CHAPTER V

THE LUCKNOW ROAD

"AND now for a good spin along the Lucknow road," said Gascoigne when

they had extricated themselves from the teeming bazaar.

Oh, Lucknow road! How many times have you resounded to the steady tramp

of armed men, the clattering of hoofs, the rumble of guns! What battles

have been fought to guard you, what nameless graves of gallant fellows

are scattered among the crops in your vicinity! But to-night all is

peace; the moon rides high in the heavens, and the whole landscape

seems flooded in silvery white. The pace at which Sally travelled

created a current of fresh air, as she sped past tombs, shrines,

villages, and between long avenues of trees. The bare, flat plains

were just forty miles from the foot of the Himalayas, and in the cold

weather the scene presented an unbroken stretch of rich cultivation.

A sea of yellow waves, wheat and barley, sugar-cane, feathery white

cotton, and acres and acres of poppies. Now the crops were gathered,

and all that remained was a barren expanse parched to a dull dusty

brown. The very trees, with their grey trunks and leafless branches,

gave the scene a bleak and wintry appearance, although the air was like

a furnace. It was a still, breathless night, save for the croaking of

frogs, or the humming of a village tom-tom, and the couple in the

dogcart were as silent as their surroundings, absorbing the swiftly

changing scene without exchanging a word, each being buried in their

own reflections. Angel's thoughts were pleasant ones; her busy brain

was occupied with visions of future triumphs—not unconnected with her

present position, and her new hat.

Gascoigne's inner self was far, far away across the sea. He was

driving with a little girl through deep country lanes, a girl then

his playfellow, later his divinity, now lost to him, and figuratively

laid in a grave and wrapped in roses and lavender. On the tombstone

the strong god Circumstance had inscribed, "Here lies the love of

Philip Gascoigne." The man was thinking of his love, the child of her

new hat, and the four-legged animal of her supper. Once or twice he

had been on the point of turning, but a piteous little voice beside

him had pleaded, "Oh, please, not yet; oh, just another mile, well,

half-a-mile," and they had passed the tenth milestone before Sally was

pulled up and her head set once more towards Ramghur.

"Oh, dear," cried Angel, coming out of a dream, "I'm so sorry we are

going back. I began to think I was in heaven."

"Upon my word, you are a funny child," exclaimed her cousin. "I don't

fancy the hot weather in the North-West is many people's notion of

Paradise."

"But there are horses and chariots there. At all events," she argued,

"the Bible says so."

"Do you read the Bible much, Angel?"

"Yes. I love the Book of Revelations, which tells all about gold and

jewels and horses. I always read it on Sundays."

"And what do you read on week-days?"

"I have not much time. I sew a good deal for mother, and there are

lessons, and going out walking with those children to the club gardens

twice a day," and she gave a little impatient sigh. Gascoigne looked

down at the small figure perched beside him, with pitying eyes, and

thought of her dreary, colourless life.

"I'm reading a book now," she announced complacently.

"And what is it called?"

"The Mysteries of Paris."

"The _what_?"

"The Mysteries of Paris," raising her thin voice. "I heard Mrs. Du

Grand telling mother it was thrilling—and so wicked. She rooted it out

of the old stock in the Library."

"It's not fit for you to read."

"Have _you_ read it?" she asked sharply.

"No, and don't want to. Does your mother allow you to read such stuff?"

"Mother does not know—she would not mind."

"I'm certain she would—it's a bad—I mean a grown-up book, and not fit

for you."

"I've only read as far as two chapters—and it's so stupid."

"Then mind you don't read more, Angel, nor any grown-up books, if you

would like to please _me_. Hullo, sit tight," he added quickly, as a

white bullock suddenly rose from beside a shrine, starting Sally out

of her wits. She made a violent spring across the road—a spring that

tested every buckle in her harness—and nearly capsized the cart. Then

she broke away into a frantic gallop, with the trap rocking at her

heels.

"No fear, Angel; you hold on to me," said Gascoigne.

"But I'm not afraid," rejoined a bold, clear voice. "I'm never afraid

when I'm with you, Philip."

"It's all right," he said presently, as Sally's racing pace slackened

and she gradually came back to her bit. "Sally is a coward; she thought

she saw a ghost."

"Yes; and it was only an old bullock," scoffed the child. "But, cousin

Phil, there _are_ real ghosts, you know."

"Where?"

"Oh," spreading out her hands, "everywhere, all over the world—in the

station—yes, and in your bungalow."

"My poor, simple Angel! Who has been cramming you with this rot?"

"The servants," she promptly replied; "and I've heard other people

talking. The cook's brother is your bearer, and yet, he would not go

into your compound after dark if you gave him one hundred rupees."

"Then he is a foolish man," pronounced Gascoigne; "not that I am likely

to offer him his price."

"They say," resumed the child, "where you keep your boxes and polo

sticks used to be the dining-room, and that servants in queer old

liveries can still be seen there."

"Then I wish to goodness they'd clean up my saddles whilst they wait.

And is that all?"

