8. Fear of ghosts.

1. A dead body is unclean, and the uncleanness extends to things and

persons which touch it. Hence the Jewish law (Num. v. 2) enacted that

"whoever is unclean by the dead shall be put outside the camp, that they

defile not the camp in the midst whereof the Lord dwells." Such persons

were unclean until the even, and might not eat of the holy things unless

they bathed their flesh in water. A high priest might on no account "go

in to any dead body" (Lev. xxi. 11). Why a corpse is so widely tabooed

is not certain; but it is natural to see one reason in the corruption

which in warm climates soon sets in. The common experience that where

one has died another is likely to do so may also have contributed,

though, of course, there was no scientific idea of infection. The old

Persian scriptures are full of this taboo. He who has touched a corpse

is "powerless in mind, tongue and hand" (_Zend Avesta_ in _Sacred Books

of the East_, pt. i. p. 120), and the paralysis is inflicted by the

innumerable _drugs_ or evil spirits which invest a corpse. Fire and

earth, being alike creations of the good and pure god Ahuramazda, a

body must not be burned or buried; and so the ancient Persians and their

descendants the Parsees build Dakmas or "towers of silence" on hill-tops

far from human habitations. Inside these the corpses are laid on a

flagged terrace which drains into a central pit. Twice a year the bones,

picked clean by dogs and birds of prey, are collected in the pit, and

when it is full another tower is built. In ancient times perhaps the

bodies of the magi or priests alone were exposed at such expense; the

common folk were covered with wax and laid in the earth, the wax saving

the earth from pollution. In Rome and Greece the corpse was buried by

night, lest it should pollute the sunlight; and a trough of water was

set at the door of the house of death that men might purify themselves

when they came out, before mixing in general society. Priests and

magistrates in Rome might not meet or look on a corpse, for they were

thereby rendered unclean and incapable of fulfilling their official

duties without undergoing troublesome rites of purification. At a Roman

funeral, when the remains had been laid in the tomb, all present were

sprinkled with lustral water from a branch of olive or laurel called

_aspergillum_; and when they had gone home they were asperged afresh and

stepped over a fire. The house was also swept out with a broom, probably

lest the ghost of the dead should be lying about the floor. Many races,

to avoid pollution, destroy the house and property of the deceased. Thus

the Navahos pull down the hut in which he died, leaving its ruins on the

ground; but if it be an expensive hut, a shanty is extemporized

alongside, into which the dying man is transferred before death. No one

will use the timbers of a hut so ruined. A burial custom of the Solomon

Islands, noted by R.H. Codrington (_The Melanesians_, p. 255), may be

dictated by the same scruple. There "the mourners having hung up a dead

man's arms on his house make great lamentations; all remains afterwards

untouched, the house goes to ruin, mantled, as time goes on, with the

vines of the growing yams, a picturesque and indeed, perhaps, a touching

sight; for these things are not set up that they may in a ghostly manner

accompany their former owner." H. Oldenberg (_Religion des Veda_, p.

426) describes how Hindus shave themselves and cut off their nails after

a death, at the same time that they wash, renew the hearth fire, and

furnish themselves with new vessels. For the hair and nails may harbour

pollution, just as the medieval Greeks believed that evil spirits could

lurk in a man's beard (Leo Allatius, _De opinionibus quorundam

Graecorum_). The dead man's body is shorn and the nails cut for a

kindred reason; for it must be purified as much as can be before it is

burned as an offering on the pyre and before he enters on a new sphere

of existence.

2. We are accustomed to regard mourning costume as primarily an outward

sign of our grief. Originally, however, the special garb seems to have

been intended to warn the general public that persons so attired were

unclean. In ancient Rome mourners stayed at home and avoided all feasts

and amusements; laying aside gold, purple and jewels, they wore black

dresses called _lugubria_ or even skins. They cut neither hair nor

beard, nor lighted fire. Under the emperors women began to wear white.

On the west coast of Africa negroes wear white, on the Gold Coast red.

The Chinese wear hemp, which is cheap, for mourning dress must as a rule

be destroyed when the season of grief is past to get rid of the taboo.

