Suppose they heard you!"

"But who?"

"_They_: the people of old."

"The people of old?"

"Yes, those who used to make sacrifices . . . the people who killed men

and women . . . to please their gods."

"But that's a thing of the past! The Druids: is that what you mean?

Come, come; there are no Druids nowadays."

"Speak quietly! Speak quietly! There are still . . . there are evil

spirits . . ."

"Then they're ghosts?" asked Veronique, horror-stricken by these

superstitions.

"Ghosts, yes, but ghosts of flesh and blood . . . with hands that lock

doors and keep you imprisoned . . . creatures that sink boats, the same,

I tell you, that killed M. Antoine, Marie Le Goff and the others . . .

that killed twenty-six of us . . . ."

Veronique did not reply. There was no reply to make. She knew, she knew

only too well who had killed M. d'Hergemont, Marie Le Goff and the

others and sunk the two boats.

"What time was it when the three of you were locked in?" she asked.

"Half-past ten . . . . We had arranged to meet Correjou in the village

at eleven."

Veronique reflected. It was hardly possible that Francois and Stephane

should have had time to be at half-past ten in this place and an hour

later to be behind the rock from which they had darted out upon the two

boats. Was it to be presumed that one or more of their accomplices were

left on the island?

"In any case," she said, "you must come to a decision. You can't remain

in this state. You must rest yourselves, eat something . . . ."

The second sister had risen to her feet. She said, in the same hollow

and violent tones as her sister:

"First of all, we must hide . . . and be able to defend ourselves

against _them_."

"What do you mean?" asked Veronique.

She too, in spite of herself, felt this need of a refuge against a

possible enemy.

"What do I mean? I'll tell you. The thing has been talked about a lot in

the island, especially this year; and Maguennoc decided that, at the

first attack, everybody should take shelter in the Priory."

"Why in the Priory?"

"Because we could defend ourselves there. The cliffs are perpendicular.

You're protected on every side."

"What about the bridge?"

"Maguennoc and Honorine thought of everything. There's a little hut

fifteen yards to the left of the bridge. That's the place they hit on to

keep their stock of petrol in. Empty three or four cans over the bridge,

strike a match . . . and the thing's done. You're just as in your own

home. You can't be got at and you can't be attacked."

"Then why didn't they come to the Priory instead of taking to flight in

the boats?"

"It was safer to escape in the boats. But we no longer have the choice."

"And when shall we start?"

"At once. It's daylight still; and that's better than the dark."

"But your sister, the one on her back?"

"We have a barrow. We've got to wheel her. There's a direct road to the

Priory, without passing through the village."

Veronique could not help looking with repugnance upon the prospect of

living in close intimacy with the sisters Archignat. She yielded,

however, swayed by a fear which she was unable to overcome:

"Very well," she said. "Let's go. I'll take you to the Priory and come

back to the village to fetch some provisions."

"Oh, you mustn't be away long!" protested one of the sisters. "As soon

as the bridge is cut, we'll light a bonfire on Fairies' Dolmen Hill and

they'll send a steamer from the mainland. To-day the fog is coming up;

but to-morrow . . ."

Veronique raised no objection. She now accepted the idea of leaving

Sarek, even at the cost of an enquiry which would reveal her name.

They started, after the two sisters had swallowed a glass of brandy. The

madwoman sat huddled in the wheel-barrow, laughing softly and uttering

little sentences which she addressed to Veronique as though she wanted

her to laugh too:

"We shan't meet them yet . . . . They're getting ready . . . ."

"Shut up, you old fool!" said Gertrude. "You'll bring us bad luck."

"Yes, yes, we shall see some sport . . . . It'll be great fun . . . . I

have a cross of gold hung round my neck . . . and another cut into the

skin of my head . . . . Look! . . . Crosses everywhere . . . . One ought

to be comfortable on the cross . . . . One ought to sleep well there

. . . ."

"Shut up, will you, you old fool?" repeated Gertrude, giving her a box

on the ear.

"All right, all right! . . . But it's they who'll hit you; I see them

hiding! . . ."

