hotel. Her maid had retired, so she undressed herself, and putting on a
dressing-gown, she pulled up the blinds and sat down to write a letter
to Hugh.
She could not sleep before she had sent him a reassuring message.
In the frenzy of her despair she wrote one letter and addressed it, but
having done so she changed her mind. It was not sufficiently reassuring,
she decided. It contained an element of doubt. Therefore she tore it up
and wrote a second one which she locked safely in her jewel case, and
then pulled the blinds and retired.
It was nearly noon next day before she left her room, yet almost as soon
as she had descended in the lift the head _femme de chambre_, a stout
Frenchwoman in a frilled cap, entered the room, and walking straight to
the waste-paper basket gathered up the contents into her apron and went
back along the corridor with an expression of satisfaction upon her full
round face.
NINTH CHAPTER
CONCERNS THE SPARROW
With the rosy dawn rising behind them the big dusty car tore along
over the white road which led through Pegli and Cornigliano, with their
wealth of olives and palms, into the industrial suburbs of old-world
Genoa. Then, passing around by the port, the driver turned the car up
past Palazzo Doria and along that street of fifteenth-century palaces,
the Via Garibaldi, into the little piazza in front of the Annunziata
Church.
There he pulled up after a run of two hours from the last of the many
railway crossings, most of which they had found closed.
When Hugh got out, the mysterious man, whose face was more forbidding in
the light of day, exclaimed:
“Here I must leave you very shortly, signore. But first I have certain
instructions to give you, namely, that you remain for the present in a
house in the Via della Maddalena to which I shall take you. The man and
the woman there you can trust. It will be as well not to walk about in
the daytime. Remain here for a fortnight, and then by the best means,
without, of course, re-entering France, you must get to Brussels. There
you will receive letters at the Poste Restante in the name of Godfrey
Brown. That, indeed, is the name you will use here.”
“Well, all this is very strange!” remarked Hugh, utterly bewildered as
he glanced at the forbidding-looking chauffeur and the dust-covered car.
“I agree, signore,” the man laughed. “But get in again and I will drive
to the Via della Maddalena.”
Five minutes later the car pulled up at the end of a narrow stuffy
ancient street of high houses with closed wooden shutters. From house
to house across the road household linen was flying in the wind, for the
neighbourhood was certainly a poverty-stricken one.
The place did not appeal to Hugh in the least. He, however, recollected
that he was about to hide from the police. Italians are early risers,
and though it was only just after dawn, Genoa was already agog with life
and movement.
Leaving the car, the mysterious chauffeur conduced the young Englishman
along the street, where women were calling to each other from the
windows of their apartments and exchanging salutations, until they came
to an entrance over which there was an old blue majolica Madonna. The
house had no outer door, but at the end of the passage was a flight of
stone steps leading up to the five storeys above.
At the third flight Hugh’s conductor paused, and finding a piece of cord
protruding from a hole in a door, pulled it. A slight tinkle was heard
within, and a few moments later the sound of wooden shoes was heard upon
the tiles inside.
The door opened, revealing an ugly old woman whose face was sallow and
wrinkled, and who wore a red kerchief tied over her white hair.
As soon as she saw the chauffeur she welcomed him, addressing him as
Paolo, and invited them in.
“This is the English signore,” explained the man. “He has come to stay
with you.”
“The signore is welcome,” replied the old woman as she clattered into
the narrow, cheaply furnished little sitting-room, which was in half
darkness owing to the _persiennes_ being closed.
Truly, it was an uninviting place, which smelt of garlic and of the
paraffin oil with which the tiled floors had been rubbed.
“You will require another certificate of identity, signore,” said the
man, who admitted that he had been engaged in smuggling contraband
across the Alps. And delving into his pocket he produced an American
passport. It was blank, though the embossed stamp of the United States
Government was upon it. The places were ready for the photograph and
signature. With it the man handed him a large metal disc, saying:
“When you have your picture taken and affixed to it, all you have to do
is to damp the paper slightly and impress this stamp. It will then defy
detection.”
“Where on earth did you get this from?” asked Hugh, noticing that it was
a replica of the United States consular seal.
The man smiled, replying:
“They make passports of all countries in Spain. You pay for them, and
you can get them by the dozen. The embossing stamps are extra. There is
a big trade in them now owing to the passport restrictions. Besides, in
every country there are passport officers who are amenable to a little
baksheesh!” And he grinned.
