AN UNKNOWN CORRESPONDENT.

After the atrocious cruelty that deprived him of a finger, two days more

of gloomy imprisonment was passed by Henry Harding in his prison. The

coarse fare by day and hard couch by night, even the loss he had

sustained, were not to be compared with the anguish of his spirit.

In this lay the pangs of his captivity. The chagrin caused by his

father's refusal to ransom him was bitter to bear. His brother's letter

had placed the refusal in its worst light. He felt as if he had no

friend--no father.

He suffered from a reflection less selfish, and yet more painful--an

apprehension for the safety of his friend's sister. There could be no

mistaking what Corvino meant by the words whispered in his ear during

that fearful scene; and he knew that the savage tragedy then enacted was

but by way of preparation for the still more distressing episode that

was to follow.

Every hour, almost every minute, the captive might have been seen

standing by the window of his cell, scrutinising what might transpire

outside--listening with keen ear, apprehensive that in each new arrival

at the rendezvous, he might discover the presence of Lucetta Torreani.

Himself a prisoner, he was powerless to protect, even to give her a word

of warning. Could he have sent her but one line to apprise her of the

danger, he would have sacrificed not only another finger, but the hand

by which it was written. He blamed himself for not having thought of

writing to her father, at the time that he sent the letter to Luigi. It

was an opportunity not likely to occur again. He could only hope that

his letter to Luigi might be received in time--a slender reed to depend

upon. He thought of trying to effect escape from his prison. Could he

succeed in doing this, all might be well. But he had been thinking of

it from the first--every hour during his confinement--thinking of it to

no purpose. He made no attempt, simply because there was no means of

making it. He had well examined the structure of his cell. The walls

were stout masonwork of stone and stucco; the floor was a pavement of

rough flags; the window a mere slit; the door strong enough to have

withstood the blows of a trip-hammer. Besides, at night a brigand slept

transversely across the entrance; while another kept sentry outside.

A bird worth 30,000 scudi was too precious to be permitted the chance of

escaping from its cage. His eyes had often turned upwards. In that

direction seemed the only chance of escape at all possible. It might

have been practicable had he been but provided with two things--a knife

in his hand and a stool to stand upon. Strong beams stretched

horizontally across. Over these was a sheeting of roughly-hewn planks,

as if there was a second story above. But he knew it could only be a

garret; for the boards were damp and mildewed, from the leaking of the

roof over them. They looked rotten enough to have been easily cut

through, if there had been but a chisel or knife to accomplish it.

There was neither. Right and left, behind and before, below and above,

egress appeared impracticable.

On the second night after losing his little finger, he had ceased to

think of it; and, with his mutilated hand wrapped in a rag, torn from

the sleeve of his shirt--the only surgical treatment it received--he lay

upon the floor, endeavouring in sleep to find a temporary respite from

his wretchedness.

He had to some extent succeeded; and was beginning to lose consciousness

of his misery, when something striking him on the forehead startled him

to fresh wakefulness. It was a hard substance that had hit him; and the

blow caused pain, though not enough to draw from him any exclamation.

He only raised himself on his elbow, and waited for a repetition of the

stroke, or something that might explain it. While listening

attentively, he heard a sound, as if some light missile had been flung

through the window, and fallen on the floor, not far from where he lay.

He looked to see what it could have been. There was no light, save what

came from a star-lit sky--sent still more sparingly through the narrow

aperture in the wall--so, of course, the floor of the chamber was in

deep obscurity. Notwithstanding this, an object of oblong shape was

revealed upon it, distinguishable by its white colour. The captive, on

clutching it, could tell it was a piece of paper, folded in the form of

a letter. Supposing it to be one, he was hindered for the time from

perusing it; and he remained holding it in his hand, but without making

any movement. Meanwhile he kept his eye upon the window, through which

it had evidently come, to see whether anything else should enter by the

same aperture.

He watched for a full half hour; and, as nothing more seemed likely to

be thrown in to him, he turned his attention to that which had at first

startled him, and which he now imagined might be something projected

into his cell after the fashion of the folded sheet. Groping over the

floor, he became convinced of it. His hand came in contact with a

knife! He felt that its blade was in a sheath, a covering of goat-skin,

such as he had seen carried by the brigands. Without comprehending the

intent of the unexpected presents, or from whom they had come, he could

not help thinking there was a purpose in them; and, after watching the

window another hour or so, he began conjecturing what this purpose might

be.

He was not very successful. A variety of hypotheses came before his

mind, but none that satisfied him. Under the circumstances the gift of

a keen-bladed knife suggested suicide; but that could hardly be the

intent of the donor. At all events, the recipient, wretched as he was,

did not feel himself reduced to quite such a state of despair. No doubt

there was writing on the paper, and no doubt, could he have read it, it

would have enlightened him. But there was no chance to do so, nor would

there be until morning. His sense of touch was not sufficiently

delicate to enable him to decipher it in the darkness, and there was no

help for it but to wait for the dawn.

He did wait till dawn, but not one instant after. As the first rays of

the aurora came stealing through the aperture, he stood close to it,

spreading the unfolded sheet upon the sill. There was writing. The

words were Italian, and, fortunately, written in a bold, clerkly hand,

though evidently in haste. In the translation it ran thus:--

"You must make your escape _upwards_, towards the zenith. There is no

chance towards the horizon on any side. The knife will enable you to

cut your way through the roof. And take care to slide off the back of

the house, the sentry being in front. Once out, make for the pass by

which you came up. You should remember it. It lies due north. If

you need guiding, look for the Polar star. At the head of the gorge

there is a picket. You may easily steal past him. If not--you have

the knife! But, with proper caution, there need be no occasion for

your using it. His duty is not much by night. He has only to listen

to any signal that may be given from below. And his post is not in

the gorge, but on the summit--to one side. You may easily creep into

the ravine, and past, without his seeing you. At the mountain foot it

is different. The sentry placed there is only for the night. In

daytime he would be of no use--as the place can be seen from above in

time to give warning of any approach. This man will be awake, as his

life would be forfeited by his being found asleep. He would be

concealed upon the edge of the ravine. You cannot pass, without his

seeing you; and you must then use the knife. Don't try to pass; he

would have the advantage of seeing you first. Instead, conceal

yourself in the ravine, and remain there till morning. At daybreak he

will leave his post--as it is then no longer necessary to keep it. He

comes up to the rendezvous. Wait till he has passed you; and also

till he has got to the head of the gorge--longer if you like. Then

make your way off as you best can. Go with all speed, for you will be

seen and pursued. Make for the house where you stopped on your way

hither. Save yourself! Save Lucetta Torreani!"

The astonishment caused by this strange epistle hindered the reader from

perceiving that there was a postscript. He saw it at length. It ran as

follows:--

"If you would also save the writer, _swallow this note as soon as you

have read it_."

Having run it over again, to make sure of its meaning--and to memorise

the instructions it contained--the postscript was almost litre rally

complied with; and when the jailer entered the cell, bearing the usual

breakfast of boiled macaroni, not a scrap of paper could be seen, nor

anything to create suspicion. The prisoner only spoke of hunger; and

began masticating the macaroni as though the tasteless stuff was the

most savoury of dishes.

The Finger of Fate: A Romance · 第 88 / 141 题