A DEFENCE OF THOMAS PAINE.

(February, 1879.)

Fling mud enough and some of it will stick. This noble maxim has been

the favorite of traducers in all ages and climes. They know that the

object of their malignity cannot always be on the alert to cleanse

himself from the filth they fling, especially if cast behind his

back; they know that lies, and especially slanderous lies, are hard to

overtake, and when caught harder to strangle; and therefore they feel

confident as to the ultimate fate of their victim if they can only

persevere long enough in their vile policy of defamation. For human

nature being more prone to believe evil than good of others, it

generally happens that the original traducers are at length joined by a

host of kindred spirits almost as eager and venomous as themselves, "the

long-neck'd geese of the world, who are ever hissing dispraise because

their natures are little;" while a multitude of others, not so

much malignant as foolish and given to scandal, lend their cowardly

assistance, and help to vilify characters far beyond the reach of their

emulation. And should such characters be those of men who champion

unpopular causes, there is no lie too black for belief concerning them,

no accusation of secret theft or hateful meanness or loathsome lust,

that will not readily gain credence. Mr. Tennyson speaks of--

That fierce light which beats upon a throne,

And blackens every blot

but what is that to the far fiercer and keener light which beats upon

the lives of the great heroes of progress? With all due deference to

the Poet Laureate, we conceive that kings and their kind have usually

extended to them a charity which covers a multitude of their sins. The

late king of Italy, for instance, was said to have had "the language of

a guardroom, the manners of a trooper, and the morals of a he-goat," yet

at his death how tenderly his faults were dealt with by the loyal press,

and how strongly were all his merits brought into relief. Our own royal

Sardanapalus, George the Fourth, although Leigh Hunt had the courage

to describe him aright and went to the gaol for so doing, was styled by

Society "the first gentleman in Europe." Yet Mazzini, Vittor Emmanuel's

great contemporary, whose aims were high and noble as his life was pure,

got little else than abuse from this same loyal press; and the Society

which adored George the Fourth charged Shelley himself with unspeakable

vices equalled only by the native turpitude of his soul.

Perhaps no man has suffered more from calumny than Thomas Paine. During

his lifetime, indeed, his traducers scarcely ever dared to vent their

malice in public, doubtless through fear of receiving a castigation

from his vigorous and trenchant pen. But after his death they rioted

in safety, and gave free play to the ingenuity of their malevolence.

Gradually their libels became current; thousands of people who knew

almost nothing of his life and less of his writings were persuaded that

Thomas Paine, "the Infidel," was a monster of iniquity, in comparison

with whom Judas appeared a saint, and the Devil himself nearly white;

and this estimate finally became a tradition, which the editors of

illustrated religious papers and the writers of fraudulent "Death-Bed

Scenes" did their best to perpetuate. In such hands the labor of

posthumous vilification might have remained without greatly troubling

those who feel an interest in Thomas Paine's honor through gratitude

for his work. The lowest scavengers of literature, who purvey religious

offal to the dregs of orthodoxy, were better employed thus than in a

reverse way, since their praise is so very much more dishonorable and

appalling than their blame. But when other literary workmen of loftier

repute descend to the level of these, and help them in their villainous

task, it becomes advisable that some one who honors the memory of the

man thus aspersed should interpose, and attempt that vindication which

he can no longer make for himself.

In reviewing Mr. Edward Smith's "Life of Cobbett," our principal

literary paper, the Athenæum, in its number for January 11th, went out

of its way to defame Paine's character. This is what it said:--

"A more despicable man than Tom Paine cannot easily be found among the

ready writers of the eighteenth century. He sold himself to the highest

bidder, and he could be bought at a very low price. He wrote well;

sometimes he wrote as pointedly as Junius or Cobbett. Neither excelled

him in coining telling and mischievous phrases; neither surpassed him in

popularity-hunting. He had the art, which was almost equal to genius, of

giving happy titles to his productions. When he denounced the British

Government in the name of 'Common Sense' he found willing readers in the

rebellious American colonists, and a rich reward from their grateful

representatives. When he wrote on behalf of the 'Rights of Man,' and in

furtherance of the 'Age of Reason,' he convinced thousands by his

title-pages who were incapable of perceiving the inconclusiveness of his

arguments. His speculations have long since gone the way of all shams;

and his charlatanism as a writer was not redeemed by his character as a

man. Nothing could be worse than his private life; he was addicted to

the most degrading of vices. He was no hypocrite, however, and he cannot

be charged with showing that regard for appearances which constitutes

the homage paid by vice to virtue. Such a man was well qualified for

earning notoriety by insulting Washington. Only a thorough-paced rascal

could have had the assurance to charge Washington with being

unprincipled and unpatriotic. Certainly Mr. Smith has either much to

learn, or else he has forgotten much, otherwise he could not venture to

suggest the erection of a monument 'recording the wisdom and political

virtues of Thomas Paine.'"