The path, which was pretty rough at first, reached the table-land formed

by the west cliffs, which were loftier, but less rugged and worn away

than the others. The woods were scarcer; and the oaks were all bent by

the wind from the sea.

"We are coming to the heath which they call the Black Heath," said

Clemence Archignat.

"_They_ live underneath."

Veronique once more shrugged her shoulders:

"How do you know?"

"We know more than other people," said Gertrude. "They call us witches;

and there's something in it. Maguennoc himself, who knew a great deal,

used to ask our advice about anything that had to do with healing, lucky

stones, the herbs you gather on St. John's Eve . . ."

"Mugwort and vervain," chuckled the madwoman. "They are picked at

sunset."

"Or tradition too," continued Gertrude. "We know what's been said in the

island for hundreds of years; and it's always been said that there was a

whole town underneath, with streets and all, in which _they_ used to

live of old. And there are some left still, I've seen them myself."

Veronique did not reply.

"Yes, my sister and I saw one. Twice, when the June moon was six days

old. He was dressed in white . . . and he was climbing the Great Oak to

gather the sacred mistletoe . . . with a golden sickle. The gold

glittered in the moonlight. I saw it, I tell you, and others saw it too

. . . . And he's not the only one. There are several of them left over

from the old days to guard the treasure . . . . Yes, as I say, the

treasure . . . . They say it's a stone which works miracles, which can

make you die if you touch it and which makes you live if you lie down on

it. That's all true, Maguennoc told us so, all perfectly true. _They_ of

old guard the stone, the God-Stone, and _they_ are to sacrifice all of

us this year . . . . yes, all of us, thirty dead people for the thirty

coffins . . . ."

"Four women crucified," crooned the madwoman.

"And it will be soon. The sixth day of the moon is near at hand. We must

be gone before _they_ climb the Great Oak to gather the mistletoe. Look,

you can see the Great Oak from here. It's in the wood on this side of

the bridge. It stands out above the others."

"_They_ are hiding behind it," said the madwoman, turning round in her

wheel-barrow. "_They_ are waiting for us."

"That'll do; and don't you stir . . . . As I was saying, you see the

Great Oak . . . over there . . . beyond the end of the heath. It is

. . . it is . . ."

She dropped the wheel-barrow, without finishing her sentence.

"Well?" asked Clemence. "What's the matter?"

"I've seen something," stammered Gertrude. "Something white, moving

about."

"Something? What do you mean? _They_ don't show themselves in broad

daylight! You've gone cross-eyed."

They both looked for a moment and then went on again. Soon the Great Oak

was out of sight.

The heath which they were now crossing was wild and rough, covered with

stones lying flat like tombstones and all pointing in the same

direction.

"It's _their_ burying-ground," whispered Gertrude.

They said nothing more. Gertrude repeatedly had to stop and rest.

Clemence had not the strength to push the wheel-barrow. They were both

of them tottering on their legs; and they gazed into the distance with

anxious eyes.

They went down a dip in the ground and up again. The path joined that

which Veronique had taken with Honorine on the first day; and they

entered the wood which preceded the bridge.

Presently the growing excitement of the sisters Archignat made

Veronique understand that they were approaching the Great Oak; and she

saw it standing on a mound of earth and roots, bigger than the others

and separated from them by wider intervals. She could not help thinking

that it was possible for several men to hide behind that massive trunk

and that perhaps several were hiding there now.

Notwithstanding their fears, the sisters had quickened their pace; and

they kept their eyes turned from the fatal tree.

They left it behind. Veronique breathed more freely. All danger was

passed; and she was just about to laugh at the sisters Archignat, when

one of them, Clemence, spun on her heels and dropped with a moan.

At the same time something fell to the ground, something that had struck

Clemence in the back. It was an axe, a stone axe.

"Oh, the thunder-stone, the thunder-stone!" cried Gertrude.

She looked up for a second, as if, in accordance with the inveterate

popular belief, she believed that the axe came from the sky and was an

emanation of the thunder.

