CHAPTER LI. LADY AND GENTLEMAN.

The number of questions asked by correspondents on the subject of

the proper use of the familiar words _lady_ and _woman_, and of the

titles of married women, induces the reflection that the "woman"

question is one which rivals in universal interest those of

Nihilism, Irish rebellion, and the future presidency. It is not,

however, of ultimate importance to a woman what she is called, as

arose by any other name would smell as sweet, but it _is_ of

importance to those who speak _of_ her, because by their speech

"shall ye know them," whether fashionable or unfashionable, whether

old or young, whether welt-bred or ill-bred, whether stylish or

hopelessly _rococo_!

Nothing, for instance, Can be in worse taste than to say "she is a

beautiful lady," or "a clever lady." One should always say

"beautiful _woman_," "clever _woman_." The would-be genteel make

this mistake constantly, and in the Rosa-Matilda style of novel the

gentleman always kneels to the lady, and the fair ladies are

scattered broadcast through the book, while the fine old Saxon word

"woman" is left out, or not properly used.

Now it would be easy enough to correct this if we could only tell

our correspondents always to use the word "woman." But unfortunately

we are here constrained to say that would be equally "bad form." No

gentleman would say, "I am travelling with women." He would say, "I

am travelling with ladies." He would not say, "When I want to take

my women to the theatre." He would say, "When I want to take my

ladies." He would speak of his daughters as "young ladies," etc.,

etc. But if he were writing a novel about these same young ladies,

he would avoid the word "lady" as feeble, and in speaking of

emotions, looks, qualities, etc., he would use the word "woman."

Therefore, as a grand generic distinction, we can say that "woman"

should be used when the realities of life and character are treated

of. "Lady" should be used to express the outside characteristics,

the conditions of cultivated society, and the respectful, distant,

and chivalric etiquette which society claims for women when members

thereof.

Then, our querist may ask, Why is the term, "she is a beautiful

_lady_," so hopelessly out of style? Why does it betray that the

speaker has not lived in a fashionable set? Why must we say "nice

woman," "clever woman," "beautiful woman," etc.

The only answer to this is that the latter phraseology is a caprice

of fashion into which plain-spoken people were driven by the

affectations of the shabby-genteel and half-instructed persons who

have ruined two good words for us by misapplication. One is

"genteel," which means gentle, and the other is "lady," which means

everything which is refined, cultivated, elegant, and aristocratic.

Then as to the term "woman," this nomenclature has been much

affected by the universal _sans-culottism_ of the French Revolution,

when the queen was called _citoyenne_. Much, again, from a different

cause, comes from our own absurd want of self-respect, which has

accrued in this confusion of etiquette in a republic, as for

instance, "I am a lady--as much a lady as anybody--and I want to be

called a lady," remarked a nurse who came for a situation to the

wife of one of our presidents. "I have just engaged a colored _lady_

as a cook," remarked a _nouveau riche_. No wonder that when the word

came to be thus misapplied the lover of good English undefiled began

to associate the word "lady" with pretension, ignorance, and bad

grammar.

Still, no "real lady" would say to her nurse, "A woman is coming to

stay with me." To servants the term "lady," as applied to a coming

guest, is indispensable. So of a gentleman she would say to her

servant, "A gentleman is coming to stay here for a week;" but to her

husband or son she would say, "He is a clever man," rather than, "He

is a clever gentleman."

We might almost say that no women talk to men about "gentlemen," and

no men talk to women about "ladies," in fashionable society. A woman

in good society speaks of the hunting men, the dancing men, the

talking men. She does not say "gentleman," unless in some such

connection as this, "No gentleman would do such a thing," if some

breach of etiquette had occurred. And yet no man would come into a

lady's drawing-room saying, "Where are the girls?" or "Where are the

women?" He would Say; "Where are the young ladies?"

It therefore requires a fine ear and a fine sense of modern fashion

and of eternal propriety always to choose the right word in the

delicate and almost unsettled estate of these two epithets.

"Ladylike" can never go out of fashion. It is at once a compliment

of the highest order and a suggestion of subtle perfection. The word

"woman" does not reach up to this, because in its broad and strong

etymology it may mean a washer-woman, a fighting woman, a coarse

woman, alas! a drunken woman. If we hear of "a drunken lady," we see

a downfall, a glimpse of better days; chloral, opium, even cologne,

may have brought her to it. The word still saves her miserable

reputation a little. But the words "a drunken woman" merely suggest

whiskey, degradation, squalor, dirt, and the tenement-house.

It is evident, therefore, that we cannot do without the word "lady."

It is the outgrowth of years of chivalric devotion, and of that

progress in the history of woman which has ever been raising her

from her low estate. To the Christian religion first does she owe

her rise; to the institution of chivalry, to the growth of

civilization since, has woman owed her continual elevation. She can

never go back to the degradation of those days when, in Greece and

Rome, she was not allowed to eat with her husband and sons. She

waited on them as a servant. Now they in every country serve her, if

they are _gentlemen_. But, owing to a curious twist in the way of

looking at things, she is now undoubtedly the tyrant, and in

fashionable society she is often imperiously ill-bred, and requires

that her male slaves be in a state of servitude to which the

Egyptian bondage would have been light frivolity.

American women are said to be faulty in manners, particularly in

places of public amusement, in railway travelling, in omnibuses, and

in shops. Men complain very much that the fairer sex are very brutal

on these occasions. "I wish _women_ would behave like _ladies_,"

said a man at a _matin‚e_. "Yes," said his friend, "I wish they

would behave like _men_." Just then a sharp feminine elbow was

thrust into his chest. "I wish _gentlemen_ would not crowd so," was

the remark which accompanied the "dig under the fifth rib" from a

person whom no one could call a lady.