What he said was true. At no period has it ever been more easy for a
criminal to escape than it is to-day, providing, of course, that he is a
cosmopolitan and has money.
Hugh took the passport and the disc, adding:
“How am I to repay you for all this?”
“I want no payment, signore. All I ask you is to conform to the
suggestions of the worthy Signore Ravecca and his good wife here. You
are not the first guest they have had for whom the police searched in
vain.”
“No,” laughed the old woman. “Do you recollect the syndic of Porticello,
how we had him here for nearly three years, and then he got safely away
to Argentina and took the money, three million lire, with him?”
“Yes,” was the man’s reply. “I recollect it, signora. But the Signore
Inglese must be very careful--very careful. He must never go out in the
daytime. You can buy him English papers and books of Luccoli, in the Via
Bosco. They will serve to while away the time.”
“I shall, no doubt, pass the time very pleasantly,” laughed Hugh,
speaking in French.
Then the old crone left them and returned with two cups of excellent
_cafe nero_, that coffee which, roasted at home one can get only in
Italy.
It was indeed refreshing after that long night drive.
Hugh stood there without luggage, and with only about thirty pounds in
his pocket.
Suddenly the man who had driven him looked him curiously in the face,
and said:
“Ah! I know you are wondering what your lady friend in Monte Carlo
will think. Well, I can tell you this. She already knows that you have
escaped, and she had been told to write to you in secret at the Poste
Restante at Brussels.”
Hugh started.
“Who has told her? Surely she knows nothing of the affair at the Villa
Amette?”
“She will not be told that. But she has been told that you are going to
Brussels, and that in future your name is Monsieur Godfrey Brown.”
“But why have all these elaborate arrangements been made for my
security?” Hugh demanded, more than ever nonplussed.
“It is useless to take one precaution unless the whole are taken,”
laughed the sphinx-like fellow whose cheerful banter had so successfully
passed them through the customs barrier.
Then, swallowing his coffee, he wished Hugh, “buon viaggio” and was
about to depart, when Hugh said:
“Look here. Is it quite impossible for you to give me any inkling
concerning this astounding affair? I know that some unknown friend, or
friends, are looking after my welfare. But why? To whom am I indebted
for all this? Who has warned Miss Ranscomb and told her of my alias and
my journey to Brussels?”
“A friend of hers and of yourself,” was the chauffeur’s reply. “No,
please do not question me, signore,” he added. “I have done my best for
you. And now my journey is at an end, while yours is only beginning.
Pardon me--but you have money with you, I suppose? If you have not,
these good people here will trust you.”
“But what is this house?”
The man laughed. Then he said:
“Well, really it is a bolt-hole used by those who wish to evade our very
astute police. If one conforms to the rules of Signora Ravecca and her
husband, then one is quite safe and most comfortable.”
Hugh realized that he was in a hiding-place used by thieves. A little
later he knew that the ugly old woman’s husband paid toll to a certain
_delegato_ of police, hence their house was never searched. While the
criminal was in those shabby rooms he was immune from arrest. The place
was, indeed, one of many hundreds scattered over Europe, asylums known
to the international thief as places ever open so long as they can pay
for their board and lodging and their contribution towards the police
bribes.
A few moments later the ugly, uncouth man who had brought him from Monte
Carlo lit a cigarette, and wishing the old woman a merry “addio” left
and descended the stairs.
The signora then showed Hugh to his room, a small, dispiriting and
not overclean little chamber which looked out upon the backs of the
adjoining houses, all of which were high and inartistic. Above, however,
was a narrow strip of brilliantly blue sunlit sky.
A quarter of an hour later he made the acquaintance of the woman’s
husband, a brown-faced, sinister-looking individual whose black bushy
eyebrows met, and who greeted the young Englishman familiarly
in atrocious French, offering him a glass of red wine from a big
rush-covered flask.
“We only had word of your coming late last night,” the man said. “You
had already started from Monte Carlo, and we wondered if you would get
past the frontier all right.”
“Yes,” replied Hugh, sipping the wine out of courtesy. “We got out of
France quite safely. But tell me, who made all these arrangements for
me?”
“Why, Il Passero, of course,” replied the man, whose wife addressed him
affectionately as Beppo.
“Who is Il Passero, pray?”
“Well, you know him surely. Il Passero, or The Sparrow. We call him so
because he is always flitting about Europe, and always elusive.”