Among the Aruntas of Australia the wives of a dead man smear themselves

with white pipe-clay until the last ceremonies are finished, sometimes

adding ashes--this not to conceal themselves from the ghost (which may

partly be the aim of some mourning costumes), but to show the ghost that

they are duly sorrowing for their loss. These widows must not talk

except on their hands for a whole year. "Among the Maoris," says Frazer

(_Golden Bough_, i. 323), "anyone who had handled a corpse, helped to

convey it to the grave, or touched a dead man's bones; was cut off from

all intercourse and almost all communication with mankind. He could not

enter any house, or come into contact with any person or thing, without

utterly bedevilling them. He might not even touch food with his hands,

which had become so frightfully tabooed or unclean as to be quite

useless. Food would be set for him on the ground, and he would then sit

or kneel down, and, with his hands carefully held behind his back, would

gnaw at it as best he could." Often a degraded outcast was kept in a

village to feed mourners. Such a taboo is strictly similar to those

which surround a sacred chief or his property, a menstruous woman or a

homicide, rendering them dangerous to themselves and to all who approach

them.

3. Primitive folk cannot conceive of a man's soul surviving apart from

his body, nor of another life as differing from this, and the dead must

continue to enjoy what they had here. Accordingly the Patagonians kill

horses at the grave that the dead may ride to _Alhuemapu_, or country of

the dead. After a year they collect a chief's bones, arrange them, tie

them together and dress them in his best garments with beads and

feathers. Then they lay him with his weapons in a square pit, round

which dead horses are placed set upright on their feet by stakes. As

late as 1781 in Poland F. Casimir's horse was slain and buried with him.

In the Caucasus a Christian lady's jewels are buried with her. The

Hindus used to burn a man's widow on his pyre, because he could not do

without her; and St Boniface commends the self-sacrifice of the Wend

widows who in his day burned themselves alive on their husbands' pyres.

The tumuli met with all over the north of Europe (in the Orkneys alone

2000 remain) are regular houses of the dead, models of those they

occupied in life. The greater the dignity of the deceased, the loftier

was his barrow. Silbury hill is 170 ft. high; the tomb of Alyattes,

father of Croesus, was a fourth of a league round; the Pyramids are

still the largest buildings in existence; at Oberea in Tahiti is a

barrow 267 ft. long, 87 wide and 44 high. Some Eskimo just leave a dead

man's body in his house, and shut it up, often leaving by his side a

dog's head to guide him on his last journey, along with his tools and

kayak. The Sea Dyaks set a chief adrift in his war canoe with his

weapons. So in Norse story Hake "was laid wounded on a ship with the

dead men and arms; the ship was taken out to sea and set on fire." The

Viking was regularly buried in his ship or boat under a great mound. He

sailed after death to Valhalla. In the ship was laid a stone as anchor

and the tools, clothes, weapons and treasures of the dead. The

Egyptians, whose land was the gift of the river Nile, equally believed

that the dead crossed over water, and fashioned the hearse in the form

of a boat. Hence perhaps was derived the Greek myth of Charon and the

Styx, and the custom, which still survives in parts of Europe, of

placing a coin in the mouth of the dead with which to pay the ferryman.

The Egyptians placed in the tomb books of a kind to guide the dead to

the next world. The Copts in a later age did the same, and to this

custom we owe the recovery in Egypt of much ancient literature. The

Armenians till lately buried with a priest his missal or gospel.

In Egyptian entombments of the XIIth to the XIVth dynasties were added

above the sepulchres what Professor Petrie terms soul-houses, viz. small

models of houses furnished with couch and table, &c., for the use of the

_ka_ or double whenever it might wish to come above ground and partake

of meats and drinks. They recall, in point of size, the hut-urns of the

Etruscans, but the latter had another use, for they contain incinerated

remains. Etruscan tombs, like those of Egypt and Asia Minor, were made

to resemble the dwelling-houses of the living, and furnished with

coffered ceilings, panelled walls, couches, stools, easy chairs with

footstools attached, all hewn out of the living rock (Dennis, _Cities

and Cemeteries of Etruria_, vol i. p. lxx.).

Of the old Peruvian mummies in the Kircherian Museum at Rome, several

are of women with babies in their arms, whence it is evident that a

mother had her suckling buried with her; it would console her in the

next world and could hardly survive her in this. The practice of burying

ornaments, tools and weapons with the dead characterizes the inhumations

of the Quaternary epoch, as if in that dim and remote age death was

already regarded as the portal of another life closely resembling this.