Now we have in this tirade all the old charges, with a new one which

the critic has either furnished himself or derived from an obscure

source--namely, that Paine "sold himself to the highest bidder." Let us

examine the last charge first. The critic curiously contradicts himself.

Paine, he admits, could "sometimes write as pointedly as Junius or

Cobbett," whose works sold enormously, and he had the art of devising

happy titles for his productions; yet, although he sold himself to the

highest bidder, he could be bought at a very low price! The fact is,

Paine was never bought at all. His was not a hireling pen. Whatever he

wrote he put his name to, and he never parted with the copyright of any

of his works, lest the Government or some friend of despotism should

procure their suppression. He also published his writings at a

ridiculously low price, so low indeed that he lost by them instead of

gaining. Of his "Common Sense," that fine pamphlet which stirred the

American colonists to battle against their oppressors, not less than a

hundred thousand copies were sold; yet he found himself finally indebted

to his printer £29 12s. 1d. Fifteen years later the English Government

tried through the publisher to get the copyright of the "Rights of Man;"

but though a large sum was offered, Paine refused on principle to let it

pass out of his own hands. The first part of this work was published

at a price which precluded any chance of profit; the publication of

the second part caused him to be tried and condemned for treason, the

penalty of the law being escaped only by flight. All publication of his

works, whether political or religious, was afterwards illegal. Thousands

of copies were circulated surreptitiously, or openly by men like Richard

Carlile, who spent nine years in prison for his sale of prohibited

books. But clearly Paine could derive no profit from this traffic in

his works, for he never set foot in England again. Thomas Paine wrote

in order to spread his political and religious views, and for no other

purpose. He was not a professional author, nor a professional critic,

and never needed payment for his literary work. And assuredly he got

none. Let the _Athenæum_ critic inform the world to whom Paine sold

himself, or who ever paid him a penny for his writings. Until he does so

we shall believe that the author of "Common Sense," the "Rights of Man,"

and the "Age of Reason," was honest in saying: "In a great affair, where

the good of mankind is at stake, I love to work for nothing; and so

fully am I under the influence of this principle, that I should lose

the spirit, the pride, and the pleasure of it, were I conscious that I

looked for reward."

Popularity-hunting, to use the critic's graceless phrase, was Paine's

next fault; but as, according to the same authority, he was guilty in

this respect only in the same sense as Junius was, the burden of his

iniquity cannot be very great.

Addiction to the most degrading of vices, is a charge difficult to

confute until we know specifically what vice is meant. Paine has been

accused of drunkenness; but by whom? Not by his intimate acquaintances,

who would have detected his guilt, but by his enemies who were never in

his society, and therefore could know nothing of his habits. Cheetham,

who first disseminated this accusation, was a notorious libeller, and

was more than once compelled to make a public apology for his lies;

but he was a shameless creature, and actually in his "Life" of Paine

resuscitated and amplified falsehoods for which he had tendered abject

apologies while his victim was alive. Even, however, if Paine had

yielded to the seductions of strong drink, he should be judged by the

custom of his own age, and not that of ours.

Mr. Leslie Stephen does not rail against Boswell for his drinking

powers; Burns is not outlawed for his devotion to John Barlycorn; Byron

and Sheridan are not beyond pardon because they often went drunk to bed;

and some of the greatest statesmen of last century and this, including

Pitt and Fox, are not considered the basest of men because they

exercised that right which Major O'Gorman claims for all Irishmen--"to

drink as much as they can carry." But no such plea is necessary, for

Paine was not addicted to drink, but remarkably abstemious. Mr. Fellows,

with whom he lived for more than six months, said that he never saw him

the worse for drink. Dr. Manley said, "while I attended him he never was

inebriated." Colonel Burr said, "he was decidedly temperate." And even

Mr. Jarvis, whom Cheetham cited as his authority for charging Paine with

drunkenness, authorised Mr. Vale, of New York, editor of the _Beacon_,

to say that _Cheetham lied_. Amongst the public men who knew Paine

personally were Burke, Home Tooke, Priestley, Lord Edward Fitzgerald,

Dr. Moore, Jefferson, Washington, Volney and Condorcet: but none of

these ever hinted at his love of drink. The charge of drunkeness is a

posthumous libel, circulated by a man who had publicly quarrelled with

Paine, who had been obliged to apologise for former aspersions, and who

after Paine's death was prosecuted and _condemned_ for libelling a lady

whom he had accused of undue familiarity with the principal object of

his malice.