“The police want him, I suppose.”
“I should rather think they do. They have been searching for him for
these past five years, but he always dodges them, first in France, then
here, then in Spain, and then in England.”
“But what is this mysterious and unknown friend of mine?”
“Il Passero is the chief of the most daring of all the gangs of
international thieves. We all work at his direction.”
“But how did he know of my danger?” asked Hugh, mystified and dismayed.
“Il Passero knows many strange things,” he replied with a grin. “It
is his business to know them. And besides, he has some friends in the
police--persons who never suspect him.”
“What nationality is he?”
The man Beppo shrugged his shoulders.
“He is not Italian,” he replied. “Yet he speaks the _lingua Toscano_
perfectly and French and English and _Tedesco_. He might be Belgian or
German, or even English. Nobody knows his true nationality.”
“And the man who brought me here?”
“Ah! that was Paolo, Il Passero’s chauffeur--a merry fellow--eh?”
“Remarkable,” laughed Hugh. “But I cannot see why The Sparrow has taken
such a paternal interest in me,” he added.
“He no doubt has, for he has, apparently, arranged for your safe return
to England.”
“You know him, of course. What manner of man is he?”
“A signore--a great signore,” replied Beppo. “He is rich, and is often
on the Riviera in winter. He’s probably there now. Nobody suspects him.
He is often in England, too. I believe he has a house in London. During
the war he worked for the French Secret Service under the name of
Monsieur Franqueville, and the French Government never suspected that
they actually had in their employ the famous Passero for whom the Surete
were looking everywhere.”
“You have no idea where he lives in London?”
“I was once told that he had a big house somewhere in what you call
the West End--somewhere near Piccadilly. I have, however, only seen him
once. About eighteen months ago he was hard pressed by the police and
took refuge here for two nights, till Paolo called for him in his fine
car and he passed out of Italy as a Swiss hotel-proprietor.”
“Then he is head of a gang--is he?”
“Yes,” was the man’s reply. “He is marvellous, and has indeed well
earned his sobriquet ‘Il Passero.’”
A sudden thought flitted through Hugh’s mind.
“I suppose he is a friend of Mademoiselle of Monte Carlo?”
“Ah, signore, I do not know. Il Passero had many friends. He is rich,
prosperous, well-dressed, and has influential friends in France, in
Italy and in England who never suspect him to be the notorious king of
the thieves.”
“Now, tell me,” urged young Henfrey. “What do you know concerning
Mademoiselle of Monte Carlo?”
The Italian looked at him strangely.
“Nothing,” he replied, still speaking bad French.
“You are not speaking the truth.”
“Why should I tell it to you? I do not know you!” was the quick retort.
“But you are harbouring me.”
“At the orders of Il Passero.”
“You surely can tell me what you know of Mademoiselle,” Hugh persisted
after a brief pause. “We are mutually her friends. The attempt to kill
her is outrageous, and I, for one, intend to do all I can to trace and
punish the culprit.”
“They say that you shot her.”
“Well--you know that I did not,” Henfrey said. “Have you yourself ever
met Mademoiselle?”
“I have seen her. She was living for a time at Santa Margherita last
year. I had a friend of hers living here with me and I went to her with
a message. She is a very charming lady.”
“And a friend of Il Passero?”
The Italian shrugged his shoulders with a gesture of ignorance.
Hugh Henfrey had certainly learned much that was curious. He had never
before heard of the interesting cosmopolitan thief known as The Sparrow,
but it seemed evident that the person in question had suddenly become
interested in him for some obscure and quite unaccountable reason.
As day followed day in that humble place of concealment, Beppo told him
many things concerning the famous criminal Il Passero, describing his
exploits in terms of admiration. Hugh learnt that it was The Sparrow who
had planned the great jewel robbery at Binet’s, in the Rue de la Paix,
when some famous diamonds belonging to the Shah of Persia, which had
been sent to Paris to be reset, were stolen. It was The Sparrow, too,
who had planned the burglary at the art gallery of Evans and Davies in
Bond Street and stolen Raphael’s famous Madonna.
During the daytime Hugh, anxious to get away to Brussels, but compelled
to obey the order of the mysterious Passero, spent the time in smoking
and reading books and newspapers with which Beppo’s wife provided him,
while at night he would take long walks through the silent city, with
its gloomy old palaces, the courtyards of which echoed to his footsteps.