The cups, tools, weapons, ornaments and other articles deposited with

the dead are often carefully broken or turned upside down and inside

out; for the soul or _manes_ of objects is liberated by such fracture or

inversion and so passes into the dead man's use and possession. For the

same reason where the dead are burned, their properties are committed to

the flames. The ghost of the warrior has a ghostly sword and buckler to

fight with and a ghostly cup to drink from, and he is also nourished by

the impalpable odour and reek of the animal victims sacrificed over his

grave. Instead of valuable objects cheap images and models are often

substituted; and why not, if the mere ghosts of the things are all that

the wraith can enjoy? Thus Marco Polo (ii. 76) describes how in the land

of Kinsay (Hang-chau) "the friends and relations make a great mourning

for the deceased, and clothe themselves in hempen garments, and follow

the corpse, playing on a variety of instruments and singing hymns to

their idols. And when they come to the burning place they take

representations of things cut out of parchment, such as caparisoned

horses, male and female slaves, camels, armour, suits of cloth of gold

(and money), in great quantities, and these things they put on the fire

along with the corpse so that they are all burned with it. And they tell

you that the dead man shall have all these slaves and animals of which

the effigies are burned, alive in flesh and blood, and the money in

gold, at his disposal in the next world; and that the instruments which

they have caused to be played at his funeral, and the idol hymns that

have been chaunted shall also be produced again to welcome him in the

next world." The manufacture of such paper _simulacra_ for consumption

at funerals is still an important industry in Chinese cities. The

ancient Egyptians, assured that a man's _ka_ or double shall revivify

his body, took pains to guard the flesh from corruption, steeping the

corpse in natron and stuffing it with spices. A body so prepared is

called a mummy (q.v.), and the custom was already of a hoary antiquity

in 3200 B.C., when the oldest dated mummy we have was made. The bowels,

removed in the process, were placed in jars over the corpse in the tomb,

together with writing tablets, books, musical instruments, &c., of the

dead. Cemeteries also remain full of mummies of crocodiles, cats, fish,

cows and other sacred animals. The Greeks settled in Egypt learned to

mummify their dead, but the custom was abhorrent to the Jews, although

the Christian belief in the resurrection of the flesh must have been

formed to a large extent under Egyptian influence. Half the superiority

of the Jewish to other ancient religions lay in this, that it prescribed

no funeral rites other than the simplest inhumation.

The dead all over the world and from remote antiquity have been laid not

anyhow in the earth, but with the feet and face towards the region in

which their future will be spent; the Samoans and Fijians towards the

far west whither their souls have preceded them; the Guarayos with head

turned eastwards because their god Tamoi has in that quarter "his happy

hunting grounds where the dead will meet again" (Tylor, _Prim. Cult._

ii. 422). The legend is that Christ was buried with His head to the

west, and the church follows the custom, more ancient than itself, of

laying the dead looking to the East, because that is the attitude of

prayer, and because at the last trump they will hurry eastwards. So in

Eusebius (_Hist. Eccl._ 430.19) a martyr explains to his pagan judge

that the heavenly Jerusalem, the fatherland of the pious, lay exactly in

the east at the rising place of the sun. Where the body is laid out

straight it is difficult to discern the presence of any other idea than

that it is at rest. In Scandinavian barrows, e.g. in the one opened at

Goldhavn in 1830, the skeletons have been found seated on a low stone

bench round the wall of the grave chamber facing its opening, which

always looks south or east, never north. Here the dead were continuing

the drinking bouts they enjoyed on earth.

The Peruvians mummified their dead and placed them jointed and huddled

up with knees to chin, looking toward the sunset, with the hands held

before the face. In the oldest prehistoric tombs along the Nile the

bodies are doubled up in the same position. It would seem as if in these

and numerous other similar cases the dead were deliberately given in

their graves the attitude of a foetus in the womb, and, as Dr Budge

remarks (_Egyptian Ideas of the Future Life_, London, 1899, p. 162), "we

may perhaps be justified in seeing in this custom the symbol of a hope

that, as the child is born from this position into the world, so might

the deceased be born into the life beyond the grave." The late

Quaternary skeletons of the Mentone cave were laid in a layer of

ferrugineous earth specially laid down for them, and have contracted a

red colour therefrom. Many other prehistoric skeletons found in Italy

have a reddish colour, perhaps for the same reason, or because, as often

to-day, the bones were stripped of flesh and painted. Ambrose relates

that the skeletons of the martyrs Gervasius and Protasius, which he

found and deposited A.D. 386 under the altar of his new basilica in

Milan, were _mirae magnitudinis ut prisca aetas ferebat_, and were also

coloured red. He imagined the red to be the remains of the martyrs'

blood! _Hic sanguis clamat coloris indicio._ Salomon Reinach has rightly

divined that what Ambrose really hit upon was a prehistoric tomb. Red

earth was probably chosen as a medium in which to lay a corpse because

demons flee from red. Sacred trees and stones are painted red, and for

the most solemn of their rites savages bedaub themselves with red clay.

