Foreword

This book deals with a subject which is new to most English readers. For

though Danish hymnody long ago became favorably known in Northern Europe,

no adequate presentation of the subject has appeared in English. Newer

American Lutheran hymnals contain a number of Danish hymns, some of which

have gained considerable popularity, but the subject as a whole has not

been presented.

A hymn is a child both of its author and of the time in which he lived. A

proper knowledge of the writer and the age that gave it birth will

enhance our understanding both of the hymn and of the spiritual movement

it represents. No other branches of literature furnish a more

illuminating index to the inner life of Christendom than the great lyrics

of the Church. Henry Ward Beecher said truly: "He who knows the way that

hymns flowed, knows where the blood of true piety ran, and can trace its

veins and arteries to its very heart."

Aside from whatever value they may have in themselves, the hymns

presented on the following pages therefore should convey an impression of

the main currents within the Danish church, and the men that helped to

create them.

The names of Kingo, Brorson and Grundtvig are known to many, but so far

no biographies of these men except of the sketchiest kind have appeared

in English. It is hoped that the fairly comprehensive presentation of

their life and work in the following pages may fill a timely need.

In selecting the hymns care has been taken to choose those that are most

characteristic of their authors, their times and the movements out of

which they were born. While the translator has sought to produce

faithfully the metre, poetry and sentiment of the originals, he has

attempted no slavishly literal reproduction. Many of the finest Danish

hymns are frankly lyrical, a fact which greatly increases the difficulty

of translation. But while the writer is conscious that his translations

at times fail to reproduce the full beauty of the originals, he still

hopes that they may convey a fair impression of these and constitute a

not unworthy contribution to American hymnody.

An examination of any standard American church hymnal will prove that

American church song has been greatly enriched by transplantations of

hymns from many lands and languages. If the following contribution from a

heretofore meagerly represented branch of hymnody adds even a little to

that enrichment, the writer will feel amply rewarded for the many hours

of concentrated labor he has spent upon it.

Most of the translations are by the writer himself. When translations by

others have been used, credit has been given to them except where only

parts of a hymn have been presented.

Minneapolis, Minnesota, September 21st, 1944.

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