At such times he was alone with his thoughts and would walk around the
port and out upon the hills which surrounded the bay, and then sit down
and gaze out to the twinkling lights across the sea and watch the long
beams of the great lighthouse searching in the darkness.
His host and hostess were undoubtedly criminals. Indeed, they did not
hide the fact. Both were paid by The Sparrow to conceal and provide for
anyone whom he sent there.
He had been there four weary, anxious days when one evening a pretty,
well-dressed young French girl called, and after a short chat with
Beppo’s wife became installed there as his fellow-guest. He did not know
her name and she did not tell him.
She was known to them as Lisette, and Hugh found her a most vivacious
and interesting companion. Truly, he had been thrown into very queer
company, and he often wondered what his friends would say if they knew
that he was guest in a hiding-place of thieves.
TENTH CHAPTER
A LESSON IN ARGOT
Late one evening the dainty girl thief, Lisette, went out for a stroll
with Hugh, but in the Via Roma they met an agent of police.
“Look!” whispered the girl in French, “there’s a _pince sans rire_! Be
careful!”
She constantly used the argot of French thieves, which was often
difficult for the young Englishman to understand. And the dark-haired
girl would laugh, apologize, and explain the meaning of her strange
expressions.
Outside the city they were soon upon the high road which wound up the
deep green valley of the Bisagno away into the mountains, ever ascending
to the little hill-town of Molassana. The scene was delightful in the
moonlight as they climbed the steep hill and then descended again
into the valley, Lisette all the time gossiping on in a manner which
interested and amused him.
Her arrival had put an end to his boredom, and, though he was longing to
get away from his surroundings, she certainly cheered him up.
They had walked for nearly an hour, when, declaring she felt tired,
they sat upon a rock to rest and eat the sandwiches with which they had
provided themselves.
Two carabineers in cloaks and cocked hats who met them on the road put
them down as lovers keeping a clandestine tryst. They never dreamed that
for both of them the police were in search.
“Now tell me something concerning yourself, mademoiselle,” Hugh urged
presently.
“Myself! Oh! la la!” she laughed. “What is there to tell? I am just of
_la haute pegre--a truqueuse_. Ah! you will not know the expression.
Well--I am a thief in high society. I give indications where we can
make a coup, and afterwards _bruler le pegriot_--efface the trace of the
affair.”
“And why are you here?”
“_Malheureusement_! I was in Orleans and a _friquet_ nearly captured me.
So Il Passero sent me here for a while.”
“You help Il Passero--eh?”
“Yes. Very often. Ah! m’sieur, he is a most wonderful man--English, I
think. _Girofle_ (genteel and amiable), like yourself.”
“No, no, mademoiselle,” Hugh protested, laughing.
“But I mean it. Il Passero is a real gentleman--but--_maquiller son
truc_, and he is marvellous. When he exercises his wonderful talent and
forms a plan it is always flawless.”
“Everyone seems to hold him in high esteem. I have never met him,” Hugh
remarked.
“He was in Genoa on the day that I arrived. Curious that he did not call
and see Beppo. I lunched with him at the Concordia, and he paid me five
thousand francs, which he owed me. He has gone to London now with his
_ecrache-tarte_.”
“What is that, pray?”
“His false passport. He has always a good supply of them for anyone
in need of one. They are printed secretly in Spain. But m’sieur,” she
added, “you are not of our world. You are in just a little temporary
trouble. Over what?”
In reply he was perfectly frank with her. He told her of the suspicion
against him because of the affair of the Villa Amette.
“Ah!” she replied, her manner changing, “I have heard that Mademoiselle
was shot, but I had no idea that you had any connexion with that ugly
business.”
“Yes. Unfortunately I have. Do you happen to know Yvonne Ferad?”
“Of course. Everyone knows her. She is very charming. Nobody knows the
truth.”
“What truth?” inquired Hugh quickly.
“Well--that she is a _marque de ce_.”
“A _marque de ce_--what is that?” asked Hugh eagerly.
“Ah! _non_, m’sieur. I must not tell you anything against her. You are
her friend.”
“But I am endeavouring to find out something about her. To me she is a
mystery.”
“No doubt. She is to everybody.”
“What did you mean by that expression?” he demanded. “Do tell me. I am
very anxious to know your opinion of her, and something about her. I
have a very earnest motive in trying to discover who and what she really
is.”
“If I told you I should offend Il Passero,” replied the girl simply. “It
is evident that he wishes you should remain in ignorance.”