In speaking to a servant, either a lady or a gentleman will ever be

patient, courteous, kind, not presuming on his or her power. But

there should always be a certain ceremony observed, and a term of

respect to the person spoken of. Therefore a mistress will not say

"Have the _girls_ come in?" "Is _Lucy_ home?" She will say: "Have

the young ladies come in?" "Is Miss Lucy at home?" This sort of

dignified etiquette has the happiest and the most beneficial result

on the relations of mistress and servant.

In modern literature the terms man and woman have nearly obliterated

the words gentleman and lady, and we can hardly imagine a more

absurd phrase than the following: "I asked Mary what she thought of

Charles, and she said he was a beautiful gentleman, and Charles said

that Mary was a lovely lady; so it was quite natural that I should

try to bring them together," etc., etc.

Still, in poetry we like the word lady. "If my lady loves me true,"

is much better than "if my woman loves me true" would be; so there,

again, we have the contradiction, for the Anglo-Saxon rule of using

the word "woman" when anything real or sincere in emotion is in

question is here honored in the breach. But this is one of the many

shadowy conflicts which complicate this subject.

The term "lady" is like the word "gentry" in England--it is elastic.

All persons coming within the category of "gentry" may attend the

Queen's Drawing-room, yet it is well understood that birth, wealth,

association, and position give the _raison d'ˆtre_ for the use of

such a privilege, and in that carefully guarded English society the

wife or daughters of an officer in the navy or in a line regiment

whose means are slender and whose position is obscure would not be

justified in presenting themselves at court. The same remark holds

good of the wives and daughters of clergymen, barristers, doctors,

authors, and artists, although the husband, if eminent, might attend

a lev‚e if he wished. Yet these women are very tenacious of the

title of lady, and no tradesman's wife would deny it to them, while

she would not, if ever so rich, aspire to be called a lady herself.

"I ain't no lady myself, but I can afford to have 'em as

governesses," remarked a Mrs. Kicklebury on the Rhine. She was not

at all ashamed of the fact that she was no lady herself, yet her

compeer and equal in America, if she kept a gin-shop, would insist

upon the title of lady.

A lady is a person of refinement, of education, of fashion, of

birth, of prestige, of a higher grade of some sort, if we apply the

term rightly. She may be out of place through loss of fortune, or

she may have sullied her title, but a something tells us that she is

still a lady. We have a habit of saying, as some person, perhaps

well decked out with fortune's favors, passes us, "She is not a

lady," and every one will know what we mean. The phrase "vulgar

lady," therefore, is an absurdity; there is no such thing; as well

talk of a white blackbird; the term is self-contradictory. If she is

vulgar, she is not a lady; but there is such a thing as a vulgar

woman, and it is a very real thing.

In England they have many terms to express the word "woman" which we

have not. A traveller in the rural districts speaks of a "kindly old

wife who received me," or a "wretched old crone," or a "saucy

lassie," or a "neat maid," etc. We should use the word "woman," or

"old woman," or "girl," for all these.

Now as to the term "old woman" or "old lady." The latter has a

pretty sound. We see the soft white curls, so like floss silk, the

delicate white camel's-hair shawl, the soft lace and appropriate

black satin gown, the pretty old-fashioned manner, and we see that

this is a _real_ lady. She may have her tricks of old-fashioned

speech; they do not offend us. To be sure, she has no slang; she

does not talk about "awfully jolly," or a "ghastly way off;" she

does not talk of the boys as being a "bully lot," or the girls as

being "beastly fine;" she does not say that she is "feeling rather

seedy to-day," etc. No, "our old lady" is a "lady," and it would be

in bad taste to call her an "old woman," which somehow sounds

disrespectful.

Therefore we must, while begging of our correspondents to use the

word "woman" whenever they can, tell them not entirely to drop the

word "lady." The real lady or gentleman is very much known by the

voice, the choice of words, the appropriate term. Nothing can be

better than to err on the side of simplicity, which is always better

than gush, or over-effort, or conceit of speech. One may be

"ignorant of the shibboleth of a good set," yet speak most excellent

English.

Thackeray said of George the Fourth that there was only one reason

why he should not have been called the "first gentleman in Europe,"

and that was because he was not a gentleman. But of the young Duke

of Albany, just deceased, no one could hesitate to speak as a

gentleman. Therefore, while we see that birth does not always make a

gentleman, we still get the idea that it may help to make one, as we

do not readily connect the idea with Jeames, who was a "gentleman's

gentleman." He might have been "fine," but not "noble."

As for titles for married women, we have only the one word, "Mrs.,"

not even the pretty French "Madame." But no woman should write

herself "Mrs." on her checks or at the foot of her notes; nowhere

but in a hotel register or on a card should she give herself this

title, simple though it be. She is always, if she writes in the

first person, "Mary Smith," even to a person she does not know. This

seems to trouble some people, who ask, "How will such a person know

I am married?" Why should they? If desirous of informing some

distant servant or other person of that fact, add in a parenthesis

beneath "Mary Smith" the important addenda, "Mrs. John Smith."

When women are allowed to vote, perhaps further complications may

arise. The truth is, women have no real names. They simply are

called by the name of father or husband, and if they marry several

times may well begin to doubt their own identity. Happy those who

never have to sign but one new name to their letters!

Manners and Social Usages · 第 51 / 59 章