It is a favourite taboo colour.

4. A feast is an essential feature of every primitive funeral, and in

the Irish "wake" it still survives. A dead man's soul or double has to

be fed at the tomb itself, perhaps to keep it from prowling about the

homes of the survivors in search of victuals; and such food must also be

supplied to the dead at stated intervals for months or years. Many races

leave a narrow passage or tube open down to the cavity in which the

corpse lies, and through it pour down drinks for the dead. Traces of

such tubes are visible in the prehistoric tombs of the British Isles.

However, such provision of food is not properly a funeral feast unless

the survivors participate. In the Eastern churches and in Russia the

departed are thus fed on the ninth, twelfth and fortieth days from

death. "Ye appease the shades of the dead with wine and meals," was the

charge levelled at the Catholics by the 4th-century Manichaeans, and it

has hardly ceased to be true even now after the lapse of sixteen

centuries. The funeral feast proper, however, is either a meal of

communion with or in the dead, which accompanies interment, or a banquet

off the flesh of victims slain in atonement of the dead man's sins. Some

anthropologists see in the common meal held at the grave "the pledge and

witness of the unity of the kin, the chief means, if not of making, at

least of repairing and renewing it."[1] The flesh provided at these

banquets is occasionally that of the dead man himself; Herodotus and

Strabo in antiquity relate this of several half-civilized races in the

East and West, and a similar story is told by Marco Polo of certain

Tatars. Nor among modern savages are funeral feasts off the flesh of the

dead unknown, and they seem to be intended to effect and renew a

sacramental union or kinship of the living with the dead. The Uaupes in

the Amazons incinerate a corpse a month after death, pound up the ashes,

and mix them with their fermented drink. They believe that the virtues

of the dead will thus be passed on to his survivors. The life of the

tribe is kept inside the tribe and not lost. Such cannibal sacraments,

however, are rare, and, except in a very few cases, the evidence for

them weak. The slaying and eating of animal victims, however, at the

tomb is universal and bears several meanings, separately or all at once.

The animals may be slain in order that their ghosts may accompany the

deceased in his new life. This significance we have already dwelt upon.

Or it is believed that the shade feeds upon them, as the shades came up

from Hades and lapped up out of a trench the blood of the animals slain

by Ulysses. The survivors by eating the flesh of a victim, whose blood

and soul the dead thus consume, sacramentally confirm the mystic tie of

blood kinship with the dead. Or lastly, the victim may be offered for

the sins of the dead. His sins are even supposed to be transferred into

it and eaten by the priest. Such expiatory sacrifices of animals for the

dead survive in the Christian churches of Armenia, Syria and of the East

generally. Their vicarious character is emphasized in the prayers which

accompany them, but the popular understanding of them probably combines

all the meanings above enumerated. It has been suggested by Robertson

Smith (_Religion of the Semites_, 336) that the world-wide customs of

tearing the hair, rending the garments, and cutting and wounding the

body were originally intended to establish a life-bond between the dead

and the living. The survivors, he argues, in leaving portions of their

hair and garments, and yet more by causing their own blood to stream

over the corpse from self-inflicted wounds, by cutting off a finger and

throwing it into the grave, leave what is eminently their own with the

dead, so drawing closer their tie with him. Conversely, many savages

daub themselves with the blood and other effluences of their dead

kinsmen, and explain their custom by saying that in this way a portion

of the dead is incorporated in themselves. Often the survivors,

especially the widows, attach the bones or part of them to their persons

and wear them, or at least keep them in their houses. The retention of

the locks of the deceased and of parts of his dress is equally common.