"No; an officer in uniform, a strange uniform not worn now, comes

running in with a drawn sword, and chases a pretty lady from room to

room. She wears a white muslin dress, and black satin shoes. He kills

her in the front verandah—and her screams are awful."

"Dear me, Angel, what a blood-curdling tragedy! but you don't mean to

say you believe it?"

"Oh, yes; Ibrahim says it is well known. There is another—I heard Mrs.

Jones telling it to mother, and she said she knew it was true. Shall I

go on?"

"Yes, if you like—it is quite an Indian night's entertainment."

"Well," beginning in a formal little voice, "some gentlemen were

driving up from the station; they were very late, and they saw a mess

house all lit up, and the compound packed with carriages and bullock

bandies, and they said, 'Why, it is a big ball, and we never heard a

word about it.' So they stopped on the road and looked on. They could

see right into the room, and there were crowds of people dancing—but

the strange thing was, there was not one face they knew."

"Well, I'm not surprised at that," exclaimed her listener derisively.

"Please don't interrupt—they drove on after a while——"

"They ought to have gone in to supper."

"_Philip!_" she expostulated. "Next morning they asked about the great

ball in the cavalry lines, and people thought they were joking; there

had not been a dance for weeks, but these men were quite positive, and

they rode down to have a look at the house. It had not been used for

years and years, and was crammed with rubbish and old broken furniture;

the compound was all grass and weeds, and there was not a trace or mark

of a carriage."

"And what did they make of that?" inquired Gascoigne.

"Oh, people just shook their heads, and said something about an old

story, and the mutiny, and that a great many ladies were killed in that

messhouse one night—and the servants have heaps of tales."

"I don't want to hear their tales, and I wish you would not listen to

them," he said sharply.

"Why?" with a look of bewildered injury, "how can I help it, when they

are talking all round me? The ayah's sister and her niece come in, and

bring a huka and sit on the floor of the nursery and gossip when mother

is out, and I can't sleep; they talk, ever so much, all the station

gup, oh, _such_ stories. Why are you so solemn, cousin Phil?" she asked

suddenly, gazing up at his face in the moonlight; "why are you so

grave; what are you thinking about?"

"Then I will tell you, Angel; I am thinking about _you_—it is full

time you were at home."

"So I am at home. Here we are—the gate is open. Oh, what a shy!" as

Sally executed a deep curtsey to a long black shadow.

"I mean England," giving Sally a flip; "would you not like to go there?"

"No; for I don't want to leave mother. Anyway, she cannot afford to

send me to school. She owes such a _lot_ of money; there she is on

the verandah watching for us; and oh! I am so sorry this drive is

over—thank you a million thousand times."

"I am afraid we are rather late," he called out to Mrs. Wilkinson, "but

I've brought her back safe and sound."

"Yes, thank goodness; it is after eight o'clock, and I began to be

nervous."

"I'm sorry I am behind time, but it is such a fine moonlight night, and

Angel has been telling me stories."

"Oh, she's good enough at that!" sneered Colonel Wilkinson, with

terrible significance. "Now, Angel, go off to your bed," he added

peremptorily; "the ayah has kept some cold rice pudding for you—mind

you eat it," and he waved her out of his sight. Then, turning his

attention to the child's charioteer, and refusing to notice his wife's

anxious signals, he continued, "I say, Gascoigne, if you don't mind,

you'll be late for mess!"

It was all very well for Lena to suggest his staying to share pot

luck, but Lena was not the housekeeper, or aware that the bill of fare

consisted of a little soup and some brain cutlets.

"The bugle went five minutes ago," he concluded. Gascoigne promptly

accepted the hint (not that he craved for an invitation—were not

Colonel Wilkinson's dinners notorious?) and with a hasty good-bye

immediately drove away.

Surely, this must have been one of the happiest days of Angel's

existence; her mother was prepared to find her in raptures, when she

came to see her in her cot that night. She was therefore astonished to

discover the child in tears, sobbing softly under her breath—the cold

rice-pudding untouched, and spurned.

"Darling, what is the matter?" inquired Mrs. Wilkinson anxiously. "Are

you sick?"

"No," sniffed her daughter in a lachrymose key.

"But you have not eaten your supper," she expostulated; "are you sure

you are quite well, dearie?"

"I am—quite—well."

"Then," now stirred to indignation, "do you mean to tell me, that after

your delightful drive, and all your beautiful presents, you greedy,

insatiable child, you are crying yourself to sleep?"

A heartrending sob was the sole reply to this question.

Mrs. Wilkinson's thoughts flew to her spouse; he had been particularly

impatient of Angel lately. She bent over the cot, and whispered into

the ear of the little head buried in its pillow:

"Tell me, darling, what has happened? What is the trouble—who——?"

And a muffled voice moaned like some wounded animal:

"Phil—cousin Phil—he—he——" a burst of sobs interrupted her.

"He what?" impatiently.

"Oh, mummy, he never said good-bye to me."

Angel: A sketch in Indian ink · 第 5 / 40 章