Finding the charge of drunkenness unequivocally rebutted, Paine's

traducers advance that of licentiousness. But this is equally

unsuccessful. The authority relied on is still Cheetham, who in turn

borrowed from a no less disreputable source. A man named Carver had

quarrelled with Paine over money matters; in fact, he had been obliged

with a loan which he forgot to pay, and like all base natures he showed

his gratitude to his benefactor, when no more favors could be expected,

by hating and maligning him. A scurrilous letter written by this fellow

fell into the hands of Cheetham, who elaborated it in his "Life." It

broadly hinted that Madame Bonneville, the by no means youthful wife of

a Paris bookseller who had sheltered Paine when he was threatened with

danger in that city, was his paramour; for no other reason than that

he had in turn sheltered her when she repaired with her children to

America, after her home had been broken up by Buonaparte's persecution

of her husband. This lady prosecuted Cheetham for libel, and a jury of

American citizens gave her a verdict and damages.

Here the matter might rest, but we are inclined to urge another

consideration. No one of his many enemies ever accused Paine of

licentiousness in his virile manhood; and can we believe that he began

a career of licentiousness in his old age, when, besides the infirmities

natural to his time of life, he suffered dreadful tortures from an

internal abscess brought on by his confinement in the reeking dungeons of

the Luxembourg, which made life a terror and death a boon? Only lunatics

or worse would credit such a preposterous story.

The _Athenoum_ critic alleges that Paine insulted Washington, and was

therefore a "thorough-paced rascal." But he did nothing of the kind. He

very properly remonstrated with Washington for coolly allowing him to

rot in a French dungeon for no crime except that he was a foreigner,

when a word from the President of the United States, of which he was

a citizen, would have effected his release. Washington was aware of

Paine's miserable plight, yet he forgot the obligations of friendship;

and notwithstanding frequent letters from Munro, the American ambassador

at Paris, he supinely suffered the man he had once delighted to honor to

languish in wretchedness, filth, and disease. George Washington did much

for American Independence, but Thomas Paine did perhaps more, for his

writings animated the oppressed Colonists with an enthusiasm for liberty

without which the respectable generalship of Washington might have

been exerted in vain. The first President of the United States was, as

Carlyle grimly says, "no immeasurable man," and we conceive that Paine

had earned the right to criticise even him and his policy.

Every person is of course free to hold what opinion he pleases of

Paine's writings. The _Athenoum_ critic thinks they have "gone the way

of all shams." He is wrong in fact, for they circulate very extensively

still. And he may also be wrong in his literary judgment. William

Hazlitt, whose opinion on any subject connected with literature is at

least as valuable as an _Athenoum_ critic's, ranked Paine very high as

a political writer, and affirmed of his "Rights of Man" that it was "a

powerful and explicit reply to Burke." But Hazlitt had read Paine, which

we suspect many glib critics of to-day have not; for we well remember

how puzzled some of them were to explain whence Shelley took the motto

"We pity the Plumage, but Forget the Dying Bird" prefixed to his Address

to the People on the death of the Princess Charlotte. It was taken, as

they should have known, from one of the finest passages of the "Rights

of Man." Critics, it is well known, sometimes write as Artemus Ward

proposed to lecture on science, "with an imagination untrammeled by the

least knowledge of the subject."

Let us close this vindication of Paine by citing the estimate of him

formed by Walt Whitman, an authority not to be sneered at now even

by _Athenoum_ critics. In 1877 the Liberal League of Philadelphia

celebrated the 140th birthday of Thomas Paine, and a large audience was

gathered by the announcement that Whitman would speak. The great

poet, according to the _Index_ report, after telling how he had become

intimate with some of Paine's friends thirty-five years before, went on

to say:--

"I dare not say how much of what our Union is owning and enjoying

to-day, its independence, its ardent belief in, and substantial practice

of, Radical human rights, and the severance of its Government from all

ecclesiastical and superstitious dominion--I dare not say how much of

all this is owing to Thomas Paine; but I am inclined to think a good

portion of it decidedly is. Of the foul and foolish fictions yet told

about the circumstances of his decease, the absolute fact is that, as

he lived a good life after its kind, he died calmly, philosophically, as

became him. He served the embryo Union with the most precious service,

a service that every man, woman, and child in the thirty-eight States

is to some extent receiving the benefit of to-day, and I for one here

cheerfully and reverently throw one pebble on the cairn of his memory."

We are content to let the reader decide between Whitman and the

_Athenoum_ critic in their respective estimates of him who wrote, and as

we think acted up to it--"All the world is my country, and to do good my

religion."

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