There is also another side to such customs. Having in their possession

bits of the dead, and being so far in communion with him, the survivors

are surer of his friendship. They have ensured themselves against ghosts

who are apt to be by nature envious and mischievous. But whatever their

original significance, the tearing of cheeks and hair and garments and

cutting with knives are mostly expressions of real sorrow, and, as

Robertson Smith remarks, of deprecation and supplication to an angry god

or spirit. It must not be supposed that the savage or ancient man feels

less than ourselves the poignancy of loss.

6. Death-witchery has close parallels in the witch and heretic hunts of

the Christians, but, happily for us, only flourishes to-day among

savages. Sixty % of the deaths which occur in West Africa are, according

to Miss Mary Kingsley--a credible witness--believed to be due to

witchcraft and sorcery. The blacks regard old age or effusion of blood

as the sole legitimate causes of death. All ordinary diseases are in

their opinion due to private magic on the part of neighbours, just as a

widespread epidemic marks the active hatred "of some great outraged

nature spirit, not of a mere human dabbler in devils."[2] Similarly in

Christian countries an epidemic is set down to the wrath of a God

offended by the presence of Jews, Arians and other heretics. The duty of

an African witch-doctor is to find out who bewitched the deceased, just

as it was of an inquisitor to discover the heretic. Every African

post-mortem accordingly involves the murder of the person or persons who

bewitched the dead man and caused him to die. The death-rate by these

means is nearly doubled; but, since the use of poison against an

obnoxious neighbour is common, the right person is occasionally

executed. It is also well for neighbours not to quarrel, for, if they do

and one of them dies of smallpox, the other is likely to be slain as a

witch, and his lungs, liver and spleen impaled on a pole at the entrance

of the village. It is the same case with the Australian blacks: "no such

thing as natural death is realized by the native; a man who dies has of

necessity been killed by some other man, or perhaps even by a woman, and

sooner or later that man or woman will be attacked. In the normal

condition of the tribe every death meant the killing of another

individual."[3]

7. Lastly, a primitive interment guards against the double risk of the

ghost haunting the living and of ghouls or vampires taking possession of

the corpse. The latter end is likely to be achieved if the body is

cremated, for then there is no nidus to harbour the demon; but whether,

in the remote antiquity to which belong many barrows containing

incinerated remains, this motive worked, cannot be ascertained. The

Indo-European race seems to have cremated at an early epoch, perhaps

before the several races of East and West separated. In Christian

funeral rites many prayers are for the protection of the body from

violation by vampires, and it would seem as if such a motive dictated

the architectural solidity of some ancient tombs. Christian graves were

for protection regularly sealed with the cross; and the following is a

characteristic prayer from the old Armenian rite for the burial of a

layman:

"Preserve, Almighty Lord, this man's spirit with all saints and with

all lovers of Thy holy name. And do Thou seal and guard the sepulchre

of Thy servant, Thou who shuttest up the depths and sealest them with

Thy almighty right hand ... so let the seal of Thy Lordship abide

unmoved upon this man's dwelling-place and upon the shrine which

guards Thy servant. And _let not any filthy and unclean devil dare to

approach him, such as assail the body and souls of the heathen_, who

possess not the birth of the holy font, and have not the dread seal

laid upon their graves."

A terrible and revolting picture of the superstitious belief in ghouls

which violate Christian tombs is given by Leo Allatius (who held it) in

his tract _De opinionibus quorundam Graecorum_ (Paris, 1646). It was

probably the fear of such demonic assaults on the dead that inspired the

insanitary custom of burying the dead under the floors of churches, and

as near as possible to the altar. In the Greek Church this practice was

happily forbidden by the code of Justinian as well as by the older law

in the case of churches consecrated with _Encaenia_ and deposition of

relics. In the Armenian Church the same rule holds, and Ephrem Syrus in

his testament particularly forbade his body to be laid within a church.

Such prohibitions, however, are a witness to the tendency in question.

The custom of lighting candles round a dead body and watching at its

side all night was originally due to the belief that a corpse, like a

person asleep, is specially liable to the assaults of demons. The

practice of tolling a bell at death must have had a similar origin, for

it was a common medieval belief that the sound of a consecrated bell

drives off the demons which when a man dies gather near in the air to

waylay his fleeting soul. For a like reason the consecrated bread of the

Eucharist was often buried with believers, and St Basil is said to have

specially consecrated a Host to be placed in his coffin.

