CHAPTER XXVIII

TRACES OF EARLY TIMES IN THE CHURCHES

1. In most villages the =church= is the chief old building in the

place, and it is a good thing to be able to tell the time to which

its different parts belong. It will help us to fix in our minds the

different periods, or steps, in the history of our country. Never be

ashamed to ask questions about an old building. It will be a very

strange thing, indeed, if you cannot find, in every town and village,

_somebody_ who has a keen interest in old buildings, and who will

delight in pointing them out to you. Nearly every local newspaper in

the country, from time to time, prints odds and ends connected with

the history of the neighbourhood. If there is anything about an old

building that you want explained, you can easily write a short letter

to the editor of the paper, and there is sure to be someone who will

take the trouble to answer your question, and help you to understand.

[Illustration: Architectural Features

Long and Short Work (Saxon); Anglo-Saxon Doorway; Anglo-Saxon; Double

Window; Norman Curving; Norman Doorway; Lancet Windows; Doorway, 14th

Century; Window, 15th Century]

2. An old parish church has a good deal to tell us about the history of

the parish and its people, and if you know something of the history of

the place in which you live, you will know something _worth knowing_ of

the history of your country, which will help you to be a good citizen.

3. There are, as we said in a former chapter, some few churches which

have little bits of Saxon work left in their walls and windows. In a

great many more we shall see some Norman work, especially in pillars

and arches and doorways. That Norman Period takes in the reigns of all

the kings from William I to the time of King John, from the middle of

the eleventh century to the end of the twelfth, down to the time of

Magna Carta.

4. When we come to the time of Magna Carta we are in the thirteenth

century, when pointed arches came into use. Through the reigns of King

Henry III and King Edward I a great deal of building in that style

went on. In almost every parish some alteration was made in the church

in that century; and probably in the chancel there are one or two old

windows, which will be pointed out to you as having been first put in

during that century.

5. You may, perhaps, find a very old battered figure of a man in chain

armour, the sort of armour in which King Edward I went fighting in the

Third Crusade, in Wales, and in Scotland; in which Simon de Montfort

and Wallace and the Bruce fought. Some of these effigies have the legs

crossed--some at the ankles, some at the knees, and some at the thighs.

It used to be said that these represented crusaders; but nobody seems

really to know what was the meaning of the cross-legged effigies.

[Illustration: Effigy with Crossed Legs in the Temple Church, London]

6. Then there are some flat stones, lying in the pavement, with

inscriptions running round the edge in strange worn letters, with

perhaps an ornamental cross also cut the whole length of the stones.

These are the cover-stones of the graves where some great baron or

land-owner was buried, and they belong to the thirteenth century, and

some are even of earlier date. They are called =incised slabs=.

7. In this same century another kind of cover-stone for a grave came

into use, especially in the southern and eastern parts of England.

Metal was fixed in the incised slabs, and the portrait of the knight

and his lady, the merchant or the lawyer, the bishop or priest was

engraved on the metal, showing the person in the kind of dress he wore

during life. It is said that there are about 4000 of these =brasses=

still left in England. Some of them have been sadly damaged and worn.

They do not all belong to the thirteenth century, as this kind of

memorial of the dead was used during several centuries--in fact, well

on into Queen Elizabeth's reign, at the end of the sixteenth century.

The oldest brass in England, showing a man in armour, is in Surrey, in

Stoke D'Abernon Church. Brasses are very valuable, as they show us the

kinds of armour and dress worn in particular centuries.

=Summary.=--There is not much Saxon work left in any of the old

churches, but a good deal of Norman work, in round-headed arches

and doorways. The Norman period lasted from King William I to

King John. Pointed arches then came in, and in the thirteenth and

fourteenth centuries there was much church-building and alteration.

Battered _effigies_ of cross-legged figures in armour belong to

this period. _Incised slabs_ were originally the cover-stones of

graves. In the thirteenth century _brasses_ came into fashion, and

they show us changes in costume, as they were used down to the

time of Queen Elizabeth.

Our English Towns and Villages · 第 28 / 49 章