But, at that moment, the madwoman, who had got out of her barrow, leapt

from the ground and fell head forward. Something else had whizzed

through the air. The madwoman was writhing with pain. Gertrude and

Veronique saw an arrow which had been driven through her shoulder and

was still vibrating.

Then Gertrude fled screaming.

Veronique hesitated. Clemence and the madwoman were rolling about on

the ground. The madwoman giggled:

"Behind the oak! They're hiding . . . I see them."

Clemence stammered:

"Help! . . . Lift me up . . . carry me . . . I'm terrified!"

But another arrow whizzed past them and fell some distance farther.

Veronique now also took to her heels, urged not so much by panic, though

this would have been excusable, as by the eager longing to find a weapon

and defend herself. She remembered that in her father's study there was

a glass case filled with guns and revolvers, all bearing the word

"loaded," no doubt as a warning to Francois; and it was one of these

that she wished to seize in order to face the enemy. She did not even

turn round. She was not interested to know whether she was being

pursued. She ran for the goal, the only profitable goal.

Being lighter and swifter of foot, she overtook Gertrude, who panted:

"The bridge . . . . We must burn it . . . . The petrol's there . . . ."

Veronique did not reply. Breaking down the bridge was a secondary matter

and would even have been an obstacle to her plan of taking a gun and

attacking the enemy.

But, when she reached the bridge, Gertrude whirled about in such a way

that she almost fell down the precipice. An arrow had struck her in the

back.

"Help! Help!" she screamed. "Don't leave me!"

"I'm coming back," replied Veronique, who had not seen the arrow and

thought that Gertrude had merely caught her foot in running. "I'm coming

back, with two guns. You join me."

She imagined in her mind that, once they were both armed, they would go

back to the wood and rescue the other sisters. Redoubling her efforts,

therefore, she reached the wall of the estate, ran across the grass and

went up to her father's study. Here she stopped to recover her breath;

and, after she had taken the two guns, her heart beat so fast that she

had to go back at a slower pace.

She was astonished at not meeting Gertrude, at not seeing her. She

called her. No reply. And it was not till then that the thought occurred

to her that Gertrude had been wounded like her sisters.

She once more broke into a run. But, when she came within sight of the

bridge, she heard shrill cries pierce through the buzzing in her ears

and, on coming into the open opposite the sharp ascent that led to the

wood of the Great Oak, she saw . . .

What she saw rivetted her to the entrance to the bridge. On the other

side, Gertrude was sprawling upon the ground, struggling, clutching at

the roots, digging her nails into the grass and slowly, slowly, with an

imperceptible and uninterrupted movement, moving along the slope.

And Veronique became aware that the unfortunate woman was fastened under

the arms and round the waist by a cord which was hoisting her up, like a

bound and helpless prey, and which was pulled by invisible hands above.

Veronique raised one of the guns to her shoulder. But at what enemy was

she to take aim? What enemy was she to fight? Who was hiding behind the

trees and stones that crowned the hill like a rampart?

Gertrude slipped between those stones, between those trees. She had

ceased screaming, no doubt she was exhausted and swooning. She

disappeared from sight.

Veronique had not moved. She realized the futility of any venture or

enterprise. By rushing into a contest in which she was beaten beforehand

she would not be able to rescue the sisters Archignat and would merely

offer herself to the conqueror as a new and final victim.

Besides, she was overcome with fear. Everything was happening in

accordance with the ruthless logic of facts of which she did not grasp

the meaning but which all seemed connected like the links of a chain.

She was afraid, afraid of those beings, afraid of those ghosts,

instinctively and unconsciously afraid, afraid like the sisters

Archignat, like Honorine, like all the victims of the terrible scourge.

She stooped, so as not to be seen from the Great Oak, and, bending

forward and taking the shelter offered by some bramble-bushes, she

reached the little hut of which the sisters Archignat had spoken, a sort

of summer-house with a pointed roof and coloured tiles. Half the

summer-house was filled with cans of petrol.

From here she overlooked the bridge, on which no one could step without

being seen by her. But no one came down from the wood.

Night fell, a night of thick fog silvered by the moon which just

allowed Veronique to see the opposite side.

After an hour, feeling a little reassured, she made a first trip with

two cans which she emptied on the outer beams of the bridge.