“But surely, you can tell me in confidence? I will divulge nothing.”
“No,” answered the girl, whose face he could not see in the shadow. “I
am sorry, M’sieur Brown”--she had not been told his Christian name--“but
I am not permitted to tell you anything concerning Mademoiselle Yvonne.”
“She is a very remarkable person--eh?” said Henfrey, again defeated.
“Remarkable! Oh, yes. She is of the _grande monde_.”
“Is that still your argot?” he asked.
“Oh no. Mademoiselle Yvonne is a lady. Some say she is the daughter of a
rich Englishman. Others say she is just a common adventuress.”
“The latter is true, I suppose?”
“I think not. She has _le clou_ for the _eponge d’or_.”
“I do not follow that.”
“Well,” she laughed, “she has the attraction for those who hold the
golden sponge--the Ministers of State. Our argot is difficult for you,
m’sieur--eh?”
“I see! Your expressions are a kind of cipher, unintelligible to the
ordinary person--eh?”
“That is so. If I exclaim, _par exemple, tarte_, it means false; if I
say _gilet de flanelle_, it is lemonade; if I say _frise_, it means a
Jew; or _casserole_, which is in our own tongue a police officer. So
you see it is a little difficult--is it not? To us _tire-jus_ is a
handkerchief, and we call the ville de Paris _Pantruche_.”
Hugh sat in wonder. It was certainly a strange experience to be on
a moonlight ramble with a girl thief who had, according to her own
confession, been born in Paris the daughter of a man who was still one
of Il Passero’s clever and desperate band.
“Yes, m’sieur,” she said a few moments later. “They are all dangerous.
They do not fear to use the knife or automatic pistol when cornered.
For myself, I simply move about Europe and make discoveries as to where
little affairs can be negotiated. I tell Il Passero, and he then works
out the plans. _Dieu_! But I had a narrow escape the other day in
Orleans!”
“Do tell me about Mademoiselle of Monte Carlo. I beg of you to tell me
something, Mademoiselle Lisette,” Hugh urged, turning to the girl of
many adventures who was seated at his side upon the big rock overlooking
the ravine down which the bright moon was shining.
“I would if I were permitted,” she replied. “Mademoiselle Yvonne is
charming. You know her, so I need say nothing, but----”
“Well--what?”
“She is clever--very clever,” said the girl. “As Il Passero is clever,
so is she.”
“Then she is actively associated with him--eh?”
“Yes. She is cognizant of all his movements, and of all his plans. While
she moves in one sphere--often in a lower sphere, like myself--yet in
society she moves in the higher sphere, and she ‘indicates,’ just as I
do.”
“So she is one of The Sparrow’s associates?” Hugh said.
“Yes,” was the reply. “From what you have told me I gather that Il
Passero knew by one of his many secret sources of information that you
were in danger of arrest, and sent Paolo to rescue you--which he did.”
“No doubt that is so. But why should he take all this interest in me? I
don’t know and have never even met him.”
“Il Passero is always courteous. He assists the weak against the strong.
He is like your English bandit Claude Duval of the old days. He always
robs with exquisite courtesy, and impresses the same trait upon all who
are in his service. And I may add that all are well paid and all devoted
to their great master.”
“I have heard that he has a house in London,” Hugh said. “Do you know
where it is situated?”
“Somewhere near Piccadilly. But I do not know exactly where it is. He is
always vague regarding his address. His letters he receives in several
names at a newspaper shop in Hammersmith and at the Poste Restante at
Charing Cross.”
“What names?” asked Hugh, highly interested.
“Oh! a number. They are always being changed,” the French girl replied.
“Where do you write when you want to communicate with him?”
“Generally to the Poste Restante in the Avenue de l’Opera, in Paris.
Letters received there are collected for him and forwarded every day.”
“And so clever is he that nobody suspects him--eh?”
“Exactly, m’sieur. His policy is always ‘_Rengraciez_!’ and he cares not
a single _rotin_ for _La Reniffe_,” she replied, dropping again into the
slang of French thieves.
“Of course he is on friendly terms with Mademoiselle of Monte Carlo?”
Hugh remarked. “He may have been at Monte Carlo on the night of the
tragic affair.”
“He may have been. He was, no doubt, somewhere on the Riviera, and he
sent Paolo in one of the cars to rescue you from the police.”
“In that case, he at least knows that I am innocent.”