8. Some of the rites described under the previous heads may be really

inspired by the fear of the dead haunting the living, but it must be

kept in mind that the taboo attaching to a dead body is one thing and

fear of a ghost another. A corpse is buried or burned, or scaffolded on

a tree, a tower or a house-top, in order to get it out of the way and

shield society from the dangerous infection of its taboo; but ghosts

_qua_ ghosts need not be feared and a kinsman's ghost usually is not. On

the contrary, it is fed and consoled with everything it needs, is asked

not to go away but to stay, is in a thousand ways assured of the sorrow

and sympathy of the survivors. Even if the body be eaten, it is merely

to keep the soul of the deceased inside the circle of kinsmen, and

Strabo asserts that the ancient Irish and Massagetae regarded it as a

high honour to be so consumed by relatives. In Santa Cruz in Melanesia

they keep the bones for arrow heads and store a skull in a box and set

food before it "saying that this is the man himself" (R.H. Codrington,

_The Melanesians_, p. 264), or the skull and jaw bone are kept and "are

called _mangite_, which are _saka_, hot with spiritual power, and by

means of which the help of the _lio'a_, the powerful ghost of the man

whose relics these are, can be obtained" (ibid. p. 262). Here we have

the savage analogue to Christian relics. So the Australian natives make

pointing sticks out of the small bones of the arm, with which to bewitch

enemies.

We may conclude then that in the most primitive societies, where

blood-kinship is the only social tie and root of social custom it is the

shades, not of kinsmen, but of strangers, who as such are enemies, that

are dangerous and uncanny. In more developed societies, however, all

ghosts alike are held to be so; and if a ghost walks it is because its

body has not been properly interred or because its owner was a

malefactor. Still, even allowing for this, it remains true that for a

friendly ghost the proper place is the grave and not the homes of the

living, and accordingly the Aruntas with cries of _Wah! Wah!_ with

wearing of fantastic head-dresses, wild dancing and beating of the air

with hands and weapons "drive the spirit away from the old camp which it

is supposed to haunt," and which has been set fire to, and hunt it at a

run into the grave prepared, and there stamp it down into the earth.

"The loud shouting of the men and women shows him that they do not wish

to be frightened by him in his present state, and that they will be

angry with him if he does not rest." (Spencer and Gillen, _Native

Tribes of Central Australia_, p. 508). In Mesopotamia cemeteries have

been discovered where the sepulchral jars were set upside down, clearly

by way of hindering the ghosts from escaping into the upper world. In

the Dublin museum we see specimens of ancient Celtic tombs showing the

same peculiarity. For a like reason perhaps the name of the dead must

among the Aruntas not be uttered, nor the grave approached, by certain

classes of kinsmen. The same repugnance to naming the dead exists all

over the world, and leads survivors who share the dead man's name to

adopt another, at least for a time. If the dead man's name was that of a

plant, tree, animal or stream, that too is changed. Here is a potent

cause of linguistic change, that also renders any historical tradition

impossible. The survivors seem to fear that the ghost will come when he

hears his name called; but it also hangs together with the taboo which

hedges round the dead as it does kings, chieftains and priests.

AUTHORITIES.--B. Spencer and F.J. Gillen, _The Native Tribes of

Central Australia_ (London, 1899); F.B. Jevons, _Introduction to

History of Religion_ (London, 1896); E.S. Hartland, _The Legend of

Perseus_, vol. ii.; J.G. Frazer, _The Golden Bough_ (London, 1900);

L.W. Faraday, "Custom and Belief in the Icelandic Sagas," in

_Folk-lore_, vol. xvii. No. 4; E.B. Tylor, _Primitive Culture_

(London, 1903); E.A. W. Budge, _The Mummy_ (Cambridge, 1893); C.

Royer, "Les Rites funeraires aux epoques prehistoriques," _Revue

d'anthropologie_ (1876); Forrer, _Uber die Totenbestattung bei den

Pfahlbauern_ (Ausland, 1885); J. Lubbock, _Origin of Civilization_

(London, 1875) and _Prehistoric Times_ (London, 1865); L.A. Muratori,

"De antiquis Christianorum sepulchris," _Anecd. Graeca_ (Padua, 1709);

Onaphr. Panvinius, _De ritu sepeliendi mortuos apua veteres

Christianos_, reprinted in Volbeding's _Thesaurus_ (Leipzig, 1841).

(F. C. C.)

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