Ten times, with her ears pricked up, carrying her gun slung over her

shoulder and prepared at any moment to defend herself, she repeated the

journey. She poured the petrol a little at random, groping her way and

yet as far as possible selecting the places where her sense of touch

seemed to tell her that the wood was most rotten.

She had a box of matches, the only one that she had found in the house.

She took out a match and hesitated a moment, frightened at the thought

of the great light it would make:

"Even so," she reflected, "if it could be seen from the mainland . . .

But, with this fog . . ."

Suddenly she struck the match and at once lit a paper torch which she

had prepared by soaking it in petrol.

A great flame blazed and burnt her fingers. Then she threw the paper in

a pool of petrol which had formed in a hollow and fled back to the

summer-house.

The fire flared up immediately and, at one flash, spread over the whole

part which she had sprinkled. The cliffs on the two islands, the strip

of granite that united them, the big trees around, the hill, the wood of

the Great Oak and the sea at the bottom of the ravine: these were all

lit up.

"_They_ know where I am . . . . _They_ are looking at the summer-house

where I am hiding," thought Veronique, keeping her eyes fixed on the

Great Oak.

But not a shadow passed through the wood. Not a sound of voices reached

her ears. Those concealed above did not leave their impenetrable

retreat.

In a few minutes, half the bridge collapsed, with a great crash and a

gush of sparks. But the other half went on burning; and at every moment

a piece of timber tumbled into the precipice, lighting up the depths of

the night.

Each time that this happened, Veronique had a sense of relief and her

overstrung nerves grew relaxed. A feeling of security crept over her and

became more and more justified as the gulf between her and her enemies

widened. Nevertheless she remained inside the summer-house and resolved

to wait for the dawn in order to make sure that no communication was

henceforth possible.

The fog increased. Everything was shrouded in darkness. About the middle

of the night, she heard a sound on the other side, at the top of the

hill, so far as she could judge. It was the sound of wood-cutters

felling trees, the regular sound of an axe biting into branches which

were finally removed by breaking.

Veronique had an idea, absurd though she knew it to be, that they were

perhaps building a foot-bridge; and she clutched her gun resolutely.

About an hour later, she seemed to hear moans and even a stifled cry,

followed, for some time, by the rustle of leaves and the sound of steps

coming and going. This ceased. Once more there was a great silence which

seemed to absorb in space every stirring, every restless, every

quivering, every living thing.

The numbness produced by the fatigue and hunger from which she was

beginning to suffer left Veronique little power of thought. She

remembered above all that, having failed to bring any provisions from

the village, she had nothing to eat. She did not distress herself, for

she was determined, as soon as the fog lifted--and this was bound to

happen before long--to light bonfires with the cans of petrol. She

reflected that the best place would be at the end of the island, at the

spot where the dolmen stood.

But suddenly a dreadful thought struck her: had she not left her box of

matches on the bridge? She felt in her pockets but could not find it.

All search was in vain.

This also did not perturb her unduly. For the time being, the feeling

that she had escaped the attacks of the enemy filled her with such

delight that it seemed to her that all the difficulties would disappear

of their own accord.

The hours passed in this way, endlessly long hours, which the

penetrating fog and the cold made more painful as the morning

approached.

Then a faint gleam overspread the sky. Things emerged from the gloom and

assumed their actual forms. And Veronique now saw that the bridge had

collapsed throughout its length. An interval of fifty yards separated

the two islands, which were only joined below by the sharp, pointed,

inaccessible ridge of the cliff.

She was saved.

But, on raising her eyes to the hill opposite, she saw, right at the

top of the slope, a sight that made her utter a cry of horror. Three of

the nearest trees of those which crowned the hill and belonged to the

wood of the Great Oak had been stripped of their lower branches. And, on

the three bare trunks, with their arms strained backward, with their

legs bound, under the tatters of their skirts, and with ropes drawn

tight beneath their livid faces, half-hidden by the black bows of their

caps, hung the three sisters Archignat.

They were crucified.

The Secret of Sarek · 第 5 / 18 章